It’s that time of year once more, and I’ll shortly be on my way to Scotland for the 10th Glasgow Film Festival. The cinematic event that provides a more boisterous, down-to-earth, and accessible counterpoint to the Edinburgh Film and Television festival.
This year the festival is even bigger than ever, and features over 60 UK premieres. The opening gala is the UK Premiere of Wes Anderson’s Grand Budapest Hotel, while the closing gala is the Scottish premiere of Jonathan Glazer’s Under the Skin. Although both have sold out, there’s still plenty to get excited about.
Richard Ayoade’s second feature The Double (starring Jessie Eisenberg), Terry Gilliam’s latest sci-fi mindfuck The Zero Theorem (starring Christophe Waltz as you’ve never seen him), and the film adaptation of the acclaimed novel The Book Thief all have gala screenings at the festival.
Other films to watch out for include Jason Priestley’s directorial debut Cas and Dylan (a road-trip movie starring Richard Dreyfuss), Philipe Claudel’s psychological thriller Before the Winter Chill, and the Scottish premiere of Oscar-nominated documentary 20 Feet From Stardom, complete with pre-film entertainment from the Glasgow Gospel Choir.
There are a few films that I’m particularly looking forward to, including Michel Gondry’s (Eternal Sunshine of the Spotless Mind) latest film Mood Indigo. Starring the delightful Audrey Tautou (Amelie), and featuring Romain Duris (Populaire) and Omar Sy (Intouchables), it is an adaptation of the Boris Vian cult novel set in contemporary Paris with a retro aesthetic. Gondry’s films are always visually stunning, and it appears we’re getting the full cut of the film rather than the Weinstein ‘vision’, which makes it a must-watch for me.
Zero Charisma has the potential to become one of the breakout hits of the festival, and anything that celebrates geek culture without sneering at it is to be applauded. This exploration of the conflict between a weekly ‘Games Master’ and the popular ‘geek chic’ interloper into his social circle has already proven very popular at SXSW, and fits perfectly into the festival’s embrace of gaming culture.
My last ‘one to watch’ from the huge programme is the Guatemala/Mexico joint production The Golden Dream. Directed by a former Ken Loach cameraman, this powerful neo-realist look at three teenagers’ attempts to travel a thousand miles from their homes to the US packs a serious punch, and features outstanding performances from its young leads.
Then there’s the notorious GFF Surprise Film, the lucky dip of the festival and certainly worth a punt even if last year’s screening was the woeful Spring Breakers. Speculation is rife as to what this year’s film could be, and I’m trying desperately to lower my expectations from The Raid 2. Like last year’s film though, both Snowpiercer and Calvary have screened at Berlin to excellent reviews, and either would be a fantastic choice.
Horror fans are also amply accommodated during the last weekend of the festival as Frighfest heads north of the border, with Ti West appearing in conversation and Wolf Creek 2 among the films premiering in that strand.
And it’s not just new films that dominate the programme; the 1939 Hooray for Hollywood strand will see ten classics from that year being screened across the city, including Mr Smith Goes to Washington and Gone with the Wind. There are some great films in unusual locations as well, including Young Frankenstein at the Kelvingrove Museum, and John Carpenter’s The Fog on a boat.
I’m going to be covering as much of the festival as I possibly can with my daily diary, as well as interviews, reviews, and mis-typed tweets. The Failed Critics Podcast is also returning to Glasgow, and this year we’ll have some old friends returning, and hopefully making some new ones as well.
The Failed Critics coverage of Glasgow Film Festival is sponsored by Brewdog Bar Glasgow – providing award-winning beers and brilliant food in one of Glasgow’s friendliest bars.
We would have spent most of the festival there regardless, so we’d really like to thank them for their generous hospitality.