by Owen Hughes (@ohughes86)
I watch a lot of films. When I say “a lot”, I mean, a lot. I’m not boasting about this, I’m sure there are people who watch more and good luck to them! But there hasn’t been a week since the 20 – 26th August 2011 where I haven’t seen at least one film. In fact, the only week since then where I’ve only seen one film was 1st – 7th October 2011. Every week since, I’ve watched a minimum of two films within that seven day period. In 2012 I watched 464 films; in 2013 that rose to 555 films. So far this year, I’ve seen (according to Letterboxd + my private list of films I’ve yet to log on the site) 443 movies.
Yes. Exactly. For someone who doesn’t get paid to do this – who’s not employed by anyone as a professional film critic and holds down a full time job in a completely different industry – I’m fully prepared to accept that I do indeed watch a lot of films. A lot.
This month started no differently to any other from the past three years. I knew I was going to be writing a Decade In Film piece for 1964 soon and in the name of research had acquired a copy of the Vincent Price / Roger Corman classic from that year, The Masque of the Red Death. I watched it. I loved it. The following day, I had a look through my DVD’s to see if I had any other Roger Corman films floating about and there nestled in amongst the piles of unopened hard plastic cases on my shelves, on a three-films-on-one-disc collection, I stumbled across A Bucket of Blood. I watched it. I loved it. I began watching more and more Roger Corman and/or Vincent Price movies and before I knew it, by the 7th of October (amongst a few other movies) I’d seen at least one horror film per day.
It got me thinking; given that Halloween was a mere four weeks away, could I possibly make it to the end of the month, continuing on in the same vein; one horror film per day? I do watch lots of movies, but I am only human! Even I need a break every other day.
But there it was. A challenge had been set (by me) and I accepted (my own challenge). Fuck you, me! I’d show you (me) who’s boss (you/me). (Me.)
The key thing to establish before completing a challenge like this is setting what the parameters are. The most obvious thing to start with was to define exactly what I meant by a “horror film”. I did what any rational person would do and Googled it, taking the Wikipedia entry as 100% irrefutable evidence.
“Horror is a film genre seeking to elicit a negative emotional reaction from viewers by playing on the audience’s primal fears…
…Horror films often deal with the viewer’s nightmares, hidden fears, revulsions and terror of the unknown.“
Seems quite broad, doesn’t it? In the end, that turned out to be quite a helpful thing. As anybody who has listened to any of our ‘triple bill’ podcasts knows, I’m not too reliable when it comes to sticking within the boundaries of a particular topic. A little wriggle room meant, in theory, I could stretch from classic 50’s sci-fi and psychological thrillers, to Hammer Horror and good old fashioned ghoulish monster movies, should the need present itself. TV shows (The Walking Dead, American Horror Story and so on) or short movies would most definitely not be applicable. By film, I mean a feature film (that is, over 2400 seconds (or 40 minutes) in length).
The only other parameter left to establish was what did I constitute as “one per day”. Rather straight forward, perhaps, but what if I watched half a film on a Monday, fell asleep, and never went back to finish it? I decided that would not count. It had to be watched in its entirety that day for it to count. A couple of times due to various issues (such as internet cutting out in the middle of streaming a film on Netflix and not coming back on that day) a film had to be abandoned. If that was the case, it broke rule number 2 and was therefore not allowed.
I didn’t do this project for some sort of self enlightenment. I didn’t do it as a social experiment, or to make some kind of commentary on the film industry or film criticism either. I am simply an idiot with too much time on his hands who happens to have ready access to a film blog. Plus, it was kind of fun.
Below, I’m going to list the weeks through October and name each horror film that I watched per day. I’ll pick out one film to talk about. Are you ready? Let’s begin.
Week 1: Wednesday 1 – Sunday 5 October 2014
Wednesday – Cannibal (2014), The Masque of the Red Death (1964); Thursday – A Bucket of Blood (1959), The Tomb of Ligeia (1964); Friday – The Pit and the Pendulum (1961), The Little Shop of Horrors (1960); Saturday – Creature from the Haunted Sea (1961); Sunday – WITCHFINDER GENERAL (1968)
This was not my first watch of Michael Reeves’ horror. Tragically dying from an accidental barbiturate overdose at the age of 25, this would be his fourth and final movie. It details an episode in the life of the infamous Witch Finder Generall, Matthew Hopkins (Vincent Price) in the 17th century. Barbarically torturing women he denounces as witches, the film was originally heavily censored and notorious amongst horror fans. Ian Ogilvy plays a young Roundhead whose fiancée is taken and accused by Hopkins. Even watching this film a second time, knowing what is coming, it doesn’t make it any less brutal and horrific. If ever an ending to a horror film could be described as chilling, then it’s the final thud, thud, thud of this classic folk horror. And it’s impossible to let a review slip by without mentioning what a true genius Vincent Price was.
Week 2: Monday 6 – Sunday 12 October 2014
Monday – The Abominable Dr. Phibes (1971); Tuesday – The Fly (1958); Wednesday – THE FLY (1986), The House of Usher (1960); Thursday – Madhouse (1974); Friday – Premature Burial (1962), The Wasp Woman (1959); Saturday – Black Sunday (1960), Night of the Blood Beast (1958); Sunday – This Island Earth (1955)
As you can see from the above, I watched the fun and disturbing original film version of The Fly on the Tuesday of this week. It was enjoyable, fun and just a little bit twisted. However, immediately after it is David Cronenberg’s 1980’s Promethean body-horror retelling of this science fiction classic and it just blew the original out of the water. Or rather, as it happens, blew it out of the telepod. Starring Jeff Goldblum as Seth Brundle, a research scientist innocently working hard to invent a device that can instantaneously teleport an object from one pod to another, he accidentally splices his DNA with that of a humble fly. Thus begins 90 minutes of some of the most gruesome and memorable special effects in horror cinema history. An intelligent, well paced and horrifying sci-fi movie, it sits just one tier below the similar all time greats such as Alien and The Thing.
Week 3: Monday 13 – Sunday 19 October 2014
Monday – Tales from the Crypt (1972); Tuesday – Vampyr (1932); Wednesday – The Thing from Another World (1951); Thursday – Rasputin: The Mad Monk (1966), The Ghoul (1933), The Bat (1959), ZOMBIE FLESH EATERS (1980); Friday – City of the Living Dead (1980), King of the Zombies (1941); Saturday – The Silence of the Lambs (1991); Sunday – Revolt of the Zombies (1936)
Zombie, Zombi 2, Zombie Flesh Eaters, whichever of the 34 titles listed on IMDb that you may know it by, Lucio Fulci and Elisa Briganti’s exotic living dead film is one of the finest movies to ever grace the zombie sub-genre. It ticks every box and then draws a few extra boxes underneath with a Sharpe and ticks those too. Whoever knew that what they really wanted from a zombie movie was to see one of the undead wrestling with a shark underwater? Certainly not me until I witnessed it. Since then, I have rated every other zombie film by how many shark-biting-zombies it has in it. Suffice to say, it’s never been topped.
Week 4: Monday 20 – Sunday 26 October 2014
Monday – FRIGHT NIGHT (1985); Tuesday – Dracula (1958); Wednesday – The Intruder (1962); Thursday – House (1986); Friday – The House of the Devil (2009); Saturday – Black Sabbath (1963), Dracula: Prince of Darkness (1966), Dawn of the Dead (1978), Day of the Dead (1985); Sunday – Creepshow (1982), Vault of Horror (1973), The Incredible Shrinking Man (1957)
What a week this was! I could’ve chosen virtually any of them to talk about. Of all the films listed above featuring iconic vampires, this typical 80s comedy-horror about a teenager who believes his new neighbour is a vampire was the clear standout. I’d seen the 2011 remake before and found it be enjoyable (perhaps surprisingly so) but as one might expect, the original is best. Director Tom Holland would go on to find further success later in the decade with his most famous movie Child’s Play, but I honestly don’t think I had as much fun with any new discoveries this week than I had with Fright Night.
Week 5: Monday 27 – Thursday 30 October 2014
Monday – Hatchet for the Honeymoon (1970); Tuesday – THE CURSE OF FRANKENSTEIN (1957); Wednesday – Island of Death (1976), Creature from the Black Lagoon (1954); Thursday – Ils (Them) (2006), It Came From Outer Space (1953)
This has not been my favourite week. In fact, you might say it has been horrorble (hey, hey, see what I did there??) thanks mainly to two depressingly crap 70’s exploitation films. However, one of those other movies has more than made up for that on its own. This Hammer Horror film, the first to unite long time friends Peter Cushing and Christopher Lee (and the studios first colour movie) was a real gem. A frankly quite astounding financial success for the British film industry at the time, the movie took as much as possible from Mary Shelley’s original novel, added its own new-wave horror flavour and tried as carefully as possible not to infringe on any Universal Studios rights. Unrecognisable as being anything at all to do with the James Whale / Boris Karloff classic (because, well it isn’t), it’s uniquely identifiable with two genuinely impressive performances elevating a film from ‘decent’ to ‘immensely entertaining’ virtually by themselves.
I guess all that leaves is today, Halloween! Should I make it home alive, then tonight I will be watching another horror movie to complete my self imposed challenge. If I’ve learnt anything from this past month of watching horror film after horror film, then it’s been:
- I am now a fully paid up member of the Roger Corman fan club
- Mario Bava just does not do anything for me
- No matter how good some horror films are these days, you just cannot beat the classics
What will you be watching tonight?