Reboot-era Bond themes: A reflection

Today’s inevitable Bond-related piece is from Guest contributor Liam Pennington as he walks us through the modern-era Bond themes. 

Goldeneye – Tina Turner (Goldeneye – 1995)

How to do “old” with a new twist. It’s got Bassey all the way through it, with a touch of 90s bombast and a respectful air for both the franchise and Tina Turner. It still stands up today, its movie score background making it a little incongruous on a list of power ballads, though it retains a credible pop sensibility

Tomorrow Never Dies – Sheryl Crow (Tomorrow Never Dies – 1997)

Not the easiest title to put into a song and yet it’s not a bad job. The lyrics are clunkier than a car with square wheels but when you’ve got to retain Sheryl Crow’s country motif there’s no harm in throwing everything into a recording studio with a shit-tonne of melancholy and a slide-guitar. As ‘difficult second album’ type syndromes go, it’s not a bad song outside the context of Bond

The World is Not Enough – Garbage (The World is Not Enough – 1999)

Well I love Garbage as much as I do freshly boiled black pudding swimming in vinegar so yes, I’m gonna say it’s a good track. Oddly though, it’s not the most enduring of the ‘reboot’ songs, as it sits uneasily between a knowingly ironic Bond theme and a deliberately low-key Garbage album track. As such it comes across now as a bit too ‘arch’ or sneery. Very well sung

Die Another Day (Die Another Day – 2002)

And then the wheels fall off, the dog dies, the water dries up, the clouds part to reveal a sky made of stained bedsheets…..This was a leap too far in the wrong direction for the franchise, for Madonna, for just about everyone involved. This is face-swapping, invisible car driving nonsense of the highest order. As a dance song, it’s crap. As a pop song, it’s over produced, over-layered, badly structured, barely memorable. As a Madonna track, it’s weak, and that includes the one she did repeating “Hollywood” for approximately five hypergazillion times. Terrible, terrible song

You Know My Name – Chris Cornell (Casino Royal – 2006)

Reboot number 2 – the Bourne Years. It simmers, it burns, it catches in your ear for the rest of the day, it’s VERY good. I love this track still today – a broad-brush rock song which ditches the guns/Martinis/broken heart stuff and dumps the film’s name for a refreshing re-imagining of the franchise’s soundtrack.

Another Way To Die – Jack White & Alicia Keys (Quantum of Solace – 2008)

Given that Question of Sport was utter bobbins, this wasn’t such a bad song. It’s a bit clumsy and derivative lyrics wise, and I could do without the hash of a chorus, but it’s not all that terrible. I know it’s been labelled one of the worst, if not the worst, songs of all the Bonds, I don’t agree it’s that bad. Doesn’t stand out, doesn’t deserve to be labelled as rotten as Quandary of Boris

Skyfall – Adele (Skyfall – 2012)

Well I like it. Adele splits opinion right down the middle, I can understand why, though this one does it for me. The clichéd lyrics are back, the stirring of the Bond theme motif is back, the overblown choruses are back, and for all the lack of fashion, I think it all works really well. Having rebooted the franchise with Tina Turner taking on the task of being that era’s attempt of a Shirley Bassey number, it’s fitting to see the very same attitude with Adele. Here’s the 2012 version of “Goldeneye” – they needed a big, bold, brass ballad with all the subtlety of having anal pleasure with a switched-on kettle, and they got it.

Liam Pennington is at the action side of 30 years old and is the On-Line Editor for High Voltage. When not making good use of PR companies’ guff, he can be found groundhopping, writing for whoever else wants him, singing along to Eurovision records and sitting through arthouse films at Cornerhouse, Manchester.

@doktorb
www.liampennington.blogspot.com

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