Andrew Brooker continues his challenge to watch 365 films in 365 days. Here’s how he got on back in May.
The best free-to-air films on television every day this week, as chosen by Fast and Furious series convert and site editor, James Diamond.
He’s too busy trying to watch the new Arrested Development season 4 and packing for a holiday to spend much time on his recommendations this week. It’s probably for the best.
The Oscar-winning western that laid to rest Clint Eastwood’s legendary career in the genre. Great performances from Eastwood, Gene Hackman, and Morgan Freeman elevate the film to classic status.
Tuesday 28th May – Green Zone (Film4, 9pm)
Today’s film sees Matt Damon reteam with Bourne Ultimatum and Bourne Supremacy director Paul Greengrass. Based on the non-fiction book ‘Imperial Life in the Emerald City’, it explores the US involvement in the restructuring of Iraq after the second Gulf War in 2003, as well as the search for WMD. For those who want a late night fright, the utterly wonderful Let the Right One In is on Film4 at 1.25am. My review from last year is here.
Wednesday 29th May – The Italian Job (Film4, 7pm)
Michael Caine at his cheeky chappy best. He plays Charlie Croker, a con recently released from prison who plans the heist to end all heists right under the nose of the mafia. Cue Mini Coopers racing around Turin, Noel Coward orchestrating events from prison, and “you’re only supposed to blow the bloody doors off”.
Thursday 30th May – Forrest Gump (Film4, 9pm)
Beginning to be a bit of a Film4 love-in here, but there’s really no competition today. Tom Hanks in a career-defining role that isn’t as schmaltzy as you might remember. A stunning achievement in cinema (although Pulp Fiction should still have won the Best Picture Oscar that year).
Friday 31st May – The Man Who Haunted Himself (Horror Channel, 4pm)
There’s not a huge choice today, so I’m just going to recommend a film that our very own Owen Hughes recently wrote about in his Decade in Film piece for 1970:
“1970 was an almost “inbetween” year for Roger Moore. By the time this film was released, he was already a household name. Not because he was Bond, James Bond; he was still yet to play 007 for another 3 years! But because of his role in one of the highest rated British TV shows of the 60s, The Saint. Wanting to show he was more than just a camp heroic adventurer, he collaborated with British director Basil Dearden and showcased a rather more serious side to his acting ability.
I’m not much of a Bond fan. When I was younger, I preferred Sean Connery (much to my dads disapproval) although as I’ve gotten older, I have come to appreciate and prefer Moore’s take on Ian Flemming’s iconic character. But it’s here, and not in the world of secret spy espionage, that I think I have found my favourite film of Moore’s.
Shot like a mystery thriller with elements of the film noir genre about it, copiously straddling various different answers to its myriad of questions before finally drawing the curtain back and revealing what has been going on all along – it plays on the concepts of identity theft, of schizophrenia and psychosis. It spends time developing the story, enhancing the mystery element and finally in getting the best out of and then delivering an exquisite performance from its star actor. Combined with a fantastically early 70s look, a late 60s swing and a very catchy theme tune by Michael J Lewis (that even now creeps into my subconscious every so often and loops around my head all morning) the effort that has gone into it definitely paid off.”
Saturday 1st June – A Few Good Men (Watch, 10pm)
Another day, another film review I can steal from one of my colleagues. This time it’s Kate Diamond’s Decade in Film for 1992:
“In a court house of the United States government, one man will stop at nothing to keep his honour, one will stop at nothing to find the truth, and Kevin Bacon has the most remarkable haircut you ever did see. Aaron Sorkin wrote the oft-quoted screenplay after hearing about a similar case in Guantanamo Bay, on which his sister was a military attorney. The Sorkin trademark ‘walk & talk’ also originated in this movie.
Despite winning precisely nothing at the Oscars, critics and the box office deemed it a hit, and it went on to be the most commercially successful work of hero director Rob Reiner. A veritable all-star cast, including Tom Cruise at his preppy nineties peak, Jack Nicholson chugging on cigars and shouting ‘I’m gonna rip the eyes out of your head and piss into your dead skull!’, Demi Moore, Kevin Pollak, Kiefer Sutherland and plenty of others. A Few Good Men is a largely court room based tale of honour, loyalty and Code Reds. It’s also a pretty great advert for never joining the Marines.”
Sunday 2nd June – The Karate Kid (Watch, 12.30pm)
I’ve not seen it for years, but I cannot imagine this film being anything less than the superlative film about learning to stand up to bullies that I remember from my youth. Ralph Macchio (last seen in this year’s Hitchcock) is ‘Daniel San’, or at least that’s what the mystical Mr Miyagi keeps calling him. Through the power of household chores, Daniel San becomes a bit of a karate legend, and has to face down his tormentors in competition. Someone sweeps the leg, someone does a ‘crane kick’ and we all get down to Joe Espostio’s ‘You’re the Best Around’
A continuing series in which the Failed Critics look back on a particular decade in the world of cinema, and choose their favourite films from each year of that decade. Kate chose the nineties, because she actually used to watch films back then. This week she tackles 1992.
The first, and lesser known, of the three Baz Luhrmann films that make up the Red Curtain Triology, Strictly Ballroom could well be described as the Australian Dirty Dancing. Paul Mercurio is Scott Hastings, a ballroom dancer who’s all set to win the Pan-Pacific Grand Prix Dancing Championship, until he starts trying to throw his own non-standard dance shapes. So far, so very Johnny Castle. Tara Morice is Baby/Fran, the timid beginner with the frizzy perm and enormous glasses, that of course she’s able to dance without, because being a champion dancer is all about conquering The Fear, and not about being able to see where you’re putting your feet at all.
The film showcases the cut-throat world of competitive professional ballroom dancing, using a supporting cast who resemble a Christmas Panto special of Neighbours. Unlike Luhrmann’s later efforts, it doesn’t star anyone particularly famous, but nonetheless went on to become one of the most successful Australian films of all time. Great song at the end, too.
As will become clear upon reading my full Decade in Film choices, Early Nineties Thrillers is one of my favourite movie genres. At age 13, my main occupation was the giving and receiving of slumber parties. Such films were the perfect viewing at these parties, scary enough to watch in the dark in the middle of the night, with enough references to sex to provide copious embarrassed teenage giggles. This one charts the tale of the brilliantly named Peyton Flanders, a sadistic widow who poses as a nanny in order to destroy the woman who wronged her, and steal away her family.
Rebecca De Mornay is just wonderful as glassy-eyed Peyton, manipulating and driving slowly insane the mother she is supposed to be hired to help; even managing to turn her against her best friend Marlene (Julianne Moore in full wise-cracking side-kick mode). From the director of L.A. Confidential (seriously!), this story of home-wrecking and wind chimes was never going to trouble The Academy. But there’s some nasty business with an asthma inhaler, an epic shovel fight, and even death by greenhouse. Which is sometimes all you need.
Emilio Estevez is a hot shot lawyer, sentenced to coach a junior ice hockey team as community service after being caught drink driving. It kind of sells itself, doesn’t it? The movie trilogy that launched Joshua Jackson‘s extensive career, (He’s in Dawson’s Creek. He doesn’t play Dawson.) and stars distinguished English actor Joss Ackland as Hans, all round mentor, sage, and hockey stick seller.
The Ducks are a rabble of street kids, perpetually bottom of the league, but with an abundance of spirit. Luckily, it turns out Coach Bombay (Estevez) and ice hockey have history. And, once he’s ditched the chip on his shoulder and the ridiculous limo, he and the Ducks go far. Indeed, in the follow up movie D2 they represent the USA in (something similar to) the Olympics. It’s one of a handful of films which is bettered by its sequel (see also my next year’s entry into A Decade in Film). However this original is where the heart of the team is born. Besides, you have to watch this one first to learn what a Triple Deke is.
In a court house of the United States government, one man will stop at nothing to keep his honour, one will stop at nothing to find the truth, and Kevin Bacon has the most remarkable haircut you ever did see. Aaron Sorkin wrote the oft-quoted screenplay after hearing about a similar case in Guantanamo Bay, on which his sister was a military attorney. The Sorkin trademark ‘walk & talk’ also originated in this movie.
Despite winning precisely nothing at the Oscars, critics and the box office deemed it a hit, and it went on to be the most commercially successful work of hero director Rob Reiner. A veritable all-star cast, including Tom Cruise at his preppy nineties peak, Jack Nicholson chugging on cigars and shouting ‘I’m gonna rip the eyes out of your head and piss into your dead skull!’, Demi Moore, Kevin Pollak, Kiefer Sutherland and plenty of others. A Few Good Men is a largely court room based tale of honour, loyalty and Code Reds. It’s also a pretty great advert for never joining the Marines.
Based on the Italian film of the same name (but in Italian, obviously), Al Pacino stars as retired Jack Daniels fuelled curmudgeon Lieutenant Colonel Frank Slade; and an even fresher-faced than normal Chris O’Donnell as the prep school student employed as his aide over the Thanksgiving Weekend. The pair embark on high jinks, soul searching and the Tango to the backdrop of the Waldorf-Astoria, Hollywood’s favourite New York based bed & breakfast.
A hidden gem of a film, which seems to have passed a lot of people by. Leaving aside the fact that director Martin Brest went on to write & direct what is frequently cited as one of the worst movies of all time, Scent of a Woman is a must see. The first two hours make for a pretty excellent tale, and include their own heart-warming almost ending. But it’s the last 30 odd minutes, at the disciplinary committee, which are just pure, unadulterated, watch with your mouth hanging open, Pacino. Nominated on seven previous occasions, this is the one that finally got him the acting Oscar. As if they even needed to take a vote that year. Hoo-ah!