Captain America: Civil War

Civil War

“Sorry” might always seem to be hardest word, Elton, but “accountability” might be the most unsexy. Particularly so if you’re trying to build a 147 minute long action movie around such a concept.

Let’s chuck in a few more terms, shall we? How about “legislation”, “treaty” and “U.N.-Accord”?

Captain America: Civil War could easily have suffered from dry, phlegmatic, po-faced earnestness, wallowing in miserableness as a collection of dumbfounded superheroes sit on the naughty step and think about what they’ve done.

Instead, fresh from the Sokovia fallout of the dreary misstepping Avengers: Age of Ultron, our eclectic band of merry super-powered chums begin the third instalment of Marvel’s Captain America trilogy with a skirmish in Lagos. As perpetually happens around these unregulated vigilantes / brave protectors (delete as applicable), chaos, destruction and collateral damage is never too far behind.

Just as they were after the hundreds of deaths from the New York alien-attack in Avengers Assemble, the crashing helicarriers in Washington DC during The Winter Soldier, and of course the omni-shambles of Age of Ultron‘s Sokovia rescue, it’s the Avengers who are held responsible for the loss of innocents’ lives in Nigeria. Thus begins a slow dissection of the role played by a group existing outside of the law, punctuated by enormous and often exceptionally well paced inter-fighting punch-ups.

Policing the planet as they see fit in this fantasy world of magic crystals, impenetrable metals and super soldiers, it takes no time at all for General Secretary of State Ross (William Hurt) to step in on behalf of a world scared half to death by a rogue, unregulated group of suited, walking, fighting nuclear bombs, tick-tocking their way towards a potential armageddon.

Although in name this is a Captain America sequel, it certainly feels much more comfortable as the Avengers follow-up many hoped for last year. Returning after a successful stint helming The Winter Soldier, directors Anthony and Joe Russo’s wizardry with a camera has thankfully kept consistency in tone with the franchise, as Civil War continues to be a hard-hitting, politically-charged commentary with genre-defining action sequences and equally solid performances from a cast slotting back into place like a well-worn suit made of iron with a robot friend called Friday inside of it.

Friends and ideologies clash frequently during the blockbuster – and only some of the time by using their words and not their vibranium inventions. OK, most of the time the hullabaloo breaks out into bouts of armour-clad blows, rather than democratic discussions. But it’s still much more “talky” for a blockbuster than perhaps one is used to. And, crucially, it just isn’t boring. It’s full of engaging and often thought-provoking dialogue. Quips and visual gags worm their way into some of the more serious conversations, but it still attempts to raise some tough topics.

Just as Mark Millar’s 2006 comicbook series (upon which this film is loosely based) dealt with a post-9/11 society, fearing a self-appointed world-police, too powerful to stop – or even if stopping them was the right or wrong thing to do – so too does the Russo’s version relate events to the real world. Civil War could quite passably be an analogy for gun control in the US, amongst other things.

For example, on one side, there’s Tony Stark’s (Robert Downey Jr) position as the man doing his best to negotiate a fair deal for his pals, arguing that the best way to arm is to disarm and sign the UN’s proposed Sokovia Accord (akin to the “superhero registration act” in the comics). On the opposite side is Steve Rogers’s (Chris Evans) team who feel it’s their duty to step-up whenever they need to, operating without the bias of any government agendas.

It could be argued that one side represents the regulation and control of firearms, with the other in support of the people’s right to bear arms (albeit briefly). The moment that the two teams clash in an epic showdown – the likes of which we haven’t seen performed as accomplished as this since Whedon’s Phase One concluding team-up some four years and six movies ago – puts paid to this exact notion from that point onwards. But there’s still a lot to be read into this movie. Prepare for more astute observations crossing your path in the weeks and months to come from thousands of other bloggers and writers.

Anyway, let’s take a quick look at the teams on either side of the scrap:

Team Cap
Against the idea of becoming United Nations controlled agents, restricted to fighting only the causes upon which they determine suitable

  • Captain America / Steve Rogers (Chris Evans) – Leader of the movement and the main protaganist for whom the film’s perspective is mainly viewed from. Evans appears to be having a blast and his enthusiasm is infectious – but my God those are some seriously intimidatingly large muscles.
  • Falcon / Sam Wilson (Anthony Mackie) – Cap’s best friend and winged companion has an increased role in Civil War and benefits greatly from it. The first time that Falcon has been more than a bit-part character and Mackie handles the responsibility with aplomb. He actually appears to have a purpose on the team rather than being Cap’s fluffer.
  • Winter Soldier / Bucky Barnes (Sebastian Stan) – Previously the ex-Hydra assassin was a feared villain, but Stan’s portrayal of the man, turned into a complex and emotionally fragile victim with an edge of danger, sees him sit comfortably alongside his former buddy in Rogers’ motley crew.
  • Scarlet Witch / Wanda Maximoff (Elizabeth Olsen) – The only Sokovian in the Avengers; traumatised and emotionally scarred by the events in her home country and those in Lagos, Wanda adds an extra dimension to the story, even if it is somewhat unrealised potential.
  • Hawkeye / Clint Barton (Jeremy Renner) – Thank Christ there’s no longer any weak attempts to puff out Hawkeye’s background with side-plots about his family that go nowhere and add nothing. He’s about as close to writer Matt Fraction’s version of the character that we’ve had so far and, although brief, is Renner’s best turn as Hawkguy yet.
  • Ant Man / Scott Lang (Paul Rudd) – Continuing to surprise, despite only a small (excuse the pun) part to play in Civil War, what Rudd does, Rudd does well. Fantastically well, even. He’s a highlight in what was already the best scene in the entire movie.

Team Iron Man
In favour of the UN’s Sokovia Accord, ensuring the Avengers are regulated by defence experts in order to limit the civilian casualties from their endeavours to save mankind

  •  Iron Man / Tony Stark (Robert Downey Jr) – For all intents and purposes, RDJ might as well share equal billing. It’s as much Iron Man 4 as it is Captain America 3. His role shows just how much the former weapons manufacturer has developed since first outing himself as a superhero in 2008’s Iron Man, bringing things full circle.
  • War Machine / James Rhodes (Don Cheadle) – If Falcon plays the role of Captain America’s sidekick, then War Machine fits as Iron Man’s. Provides the logos to the debate relative to Falcon’s pathos. But man, Don Cheadle is looking old.
  • Black Widow / Natasha Romanov (Scarlett Johansson) – The cynical may say Black Widow is only on this side of the fence to balance the teams’ female quotas. Nevertheless, the role she plays provides a contrarian narrative and further develops her relationship with Rogers from The Winter Soldier.
  • Vision (Paul Bettany) – The suave-voiced red-skinned being is reduced to the role of babysitter for much of his screentime, but twice Bettany gets to show off his acting talents with moments of profundity that keep the near God-like being grounded and relatable.
  • Black Panther / T’Challa (Chadwick Boseman) – Making his debut, the Prince of fictional African country Wakanda is forced to pick a side in his pursuit of vengeance. Boseman’s suitably unplaceable accent aside, he makes as much of an impact as one could hope for (if not more) in such a role. Bring on his solo film in 2018!
  • Spider-Man / Peter Parker (Tom Holland) – Yes. Yes, yes, yes. This is how to do Spider-Man. It’s only taken 14 years, but this is it. Holland is perfect as the web-slinging wall-crawler in a larger role than perhaps expected. Currently in pre-production ahead of release next year, Homecoming looks set to be the fun adventure that the character deserves, if Civil War is any evidence to go by.

Regardless of the fact that we already have twelve characters squished into the two-and-a-half-hour long film, some people might be wondering where the other chaps are. Where’s Thor, Hulk, Fury, Maria Hill, Phil Coulson (still) – heck, why are Ant Man and Spider-Man being invited to the big leagues but Daredevil, Jessica Jones, et al left un-namechecked?

It’d be pure speculation to suggest answers. It could have been a creative decision made by the Russo brothers or writers Christopher Markus and Stephen McFeely, with Thor and Hulk especially deemed too over-powered for a film like this.

It could have been Marvel big cheese Kevin Feige laying down the law. Ruffalo and Hemsworth might have been too busy with other projects. Who really knows? The same principle applies as it always does in these situations: It really doesn’t matter. These are the characters selected. This is all you’re getting. Deal with it, as the meme goes.

The biggest issue lies not with who isn’t in it, but with who it does include. Incorporating Daniel Brühl as Baron Zemo (an arch-nemesis of Captain America’s in the comics) structurally speaking makes a lot of sense when you lay out a blueprint for the entire movie.

However, the motivations behind his actions are at best understandable and at worst weak, predictable and a disservice to the character’s history. Also, he doesn’t wear purple pyiamas. What’s up with that?

Oh, right, yeah. It’s a bit naff.

Realistically, Zemo is somewhere in between the two, languishing around the “ordinary” mark. Hats off to Brühl for a competent account of himself as an actor, but Zemo is far from necessary in a film already overstuffed with characters. He adds nothing that couldn’t have been done equally well with, say, the returning Frank Grillo in a beefed up role as Crossbones.

Either way, it’s irrelevant as Captain America: Civil War is still very much worthy of your time. With a larger cast than any previous Marvel film, it somehow manages to balance screen time to an extraordinarily even degree, putting much of Phase 2 of the Marvel Cinematic Universe to shame.

Yes, it may gradually escalate towards a big climactic fight scene, as happens in every Marvel superhero comic book action film ever, but the route it takes to get there combined with the rationale behind it makes the deciding brawl more meaningful than your average crash-bang-wallop finale.

Civil War is interesting, exciting, often fun and slightly unconventional. It goes straight into the top tier of the studio’s output and will doubtless only improve on future rewatches.

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