People f*cking love dinosaurs, and Other Box Office News.
by Callum Petch (Twitter: @CallumPetch)
Jurassic World made $204 million, making it the second biggest domestic opening weekend of all-time.
(*drops mic, leaves*)
(*walks back in*)
So, apparently, I have to write more than that for these things. But, I mean, I’m slightly at a loss as to what to write. That figure and those numbers kinda tower over everything else, grabbing the eye and the attention so totally that to talk about anything else feels like trying to hold a conversation at a party that’s about anything but the grizzly act of cannibalism that everyone just saw occur in the parlour room moments ago. You know how ridiculous that opening is? I ran the opening of Jurassic Park back in 1993 ($47 million) through an inflation converter, and the result ($77 million) was still nearly three times less than what Jurassic World just made. I am at a loss to explain this, I really am. Like, I knew that Jurassic Park was a beloved touchstone for a generation of moviegoers, and that everybody loves dinosaurs, but DAMN!
That said, it was not the only film making waves this past weekend. For, in the land of the limited releases, it was time to unleash Me and Earl and the Dying Girl upon the world. This year’s Sundance darling, having premiered to a standing ovation and winning the Grand Jury and Audience Prizes for Drama at the festival, critically beloved by most, and looking absolutely and totally motherf*cking INSUFFERABLY GODAWFUL, was launched in the Little Miss Sunshine slot to a pretty great success – $210,000 from 15 screens with a per-screen average of $14,000. On any other weekend, that would be a per-screen average to kill for, but this was Jurassic World’s weekend and that film managed a per-screen average of $47,871 FROM 4,274 SCREENS. So, dinosaurs beat sh*tty-looking try-too-hard indie dramedies in the public sphere! This is information that makes me happy.
Finally, before we get into the part that matters, there’s the issue of Love & Mercy, the biopic of Brian Wilson that came out last week. Now, as you may know, I didn’t talk about it last week or, in fact, any of the week’s limited releases as I was far too busy making easy jokes at the expense of Entourage – which, as I discovered about 8 hours after that post went live, was letting that film off was too easily – to report on them or the fact that United Passions only made $607 from 10 screens – side note: BWAHAHAHAHAHAHAHAHAHAHA (*continues like so for another 10 minutes). Besides, I had the feeling that the supposedly great film would make an appearance in the Top 10 eventually, as it was too star-packed, too widely-released, and too critically-slathered to not break in at some point. Well, it did! This week, even! So, there!
This Full List found a way, the clever girl.
Box Office Results: Friday 12th June 2015 – Sunday 14th June 2015
1] Jurassic World
$204,600,000 / NEW
My review is over here, for those of you who are interested. Ended up digging this one a whole lot, even though it’s got characters that might as well just be breadsticks, dialogue that’s on the level of a five year-old, and themes that are communicated on the same level as that of a first year film studies student with a distrust of the military. But who cares about any of that when you have dinosaurs fighting each other and Chris Pratt – albeit minus any gratuitous shots of his abs, which is UNACCEPTABLE – both things I’ve wanted since I was 5 years-old? Not me, that’s for certain!
$16,000,000 / $56,937,000
Very strong 45% hold between weekends, which is very good for an R-rated comedy that is being released in this utterly insane Summer season. Can I also echo The Playlist’s demand that Melissa McCarthy gets a look-in for the Best Actress race come Oscar season? She is absolutely phenomenal in this, and I guarantee you that she’ll have put in a better performance than at least half of the people whose names get trotted out in this year’s Battle of Apparently Lowering Standards.
3] San Andreas
$11,010,000 / $119,321,000
…hey, Hollywood. Can’t help but notice that you haven’t gotten back to me about that goldmine of a film pitch that I gave you last week. Tell me, do you have a negative disposition towards the act of making money? Seriously, who doesn’t want to see Chris Pratt and The Rock solving crimes together in a buddy cop movie? I know that America wants to see The Rock lay the smacketh down on a bunch of candy asses whilst Chris Pratt says something Burt Macklin, FBI-y before The Rock raises his eyebrow inquisitively and humanity collectively creams its pants and explodes in pure glee!
No, seriously, this is pure f*cking gold, Hollywood! Hit me up about this! I’ll even convince my actually talented writing friend to sell out his principles to help me write this script, as it is surely guaranteed millions upon MILLIONS of dollars and millions of dollars and millions of dollars!
4] Insidious Chapter 3
$7,300,000 / $37,371,000
Forgot to mention this last week as I was too busy… whatever I was doing last week, but now’s as good a time as any. If you are writing a box office piece and use the phrase “scares up” when talking about the performance of a horror movie, quit. Just quit. Stop writing, resign from your position, and go and do something else with your life. I am dead serious. That phrase is so, so old and worn out, that even complete hacks will look at that and go, “Yeah, you absolutely put no effort into this whatsoever.” I find it a personal insult that professional writers are paid money to be that lazy whilst I slave away trying to find new spins on material and new talking points every week for free. So if you do use that phrase, quit. Give your job to people who deserve it.
5] Pitch Perfect 2
$6,000,000 / $170,715,000
This has managed to jump up one place, this week. People would rather see this again in its fifth week than Entourage in its second week. Humanity is not totally doomed, folks.
$4,340,000 / $25,870,000
I saw Entourage last Monday. If it weren’t for the fact that Me and Earl and the Dying Girl is looming on the horizon like a strategically placed solid object aimed directly at one’s junk that you can’t avoid for whatever reason, I would feel very secure calling this the worst film I will see all year. It is just so totally abysmal. Brooker is still reviewing it for this site, but my thoughts were graciously housed by both Movieblort and my friend Charlize of HotMales.net. They’re absolutely worth a read at either location, I genuinely believe it’s one of the best reviews that I have ever written.
7] Mad Max: Fury Road
$4,130,000 / $138,630,000
Goddammit, I’ve been too busy to find the time to see this a third time. If I get lucky, it might hang around next week and I’ll be able to squeeze it between the new releases (otherwise known as the films I don’t give a sh*t about), but otherwise my chance has been and gone. Sigh. I’d say “at least I saw it twice”, but we all know that twice is nowhere near enough cinema-based viewings of Fury Road.
8] The Avengers: Age of Ultron
$3,641,000 / $444,743,000
I am excited and optimistic for Ant-Man. There, I said it. Revoke my “Film Critic” pass if you want, I don’t give a sh*t. It’s the truth and it’s how I feel.
$3,417,000 / $83,607,000
OK, homework for us all: let’s all watch The Iron Giant, The Incredibles, and Ratatouille prior to meeting back up next week. We’re not actually going to talk about or do anything with them, it’s just always worth having seen those films. Great? Great.
10] Love & Mercy
$1,765,000 / $4,774,000
Here’s a scene from Walk Hard. Go and watch Walk Hard. This is not optional.
Dropped Out: Aloha, Poltergeist
Callum Petch only cares about that thing, that thing, that thing. Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!