Tag Archives: Addicted

US Box Office Report: 17/10/14 – 19/10/14

Sound and Fury signify a change in the top spot, Birdman will be able to buy law books with pictures this time, Nicholas Sparks is not getting the best, the best, the best, The Best Of Me, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Movies, successful movies at that, often go about trying to solve questions that the public need answers for.  For example, our new number 1 film, Fury, finally helped to answer our year-long conundrum, “So, is this what caused Shia LaBeouf, who wasn’t exactly the most stable and upstanding citizen to begin with, to finally go completely off the deep-end?”  As marketing hooks for World War II movies go, it’s a pretty unique selling point, and one really should commend LaBeouf for starting so far away from the film’s release date and sticking with it for so long, too; professional wrestlers can’t commit to a bit this much!  $23.5 million worth of Americans ended up tempted enough by the possibility of a train-wreck to pony up and watch an apparently pretty alright film.

In release news that doesn’t involve me making really tired and terrible jokes about a man who is most likely suffering from some kind of mental health problems, The Book Of Life continued the trend of animated films not made by established companies, and not outstandingly marketed to hell and back, opening rather soft with a third place debut and $17 million in ticket sales.  By contrast, Studio Ghibli’s second-to-last planned film, The Tale Of Princess Kaguya, opened in limited release to a very respectable $51,700 from 3 screens – which sounds small, but one must remember that this is the return feature of Grave Of The Fireflies’ Isao Takahata and that not everybody wants to be reduced to blubbering, incoherent wrecks at art-house cinemas filled with snobby judging art-house crowds.

Meanwhile, and thankfully for people absolutely f*cking sick of his goddamn signature brand, the latest Nicholas Sparks adaptation, The Best Of Me, bombed majorly, only managing $10 million for sixth place and allowing hacks like me to make unfunny Foo Fighters references.  Admittedly, Nicholas Sparks films have very fluctuating performances – The Notebook was followed by Nights In Rodanthe, whilst The Last Song was followed by Dear John – so we can’t break out the party poppers just yet, but it’s still the lowest opening for any of his adaptations ever so I’m calling this a win!  Along similar total-failure lines, Jason Reitman’s Men, Women & Children expanded to 608 screens this past weekend and scored the fifth worst nationwide debut ever, with just $320,000.  Films that managed a better per-screen average than it ($526) include Let’s Be Cops in its 10th week ($795), The Giver in its 10th week ($561), Lucy in its 13th week ($778), How To Train Your Dragon 2 in its 19th week ($566) and… well, pretty much everything else on the list.

Finally, we have the limited releases and the big success story of the weekend: Birdman.  The new film from Alejandro González Iñárritu starring Michael Keaton as somebody who once played a superhero now trying to make it on Broadway and filmed in a way that gives off the illusion that the film is just one continuous shot… actually, now that I think about it, it’s absolutely no surprise that the LA and NY cinemas that got this film ate it up so massively.  In any case, $415,000 from 4 theatres makes it the second-biggest-per-screen-average for a limited release of the year (behind The Grand Budapest Hotel) and the ninth best live-action limited release opening ever.  Also doing great business on 11 screens, for a very impressive $31,273 per-screen average, was Dear White People with a weekend total of $344,000.  I don’t really have anything else to add, to be honest, the film looks way too good for me to get snarky at.


dear white people

This Full List has got another confession to make, it’s no fool, it’s getting tired of star- (*is forcibly pulled away from keyboard*)

Box Office Results: Friday 17th October 2014 – Sunday 19th October 2014

1] Fury

$23,500,000 / NEW

Owen will be handling review duties on this one, folks.  Be gentle with him.  I also find it interesting to note that Fury has made more domestically in one weekend than David Ayer’s other 2014 film, Sabotage, did worldwide throughout its entire run.  Good to see his year has turned around significantly!

2] Gone Girl

$17,800,000 / $107,069,000

Gone Girl has been embraced by Men’s Rights Activists, just as I feared it would be.  Sigh…  I guess that’s the risk one gets when trying to tell stories like this one, but it is saddening to know that I am going to have to spend the rest of my life lengthily explaining myself when I tell more Internet conscious people that I love Gone Girl, so that they don’t get the idea that I’m some kind of woman-hating psychopath.

3] The Book Of Life

$17,000,000 / NEW

Out here on Friday, so one last time for good luck: I ORDER YOU TO NOT SUCK!

4] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$12,039,000 / $36,871,000

And this is out this weekend, too.  Well, I guess you gotta learn to live with the bad days to ap- (*looks down to see hands have somehow become sentient and are strangling the author to death*)

5] The Best Of Me

$10,200,000 / NEW

Should probably clarify that the strangling that occurred in the previous joke involved my throat, not anything dirty like I know some of you more childish readers were attempting to misconstrue it as.  There are no such uses of toilet humour in these articles.  This is a family feature.

6] Dracula Untold

$9,889,000 / $40,735,000

A pretty large 58% drop between weekends, so it’s a total flop domestically.  Unfortunately, it’s almost cleared $100 mil overseas, mainly thanks to Russia and Mexico of all places, so I can’t smugly sit here and claim that it completely bombed like I predicted it was going to.  Drat and blast!

7] The Judge

$7,940,000 / $26,843,000

No, seriously, watch the trailer for Dear White People.  It looks absolutely excellent and the kind of film I need in my life right f*cking now.

8] Annabelle

$7,925,000 / $74,127,000

Yes, that is a really close gap between The Judge and Annabelle, but actuals have yet to actually flip the places of two films that are dead close to one-another in estimates under my watch, so don’t expect anything to actually happen here.  You know, except for the realisation that I just managed to sufficiently kill time by making a big deal out of nothing with this entry.

9] The Equalizer

$5,450,000 / $89,170,000

Fuck off.

10] The Maze Runner

$4,500,000 / $90,837,000

OK, I’m not stupid.  I know you haven’t actually watched the Dear White People trailer yet.  I have no control over you and can’t force you to visit every single link I attach to these articles.  You’re busy people with places to be.  So I’m just going to leave this here and we’ll all reconvene next week for me to do this dance with another completely different film possibly maybe.

Dropped Out: Addicted, The Boxtrolls, Left Behind

Callum Petch is watching the television with no sound.  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 10/10/14 – 12/10/14

The Judge has a Terrible, Horrible, No Good, Very Bad weekend, Dracula does makes Untold millions, Kill The Messenger is DOA, the full list will give you Whiplash, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

This weekend, a terrifying curse was placed upon a certain set of people.  One that rendered them scared, confused, worried about the changes and its effects, and unable to go out during the daytime (primarily because they don’t go out during the day, anyway).  I am of course referring to the 48 hours in which the website known as Box Office Mojo ceased to exist.  We film writers were thrown into a panic.  “How on earth can we do our jobs now?  What other monstrous websites will we have to patronize instead?  Why hast thou forsaken us?!” we cried skyward to the heavens.  But then, right on cue, the site returned this morning with no explanation for its absence!  And so our great national nightmare was over!

You could say, then, that it was a Terrible, Horrible, No Good, Very Bad weekend, in an incredibly lame segway towards referring to the box office stats.  It was most certainly one for the “Robert Downey, Jr. has a space on his fireplace that he’s just freed up for some awards statues” flick known more commonly as The Judge.  Not only did critics collectively shrug it away from any possible awards buzz, the film underwhelmed severely at the box office, despite featuring Robert Downey, Jr. doing that Robert Downey, Jr. thing that the people like, only debuting in fifth place with $13 million in ticket sales.  Alexander, then, much like its titular character, ended up passing off that yadda yadda weekend to somebody else, opening with a surprisingly strong $19.1 million for third place.

That left it comfortably sat behind the number two film, Dracula Untold which debuted to a very surprisingly strong $23 million.  Couple that with its currently-really-rather-successful overseas performance, and you have one genuinely surprised writer.  In any case, that still puts it very much behind the weekend’s number 1 film, Gone Girl, which shed only 28% between weekends to hold onto the top spot.  Couple that with its currently-very-successful overseas performance, and you get one very, very happy writer.  Also sneaking into the Top 10 was the moderate release drama-thriller Addicted, which managed to overcome the handicap of apparently being complete garbage to score a seventh place debut and a near-$9000 per screen average.

As for those limited release films outside of the top 10, there’s a lot to parse through.  First off, Meet The Mormons, which resides in 11th place on our countdown with a weekend gross of $2.7 million, from 317 screens, that are presumably from people who thought it was an expose on the making of The Book Of Mormon.  It is, though, the second biggest opening for a documentary all year, at any rate (behind Bears).  Next up, we have the Jeremy Renner-starring and Mary Elizabeth Winstead-featuring Kill The Messenger, which tanked with only $939,000 from 374 screens.  You know, because Mary Elizabeth Winstead is cursed at the box office.  St. Vincent, a film starring Bill Murray and I know that’s all it needs to do to earn your ticket because that’s all it took to earn mine, managed to take $121,000 from 4 screens worth of people who had the exact same thought processes as us.  Meanwhile, the critically lauded Whiplash kick-started its assault on the public with $144,000 worth of people in 6 screens wanting to see J.K. Simmons mentally and physically abuse the f*ck out of Miles Teller.  The real abuse, as should be obvious, though, is withholding this film from us Brits until January the goddamn 16th of 2015!!

Oh, and One Chance, that biopic about the opera singer from Britain’s Got Talent, finally got released in America this past weekend.  $32,800 from 43 screens.  Absolutely worth the constant release date circle-jerking.


dracula untold 2

This Full List is being held in contempt of court!  Everything that guy just said is bullsh*t!  The Bible is a good book, but it’s not the only book!  I believe there is justice in our hearts!  You can’t handle the truth!

Box Office Results: Friday 10th October 2014 – Sunday 12th October 2014

1] Gone Girl

$26,800,000 / $78,281,000

Saw it again this weekend and again loved every second of it.  It’s just such a brilliant film, and trying to articulate the reasons as to why I love it so in less than an A4 page when it inevitably ends up in the highest possible echelons of my Top 10 of 2014 list is going to be a monumental task.  Look forward to that inevitable train-wreck of a series (yes, series, I’m planning in advance here, got a feeling the overall article would be in excess of 10 goddamn pages otherwise) in the future!  For now, go see Gone Girl!  Yes, even if you have already seen it.  Go again.

2] Dracula Untold

$23,457,000 / NEW

So, yeah.  Gonna be frank, I fully expected this one to out and out bomb.  Like, straight flop as soon as it left the starting gates.  It still could, next week has plenty of releases ready to steal its thunder and rumours are going around that the $70 mil price tag the film is sporting is significantly lower than its true budget, but it’s not an immediate and total failure, which I will likely never stop being surprised by.  You people did see the awful trailer, right?

3] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$19,100,000 / NEW

Oh, Christ, this one.  Look, I refuse to believe that it is anything less than a total steaming, nigh-on insufferable dud until I inevitably see it with my own eyes in the near-future.  I’m also guessing that his work as Childish Gambino is not paying anywhere near enough to keep Donald Glover away from dreck like this.  That’s a bit of a shame; because the internet isn’t too bad of an album.

4] Annabelle

$16,365,000 / $62,156,000

A 56% drop between weekends, which is a little steeper than The Conjuring’s but is still not too bad overall.  Again, it’s got no direct competition for the whole of October, which is weirdly empty with regards to horror films this year, and Ouija, which drops at the very end of the month, will bomb to some degree (I have never been so sure of anything in my entire last 15 minutes of life).  Annabelle will keep making money.  Whether that’s a good thing or not is for you folks to judge.

5] The Judge

$13,300,000 / NEW

Robert Downey, Jr. really does just play the Robert Downey, Jr. role now, doesn’t he?  That’s kind of a shame.  I mean, don’t get me wrong, I really like Robert Downey, Jr., but he is capable of more and I’d rather he stretch himself and try to mitigate the risk of just coasting by on Iron Man.  On a related heathen note, all three Iron Man films are my least favourite of the Marvel Cinematic Universe, with the exception of The Incredible Hulk.  Yes, even Iron Man 3.  Expect my firing to be made public in a few hours.

6] The Equalizer

$9,725,000 / $79,885,000

Skipped it last Tuesday, before you ask.  I fulfilled the “seeing Dolphin Tale 2” part of that plan and then was too “eeeeeeeeeehhhhhh”’d out to bother seeing The Equalizer on top of it.  Guess I’ll never see it now.  Oh, boo hoo.  How I weep for such a missed opportunity.

7] Addicted

$7,600,000 / NEW

It wasn’t until I watched the trailer that I realised why this film came out of nowhere to make big, big bucks: it predominately stars, and is targeted at, black people.  Let me be clear, that’s not meant to be an insult – for the love of God, it really is not.  It’s instead an observation that there is a large segment of America that very much enjoy watching films aimed at them regardless of quality, and which are not white.  In fact, it’s an observation that keeps being made every single time a film like that becomes successful, almost like it’s a fact about a mostly untapped market instead of an observation about trend that will die out soon…

8] The Maze Runner

$7,500,000 / $83,840,000

Penning my review as soon as I’ve finished with this.  Short version: surprisingly, genuinely great until the abysmal ending cocks everything up.  You should have seen me in the cinema; I visibly went from “Hell yes, bring on the sequel!” to “(exasperated groan), I guess I’ll see the sequel because I have to,” in the space of about 10 minutes.  Again, review will be set for tomorrow, so sit tight for in-depth thoughts, but man I was so disappointed by this one.

9] The Boxtrolls

$6,676,000 / $41,032,000

Oh.  Oh.  OK, remember last week when I said Laika were going to be OK?  I want you to disregard that and instead hit all of your panic buttons.  The budget is $60 mil, which it has only barely cleared thanks to foreign grosses, it’s currently sitting at less domestically than notorious under-performer ParaNorman, and The Book Of Life (side note: PLEASE DO NOT SUCK) is coming along next week to hijack its audience.  It may end up a hit on home video, which it deserves to be because Laika deserve all the success even with films that aren’t up to their usual standards, but I’m going to panic the f*ck out until somebody at Laika tells me I don’t need to.

10] Left Behind

$2,909,000 / $10,920,000

Still not going to make any obvious jokes at the expense of its title.  I am above that.  I have limits, y’know.

Dropped Out: This Is Where I Leave You, Dolphin Tale 2, Guardians Of The Galaxy, No Good Deed

Callum Petch couldn’t see he was the car you crashed.  Follow him on the Twitters (@CallumPetch)!