We’re back for a bit. No biggie. Just Steve Norman, Owen Hughes and Paul Field, hanging around recording a random triple bill podcast trying to ride the crest of interest that usually comes during the Oscars season.
Resurrected from the near dead, the Failed Critics revive an old quiz – not an old quiz format, literally they replay an old quiz – and chat about what they’ve been watching lately. Paul revels in riotous horror Freehold, Owen revisits 10 Cloverfield Lane, and Steve rubbishes a bunch of Netflix Originals.
In the triple bill section, there’s chaos, confusion and regular shambolic behaviour as each critic picks a movie that missed that all important award nod from the Academy throughout history.
Don’t get too excited; this doesn’t actually signal a return to a weekly format for FC. But we’re on 288 episodes now. You’ll probably see us appear in your feed at 12 other points throughout the year as we push for the magic 300, so don’t unsubscribe just yet!
If you want more regular podcasting goodness from Owen and Steve (and Tony Black!) then please subscribe, listen and rate to STT: Rewind over at SetTheTape.com/podcasts.
He went 15 rounds in the stunning 1975 heavyweight world championship against the greatest boxer of all time, Muhammad Ali, and ultimately inspired the billion-dollar Rocky franchise. No, not Andrew Brooker, but the guy in the film he’s written about…
“We all know how humans work. They’re so predictable.”
In what could be argued as being the first popcorn fuelled summer blockbuster of the year – at least the first that doesn’t have a Marvel or DC title card – Valerian seemed doomed to fail from the second it opened in the US to seemingly poor reviews. Undeterred, we sent Brooker off to see if Luc Besson’s latest is as bad as everyone seems to think.
All things Retro video-gaming are en vogue right now. SEGA are putting out games for free via mobile apps, Nintendo is selling as many mini versions of old consoles as they are their latest console, the Switch. Now Netflix revives a lost franchise from the dead, pulling it from the death-grip of gaming’s sleeping giant, Konami. Castlevania is back, and this time it’s a TV show, but does it do enough to seduce Gamers and casual viewers alike? Matt Lambourne, one of Failed Critics’s resident gamers, delves into the darkness to tell you more.
Zombies have never been as unsexy as they have in the gore-filled, not-so-erotic comedy-thriller, Night of Something Strange. Owen Hughes put a bucket by the side of the sofa and watched this absolutely disgusting indie flick through his fingers. Here are his thoughts.
In the first of our new From The Vault series, we pluck out unfinished articles from the archives of unpublished material, sitting in the Failed Critics drafts folder, and spruce it up a bit before finally hitting that publish button. First up, Owen Hughes’s long forgotten review of Adam Wingard and Simon Barrett’s found-footage collaboration, Blair Witch. Originally written: September 2016Continue reading From the Vault: Blair Witch→
Unfortunately there are no instructional videos presented by Captain America to teach us how to write a good wholesome film review of the latest attempt at repackaging Spider-Man. Alas, you’ll just have to make do with Owen Hughes’s thoughts on this Sony / Marvel concoction.
They call it Baby Driver, and once upon a pair of wheels, Edgar Wright hit the road and was gone, zooming a full two chevrons ahead of most other action-comedies you’re likely to see this year. Read on to see what Owen Hughes thought of this toe-tapping caper.
Korean filmmaking icon Bong Joon-ho gives English language features another crack with a Netflix Original about a young girl and her friend, a giant genetically modified pig, whom she raises in the mountains of Korea. It’s as weird as it sounds, but ten times more lovely – and more than a little bit distressing. Owen reviews Okja:Continue reading Okja→
“It started as a legend. One of the greatest of all.”
Whilst The Last Knight might be the last of Michael Bay’s Transformers movies (if you discount the proposed Bumblebee solo spin-off), it still seemed like it was worth sending Andrew Brooker to review this unequivocally dire fifth instalment.