Yes, yes… before I get into the nitty-gritty, it’s not ‘The Best Film of 2012’, certainly at least from a technical standpoint, and it won’t even make a blip on the radar of the Academy. That said, it fared very well in the Failed Critics end of year reviews for 2012, but I felt it was under-represented. As the movie has just had it’s home-release I decided to give it a 2nd time viewing and provide my thoughts to the masses. I am of course talking about Dredd 3D.
Let’s ditch the 3D moniker right away, it’s both pointless and adds little to the splendour of this film. The film is the fan’s realisation of a dream almost condemned to eternal humiliation thanks to the 1995 Stallone dirge. That said, I’m not a comic book fan, I never read the Dredd comics so I owe no loyalty to the franchise so I feel I’m in a position to give this movie a glowing review without being seen to be unfairly pay homage to the legacy of the ink-work.
The movie is based in a non too distant future whereby most of the United States are barron and large Cities are joined together to form Mega Cities. There is little respect for the stature of law or morality in this image of the future and justice in the form of ‘Judges’ is dished out in an equally nonchalant manner. The movie follows a day in the working life of Judge Dredd (Karl Urban) as he takes rookie psychic Anderson (Olivia Thirlby) on a live-assessment of her capabilities as a Judge. The assessment leads them to investigate a triple homicide at a run-down Apartment Tower occupied by the city’s leading drug cartel, lead by the cruel and violent Ma-Ma (Lena Headey).
As you’d expect, either as a comic fan or a casual viewer, the violence is dished out willingly and readily during the movie. That said it somehow manages to do an excellent job of not making it over-kill. The deaths come with somewhat purpose and they have impact, either in the visceral sense or in the development of the story. Karl Urban does an incredible job with such little real-estate in an acting performance to convey emotion and even intimidate with only his chin on show at all times. Yes, fans…. he never removes the helmet!
Thirlby plays an excellent green and naive heroin but develops nicely into a more confident and even sexy character as she is exposed to the real harshness that she has likely been shielded from before joining the Department of Justice. The show stealer goes to Lena Headey as the psychotic Ma-Ma, who is really building a reputation for herself as a powerhouse female lead on the back of her performances in 300 and more recently as the self-serving Queen Cersei Lannister in Game of Thrones. She takes that quality to an all new form of dementia in Dredd and provides a terrifying crime-boss with zero empathy or consideration for human-life which see expends rather casually and somewhat joyfully.
The action never runs dry in Dredd, the dialogue is economical (as it should be) and delivered with tremendous authority, particularly by Urban. A particular highlight comes during the set-piece where by Dredd & Anderson avoid total annihilation when their floor of the building is subject to heavy Mini-Gun fire, the bad-guys expect zero survivors including the inhabitants of the apartment block. Ma-Ma waits anxiously as he troops plough through the carnage to find the bodies, yet we only here 3 short single gun-shots and the silhouette of Dredd emerging to toss a bad-guy from the balcony.
Dredd is pure entertainment. It doesn’t have the greatest depth of story or character development, it doesn’t have the very best acting and it doesn’t even had the best effects (although the Slow-Mo drug scenes are quite pretty). But what it is, is a triumph for adult film making. It’s a care-free 18, it’s a barely financially viable proposition these days. I compare it much to the original Robocop, whereby it features nothing of interest to anyone who does not have an interest in on-screen violence. Perhaps this is also a weakness as it maybe threatens the possibility of a sequel.
However, Dredd for me was the film that I most wanted to discuss immediately after leaving the cinema, more than any other film in 2012. It’s entertainment at the detriment of its commercial potential, sacrificed to deliver a fully adult cinema experience. I think the tide of mass-entertainment is creating a niche for this kind of product. The recent success of highly graphic television such as Game of Thrones suggest that the masses do not only want their episodes of Friends rinsed and repeated several times daily and maybe a little Breaking Bad to satisfy their subliminal criminal urges; they actually want violence, bad taste, cruelty and a fucking good anti-hero.
I hope more studios are brave enough to create more films of this ilk, and that we get the Dredd sequels that this movie and its thoroughly adult audience deserves.