Tag Archives: 2001: A Space Odyssey

Owen’s 2015 In Film: Part 1 – Janur-hi-YAH!

In a brand new series, Owen will be taking a look at the films he’s seen during each month of 2015. The format will follow the same pattern as his A Horrorble Month article last year, breaking down the month by week, providing a review on one arbitrarily chosen film seen during that period.

by Owen Hughes (@ohughes86)

ouaticWelcome to my new series! I think I better start as I mean to go on, by apologising. I’m aware that this seems like a rather self-indulgent project. There probably isn’t actually even an audience for this sort of thing. I mean, who really gives a shit what I’ve been watching over the past 31 days?

However, at the start of 2015, our most prolific writer, Callum Petch, went on a short break which prompted me to start writing a bit more often for the main site. It made me remember that as well as reading about films, talking about films and of course watching films, I also used to enjoy writing about them too before I got so lazy and left all the heavy-lifting to Callum. So, basically, you can consider this an exercise in egotism. Read it if you desire, but I’m writing this series for no better reason than because I want to!

Exactly as I began 2014, so had it also ended with me watching a boat-load of South Korean movies. In between the fantasy films, extended edition Lord of the Rings films and Hobbit preparation, I’d managed to squeeze in a few Kim Ki-duk’s and one or two other Korean movies into December. I fully expected to carry on along the same trajectory during January 2015, given that the final film of the year that I watched was Hong Sang-soo’s In Another Country.

For one simple reason, that didn’t actually happen. Instead, partly because I decided early on in the year to re-watch Bruce Lee’s films for a retrospective I was planning on writing, I spent most of last month catching up on various martial arts flicks. Donnie Yen, Jackie Chan, one or two others; I accidentally became hooked on their films, nostalgia and Cantonese films in general. Add to that the fact I also ended up on an A.I. / sci-fi binge, and the flood of new releases I was actually interested in seeing at the cinema, there simply wasn’t time for any Korean films, sadly.

Anyway! I’m sure you’ll see for yourselves how my month turned out. On with the reviews…


Week 1: Thursday 1 – Sunday 4 January 2015

Thursday – Pinocchio (1940), AUSTIN POWERS: INTERNATIONAL MAN OF MYSTERY (1997); Friday – Birdman (2015), Becket (1964); Saturday – Rapture (1965), Predator (1987); Sunday – I’m All Right Jack (1959), Big Hero 6 (2015)

austin powersOK, I’m aware none of those listed above could in any way be classed as martial arts movies. My year actually started with a Disney movie and a film I haven’t seen for years as I recovered from a New Year’s party hangover. Clearly, Mike Myers’ spy-spoof from the 90’s is not the best film listed there. Yet his puerile and immature sense of humour was exactly what I was looking for on New Year’s Day. It may not have aged particularly well; there’s a debate to be made over how good it ever was in the first place, I suppose! However, there’s no case to be made for how clever the film is, or how intelligent the jokes are, because it’s nothing more than one throwaway gag after another. Playing both the cryogenically frozen shagadelic British spy from the swingin’ 60’s awoken 30 years later in the hip 90’s, as well as his arch nemesis Dr Evil hell bent on holding the Earth to ransom for the princely sum of one million dollars, Myers is just very fun to watch. I used to love the Austin Powers films. Back in secondary school, me and my mates must’ve watched it and its sequel on VHS about a hundred times over and it never seemed to get any worse. I can look at it now with slightly more objective eyes, but it was still a hoot and it was somewhat surprising how it frequently had me laughing like an idiot as if watching it for the first time all over again.


Week 2: Monday 5 – Sunday 11 January 2015

Monday – Exodus: Gods and Kings (2015); Tuesday –  Passport to Pimlico (1949), Unbroken (2015), The Theory of Everything (2015); Wednesday – The Collector (1965), Manuscripts Don’t Burn (2013), The Big Boss (1971); Thursday – Taken 3 (2015), Fist of Fury (1972), Way of the Dragon (1972), Enter The Dragon (1973), Game of Death (1978); Friday – Alpha Papa (2013), The House of Usher (1960), Gremlins (1984); Saturday – Lost in Space (1998), The History Boys (2006); Sunday – PROJECT A: PART II (1987)

project a 2Obviously then, as you can see from the above, this is when my month really began. Having watched five Bruce Lee movies (six if you count the 40 minutes of the original Game of Death footage, or four if you discount GoD altogether) in little under two days during my final week off work over the Christmas period, I soon moved on to Jackie Chan’s back catalogue. Specifically a DVD I purchased for £2 on a whim back in December, Project A: Part II, Jackie’s follow up to his 1984 film. As well as being the star of this kung-fu comedy, he both wrote and directed it, and the influence of his idols like the Marx Brothers, Charlie Chaplin, Buster Keaton, Laurel & Hardy and so on are all over it. Just like they were doing for audiences 60 or 70 years before him, JC’s stunts here are both hilarious and genuinely thrilling. Like, in a similar way to Chaplin roller skating whilst blind-folded near a ledge in Modern Times, or Harold Lloyd dangling off a clock face in Safety Last, only with the danger and ingenuity increased ten-fold. Fighting off two men on a rickety construction, swinging off one bit whilst performing some amazing acrobatics off another bit, after swallowing a mouthful of chilli peppers, it is both excruciating to watch him put his life on the line for these stunts, and immensely entertaining. The plot to Project A: Part II is all over the place, the support characters are bland and the message (if it has one) is muddled, to say the least. But if it isn’t one of the best examples of Jackie’s talent at shooting comedic action sequences, then I don’t know what is.


Week 3: Monday 12 – Sunday 18 January 2015

Monday – Foxcatcher (2015), Wild (2015); Tuesday – The Ipcress File (1965); Wednesday – In Bruges (2008); Thursday – Whiplash (2015); Friday – 2001: A SPACE ODYSSEY (1968) (Steven Soderbergh cut); Saturday – Armour of God (1986), Armour of God II: Operation Condor (1991), Gremlins 2: The New Batch (1990); Sunday – American Sniper (2015), The 36 Crazy Fists (1977), Once Upon A Time In China (1991)

2001I don’t think I’ve written or talked about any other film for Failed Critics as often as I have done with Stanley Kubrick’s pre-moon-landing science fiction feature, 2001: A Space Odyssey. Just last week I included HAL in my A.I. In Film article. The week before I reviewed this exact cut on the podcast. It even made its way onto my Into ‘Stellar piece last year, never mind the Stanley Kubrick: Corridor of Praise we recorded two years ago. And yet, I could talk about it even more. The thing about 2001:ASO is, there are dozens of ways to interpret what happens throughout the course of the movie. Every time you watch it, you notice something new that you missed out on last time. Whilst this is certainly what I’d consider a positive aspect, it’s also something that prevents you from truly knowing the film intimately. Well, it does for mere mortals like you and I. For someone like Soderbergh, he managed to get to know Kubrick’s magnum opus better than most as he took it upon himself to edit the film and present the footage how he sees it, available to watch for free (legally) on his website. Rather than taking a knife to the masterpiece and tarnishing it forever, creating something new, he merely trimmed some scenes down, re-arranged the score, re-ordered footage and shortened the overall run time to present a feature that still prominently displays one of its most integral themes, albeit in a more direct format. Like the original, it still naturally progresses the acquisition of knowledge, displaying how ‘knowledge’ is a primary driver in the progression of mankind from ape to, erm, gigantic floating space infant. Plus, it’s actually quite refreshing in a way to only have to dedicate one hour and fifty minutes to the film, rather than over two and a half hours, and not feel like you’ve seen a lesser film.


Week 4: Monday 19 – Sunday 25 January 2015

Monday – Gravity (2013); Tuesday – [absolutely nothing]; Wednesday – CINEMA PARADISO (1988); Thursday – The Machine (2013); Friday – The Twilight Samurai (2002); Saturday – Legend of the Fist: The Return of Chen Zhen (2010), Iceman (2014); Sunday – Ex Machina (2015), Warriors Two (1978)

cinema paradisoI tweeted my ★★½  /  ★★★★★ Letterboxd review of Cinema Paradiso not long after writing it and it was met with what might be considered “controversy”. On a small, completely irrelevant and non-life threatening scale, of course. Still, it seemed to irk a handful of people whilst an even smaller amount nodded in agreement. I don’t know what to tell you or how to explain myself. It wasn’t like the film was an awful, sloppy, intolerable mess. It just seemed to play very heavily on a nostalgic vibe, of which appeared to be on a separate wavelength to me. The saccharine tone and tosh profundity left me stony faced and unaffected, but I’ve since been told the director’s cut (which adds another hour onto the whopping 155 minutes run time) makes it less mawkish. I’m not sure I could stand to watch it again as is, never mind with an additional 60 minutes on top of that, but that would definitely be the first issue I’d address if I were to improve the film (as if I’d know how to improve a film). It wasn’t all sickly-sentimental. Occasionally, even I couldn’t prevent my lips from raising at the edges into something resembling a smile, particularly during the triumphant final scene. It also managed to make me laugh sporadically throughout, but it never quite touched me on an emotional level which as far as I could make out was the only thing Tornatore’s movie was trying to do. Ergo, ★★½. Sorry.


Week 5: Monday 26 – Saturday 31 January 2015

Monday – Kingsman: The Secret Service (2015); Tuesday – [absolutely nothing again!]; Wednesday – The Pirates! In an Adventure with Scientists! (2012), Sabotage (2014); Thursday – THE ENIGMA OF KASPAR HAUSER (1974); Friday – The Road (2009); Saturday – Chinese Zodiac (2012)

kaspar hauserJeder für sich und Gott gegen alle (literally “Every Man for Himself and God Against All”) or as we know it here in the UK, The Enigma of Kaspar Hauser, came close to becoming my favourite Werner Herzog film last week. I’d been recommended it a year or two ago, but noticed that Film4 were holding a Werner Herzog Season and jumped at the opportunity to watch this (supposedly) true story of the 19th century German foundling. I’m going to review it in more detail on the podcast due out this week (look out for that!) but suffice to say, it’s bloody excellent. It took a certain degree of effort, patience and perseverance to get into it, as do most of Herzog’s best films, but it was absolutely worth it in the end. From the outstanding performance of its enigmatic (see what I did there) lead actor, Bruno S. (as he was credited) to the simply astonishingly well plotted story, it’s just magnificent. You can expect to see Heart Of GlassFitzcarraldo and Stroszek in next month’s entry to this series.


Phew! That’s it. I’m done. I’m only half joking when I say that I’m only writing this for my own personal benefit. If you’ve got any comments on the above, or if you want to talk about any of the other films I’ve listed then please leave a comment below or talk to me on Twitter. Until the end of February, adiós!

Failed Critics Podcast: Rushers / Draggers

american sniperWelcome to the Failed Critics podcast. Keeping to Steve & Owen’s tempo this week are two more guests!

Returning for his first appearance since the end of year awards episode is James Diamond, ready to demolish you with his reviews of Whiplash and all things Luc Besson. Joining James is horror-fanatic and best mates with ‘Scream Queen’ Jessica Cameron; it’s Mike Shawcross finally making his long overdue debut with American Sniper, Testament of Youth and 80’s b-movie creature feature Alligator in his sights.

Among a hefty discussion on the Academy Awards and Razzie nominations, Owen explains why not even Steven Soderbergh puts giant space baby in the corner* with his cut of 2001: A Space Odyssey, whilst Steve struggles to get his head around the popularity of Disney’s mammoth hit, Frozen. Let it go, Steve! Let it goooo…

Join us next week for reviews of Mortdecai, Ex Machina and Kingsman!

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

DIRECT DOWNLOAD LINK

*credit to @naanbab for the (quite frankly amazing) pun

Into ‘stellar?

by Owen Hughes (@ohughes86)

Ever since man has first looked up at the stars, the question has been asked: What do you do when you see a space man? Yes, of course the correct answer is “you park in it, man” (please, please, hold your applause, you’re too kind).

However, for thousands of years, man has written Christmas cracker jokes looked up and wondered what lies beyond the blue skies of our planet’s atmosphere. For most people, it’s only led to further questions. How can “space” exist? Why does it exist? Why do we exist? From religion and faith, to science and theory, everyone seems to have their own opinion on what they like to imagine fills the vast expanse of the Universe and beyond. It takes people way smarter than this bozo to fully comprehend the question, never mind the answer. Luckily, it’s not just people cleverer than me who have thought about this question. There have been people with far more imagination who have been able to put their thoughts and ideas into film and literature.

Most recently Christopher Nolan did so with the terrific Interstellar. Which prompted me to create this article. What other movies are out there that deal with man’s exploration of space and time that are worth watching? Well, here are ten films that I would recommend you start with if you too are into ‘stellar (geddit?!) This list is by no means comprehensive, by the way. I’m fully aware big names such as the Star Trek and Star Wars franchises are missing, as well as this year’s Guardians of the Galaxy. This is just 10 films I’d suggest watching if you enjoyed the adventure into space that was Interstellar!


event horizonEvent Horizon (1997) Paul W.S. Anderson’s best film, it tells the story of a crew comprising of captain Laurence Fishburne, doctor Sam Neill, (plus others) who investigate of a spaceship that went missing some years ago called the Event Horizon. It miraculously returned with no crew left on board. It transpires that what happened was not quite as simple as they might’ve first thought. Next to Alien, it’s the perfect example of how to create an intelligent, atmospheric, space-horror. Quotes seemed to be almost directly lifted from Event Horizon in Interstellar (particularly the discussion around wormholes). It also raises interesting questions around what Hell is (or could be?) Complete with great performances, especially those of Fishburne and Neill around the descent into madness. Think of it as Hellraiser meets Alien. A real gem of a movie.


Contact (1997)contact In 1994, Robert Zemeckis released what will probably be the film he is remembered for, Forrest Gump. Well, with the exception of Back To The Future, perhaps. But one film of his that seems to have directly inspired the story of Interstellar is Contact, with its daughter grieving for her father and potential contact with another as yet unidentified life form. Using the relationship between father and daughter, it tries to bridge a gap between science and religion, life and death, between hope and reality. The concept behind Contact and how / what that will be like with other dimensions or lifeforms is handled with grace, whilst Jodie Foster gives a performance worthy of a movie such as this. The cast also features Matthew McConaughey, the star of Nolan’s epic! It’s a shame the ending lets the film down a little, but the rest of Contact is well worth a watch.


europa reportEuropa Report (2013) After a crew are sent on a fact-finding mission to one of Jupiter’s moons (that would be the one called Europa…) they end up finding a bit more than they bargained for. I almost feel like I should disclaimer this movie to people as besides being a sci-fi set mainly in space, it’s also a found footage movie. If you can name another found footage movie set in space that’s better than this (Apollo 18 shouts will not be recognised) then congratulations, but I probably won’t believe you. It takes its time to find its feet, as the crew (Sharlto Copley, Karolina Wydra, Michael Nyqvist etc) slowly grow into their roles, but for a film that takes place mostly inside a tin can, there’s a fair amount of tension and drama to be found. The structure is slightly unsatisfactory and non-linear, but the ending will be what determines whether or not you’ll like this movie. Personally, I found the slightly existential journey surprisingly entertaining.


2001: A Space Odyssey (1968)2001 I couldn’t really let the opportunity to recommend one of the greatest ever movies – not just sci-fi movies – pass me by without at least name-checking it. Stanley Kubrick’s masterpiece, shot one year before the actual moon landings (that if you believe some conspiracy-nuts, the man himself shot in a studio) is more of an exploration of life and being than it is about space travel, but if there’s a sci-fi movie released post 1968 that isn’t at least in some minor way influenced by 2001: A Space Odyssey, I’d be very surprised. Cerebral, contemplative and exceedingly beautiful. If you want to hear me rave about this film yet again, check out our Stanley Kubrick Corridor of Praise podcast.


solarisSolaris (1972) For the more cultured film fan, Tarkovsky’s very – very – art-house science fiction film about a living planets attempts to contact a man orbiting it will be one of your favourite sci-fi movies. The problem is, of course, how do you communicate with something that you have no way of understanding? In my Decade In Film article for 1972, I mention Ludwig Wittgenstein who proposed that “if a lion could speak, we would not be able to understand it”. If our frames of reference are so far apart, so completely different, how could we possibly hope to even know when an alien species is attempting to communicate, never mind actually understand what it’s trying to say? The Fermi Paradox suggests that if aliens exist, why haven’t we heard from them yet? Well, perhaps they do try to contact us, but we don’t realise it. This is one of the driving principles behind Solaris, and beyond its 167 minute run time including lingering shots of ponds and motorways, and absolutely astonishing cinematography, it tries to answer some of these philosophical quandaries.


Moon (2009)moon A breakthrough semi-indie production in 2009, Moon stars Sam Rockwell as a worker on a lunar station coming to the end of his three-year stint. I suppose he has what can be described as a crisis of personality as his shift draws closer to an end. Atmospheric and remarkably well written, if at times a little bit silly, Moon is a very entertaining movie. Similar to one aspect of Interstellar, it deals with being in space and having no reliable means of contact with Earth. Whilst there’s a heck of a lot more to Duncan Jones‘ relatively low budget British BAFTA nominated movie than simply isolation, it would seem almost rude not to suggest fans of Interstellar give it a go. 


this island earthThis Island Earth (1955) The 1950’s heralded a new age in sci-fi movies. The likes of Don Siegel and Jack Arnold probably led the pack with films like Invasion of the Body Snatchers, Creature from the Black Lagoon and It Came From Outer Space (in 3D no less!) However, This Island Earth by Joseph Newman was an incredibly ambitious project. It had a somewhat turbulent production history, which resulted in Jack Arnold himself being brought on board as an uncredited director. The sections of the film set on distant worlds and intergalactic battles became a bit too expensive and was shorter than planned, but it’s still admirable for the intention behind the film as well as its anti-war messages. It’s also a lot of fun in that cult-50’s sci-fi movie kind of way.


A Trip to the Moon (1902)trip to the moon There’s a huge amount of things one could say about this wondrous, imaginative, inventive and wholly original fantasy story made over 110 years ago by the inspirational Georges Méliès. From a technical point of view, Le voyage dans la lune is splendid. Suffice to say, it’s very impressive; from the special effects of the exploding moon people, to the incredible! science!-exclamation!-mark! The illusions Méliès crafted required true imagination and creativity. He was one of the first to create a movie such as this, of course! Even now, this short film is fantastic – in every sense of the word.


loveLove (2011) After writing my car off in February this year, I began the long commute to and from work via bus. During this time, BBC iPlayer kept me from grinding my teeth to stubs on my journey. I downloaded a lot of movies and documentaries to my tablet from iPlayer, some I’d heard of, some that were completely new to me, such as this mixed bag. I read the premise via the app, thought it sounded like it could be a really neat little indie sci-fi… and in part, it was. There’s strands that run throughout about isolation, human connection and indeed love, that are thought provoking and unique as an astronaut finds himself stranded on a spaceship. But, at the same time, it comes across as a meandering, dull, bewildering mess. You will either love or hate the soundtrack by Angels & Airwaves. It may have worked better as a short film as it does feel like a pop video, but it is atmospheric and definitely unlike a lot of other movies on this list.


Gravity (2013)gravity I’ve purposefully left Gravity until the end of this list for a couple of reasons. One, you’re probably sick of seeing comparisons between Gravity and Interstellar by now. They were after all released by the same studio (Warner Bros) on the same date (7 November) and are both about space and gravity. The other reason is, just about everybody interested in seeing Gravity has by now seen it. However, the second best film of 2013 (according to Sight & Sound’s readers poll) in many ways laid the foundations for Interstellar. A sci-fi story that was taken seriously by critics, particularly at the big award ceremonies, and features some mind-boggling special effects. The story may be pretty simple, threatening to hold back what has the potential to be an all-time classic, but it is one of the best modern sci-fi’s and if you get a kick out of Interstellar, then Alfonso Cuarón’s film (clocking in at just ever so slightly over half the run time of Nolan’s blockbuster) should tick a few boxes for you. Oh, and watch it on as big a screen as possible. In 3D if at all possible. Honestly. 3D.


And that’s that! If you have any suggestions of your own or think I’ve missed some vital inclusions, or even if you have any recommendations for me, just post them below. You can find Owen’s Interstellar review here, and he will also be talking about it with Carole and Steve on the upcoming Failed Critics Podcast!

Failed Critics Podcast – COP: Stanley Kubrick

stanley_kubrickToday we are honouring one of the single greatest film directors to have ever picked up a camera. A man who not only created some incredible films, but who changed the world of film-making on a stylistic and technical level over and over again.

When we set up our Corridor of Praise, one of the entry requirements was that any inductees must not have won an Oscar in their main category, and the fact that tonight’s subject never received an Oscar for direction is a travesty. Still, the Academy’s loss is our gain, as it means we get to devote a whole episode to my favourite director, and I think probably the podcast’s overall favourite director.

Jack Nicholson said “Everyone sort of acknowledges he’s ‘the man’, and I still feel that underrates him”.

Martin Scorsese thinks that “One of his pictures is worth 10 of someone else’s”

Eight of his 13 films are in the IMDB Top 250, and TEN of them are in the Sight and Sound Top 250 poll published last year.

Welcome to the Failed Critics Corridor of Praise, Mr Stanley Kubrick.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

DIRECT DOWNLOAD LINK