Tag Archives: Baahubali: The Beginning

US Box Office Report: 17/07/15 – 19/07/15

Ant-Man shrinks the standard Marvel opening, Trainwreck is anything but a, Mr. Holmes effortlessly cracks The Mystery of How To Get Into the Top 10, these puns are awful even by my standards, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

So, here’s the deal.  I am really frickin’ tired.  Not gonna lie.  I’ve been really busy these last few days working on something big, and I’m just plain not sleeping well, so Sunday night is currently not the time where my brain is most engaged.  Right now, all I really want to do is lie down in bed and alternate between Phineas & Ferb and Parks & Rec episodes until my brain just collapses into Sleepsville.  However, my “job” involves providing fresh Box Office Reports for your fine self to read first thing on a Monday morning, and if there is one thing that I am committed to it is my “job”!  I spent just over 30 straight weeks pumping out giant DreamWorks Animation essays after all!  So, let’s just try and get through this together, eh?

Keeping those doom-saying think pieces that pretty much every Box Office commenter and Internet writer has had prepped for the last three years in storage just a little while longer, Ant-Man is your new box office number 1, with $58 million in ticket sales!  Of course, those think pieces could still be trotted out if everyone wanted to, as that $58 million opening is the second-worst in Marvel Cinematic Universe history (only besting The Incredible Hulk’s $55 million), but it’s only one film and a number 1 opening is still a number 1 opening however you slice it.  Besides, I don’t think we need to be encouraging these things.  I honestly don’t know which will be worse at this point: the incredibly smug “I told you so” attitude that every single card-carrying member of Film Twitter and Film Internet will sport when these films do start failing, or the whiney defensive attitude that will come from the part of the Internet that keeps painting Marvel as some kind of victim being bullied by Film Snobs.  It’s like Aliens vs. Predator only somehow even worse than that.

In much happier news, Amy Schumer and Judd Apatow’s Trainwreck was a huge success, coming in third with $30.2 million!  No, that wasn’t sarcasm.  See, Trainwreck is Apatow’s second-biggest opening weekend as a director, just behind Knocked Up’s $30.6 million, and the film itself is an R-rated female-focused comedy starring an untested talent in the world of film and being released against the newest instalment in the Marvel juggernaut.  This is genuinely a roaring success!  Woo-hoo!  Go Amy Schumer!  Between this, Spy, and Pitch Perfect 2, this has been quite the year for female-fronted comedies.  Now, if we could get some movies fronted by non-white female comediennes, that would be just peachy…

In “really stretching the definition of ‘limited’ release” news, Bill Condon’s excellent Mr. Holmes – a film that just missed out on my Top 5 of 2015 So Far list – crossed the pond to 363 theatres this past weekend, and managed to crack the Top 10 with $2.48 million in tickets and a respectable $6,800 per screen average.  Almost matching it on 100 less screens, and perhaps another sign that Indian cinema is about to finally break somewhat big in America, was Bajrangi Bhaijaan which took $2.42 million for eleventh place and a per-screen average of $9,400.  These two may even switch places when the actuals come in, but, as you all know, I only work from these final estimates cos I have sh*t to do, thank you kindly.

Meanwhile, in actual limited release news, Woody Allen’s latest “older man falls for much, much, much younger woman” tale, this one going by the name Irrational Man, made $188,000 from 5 screens of die-hard Woody Allen fanatics with nothing better going on in their lives.  Everybody does know that they don’t have to help him film everything he comes up with, right?


This Full List is brought to you by the warm dulcet tones of Ringo Starr.  Because Thomas the Tank Engine is featured in Ant-you know what never mind.

Box Office Results: Friday 17th July 2015 – Sunday 19th July 2015

1] Ant-Man

$58,040,000 / NEW

Saw this on Friday and the review should hopefully be up soon – it’s not yet because I didn’t finish writing it until Saturday afternoon, because my brain currently hates me, and Owen was off enjoying The First-Ever Failed Critics Meet-Up so couldn’t get to posting.  Short version: I really dug this one.  It has problems, but I really, really dug it!  There’s a second article that’s going up later this week that may make it seem like I hate this movie, but I do actually really like it.  That’s the thing about criticism, taking issue with a certain aspect doesn’t mean that the rest of the film can’t win you over!  It’s almost like opinions are these multi-faceted and nuanced things or something.

2] Minions

$50,200,000 / $216,692,000

Steeper-than-expected 56% drop, which looks really bad compared to the second-week drops of the first (42%) and second (47%) Despicable Mes.  But, of course, neither of those opened to $115 million domestic and this $50 million second weekend is about in line with those films’ low $30 million and low $40 million weekends.  Yeah, this is doing more than OK, although that unfortunately means that Illumination now have a green-light to run this franchise into the ground.  I mean, they were probably going to anyway, but now they have an excuse to.

3] Trainwreck

$30,200,000 / NEW

Absolutely cannot wait for this.  Really, truly, cannot wait for this.  I think that Amy Schumer is one of the most important voices in comedy right now and I am dying to see what she can with two hours and the romantic comedy template.  News from America indicating that this is way more traditional and less subversive than I was hoping it would be has tempered my expectations and excitement but only slightly.  Seriously: bring this baby on already!

4] Inside Out

$11,660,000 / $306,363,000

When we next meet, folks, I will have seen Inside Out.  I would like to thank Owen for cordoning off review privileges for this on this site for myself and myself alone.  It’s like he understands that I live to be the sole person reviewing all of the animated films.  He gets me, he really does.

5] Jurassic World

$11,400,000 / $611,174,000

I… I really got nothing for this one anymore, folks.  Enjoy this song from Phineas & Ferb, instead.

6] Terminator: 2600

$5,400,000 / $80,640,000

I’m just going to bury my head in my hands and hope against hope that this one just goes away, if that’s alright with everyone else.  Emilia Clarke deserves better, dammit!

7] Magic Mike XXL

$4,500,000 / $58,636,000

I hope this becomes a Cult Movie Night fixture.  You know the ones: those special screenings full of die-hard fans who know the film front-to-back, love and appreciate every last second of it, get its progressive sexual politics completely, and are completely comfortable in their love for this movie.  They’ll all meet up once every few months and make a night out of seeing this film, the cinema will provide each attendee with a roll of (convincingly) fake dollar bills to rain down upon the screen at the appropriate times, and everyone will just have the most fun and best time together shrieking in pure glee.

I hope this happens, at any rate, cos that’s a film screening experience I want to have!

8] The Gallows

$4,005,000 / $18,007,000

THIS JUST IN: Shitty Horror Movie That Nobody Liked Plummets In Its Second Weekend.  More at 11.

9] Ted 2

$2,700,000 / $77,457,000

So, Ted 2I was promised some Rachael MacFarlane in your movie.  I went to see your movie and I noticed no Rachael MacFarlane.  I feel very much betrayed by this, and you can expect a very strongly worded letter expressing my disappointment to be along in the post shortly!

10] Mr. Holmes

$2,489,000 / NEW

I wanted to write a review of this after I saw it, but I never got around to it due to this whole “being back at home and feeling miserable” lark causing me to have trouble putting words to paper.  In any case, I highly recommend it, especially if you’re sick of Sherlock Holmes adaptations cos it’s not really one.  It’s more a mediation on death, aging, memory, regret, and selfishness that ties back into Sherlock Holmes in specific ways but is mostly a movie that just happens to feature Sherlock Holmes.  I loved this one and cannot recommend it enough to you!

Just don’t be one of those berks who marks it down because “the mystery wasn’t that difficult or compelling” otherwise you and I will be having words.

Dropped Out: Self/Less, Baahubali: The Beginning, Max

Callum Petch is not sleeping, cold wind blowing.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

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US Box Office Report: 10/07/15 – 12/07/15

The Minions are their own boss, The Gallows has made back its budget 100x over, people were selfish and didn’t see Self/Less, it’s not been a good week to be a limited release, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

It was only a matter of time.  They started off innocuously in 2010’s Despicable Me, cute little comic relief characters whom we all collectively agreed were the best part of that otherwise mediocre movie.  Then the merchandising flood started and we happily accepted it because they were adorable.  Then their involvement in the films increased exponentially with Despicable Me 2 and we cheered because Despicable Me 2 was a great film, so what’s the problem?  Then those irritating Facebook memes started – useless, insincere attitude stock phrase bullsh*t that pasted random Minions onto their rubbish and called it a day – and we shook our heads in dismay but did nothing.  And then it happened.  Universal drowned us in marketing for the Minions spin-off movie, and you couldn’t avoid them.  Everywhere you turned.  Merchandise, posters, adverts, Amazon packaging.  Nowhere was safe, nowhere was free.  The takeover had occurred, we had to submit to our new Minion overlords for they had won.  They had conquered.

Therefore, Minions opened to $115 million this past weekend, making it the second-biggest opening weekend for any animated feature ever.  May God have mercy on us all.

Meanwhile, like it or not, The Gallows is actually a roaring success.  Oh sure, a fifth place opening of $10 million may not seem like a success, but that’s ignoring the fact that the film allegedly only cost $100,000 to make.  Such is the beauty of Blumhouse Productions, a production company that can get a horror movie made so cheaply that it is almost literally impossible for them to make a film that bombs.  It’s kinda like how Uwe Boll used to be able to write off half of the budgets for his various “movies” through complicated tax breaks except, y’know, Jason Blum has actually produced a good film or two in between his crap.  Plus, he quite literally has three more films coming out in the next two months, so it’s not like this mediocre performance is going to slow him down or anything.

Elsewhere, Tarsem Singh tried to bring back intellectual sci-fi with Self/Less, a film about whether it’s morally justifiable to force Ryan Reynolds to do bad things that he doesn’t want to do, as opposed to those bad things he chose to do like Ghosts Of Girlfriends Past.  Unfortunately, this is Tarsem Singh we’re talking about here, and so the director of Mirror, Mirror proceeded to apparently make a terrible movie that squanders all of its potential.  Consequently, since reviews are make or break for these kind of films, the film has tanked with barely $5 million for eighth place.  Dammit, people!  You can’t stop the Reynoldssaince!  No matter how hard you try, it won’t be stopped!

Having a similarly bad weekend was pretty much every limited release that came out this week.  Doing the best of the lot was Do I Sound Gay?, a documentary examining the stereotype of the gay voice that brought in a decent $11,000 from its one screen.  Next up there was Boulevard, an apparently underwhelming drama that we will all see anyway because it’s Robin Williams’ final role, with $7,000 from one screen.  “Globe-trotting” comedy Meet Me In Montenegro, and I don’t need to see or hear any second of that movie after seeing the phrase “globe-trotting” used non-ironically when describing a film’s genre in 2015, did poorest with $6,000 from 10 screens for a dismal per-screen average of you work it out.  All of these movies were out-performed by a re-issue of the 1992 Mel Gibson romance flick Forever Young, which took $70,000 from 14 screens for a $5,000 per-screen average.  Not one part of that last sentence makes any sense to me.


minions

This Full List, like seemingly everything else on the planet right now, is brought to you by the Minions.  Give into the yellow pill-shaped fellas.  Resistance is futile.

Box Office Results: Friday 10th July 2015 – Sunday 12th July 2015

1] Minions

$115,200,000 / NEW

Watched this again with a friend I hadn’t seen in years this past weekend because we got to the cinema too late to catch the first showing of Ted 2 and way too early for the next screening of Amy so had to see something, and also I am why you people are suffering so.  And guess what?  I still liked it!  So all of you Minion haters out there can go suck something that doesn’t make this insult homophobic!

Also, Fun Fact: the animated movie with the biggest opening weekend of all-time is still Shrek The Third with $121 million because you are all far worse than I am.

2] Jurassic World

$18,100,000 / $590,638,000

This will cross $600 million domestic next weekend which is quite literally insane.  It is now the third highest grossing film of all-time worldwide (or it will be, since Box Office Mojo isn’t immediately up-to-date on foreign totals anymore so there may or may not be a delay), which is also insane.  The backlash is insane, the extreme love is insane, the film itself is insane.  It’s all just one big melting pot of insanity.

3] Inside Out

$17,108,000 / $283,638,000

Turns out that this did, in fact, beat Jurassic World when the actuals came in for the three-day weekend last week.  Therefore, it is no longer the only Pixar film to not hit number 1 on the charts!  Yay!  After all, if this apparently amazing film couldn’t hit number 1 but Cars 2 could, then what does that say about us as a collective society?

4] Terminator: 3DS XL

$13,700,000 / $68,718,000

WOO HOO!  It’s failing!  It’s failing!  Uh huh!  Yeah!  Alright!  And even with foreign grosses factored in, it’s still only made $225 million against a $155 million budget!  Ah, life is good, folks.  Life is good.

(*suddenly remembers that the film has yet to open in China*)

Oh, hell, no.  If the Terminator: Vita sequel moves ahead but the Mad Max: Fury Road one doesn’t, sh*t is going to get royally f*cked up, I am warning you right now.

5] The Gallows

$10,015,000 / NEW

Have you seen the initial trailer for this?  In case you haven’t, it’s embedded below, but Cliff Notes are that it’s literally just a girl sobbing for 80 seconds before being Jump Scare Killed.  Does that rub anyone else the wrong way?  I don’t mean in the way that horror is supposed to make you uneasy, I mean in the sense that it seems more than a little exploitative and fetishizing of a woman in distress?  I guess I can give it points for being honest, but still.  You know.  Yeah.

6] Magic Mike XXL

$9,640,000 / $48,359,000

Allow me to use this space to pay my respects to The Dissolve, real quick.  A beacon of pure light and excellence in an Internet film space that seems to be in a race to the bottom, it was the film site that managed to be intellectual without coming off as snobby, diverse without looking down on mainstream film, clever and witty without coming off as snarky, proof that it was possible to write about films without having to be a closed-off academic cretin or a click-bait listicle doofus.  The only real upside to this incredibly sad news is that at least the site is still up for the time being, so you can still read fine articles like Tasha Robinson’s look at how Magic Mike XXL treats female pleasure.

R.I.P. you beautiful angel.  We apparently don’t deserve you, and that just isn’t goddamn fair.

7] Ted 2

$5,600,000 / $71,619,000

Saw this this past weekend and a review will be along in short order.  Man, I wish Seth MacFarlane would write actual jokes again.

8] Self/Less

$5,379,000 / NEW

Bummed to hear that this apparently sucks, although I will in theory get to find out for myself this week, but at least I get to inform you that The Voices is now available to buy on DVD and Blu-Ray!  Seriously, go buy that damn movie.

9] Baahubali: The Beginning

$3,575,000 / NEW

I didn’t mention this in my limited release roundup for two reasons.  The first is that 236 screens is really stretching the definition of “limited” for my liking.  The second is that it broke on through to the top 10 so I can talk about it here instead.  Plus, if I mentioned that this film managed an utterly ridiculous $15,148 per-screen average in the limited release section, then that would have discredited my headline, and I really cannot be arsed to go back and change it now.  It’s late, I’m tired, let’s just push on through.

10] Max

$3,420,000 / $33,705,000

I… I really got nothing for this.  This movie’s premise just makes me too sad.  God knows how I’ll make it through the actual movie, I might singlehandedly put a whole load of Kleenex executives’ kids through college.

Dropped Out: Spy, San Andreas, Me and Earl and the Dying Girl, Dope

Callum Petch, bring it close to my lips, yeah.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!