Tag Archives: Frightfest

Failed Critics Podcast: FrightFest 2017

Spooktacular! Fangtastic! Unbelieva…ghoul…? Yes, it’s our Horror Channel FrightFest 2017 special episode of the Failed Critics Podcast.

Hosts Steve Norman-Bates and VoodoOwen Hughes drag Andrew ‘PVCface’ Brooker and Mike ShawcrossedTheWrongGuy straight from FrightFest and onto Skype for a podcast devoted entirely to the UK’s largest genre film festival.

Amongst the general chit-chat about the five-day event over the bank holiday weekend, we chat about over 15 different films, including: Leatherface; Cult of Chucky; 68 Kill; Better Watch Out; Tragedy Girls; The Bar; Mayhem; Double Date; Psychopaths; FreeholdFanged Up; Jackals;  Bloodshed; Mob; and not forgetting the Adam Wingard’s Netflix Original Death Note.

We’ll be back next week with a spy thrillers triple bill, but in the meantime, check out some of Mike’s photos from the festival below.

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FrightFest 2017 – Day Five

“The legacy is all.”

There was no one in Leicester Square’s Empire cinema on Monday that wasn’t completely and utterly battered. Endless fidgeting from arse ache and leg cramps were just the beginning of a day that was guaranteed to leave most worse for wear. But Andrew Brooker and his FrightFest family persevered. And, of course, would all complain about it whenever there wasn’t a film on the screen on the final stretch of the five-day festival.

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FrightFest 2017 – Day Four

“They’re slipping away” – Paul McEvoy on Tobe Hooper

At a point where it appears that the quality of atmosphere and company is topping the overall quality of the horror films, it’s clear that while we are over the halfway point of this year’s FrightFest, it’s going to be a bit of a slog to the end for writer Andrew Brooker.

Continue reading FrightFest 2017 – Day Four

FrightFest 2017 – Day Three

Fear changes people.”

A lovely Saturday morning in the finest city in the world. Seems like another perfect day to hide out in a dark, air conditioned cinema watching scary movies all day for Andrew Brooker, who rejoins a few hundred horror fans for the third day of this year’s FrightFest.
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FrightFest 2017 – Day Two

The great pyramids wouldn’t exist if it wasn’t for pussy.”

Embarking on a second journey to London in as many days, on a dangerously low amount of sleep, regretting the choice of jeans for his hot-as-balls morning commute, Andrew Brooker heads back into the fray of the Horror Channel FrightFest.

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FrightFest 2017 – Day One

“Come join the cult”

August bank holiday weekend has finally arrived. Whilst most people look forward to the frivolity of a good birthday drink or the suicide inducing family time that is Christmas; for Brooker, FrightFest is all that and more rolled into one. So begins his journey into “The Dark Heart of Cinema”.

Continue reading FrightFest 2017 – Day One

Can’t get to Horror Channel FrightFest? Watch these instead

The UK’s biggest film festival dedicated to all things horror kicks off later today with over 60 films being screened across the bank holiday weekend. The annual Horror Channel FrightFest returns to its home in the dark heart of London on Leicester Square from the 24-28 August, showcasing some of the most anticipated and unique genre movies around.

If you’re not as fortunate as our writer Andrew Brooker, who is attending the extravaganza (and will be reviewing it on next week’s podcast along with Mike Shawcross), then don’t worry! We’ve picked out two films being shown on the Horror Channel each day across the duration of the festival for you to enjoy instead.

Whack your popcorn in the microwave, crack open that 2ltr bottle of pop from the corner shop, and turn your tele on for some quality horror, all from the comfort of your own home.

Continue reading Can’t get to Horror Channel FrightFest? Watch these instead

FrightFest 2017 – My Itinerary

“You’re scared already… Ain’t ya darling?”

Making his (hopefully) annual trip to the world renowned genre-film festival, Andrew Brooker takes a look at this year’s Horror Channel FrightFest lineup, revealing his plan for the five days in London’s Leicester Square over the August Bank Holiday.

Continue reading FrightFest 2017 – My Itinerary

FrightFest 2016 – Day Four

“In hell, everybody loves popcorn.”

And so begins day four. Sadly, my last day at the festival. I don’t care if it’s the London Film or Download, as is the way with all festivals, the last day means a sea of tired bodies, struggling to get to the first act of the day, let alone make it to the end. And the bogs fucking reek!

That aside, this is an interesting day. Besides the evening’s closer, I don’t know anything about any of these films. I’m going in completely blind and hoping for a surprise or two. So for the last time this year, won’t you come join me?


Downhill

“Come outside. There’s nowhere to hide.”

Hopefully not starting the day as we mean to go on, the UK premiere of Downhill promised us that “Evil Awaits”. Unfortunately, the only thing that awaited the audience in the Horror Channel screen was a mosh-mash of genres that didn’t seem to be able to decide what it wanted to be.

Set up like a scary stuff in the woods flick, we are forced to watch an awful lot of GoPro footage of bikes on dirt tracks before our main characters, a pair of bike racers, stumble across a man in a jeep bleeding. Insanity ensues as we are treated to a dude with a weird infection that seems to be zombifying him, a bizarre cult, completely unexplained bags of meat hanging from trees and a bunch of hunters that, although the film is set in South America, suddenly seem to have menacing south London accents. Oh yeah, and there’s angry people having angry sex around confused and angry looking goats. For fuck’s sake.

A couple of half decent tense scenes can’t rescue this pretty bland mess of a film.


Johnny Frank Garrett’s Last Word

“Maybe God shouldn’t have played God.”

Upping the quality for the second film of the day. Red, White and Blue director Simon Rumley takes on an eerie true story of a convicted rapist and murderer who to his last breath pronounced his innocence and cursed everyone involved in his death sentence.

This genuinely chilling story of a ghost exacting his revenge from beyond the grave isn’t just a great horror film, but it’s a magnifying glass on some very real issues that affect the United States to this day. As our characters start dropping like flies and begin investigating the situation they find themselves in, it asks a lot of questions about the finality of capital punishment.

A great story, some very scary and chilling scenes that will leave you with goosebumps. An excellent film.


Broken

“Are you sure you’re cut out for this?”

Martyrs‘ Morjana Alaoui stars in the latest world premiere of the day. This psychological horror takes a slightly slower pace for the day and sees two main characters fighting disabilities in their own way.

One man, a tetraplegic former rock star, bound to a wheel chair for life is fighting with the day-to-day horrors of not being able to live his life. Having all of his freedom taken away has become his own personal hell. Fighting his present and future, he needs help 24/7. That help comes from an agency carer who is fighting the demons of her past that just won’t let her be. Together the pair struggle with each others differences as the film culminates in a bloody mess of inevitability.

A great film that’s going to be playing on my mind for some time.


Realive

“I was able to live, because I chose to die.”

Ok, so the guys really pulled one out of left field for this. Being a horror film festival, I expected even films labelled as sci-fi to have a scary element to them. After all, Alien and Event Horizon sit firmly in both genres. But nothing like that here.

A conventional sci-fi flick, Realive is a futuristic Frankenstein story with healthy doses of films like Moon added in for good effect. A decent outing, it’s the story of a man brought back to life in the 22nd century after freezing himself Walt Disney-style in the early 21st. An interesting premise for a film as we watch the newly resurrected Marc Jarvis essentially go from being a newborn to a fully fledged adult in a matter of months. Quickly learning to ask questions about where he’s from and why he’s here, the answers he find really aren’t the ones he wanted to hear.

Probably the biggest budget film of the day, but not really the right setting for its European Premiere.


31

“Murder school. Is now in session.”

Rob Zombies latest exploitation, grindhouse, hillbilly horror has finally hit these shores. The film that I came to FrightFest for has finally come around.

It’s just another Zombie film. He doesn’t do anything new or original, but those that came to this party know the dance – and that dance is exactly why I’m here. The seventies-set film about a family of carnies grabbed on the roadside and thrown into a deadly maze where nasty people with nasty names like Sexhead and Deathhead are coming at you with some really fucking dodgy weapons. I mean, there’s a Nazi clown midget who speaks Spanish. Need I say more?

Crazy deaths, a mental soundtrack – whether album or scoring, I love listening to Rob Zombie and John 5 working together – and an hour and forty minutes of carnage. I loved every blood soaked second of it.


And so ends FrightFest 2016

That’s it for my first FrightFest. And that’s it for your first FrightFest with me. Tomorrow actually sees the festival end and the booze addled shut in begin. With films like Found Footage 3D and Train to Bursan headlining the screens, it’s sure to be a good one.

Sadly though, this is my last day here. But it’s been a blast. Great films, shit films and a ton of cool people. I genuinely can’t and won’t ask for more than that. I’ll definitely be back next year. I will probably put together a bit of a round up in the next few days after I’ve scoured VOD for a few films I missed; but until then, it’s another day where I’m getting home at stupid o’clock in the morning. I need my bed guys.

Later.

FrightFest 2016 – Day Three

“You came here.  Of your own free will and volition.”

Here I am, sat in a dimly lit red corridor surrounded by strange models of bleeding hearts and instruments of torture, along with more than a handful of likeminded horror fans preparing our arses for a marathon horror session.

In a way, I’m glad that I couldn’t take the day off to hit day two yesterday. As much as I love the idea of a weekend of non-stop horror, the idea of sitting in a cinema for more than 12 hours a day for four days is scarier than anything they could put on screen. Strangely, I’m kind of grateful.

Luckily today sees a couple of films I really want to watch hitting that screen; some stuff I’ve been waiting to see for a while and some stuff from a director I really love to watch work. So now the doors are open and I’m going in to see what kind of tat has been left on my seat today. I’ll catch you on the other side.


The Rezort

“Seriously. Fuck this island!”

Kicking off this morning’s festivities is this little zombie number. Introduced by the film’s director Steve Barker – of Outpost fame.

This fun little thriller centres on a group of tourists who visit “The Rezort”: a place filled with zombie leftovers of a years ago outbreak that people now pay to visit and quench their bloodlust. These tourists are left for dead when the multi-billion dollar fortress on the centre of the island is hacked and its security compromised. With the horde now loose and no way to stop them, the survivors only have a few hours to escape the island before it is levelled in an attempt to quarantine the virus.

Superb world building, and a cast that includes Dougray Scott seemingly having a ton of fun with this not-wholly-original but slightly-different take on zombie films. It’s refreshing to have a film where everyone already knows what a zombie is and the whole Jurassic Park meets Dead Island thing it has going is awesome.

Basically, The Rezort is what happens when you take video games movies away from Uwe Boll.


Abattoir

“You’re the last piece of this house’s puzzle.”

Darren Lynn Bousman, director of several Saw sequels and bizarre musical Repo: The Genetic Opera has returned to the horror genre with some interesting new ideas.

A throwback to noir mystery thrillers, Abattoir follows Julia (Jessica Lownders), a journalist trying to solve the mystery behind a series of bizarre acts centred around houses where a crime has been committed. Stumbling upon it after the room her sister and nephew are murdered in is stripped from he house, she drags her cop boyfriend Grady (Joe Anderson, who we saw at the start of the festival in My Father, Die) along to investigate the stranger that’s seemingly responsible for these weird goings on.

What starts like a violent mystery thriller quickly becomes a fun ghost story. The old collector, played with a brilliantly creepy tone by Deadwood‘s Dayton Callie, is one of my favourite bad guys/story tellers in quite a while. Bousman has put a creepy little film together that culminates in a brilliantly bat-shit haunted house segment that doesn’t scare you as much as show just how many different ways the man can think of killing people. Loved it. Well worth the wait.


The Master Cleanse

“I just wasn’t strong enough to finish.”

TheMasterCleanse_FilmStill_Final_FeaturingJohnnyGalecki_PhotoByMichaelFimognari

Crap knows what this was. A strange creature-feature drama type thing that invoked memories of Gremlins, except not as scary. A strange choice for a horror festival, The Master Cleanse sees Johnny Galecki and Anna Friel as a pair of lost souls looking to improve their lives with the ultimate cleansing retreat. Shipping themselves off to the country resort run by Oliver Platt and Angelica Houston, the pair are put through a cleanse that (quite literally) puts their negative energy in front of them to confront.

I went in to this one pretty blind, not having a clue what I was letting myself in for. This weird little tale that starts with people throwing up little monsters that represent all the bad stuff in your life, just keeps going down the rabbit hole after that. The stars are decent in roles that, for the most part, I think are pretty alien to them. Strange little flick, I might need to watch it again to decide whether or not I like it.


Sadako Vs. Kayako

“One of you has to be sacrificed.”

So I went into is one a full blown skeptic. A fan of both Ringu and Ju-On, I wasn’t entirely convinced that a grudge match film was the way to go. I didn’t think it was the kind of film that really lent itself to the tonal shift you needed for something like this. There’s no two ways about it: you’ve got to bring the laughs Freddy Vs. Jason style or things could go awfully wrong.

I’m happy to report that I was wrong to be too worried. Sadako Vs. Kayako is a ton of fun on the big screen. It makes the smart decision early on to not take itself too seriously, substituting real creepy scares for (perhaps unintentional) laughs. It proves that Japanese cinema still has what it takes to be creepy and jumpy – even if we see very little of either here – but that it’s also willing to evolve a little to make itself relevant. While this is certainly Sadako’s film in so many ways; Kayako and Toshio are still the creepiest fucking things I’ve ever seen in my life!


Beyond The Gates

“Maybe don’t touch that again.”

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Now, who’d have thought that a day that involved a Ringu film would actually have not only another film with a cursed video tape, but a better one? Certainly not this festival goer.

But here we are, not only a film with a haunted tape, but one that goes full on retro with its look. Remember those board games that had video tapes? I think Atmosfear was probably the biggest one in the UK. Well, here’s a horror flick, filmed to look like it was plucked from a 90’s Blockbuster video, that is based completely on a family playing this insane board game – Beyond The Gates – trying to beat the maniacal woman on the tape running the game and save their dad’s soul.

A couple of decent scares, but so, so many ludicrously funny bits. A cracking little movie that sits up there with Deathgasm for me. Just without the heavy metal and insane language!


Blood Feast

“Soon, my queen will be reborn.”

So we round off the day with a remake of the 1963 splatter flick Blood Feast. Now, I’ve never seen the original, but in his chat before the film director Marcel Walz assured us that original director H G Lewis was pleased with the film. If that’s true, I’ll never be watching the original. Because man oh man was this a terrible film.

We’re talking: the entire auditorium was howling with laughter at every uttered line; the painfully terrible script; and the even worse acting. This film, about a restaurant owner who starts slaughtering people to appease an ancient Egyptian God, starts with a warning about how nasty it is, how those with anxiety or heart conditions should not watch and how the filmmakers are not responsible for your well-being. That should have been the first warning. The second should have told us that if you wanted to watch a decent, well made film, you’d come to the wrong place. So bad was this film, that the close up of this guy sawing another guys dick off not only didn’t shock us, but with the level of torture this mans screenwriting had been putting us through, it was a welcome break from the rest of this accidently horrific film.


T-t-t-t-that’s all, folks.

A cinema fill of people shuffle out like old zombies at nearly 1am, thoroughly disappointed at the downward spiral the day took at the end. A couple of excellent and a couple of very good films today, but all we’ll remember is the confused mumblings of a repressed director who clearly wasn’t hugged enough as a child.

Hopefully, tomorrow doesn’t go the same way. Tomorrow closes out with my most anticipated of the weekend and I’d hate to feel this disappointed after 31.

Anyways. Home. I’ve got to get to my bed. Because I’m back in the road in 8 hours for day four.

FrightFest 2016 – Day One

“The World is not round. Not from where I stand. It’s warped. Contorted.”

I’ve always wanted to come to one of these festivals. A few days surrounded by like-minded horror fans watching new and interesting stuff made to make your skin crawl, your heart race and stain your pants.

As tickets for this year’s festival went on sale, I wondered and waited and couldn’t decide whether or not this was something I should actually do. “Fuck it” I thought. I’m jumping in.

Ok, so real life is getting in the way (as it does) and as such my FrightFest experience this year is three days out of five. I struggled through a long shit week at work, loaded up on Red Bull and Lucozade and hit the motorway for opening night. And there I was. Tired, grubby, and only just making it in time for the opening film of the festival. But I made it. Won’t you join me for a couple of days of horror?


My Father, Die
“Come on. Make me proud.”

Starting the show off with one hell of a bang, Sean Brosnan’s feature debut film blew the roof off the Horror Channel Screen. With a little chat from star and super bad guy Gary Stretch afterwards.

After watching his father beat his older brother to death, leaving him deaf from the same attack, Asher has waited years to avenge his brother’s murder. He gets his chance when his father, Ivan, is released early for good behaviour and he rolls himself back into town. Asher tracks his old man down and lays a vicious beat down to the murderous bastard, leaving him for dead.

But this monster of a man isn’t even close to being done. A brutal and bloody cat and mouse game ensues as Ivan tears the little town apart looking for his son.

My Father, Die set the tone for the rest of the weekend with its visceral violence wrapped up in an excellently made story. With no flab to the film anywhere, it’s as near perfect a film as you’re likely to see.

Gary Stretch’s Ivan is a terrifying monster of a man. Walking a fine line between scary and cheesy-funny, he walks the darker side of that divide brilliantly. I certainly don’t remember him being that big in Dead Man’s Shoes, but the man definitely bulked up for his role as the biker turned killer.

Joe Anderson’s turn as the deaf and voluntarily mute Asher was great. He was convincing as the scared boy in a man’s body, stepping up to protect his family; with a fun and surprisingly effective added touch of the film being narrated by young, pre-mute Asher.

The FrightFest listing for this film describes it as “The Southern Gothic progeny of CAPE FEAR, NIGHT OF THE HUNTER and OLDBOY” and I can’t agree more. If you let Rob Zombie remake any of those films, you are going to get this nasty little flick. One of the best films I’ve seen in a while. The rest of the weekend has some work to do to keep up!


Cell
“Stay off your phone. They didn’t.”

Sadly, there was never going to be a good way to follow up Hillbilly Cape Fear back there, so the festival threw out the “Also Ran” of the night. The film that had to be shown on Thursday so it could be called the UK premiere before the cinema and VOD release the next day.

Cell is the latest adaptation from a Stephen King book. Starring John Cusack and Samuel L. Jackson (henceforth know as “The 1408 Team”) it sees graphic novel writer and estranged husband/father Clay Riddell (Cusack) teaming up with grizzly Tom McCourt (Jackson) when the world is mysteriously zombified through untimely use of their phones. Instantly turned into violent psychopaths via their attachment to the iDevices, the monsters created by the strange signal are ever-evolving and ever-more dangerous as the pair struggle to survive on their way to Clay’s wife and son.

Aside from a couple of relatively interesting ideas, Cell doesn’t really offer anything worth watching. Team 1408 seem to enjoy their time together and it’s nice not to have a shiny happy ending, but besides that, you’ll probably do better with 28 Days Later. There’s a lot that could have been great here – but in fairness, the book isn’t one of King’s best – and there’s plenty of potential that’s been squandered. But this is nothing new, especially when it comes to King adaptations.

Just watch Team 1408 in their previous roles together.

Like I said, there was never any chance of a film keeping up with what My Father, Die this evening. Hopefully this is the night they just needed to flash a few mainstream stars around and we can get back to the goodness of great horror afterwards.


And that’s a wrap for the day.

Sadly, my time with opening night ended here. Struggling to stay awake during Cell and the prospect of a two-hour drive home meant I had to call it a night. It meant I missed the world premiere of one of my more anticipated films, Let Her Out, but that’s life. From all accounts, it went down an absolute storm and blew everyone away.

There’ll be no Friday wrap up for this year’s festival. I have to work to pay for the tickets after all. But I will be rooted to my chair all day Saturday and Sunday where I get to see really anticipated films like Darren Lynn Bousman’s Abattoir and Rob Zombie’s 31.

Stay tuned…

Failed Critics Podcast: Fright Night Triple Bill

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Murdered in his sleep, chopped up into tiny pieces and stuffed down the back of Paul Field’s sofa. That’s what we presume is the reason behind the Underground Nights co-host taking over duties from the absent Steve Norman this week as he joins Owen Hughes and Andrew Brooker for this week’s triple bill podcast.

Each of the trio picks three films that have frightened them – not necessarily the scariest films they can think of, but rather, those that have at some point in their lives scared them beyond their senses. The theme for this triple bill was chosen with FrightFest in mind, which kicks off on Thursday this week and has a mini-preview of a couple of films that the team are keeping an eye out for.

There’s also room in the whopping 2 hour run-time for the Failed Critics to chat about more controversy over Sausage Party after last week’s damning indictment of the way that film’s producers have been treating the animators. This time, it’s the Swedish age-rating system that feels the full force of the podcast. Take that, Sweden!

New releases this week includes the return of Ricky Gervais’s comedy character David Brent in feature film Life on the Road hitting cinemas this past Friday. Brooker also shines a light on the latest horror-by-numbers, Lights Out.

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Failed Critics Podcast: Straight Outta FrightFest

la-ca-0727-straight-outta-compton-003You are now about to witness the strength of street knowledge as four white boys from the UK discuss N.W.A. biopic Straight Outta Compton on this week’s Failed Critics Podcast. Joining crazy mother-flipper Steve Norman and another crazy arsed bad mother-flipper Owen Hughes on our latest episode is Andrew Brooker, a dangerous mother-flipper raising hell, and controlling the automatic is Mike Shawcross.

We’re not entirely as gangster as you might expect, believe it or not, as we kick off the podcast with a quiz and a short tribute to Wes Craven. We manage to express ourselves in a more dignified manner befitting four dudes sat around in their pants on Skype, late on a Tuesday night, during reviews of video-game adaptation Hitman: Agent 47, Nic Cage thriller Joe, the pilot episode of Fear the Walking Dead and James Cullen Bressack’s indie-horror To Jennifer.

On top of all that, we have a round-up of the good, the bad and the ugly that came out of this year’s Film4 FrightFest. Get your notepad and pen ready as Mike reveals everything you should be adding to your watch list over the next 12 months – including These Final Hours, Turbo Kid, We Are Still Here, Bait and loads more! I’m not exaggerating. LOADS more.

Join us again the same time next week as Paul ‘Slice’ Field returns to mull over No Escape and The Transporter Refuelled.

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Fayled Crytycs Podcast: Termynator Genysys & Magyc Myke XXL

TerminatorGenisysCome with us yf you want to lyve in a world where there are only 25 letters of the alphabet.

Or stay in your regular 26-letter alphabet world if you like? You can still come with us through another 90 minutes of Failed Critics Podcast film chatter. On this episode, the usual voices of Steve Norman and Owen Hughes are joined by the returning Callum Petch to review new releases Terminator Genisys and Magic Mike XXL.

Also on this episode, the team take a look over the past week’s film news, including the Film4 FrightFest programme announcement and Inside Out smashing a box office record previously held by Avatar! Sticking with the James Cameron theme, Owen reviews his 1989 deep-water sci-fi The Abyss in our What We’ve Been Watching section; Steve reveals his thoughts on spy-comedy Kingsman: The Secret Service and why Danny Dyer would still make a good James Bond; and continuing along his path to see more cult 80’s classics, Callum watches the recently restored Furious, as well as voluntarily torturing himself with the abhorrent FIFA-backed drama United Passions.

Join us again next week as we’ll be chatting with Jack, Chris and Phil from the Wikishuffle podcast! And probably reviewing Ted 2..? We’ll see.

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Film4 FrightFest 2015 Preview

It’s that time again where give the batteries in our torches a quick shake to get them working, brush the cobwebs out of the cellar doorway and gingerly tip-toe through the darkness and tap-tap-tap on the lid to the coffin where we keep Mike Shawcross. Come on, Mike. Time to wake up, drink the blood of a few buxom-virgins and tell us what you’ll personally be seeing at this year’s FrightFest, following yesterday’s announcement from Film4.

by Mike Shawcross (@Shawky1969)

Another year, another FrightFest and the UK’s première genre festival continues to grow and grow. In its 16th year it continues to impress with what looks to be an incredible line up, another screen and more parties. There does seem an aspect to bring the FrightFest community together with a few more social events. The Duke Mitchell Club was fantastic fun last year and one event I will be visiting this year. We have a Karaoke party as well (not for me!)

As for the films, so many I want to see, so many I’m going to have to miss out on… bigger festival more choice, bigger headache. Over the last few years the Discovery screens have shown the breakout films, the gems people talk about for weeks to come. The Borderlands was last year’s big discovery film; I wonder what will it be this year?

turbo kidOpening night brings monster wasps with Stung, post-apocalyptic sci-fi Turbo Kid and Irish witch-horror Cherry Tree; although personally I think Turbo Kid stands out here. Friday on the main screen and highlights look like We Are Still Here, a ghost story with vengeful spirits [which Paul Field recently raved about on the Failed Critics Podcast]. James Wan delivers more horror as producer on Demonic. I do like his work so will be staying in my seat for this one. Hellions looks interesting, starring Chloe Rose as she attempts to survive from trick-or-treaters from Hell on Halloween night. In the discovery screen 1 – Aaaaaaaah! from Steve Oram looks worth a watch, starring Toyah Willcox. Horror-comedy Bloodsucking Bastards is another one I’ll be checking out. DS 2 (Discovery Screen 2) we have III, a Russian film blending religious iconography with a violent disease, which I’ve been interested in for a while, and Final Girl, which sounds fun with Abigail Breslin as a lethal assassin hunting down a gang of murderers preying on young females! Creature-feature The Sand I may be staying off the beach for…

I’ve told you there is far too much choice! In DS 3 on Friday Zombie Fright Club could be great fun! Martial arts and zombies? Of course I’m IN! Body looks a possible selection as well as three girls break into the wrong mansion. As for the Eugene McGing’s haunted house mystery thriller The Unfolding…? I’ll wait to see what people think of that one first!

Into Saturday then and Shut In might be worth the early morning watch, starring Macaulay’s brother Rory Culkin. Bait is Dominc Brunt’s (you know Paddy from Emmerdale) second feature as a director; a true-life crime thriller starring Victoria Smurfit. Frankenstein has a strong cast with Carrie-Ann Moss, Danny Huston, Tony Todd and Xavier Samuel, directed by Bernard Rose (Candyman) and I fancy this one. Black magic goes awry in Deathgasm which sounds fun and, depending on if I get in, the Film4 screen is perfect for late night horror. If you like documentaries then there is Future Shock! The Story of 2000AD in DS1. I tend to miss them as I prefer feature films, but I’ve heard extremely good things about this documentary. The Hallow sounds like a must see film; a success at Sundance and directed by Corin Hardy (who will direct The Crow reboot), set in Ireland this horror film is full of demonic monsters in the woods. I’d love to see the zom-rom-com Night of the Living Deb, featuring Ray Wise, but it will clash with Deathgasm… choices, choices, choices! DS2 shows Another Me, starring Sophie Turner (Game of Thrones) stalked by a doppelgänger, which looks good. DS 3 screens a few retro showings and the Duke Mitchell events!

Sunday and, after the success of The Babadook, Inner Demons must be worth a visit. I’ve seen these kinds of films before at FrightFest, but a Christmas horror story surprisingly doesn’t really seem out of place in August and is another to consider.over your dead body

I can’t resist a Takashi Miike film, so looks like I’ll be in the DS 1 first thing for Over Your Dead Body. More end of the world drama in These Final Hours and Summer Camp (from the team behind [REC]) may be worth viewing. Think I’ll miss high-school reunion slasher Most Likely to Die. Over in DS 2 more retro screenings with Captain Kronos: Vampire Hunter, cult fantasy film Hawk The Slayer and 80’s classic Hellraiser…. All of which I’ll miss! April Mullen has a second film at FrightFest after showing 88 in Glasgow earlier this year. I liked action-thriller 88, so on that basis alone I may look at Farhope Tower, even though not much more information has been released about this yet.

Monday is the toughest day of the festival! The twisted comedy about a sarcastic ex-girlfriend coming back from the dead, Nina Forever, looks interesting – as does the UK première of Emelie. And then we have one of my highlights – Tales of Halloween, the closing film and an anthology film, with directors Adam Gierasch, Axelle Carolyn, Neil Marshall and Lucky McKee joining in the fun. Big film to end on.

DS1 presents Paul Hyett’s Howl (which I saw a trailer for in Glasgow) and sees a group trapped on a train overnight with an unknown create – and I think I’m going to give it a go. The Lazarus Effect in DS 2 has a decent cast with Olivia Wilde, Mark Duplas and Sarah Bolger (who is also in Emelie) and sounds like a modern day Flatliners. In DS 3, Banjo (from FrightFest regular Liam Regan) is showing, starring Laurence R. Harvey and Dan Palmer – this will be on my list!

This year there will be 3 short showcases. I have to mention these as (and unashamedly plugged) I have worked on three films which have been sent for selection, so I may be in a couple of these showcases!!!!

Overall a hugely impressive line-up. You can listen to me and the rest of the Failed Critics on the podcast [to be released on 3rd September] as I uncover the best and worst of the festival for 2015!

Film4 FrightFest will be held in London on 27th – 31st August 2015 and you can find more details on their website. Tickets go on sale at noon tomorrow.