After the hugely depressing ‘Battle Royale of Battle Royales’, I got to spend the entire Easter weekend with my 18-month old daughter. Now, I used to worry that my children wouldn’t like the ‘right’ kind of music, but it’s only since I’ve been a father I’ve realised bad films are far worse than bad music.
I can take the worst tweeny nonsense Simon Cowell has to throw at me in my stride. Bad music is easy to tune out from; but I can’t look away from a bad movie.
And when you are a parent, you better get used to sitting down and watching the same film about a hundred times. My daughter already has her first crush – on Macaulay Culkin. I’ve seen Home Alone so many times over the past six months I can recite it pretty much word for word (favourite quote this week – “You’re what the French call Les Incompetente). It’s a good job Home Alone came from the mind of John Hughes (RIP), and is actually a pretty decent kids film. Culkin is a genuinely charming performer, and he is ably backed up by Joe Pesci, Catherine O’Hara, and John Candy (RIP, again). Compare this to the pretty awful Marmaduke, which made a brief appearance for a week, and has now been conveniently lost…
Anyway, this weekend gave me the chance not only see two more films from the list, but also to lay some more good film foundations for the future.
First up, we watched Wall-E. And although my daughter walked off a few times during this film, I was enraptured. The opening 40 minutes or so are some of the most beautiful, touching, and charming images ever committed to film. I am struggling to do justice to this section of the film with my flabby and poorly created words. I know it’s lazy, but you really have to see it for yourselves. It finds beauty in human creation – the tiny artefacts that we take for granted and throw away every day.
Director Andrew Stanton (he of monumental Disney flop John Carter) claims that the inspiration for Wall-E can from a pair of binoculars at a horse racing meeting. Hmmm, I do suspect this might be an invention to stop the producers of Short Circuit suing for image rights. Wall-E is one Johnny 5-looking muthafucka.
Interestingly, this is the first time Pixar have used live-action footage in one of their films – with the always-watchable Fred Willard playing the president of Earth who orders the evacuation of the planet after humankind pollutes it to such an extent that it becomes uninhabitable.
The second-half of the film can never quite live up to the pure genius of the first half, and fades into standard Pixar fare. Although, even ‘standard Pixar fare’ is still better than most films produced in any given year.
Beauty and the Beast was the second half of our double-bill. This is the first animated film ever to be nominated for the Best Picture Oscar (it lost out to The Silence of the Lambs), and shares the record with Wall-E of 6 nominations (it won 2 – Best Score, and Best Original Song).
This is a whole different kettle of fish to Wall-E, but still very enjoyable. I remember seeing this film when I was still at school, but cynically dismissing it (as cynically as a 12 year-old can). I’m now older, wiser, and a lot more susceptible to a big opening musical number.
I’d forgotten how good the songs are (and I’m surprised that I wasn’t aware of the Broadway stage version – this seems far more suited to a stage adaptation than The Lion King for example), and the animation looks glorious on Blu-ray. This is one of the last great ‘classic’ Disney animations, and genuinely feels timeless.
The little one struggled to sit and watch both films if I’m honest, and she is already showing signs that she prefers live action to classic animation. That said, I had a great weekend and I’ve hopefully started the brainwashing early enough.