Tag Archives: Far From The Madding Crowd

US Box Office Report: 05/06/15 – 07/06/15

America chose… wisely! Spy rules, Entourage drools, Insidious pulls… in crowds, OK, this headline has failed totally, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

I don’t think that I’m exaggerating when I say that this weekend’s box office battle was quite literally between good and evil.  On the side of good: Spy, the best comedy to come along in a year, and one that is quietly yet brilliantly progressive, boasting outstanding performances, and led almost entirely by excellent female comedians who are getting their deserved shots at the limelight.  On the side of evil: Entourage, a piece of pure f*cking garbage, based on pure f*cking garbage, made by and for pure f*cking garbage.  Except for Brooker, he’s alright.  The outcome of this fight would prove seismic, can good movies aimed at a female audience triumph over pure f*cking garbage aimed at dude-bros, humanity’s collective walking pieces of human f*cking garbage?

For once in this miserable cesspool that is humanity, good won out.  Good won out big!  Spy opened in first place with a very respectable $30 million.  Whilst that’s $9 million less than The Heat opened to in 2013, that is a very good number considering that Spy had mediocre to poor trailers and marketing, and had to open against a horror movie and Insidious Chapter 3.  Plus, considering the fact that the comedy landscape is free until Ted 2 at the end of the month, it’s guaranteed decent legs over the coming weeks!  We did it everyone!  We actually did it!  Everything is going to be OK!  It is all going to be O. K!

As for those terrifying journeys into worlds of misery populated by evil spirits who wish to do us all harm, Insidious Chapter 3 ended up the victor in that battle, bringing home a very good $23 million.  That’s admittedly still a very large drop from Chapter 2’s $40 million opening, and it was still very front-loaded, but Chapter 2 wasn’t released in the Summer and had absolutely no competition that weekend.  Besides, a $23 million opening for a horror movie is definitely not something to sniff at.  So I hope you’re all looking forward to being drowned in these apparently-great (?) films for years to come!  I have no idea why I wrote that so sarcastically, I shouldn’t get sniffy at good horror movies doing good business just cos I selfishly want their trailers to stop appearing before films that won’t give me mini-heart attacks due to my major wussiness.

And as for Vinny and the boys?  Well, Entourage blew hot steaming chunks.  And the box office of the film wasn’t so great either.  Over the three day weekend, it could only manage $10 million for a really pathetic $3,000 per-screen average.  “But the film opened on a Wednesday,” I hear you cry!  “Surely those extra two days will have provided an opening worthy of the once proud star of James Cameron’s Aquaman which is apparently a real thing that happens in Entourage at some point?”  Well, keep dreaming, brah, as Entourage’s five-day total stalled out at $17 million, which still left it stuck in fourth place!  The system works!  The terrible disaster movie failed!  Meanwhile, San Andreas took second with a shockingly great 50% drop between weekends.

I can keep making these awful jokes all day, folks.


spy

This Full List wants you to hug it out, bro.

Box Office Results: Friday 5th June 2015 – Sunday 7th June 2015

1] Spy

$30,000,000 / NEW

Saw it again on Friday night with a nice big crowd, which is exactly the way that one should experience a good comedy.  God, this film is so brilliant!  I’m actually tempted to check out Miranda, which has always looked like insufferable tripe to me, thanks to Miranda Hart’s brilliant performance in this.  I’m jealous of Paul Feig’s ability to assemble perfect casts with seemingly little effort, I really am.

2] San Andreas

$26,440,000 / $92,163,000

This is actually going to cross $100 million domestic by next weekend.  Gonna be honest, I did not see that coming at all.  Even after last weekend’s surprisingly great opening, I thought for sure that this would collapse spectacularly after word got out that it was really crap, but I guess Mr. The Rock holds way more sway than even I thought he did.  Of course, next weekend, everyone’s newest crush, Chris Pratt, arrives to take what’s his, so expect San Andreas to take a tumble.

Hang on a minute…  Million dollar idea: buddy-cop movie starring Chris Pratt and Mr. The Rock!  How has this not already been optioned?!  Call me, Hollywood!  I’ll have the script ready for you in a week!

3] Insidious Chapter 3

$23,000,000 / NEW

I will never see these movies.  I don’t hate them or anything like that, I’m just way too much of a wuss for jump-scare horror to ever want to see them.  I prefer my terror to come from constant unsettling wrongness instead of the film equivalent of a song by a bad Pixies imitator.  It’s not for me, and I’m OK with that.  It’s not ruining humanity.

4] Entourage

$10,420,000 / $17,805,000 / NEW

(*buries head in hands and makes strangulated noise of pure disgust*)  I have to see this tonight, and I really am not looking forward to it at all.  I had planned to watch as much of the show as I could have before seeing the film, but I only made it through 4 episodes before tapping out.  I couldn’t do it.  I just couldn’t.  They are all terrible people!  The show is so ragingly sexist it makes Love Actually look like f*cking Thelma & Louise!  There are no dramatic stakes, no actual satire, and no reason to care about any of these raging assholes!  WHY DO PEOPLE LIKE THIS?!

God, I have to follow Spy with this.  That’s like chasing down a delicious Ham and Turkey Subway with a Gin and Tonic comprised of vomit and dick cheese.

5] Mad Max: Fury Road

$7,970,000 / $130,804,000

This will collapse next week when Jurassic World comes a-calling, but it has now doubled its budget worldwide, pretty much guaranteeing an overall profit.  We’re all OK, folks.  We’re all OK.

6] Pitch Perfect 2

$7,700,000 / $160,982,000

There’s the big fall!  This will cross $250 million worldwide this week, and should also pass both The Spongebob Movie and Fifty Shades of Grey to become the fifth highest-grossing film of 2015 domestically by the time we reconvene next week, in any case.  I know that we film critics aren’t supposed to be interested in the business side of things, for whatever reason, but it still does my heart good all the same to see quality films rewarded with large stacks of cash!

7] Tomorrowland

$7,022,000 / $76,236,000

As a possible result of this film failing, Disney has cancelled production on Tron 3, like I needed even more reasons to strongly dislike this bad movie.  I mean, I’m not surprised – I am a legitimate and unironic Tron fan, I am used to disappointment by now – but I am still sad all the same.  Tron: Legacy was fun, dammit!  I need another Daft Punk score in my life, dammit!  YOU NEVER FORMALLY CANCELLED THE EXCELLENT TRON: UPRISING, DISNEY!  AT LEAST BRING THAT BACK!

8] The Avengers: Age of Ultron

$6,201,000 / $438,015,000

Age of Ultron has just passed the last Harry Potter to become the fifth highest grossing film of all-time worldwide.  Got a feeling the superhero boom isn’t going away for a while yet.  In fact, rather than having everyone moan about that again, can we maybe instead direct our ire at a recent glut of films that are actually even more interchangeable and irritating than superhero films?  I am, of course, referring to Young Adult Adaptations.  Yeah.  Why do I have to sit through seven thousand thinkpieces and complaints about comic book movies, yet the Divergents and Maze Runners of this world get by with nary a shrug of the shoulders?  Y’all do know that The Hunger Games existing doesn’t give this mostly-awful subgenre a pass, right?

9] Aloha

$3,300,000 / $16,342,000

Bwahahahahahahahahahahahahahahahahahahahahahaha!!!!

10] Poltergeist

$2,850,000 / $44,452,000

(*in creepy horror movie child voice*) They’re leaving.

Dropped Out: Far From The Madding Crowd, Hot Pursuit, Home

Callum Petch wants to ride on a white horse.  Follow him on the Twitters (@CallumPetch)!

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US Box Office Report: 29/05/15 – 31/05/15

San Andreas is no busta, Aloha says Aloha to any semblance of money, Results can barely do one measly pull-up, I can’t even make up a terrible pun for Heaven Knows What cos it looks too miserable, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Prior to this weekend, it seemed very much like the box office was going to be extremely quiet until the release of Jurassic World in a fortnight.  After all, we all knew that Tomorrowland was going to bomb, Spy will do well but isn’t exactly going to light anything on fire, I know of only one human being who is (self-loathingly) excited for the Entourage movie and he works for this very website, and I know of no human beings who are clamouring for another frickin’ Insidious movie.  Post-Pitch Perfect and post-Mad Max, we basically entered a quiet period where little of interest was coming out and nothing was going to do particularly well or make for exciting headlines.

It turns out, however, that we all forgot one very important thing: Dwayne “The Rock” Johnson.  So although San Andreas on paper looked to be a middling underperformer that would be collectively skipped because, goddamn, did this movie ever look (and was) excruciatingly boring, in practice the film stormed its way to number 1 with $53 million in ticket sales.  There’s also the fact that it’s an expensive-looking disaster movie released on a weekend where there was almost literally nothing else of note coming out against it, but I think we all know that this is entirely down to Dwayne Johnson.  I mean, the guy is just the best, isn’t he?  He’s the best.  I want him as my dad!

The “of note” was added onto that prior paragraph because San Andreas was not the only wide release of this past weekend.  That other one would be Aloha, the first film in almost four years from writer-director Cameron Crowe.  In case you hadn’t heard, the film is apparently utter garbage that even Sony heads hated which, combined with the fact that Cameron Crowe has only ever really broken out of being a cult filmmaker maybe twice (thrice if you want to count We Bought A Zoo) in his entire 25 year career, basically sealed its fate even with Bradley Cooper in the lead role.  It’s kind of a bomb, opening in sixth place with an estimated $10 million – that, for those of you playing along at home, is behind the third weeks of Pitch Perfect 2 and Mad Max: Fury Road, the second week of Tomorrowland, and the fifth week of Avengers.

In the land of limited releases, Mumblecore architect Andrew Bujalski took a tentative step towards making a mainstream movie with the Guy Pearce, Cobie Smulders, and Kevin Corrigan-starring rom-com-ish (I haven’t seen it yet so I don’t know how much it sticks to and how much it subverts formula) Results.  The public responded somewhat warmly, with the film finishing up the weekend with $13,000 from 3 screens, which isn’t too bad considering that it’s been on VOD since March 13th.  Meanwhile, pure-unfiltered-misery in the shape of Heaven Knows Whathere’s the trailer which, even with the obnoxious and ill-fitting Harmony Korine-style editing and soundtrack, gives as good an idea as any as to how miserable that film is going to make me – got off to a very good start with $15,000 from 2 screens.  I realise that doesn’t seem like much, but this is a movie about homeless heroin addicts that looks BLEAK AS F*CK.  So, yeah, I’m gonna chalk that up as a win.


san andreas

All this Full List had to do was FOLLOW THE DAMN TRAIN!

Box Office Results: Friday 29th May 2015 – Sunday 31st May 2015

1] San Andreas

$53,215,000 / NEW

Saw this on Saturday and I mostly agree with Steve, it’s not very good.  I think the cast really try and there are a few sequences that are pretty good, but mostly I just found this incredibly, mind-numbingly boring.  Oh, and loud.  Very, very loud.  It has got some fine Paul Giamatti overacting, though, so that’s worth something.

Also, yes, I do find the irony in the fact that Tomorrowland, a film that sermonises about our obsession with turning death and planetary destruction and disaster into harmless entertainment, was unceremoniously dumped from number one by a film that is exactly what the former spends 130 minutes railing against.

2] Pitch Perfect 2

$14,381,000 / $147,540,000

This has a surprisingly strong chance of surpassing Fifty Shades of Grey’s closing total of $166 million.  It’s barely $20 million away from it, already, and with its strong mid-week grosses it could hold onto that trajectory even when Spy drops next week.  Yay to all of this!  And, yes, I still do really like this movie and believe it to be better than the first.  Accept that I’m not budging, and let’s close the book on this issue.

3] Tomorrowland

$13,803,000 / $63,188,000

Yeah…  this…  this isn’t making its money back.  Not even close.  I really hope that the lesson Hollywood takes away from the failures of this and Jupiter Ascending is not that the public doesn’t want expensive original blockbusters.  It’s that we want good expensive original blockbusters.  Actually, that doesn’t quite work since Jupiter Ascending is a good expensive original blockbuster, but the sentiment is still the same.

4] Mad Max: Fury Road

$13,625,000 / $115,915,000

You know what?  I think I’m going to go and see this again this week.  You should too.  I don’t care if you’ve already seen it 5 times in 3 weeks, that’s still not enough times to fully appreciate this magnificent specimen of a film and you damn well know it!

5] The Avengers: Age of Ultron

$10,920,000 / $427,070,000

Gee, Box Office Mojo!  It sure would be great if I could find out how Age of Ultron is doing in China, the one market that actually matters for this movie, on a week-to-week basis!  But not knowing anything because you have decided to skip on the details of your detail-oriented website and dropped so hard in overall quality since Ray Subers left is fine too!  Really!  I love having to put in an unnecessarily large amount of work for what should instead be a fun little 75 minute writing exercise each week!  I’m not irritated at all!

6] Aloha

$10,000,000 / NEW

Bummed to hear this one sucks, but I guess I now know why I have to wait until September 1st – The UK’s Dumping Ground – to see it.  On an entirely unrelated note, I need to actually watch a Cameron Crowe film, since he’s one of those filmmakers I’ve heard great things about but never actually seen anything by (otherwise known as: Most Filmmakers).  I guess I’ll start with Pearl Jam 20, since Lucy will not stop going on about Pearl Jam, and go from there.

7] Poltergeist

$7,800,000 / $38,267,000

Told you this would sink like a stone.  At least Insidious: Chapter 3 can’t use this as a scapegoat defence if it underwhelms next weekend.  Side wish: please underwhelm majorly so I never have to be at risk of seeing an Insidious trailer again.

8] Far From The Madding Crowd

$1,420,000 / $8,362,000

Look, instead of watching this garbage, why don’t we all instead go and watch Thomas Vinterberg’s much, much, much better previous film The Hunt?  It’s got Mads Mikkelsen in it!  In fact, why don’t we all also just watch Bryan Fuller’s Hannibal TV series instead of this tripe?  I think we can all agree that both options are much better usages of our collective time than this walking gasbag.

9] Hot Pursuit

$1,370,000 / $32,351,000

Well, goodbye, Hot PursuitYou couldn’t even make back your $35 million budget, which would be sad if your film wasn’t apparently so excruciatingly terrible.  Don’t let the actually-good Spy knock you on your arse on the way out.  Spy, after all, deserves better than associating with wastes of space like you.

10] Home

$1,150,000 / $170,409,000

Wait, this actually made it to 10 weeks on the chart?!  And is the fourth highest-grossing film of the year domestically at time of writing?  Alright!  High fives and party poppers all round, folks!  Today is a very good day!  Now if Shaun The Sheep: The Movie could be somewhat of a success when it launches in America in August, that would be just peachy!

I know that that is never going to happen, just give me a few more seconds of blissful denial.

Dropped Out: Furious 7, Paul Blart: Mall Cop 2

Callum Petch is just trying to change the world.  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 15/05/15 – 17/05/15

Pitch Perfect 2 beat Mad Max: Fury Road so I guess society is completely fucked or something, Age of Ultron has only just now passed $1 billion so Marvel are completely fucked I guess, people are still voluntarily giving money to Far From The Madding Crowd, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

This weekend, two female-driven – and, at least according to the fact that the film itself bills Charlize Theron above Tom Hardy, female-fronted – blockbusters/tentpoles made a combined opening weekend of $114 million between them.  If you, for some literally inexplicable reason, still thought prior to this weekend that female-fronted and female-targeted films just can’t make any money, then this should finally piledrive that stupid, moronic, close-minded, and arguably sexist line of thinking straight down to the earth’s core where it will never again return from.  Now watch as Hollywood, instead of doing the correct thing and green-lighting every single female-driven film that crosses their path, sticks dollar bills in their ears, loudly yells “LA LA LA” and continues to try and shove Jai Courtney or Joel Kinnaman down our throats.

So, I’m celebrating!  Two damn great, staunchly feminist movies with a female-focus just made ALL the money!  …oh, no, wait, hang on.  Cancel the celebrations, it turns out that Pitch Perfect 2 beat Mad Max: Fury Road, like we all saw coming from a mile away.  After all, one’s a PG-13 teen comedy sequel to a sleeper hit from 3 years ago that became a sensation on home video, whilst the other is a hard R-rated action sequel to a cult franchise that hadn’t produced any activity in exactly 30 years prior to this.  What did you all think was going to happen?  Pitch Perfect 2 handily trounced Mad Max: Fury Road, $70 million to $44 million, and both posted absolutely ludicrous per-screen averages, $20,242 and $12,004 respectively.

In a perfect world, we would all simply sit here and celebrate the fact that these two films did great and be happy and optimistic about the future of this whole Movies thing.  Unfortunately, our world is crap and so now I, along with those of us who follow Film Twitter even tangentially or who are even slightly involved in Internet Film Circles, have to strap in for the next week of Thinkpiece Hell.  Joy!  What’s on your bingo card?  I am expecting variations on “Damn Millennials, ruining everything for the rest of us!”, “REAL action movies are DEAD!!”, “stupid girls with their cooties!”, and “Why Film Critics Don’t Matter In 2015” among others.  I mean, GOD FORBID we just take this positive victory as is and leave it at that(!)

Also likely to cause Thinkpiece Hell, although it’s already done a fine enough job of that before this weekend, is The Avengers: Age of Ultron.  This weekend, the film finally passed the $1 billion mark worldwide, but only after 24 days, which is foooooreeeeveeeerrr in these days of Furious 7 crossing the mark in 19.  Clearly this means that Marvel Studios are in complete disarray and that, in addition to ruining all blockbusters for everybody forever, they have ruined their once glorious and infallible reputation on a not-completely-incredibly-brilliant film that everybody hates and nobody wants to see again.  Oh, the horror!  Oh, the humanity!

Meanwhile, Far From The Madding Crowd breaks into the Top 10 and nobody’s whipping up their vitriol for that.  I fucking hate Film Internet.


pitch perfect two

What a lovely day for this aca-mazing Full List.

Box Office Results: Friday 15th May 2015 – Sunday 17th May 2015

1] Pitch Perfect 2

$70,300,000 / NEW

I stand by most all of my review.  See, heading back in this past weekend, I was rather nervous, because my good friend Jackson hated the living daylights out of this film for perfectly legitimate reasons – his great review is over here – and he and I are so well-tuned and agree so often with one another that whenever we do end up having differing opinions I end up getting very worried and self-conscious, especially since he’s really good at reading films (better than I am, at any rate).  Did I get it wrong?  How did I miss such glaringly obvious minority-marginalising?  Do I not check my privilege enough despite spending almost every goddamn day fretting over everything I do or say?  Does really liking something problematic make me a terrible person?

Then I saw the film again, had a lot of fun whilst acknowledging certain flaws, and left feeling confident in my opinion, albeit slightly cooler on it than I was the first time.  One of these days I’ll learn not to be so self-conscious, it’s bad form in this critic game.

2] Mad Max: Fury Road

$44,440,000 / NEW

At approximately 5:18PM on Saturday the 16th of May 2015, I am 80% certain that I witnessed perfection, and it was tear-inducing.  The last shot of Fury Road is the textbook definition of perfection, for me, and it so perfectly caps off a film for which there are no descriptors that could be classed as hyperbole when applied to this thing.  I couldn’t think straight for almost the rest of the day, let alone form coherent thoughts on this utter masterpiece of cinema.  It’s… it’s just beautiful.  Utter beauty.  I don’t know why we haven’t been giving George Miller $150 million live-action budgets for the last 20 years, and why we’ve been settling for anything less than this.  I really don’t.  More coherent thoughts can be found here on the site by good old Brooker.

Also, I want to be even a tenth as awesomely and passionately feminist as Imperator Furiosa when I grow up.

3] The Avengers: Age of Ultron

$38,837,000 / $372,008,000

Finally going to give this a re-watch on Thursday, when I can finally get a spare few moments break from the Hell that is Essay Season 2015.  Then I’ll more than likely immediately walk back into Mad Max: Fury Road afterwards.  Then I’ll get out of Fury Road and immediately buy a ticket for the next showing, and so on and so on until that film is seared permanently into my retinas.

4] Hot Pursuit

$5,780,000 / $23,504,000

This collapsed 59% between weekends, surprising nobody since Pitch Perfect 2 arrived to remind everybody what a good female-led and female-focussed comedy should look like, and Mad Max: Fury Road arrived to inform everybody of what feminist entertainment should be like.  Therefore, this movie has no reason to exist.  Roll on July 31st when I can be incredibly disappointed myself, then, I guess.

5] Paul Blart: Mall Cop 2

$3,600,000 / $62,939,000

I don’t care that this is only making miniscule money each week and has still only just made half worldwide of what the first one managed worldwide, WHY IS THIS UTTERLY REPREHENSIBLE PIECE OF SLOTH FAECES STILL HANGING AROUND MY CHART?! Get it out of here!  Get it out!  OUT!  GET IT THE FU…

6] Furious 7

$3,600,000 / $343,800,000

This has a higher per-screen average than Blart yet is sat behind it, for some reason.  Why?  Do we really think that the actuals are going to hurt this more than Blart?  Ugh, whatever.  Let’s instead look forward to next February’s Academy Awards where this and Mad Max will duke it out for Best Picture!  …it can totally happen, shut up.

7] The Age of Adaline

$3,200,000 / $37,072,000

I don’t know what the hyper-specific and scientific narration in this movie was all about, but what I do know is that it made me really, really want a resurrected Pushing Daisies.  Hey, Bryan Fuller!  Yeah, I hear that Hannibal is great and all, but could you maybe put it on pause to bring back Pushing Daisies?  Thanks!

8] Home

$2,700,000 / $165,647,000

This just will not die at my local Cineworld.  No, really, it’s still here after more than two full months!  I don’t care anymore about box office grosses, I’m just going to class this as a full-blown success and live in bliss for a while.

9] Ex Machina

$2,103,000 / $19,556,000

Really looking forward to revisiting this when it hits Blu-Ray on June 1st.  Film Crit Hulk’s piece on it this past week has sufficiently stoked those fires and I’m all about revisiting that ending to see if I read it wrong – I saw it as the film sacrificing its fantastic and angry gender themes in favour of returning to the surface-level and far less compelling AI themes – or whether Alex Garland really is just 90% incapable of sticking the goddamn landing.

10] Far From The Madding Crowd

$1,300,000 / $2,631,000

This goddamn movie…  If I get started on this thing, I will be here all day, so just skip to the drop-outs before I spoil a nice day with unrestrained venom.

Dropped Out: Woman In Gold, Cinderella

Callum Petch got you thinking just too much.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!

US Box Office Report: 01/05/15 – 03/05/15

Age of Ultron makes all of the money but not ALL of the money so cinema is officially doomed, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Heading into this weekend, Disney and Marvel Studios were probably preparing the Scrooge McDuck money bin for the inbound GDP of multiple small countries that would make up the opening weekend total of Age of Ultron.  After all, it’s not like they’ve been quiet about the fact that the film was inbound – I’m waiting for somebody to piece together the movie from the endless promo clips that Marvel released for this thing, like what happened with The Amazing Spider-Man 2 – it’s The Avengers, and it’s not like there was anything else out this weekend.  Or the weekend before that.  Or the weekend before that.  What was everybody going to do, watch Furious 7 again?  They probably felt like Shane McMahon; “here comes the mon-ay!

Well, the mon-ay came, but not in the Earth-shattering quantity that we all unreasonably expected it to.  Age of Ultron opened in first, and accounted for 85% of the weekend’s domestic box office, but it didn’t beat The Avengers’ $207 million opening weekend.  In fact, it didn’t even come close, finishing with $187 million.  I mean, it’s understandable, the first Avengers was an EVENT MOVIE of epic proportions, the first time that we could see all of these guys (and girl) together on screen in the same movie.  By simple fact of it happening again, Age of Ultron is only an Event Movie, and no amount of excess marketing saturation can change that.

Then there’s also the fact that everybody seems very much more divided on this instalment than the first one.  I mean, not so much audience-wise – it got an “A” on the shaky silly CinemaScore metric – but critically, definitely.  I mean, I’m probably going to be on the minority side of things with regards to my critic friends by liking it, and this divide will likely bleed over into the general public, too.  Plus, some sh*tty boxing thing happened this weekend or something, and there’s only one thing that captures the American public’s slovenly attention quicker than movies…  It’s sports, I’m talking about sports.  Besides, this is still, by a considerable margin, the second best opening weekend in America ever, and the film is already up to $436 million overseas with China still to go.

However, Age of Ultron did not beat The Avengers in its opening weekend and May is incredibly crowded with regards to films – basically guaranteeing that Ultron won’t match The Avengers’ total – so cinema is now doomed forever.  The superhero bubble has burst, folks!  Marvel Studios are over the hill!  Their films aren’t as good as they used to be, they can’t beat opening weekend records anymore, and they only made all of the money instead of ALL of the money!  They’re finished, the genre is finished, this whole goddamn medium is finished!  If even Marvel can’t make ALL of the money, anymore, then what hope is there for the rest of us?!  WHAT, I TELLS YA?!

Oh, yeah, and Far From The Madding Crowd opened in limited release this weekend.  $172,000 from 10 theatres.  Snooze.


age of ultron

There are no strings on this Full List.

Box Office Results: Friday 1st May 2015 – Sunday 3rd May 2015

1] The Avengers: Age of Ultron

$187,656,000 / NEW

Yes, even with a per-screen average of $44,000, Age of Ultron is still a failure!  …yeah, OK, I’m gonna stop that now.  I am serious though when I say that I don’t think Ultron is going to match The Avengers’ total, at least domestically.  The first film had nothing serious to challenge it for three weeks, and even then I don’t think we all expected Men In Black III to perform that well, but Ultron has the combined onslaught of Mad Max: Fury Road and Pitch Perfect 2 in 11 days, with Tomorrowland the week after.  Even if one of those bombs – hint: it’s going to be Tomorrowland, get the disappointment out of your system now – that’s still two films taking a chunk out of its box office.  We’ll see, I guess.  Man, this Summer is stacked!

2] The Age of Adeline

$6,250,000 / $23,424,000

Wait, this actually beat Furious 7?!  I mean, I sort of saw this coming since this has only been out for two weeks and Furious 7 has been out for over a month, but still.  Huh.

3] Furious 7

$6,114,000 / $330,539,000

Up to $1.4 billion worldwide, now the 4th highest grossing film worldwide of all-time, has successfully made $1 billion purely from foreign markets, and is closing fast on The Avengers’ $1.5 billion.  It might actually get there, but this going to go right down to the wire.  I still can’t get over the fact that all of this originally came from a silly mid-budget Point Break riff from 2001.

4] Paul Blart: Mall Cop 2

$5,500,000 / $51,186,000

So, last Thursday, I was given the opportunity by my university to go down to London, attend a press-only screening of Pitch Perfect 2, and have a 20 minute roundtable interview with the film’s director (and movie star in her own right), Elizabeth Banks, afterwards.  I have been wanting to shout about that day and that whole experience since I found out about it that Tuesday, so finally getting to spill today has been incredibly cathartic.  At the risk of sounding unprofessional, the day was incomparable – mainly because it proved that I could do this for a living if the opportunity were presented to me – and you can read all about it and the interview here.  The full interview transcript will be posted over at The Hullfire soon enough, but there’s a Pitch Perfect 2 review for you to read in the meantime!

Yes, I am talking about something that makes me happy instead of Paul Blart.  Why wouldn’t I?

5] Home

$3,300,000 / $158,132,000

Home finally opened in China last week, where DreamWorks films have often done well recently… and only made $8 million.  It is now up to $326 million worldwide, though.  Still, MAKE MORE MONEY FASTER, DAMMIT!

6] Cinderella

$2,357,000 / $193,651,000

Wait, seriously?  This re-entered the chart?  From the no. 12 slot?  Man, this was a bad week to be a non-Avengers film.

7] Ex Machina

$2,231,000 / $10,868,000

Surprising no-one, not even art house patrons could resist the allure of Ultron, since all art house patrons must be able to butt into conversations about blockbusters and explain in great detail why they suck horribly.  In any case, Ex Machina was never going to be a film that made a giant expansion in audience moneybills, anyway, so the fact that it’s doing $10 million worth of business already is good enough, I feel.  Yay for Alex Garland!

8] Unfriended

$1,988,000 / $28,531,000

I don’t think Lucy’s seen this yet, so I’m going to withhold having an opinion until I’ve heard from her.   What?

9] The Longest Ride

$1,700,000 / $33,240,000

Should probably clarify that I don’t think Age of Ultron is perfect – god, no, it’s a mess – and that having reasonable complaints about it is fine.  I just don’t understand why people who hate a certain genre or series, know that they will hate the latest instalment, and spend all of their time prior to seeing the thing complaining about doing so, would voluntarily… (*author remembers that this is what he does on an astoundingly frequent basis*)

I’ll be quiet now.

10] Woman In Gold

$1,681,000 / $24,588,000

The Voices is available on DVD and Blu-Ray from all good video shops on July 27th.

Dropped Out: Get Hard, Monkey Kingdom

Callum Petch didn’t mean to make you cry.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!