Tag Archives: Apostasy

London Film Festival 2017: Day Seven

God, what did we do to deserve Guillermo del Toro?  I mean it, what did we as a collective humanity do to deserve a filmmaker like Guillermo del Toro?  del Toro is one of the most technically gifted directors working today, I don’t think anyone can dispute that, but it goes further than that.  It’s the way that he marries that technical ability to his absolute passion and earnest love for the worlds, characters, stories, and genres he chooses to tell that makes watching his films so wonderful.  It’s there in his early horror classics, Chronos and The Devil’s Backbone, it’s there in his off-kilter approach to comic book movies with Blade II and the perennially-underrated Hellboy movies (the latter of which were my first introductions to the world of comic book movies), and it’s absolutely there in his gothic genre homages Pan’s Labyrinth and Crimson Peak.  Hell, even though Pacific Rim was only “good” instead of “great,” you couldn’t blame that on a lack of tangible passion, and the shared glee in watching del Toro cash in every last scrap of industry cred he’d accrued up to that point to make the progressive, multi-cultural ode to the pleasures of the Anime and giant monster movies that he is infatuated with!

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