Firstly, I want to apologise for this week’s blog being a few days late. Well, a week and a few days late. I know it’s an absolute no-no to blog about how you’ve been too busy in your ‘real life’ to blog, but that’s probably on the same list of rules that include “don’t name a column after a weak pun about an album that’s older than most of your readers” so I’m clearly a serial rule-breaker.
So yeah, I’ve been busy. Thankfully, I’ve also had time to watch some films and write up some reviews for the site, which along with some brilliant pieces from some of my favourite contributors has led to the most successful week in the site’s very short history. So thanks!
This week’s blog is a nice and easy one to write. It’s a simple recommendation based on the most delightful experience I had at the cinema yesterday. Sadly the film I watched was very disappointing, and if I had seen it in a bog-standard multiplex, or even the lovely, but familiar surroundings of my local arts centre I would have written an even angrier review. Luckily for my sanity I had chosen to watch it at The Electric Cinema in Birmingham, the UK’s oldest working cinema.
The Electric is located just a couple of minutes’ walk from New Street, and houses two screens (with the largest of the two accessible to wheelchair users). The old-school ticket booth on your right as you enter took me back to a time I probably never really experienced. I wasn’t visiting a cinema from my youth; I was visiting a cinema that I had seen on-screen in my youth. Even my ticket was one of those tiny little stubs that sadly these days are reserved for booths exchanging them for tacky gifts on a seaside pier.
My standard seating ticket was a reasonable £7, although I was very tempted by the fantastic-looking sofa seating with waiter service for £12.80. If I hadn’t been on my own, I’m sure I would have splashed out. Concessions are priced at a budget £4.80 (including evenings and weekends), and in a nice touch the unwaged are also eligible for this price. The person who served me was friendly, polite, and seemed to genuinely care that I enjoyed the film. Good customer service costs nothing, and can make such a difference.
One inside the screen, and after being allowed to take my gin and tonic (Bombay Sapphire at just £2.50 a measure!) in a real glass with me, I settled in to a slightly rickety chair, with worn armrests, and not too much in the way of legroom. And I didn’t care – in fact loved it. It just felt like a cinema should. The projection was also perfectly handled. In short, I wish I could watch every film for the rest of my life here.
I’m even tempted to make the one hour journey from Leicester for one of their special events in the future. For example, earlier this month they hosted an evening of wine and film with a showing of Woody Allen’s To Rome With Love, and hosted by The Wine Tasting Company – who paused the film “at opportune moments to take audience members through six excellent red and white wines from different regions of Italy”. Now that is the kind of interruption and consumption of drinks I can get on board with.
If you’re ever stuck for a few hours in Birmingham with time to kill, I cannot recommend visiting this cinema highly enough. Even if you see a poor film, you’l still have a great time.
Please note – I was not asked to write about The Electric Cinema, and I paid for my ticket and refreshments.
This week’s viewing:
DVD – There’s a number of big releases out on DVD this week, but the best of them in my humble opinion is Brave – Pixar’s first ever film with a female lead. It’s not as out-and-out funny as some of the studio’s other releases, but it is the perfect marriage of Pixar’s wonderful visuals and a classic Disney fairytale-style narrative.
TV – The Muppet Christmas Carol (1992), Sunday 2nd Dec, 3.05pm, Film4. The perfect film to have on as you dig out old decorations, untangle what feels like three miles of fairy lights, and deck your halls with bowls of holly etc. A retelling of Dickens’ classic tale of Ebenezer Scrooge (Michael Caine) and his bah humbug approach to the festive season. May contain loveable puppets.
Lovefilm Instant – Easy A (2010). Brand new to Lovefilm Instant, Emma Stone stars as a high school girl who sees her life echoing Hester Prynne’s ‘The Scarlet Letter’ and decides to manipulate the school’s rumour mill to improve her lot in life. Clever teen comedy also starring Stanley Tucci, Lisa Kurow, and Malcolm McDowell.
Netflix UK – 21 Jump Street (2012). One of the biggest surprises this year was not how genuinely funny this reboot of a long-forgotten 80s TV show was (it really is), but that Channing Tatum had a performance like this in him – out-funnying Jonah Hill no less.