Inspired by the imminent release of Hitman: Agent 47, Andrew Brooker takes a look at five of the most infamous movie adaptations of a variety of video games.
by Andrew Brooker (@Brooker411)
In a couple of weeks, 20th Century Fox will release Hitman: Agent 47 to a world pretty much fed up of video games being turned into awful films and force fed to us. Most that have read some of my stuff, or listened to me on one of the many times Mr. Hughes lost his mind and invited me onto the podcast, know that I love my video games. Behind movies it’s my second biggest hobby (and arguably the most expensive) and every time my two favourite ways to waste time crossover, it should be a reason to celebrate. Sadly, this isn’t usually the case. More often than not, the films we are handed as we are told “it’s brilliantly close to the games, fans will adore it” turn out to be badly written, badly directed dusty clouds of dry spunk. This is where we find ourselves today.
So in a very scientific process, namely me and a buddy bouncing ideas at each other in the office, here are my five worst films based on video games.
5] Doom (2005)
Budget: $60 million
Gross: $55.9 million
Rotten Tomatoes Score: 19%
So yeah, Doom. The mother of all games. The game that defined forever how we’d play games more than 20 years ago, was shat out as a movie a decade ago starring Dwayne Johnson back when we were just calling him “The Rock” and Karl Urban before he was Dredd.
My biggest gripe with Doom isn’t that it was bad, and it was pretty bad, it was how it took the game’s slight hint at a story and flat out ignored it. According to the game’s instruction manual, you are a lone space marine fighting to survive as Hell’s demons invade Mars and slaughter everyone. This was replaced with a group of space marines fighting to survive as a Mars base’s occupants are infected with a Martian virus and mutated. I mean, neither story is good, but is there really any need to switch out one bland story for another? Where’s the loyalty to the branding for Christ’s sake?
Adding to the terrible decision to make this film, we were treated to a spectacularly rubbish “first person shooter” scene that has us watching the film down the barrel of a gun that, as a fan, is beyond patronising and absolutely ridiculous. No other type of film insists on making us watch them like that. Fancy watching soccer film from the point of view of a stadium visit? With some fat unwashed screamy twat in front of you? No.
Directed by Andrzej Bartkowiak, the man that also brought us:
4] Street Fighter: The Legend of Chun-Li (2009)
Budget: $50 Million
Gross: $12.8 Million
Rotten Tomatoes Score: 6%
Urgh! So yeah, there was definitely going to be a Street Fighter movie on this list. And a film would have to work pretty damn hard to be worse than a film that included Kylie Minogue and a ginger Jean-Claude Van Damme, but The Legend of Chun-Li blows it out of the water.
Intended as the origin story of one of the most iconic Street Fighter characters, The Legend of Chun-Li plays less like a story of how the young fighter found her way in life and instead treats us to a powerpoint slideshow on alienating film fans and gamers alike as more than a few tired old clichés are dragged out from the dusty cupboard they should have been left in. The mention of another key character at the end, hinting that a film based around Ryu was in the works shows just how much they thought they had a franchise starter on their hands and just how out of touch everyone involved in this film actually was.
3] Need For Speed (2014)
Budget: $66 Million
Gross: $203.3 million
Rotten Tomatoes Score: 22%
The one and only film that, at least according to Wikipedia, actually made money, tricking more than its fair share of gullible fools into thinking that it might actually be a good film. Sadly, we live in a post The Fast and The Furious world and a shit movie about a bunch of guys racing nice cars isn’t anything close to engaging anymore. Fast and Furious had to evolve to survive its flagging appeal and somehow Need for Speed still made a killing at the box office doing what Vin Diesel and Paul Walker were doing a decade and a half ago. And that would be ok, if it wasn’t so bloody dull!
Every one of us gamers saw just how bad an idea it was to try adding a story to the Need for Speed franchise with 2011’s disgrace of a game, The Run. So instead of trying something new, they simply put that same story to film, added a less than mediocre revenge story, stunt casted the pretty crap Aaron Paul and made a film that included Michael Keaton as a pirate radio running race organiser channelling Beetlejuice behind a mic.
The fact that this made a killing at the box office is only encouraging more of the same! In the next few years there are plans for a second Need for Speed film, as well as a film based on Sony’s Gran Turismo. And I blame everyone that added to that $203 million for that. It’s your fault!
2] DOA: Dead or Alive (2006)
Budget: $21 Million
Gross: $7.5 Million
Rotten Tomatoes Score: 34%
Dead or Alive, oh how I loathe you. If ever there was a video game franchise that needed to die, it’s Dead or Alive. The franchise so out of touch with modern game playing that it focuses more on jiggling boobs than it does fighting mechanics; and considering the amount of vitriol thrown at game developers at even the hint of a bit of sexism in their game nowadays, how Dead or Alive constantly gets away with it, I’ll never know. Between sex pest levels of gross purchasable school-girl costumes and its volleyball tie-in game, it’s the channel five porno of fighting games and it’s fucking awful.
You would think that this would made perfect fodder for a rubbish straight-to-tv, or nowadays, straight-to-itunes, movie and in that respect, this would be a barely passable film. But to put this awfulness up on that hallowed silver screen is beyond sacrilegious. This film that sold its audiences on appearances from Holly Vallance (remember her?), Jaime Pressley and Devon Aoki. You know, those women absolutely known for their fighting skills and their attention to perfectly choreographed combat and NOT for just being gorgeous. Yeah? Them.
I feel a little guilty for having this film on the list, because the game is just as bad. But Jesus Christ, I’ve never felt so gross playing a game or so skeevy watching a film.
Leaving us with:
1] Super Mario Bros. (1993)
Budget: $48 million
Gross: $20.9 million
Rotten Tomatoes Score: 19%
No one can try and write one of these lists without mentioning Super Mario Bros; not only the worst film based on a video game ever made, but generally one of the worst things ever put to film. An absolute abortion of a film that its star, the late great Bob Hoskins, distanced himself from. Calling the film a “complete nightmare” and admitting that if he had a chance, he’d erase it from his past, Hoskins was never shy about sharing his opinion on this terrible flick. With similar stories from co-stars John Leguizamo and Dennis Hopper, the film has left a legacy of terrible stories of a troubled production and should forever be used as an example of how never to make a film based on a beloved property.
Setting one of the most colourful video games in history in what looks like the underground society from Demolition Man, trying for an adult theme and attempting to make it grounded and realistic is absolutely not the way to do the Super Mario Brothers, or its legions of fans, proud.
Extra special hate gets directed at this lumpy skid mark of a film since Bob Hoskins’ death a little over a year ago. In an attempt to up their click count, video game websites started running stories that the man known for playing Mario Mario had died, shitting all over a stellar career by shining a light on the man’s worst moment in film and not educating an entire generation of players who’ve never seen The Long Good Friday on an amazing actor who deserved much, much better than that.
Dishonourable Mention – Uwe Boll
I couldn’t decide which of his films to add to the list, so instead I’ll simply mention the man, the myth, the douchebag that is Uwe Boll. A man whose legacy to film includes ruining more than a few outstanding games as he does the filmmaker equivalent of shitting into his own hand and smearing it on our walls. The man’s filmography includes monstrosities like Far Cry, two Alone in the Dark films, three BloodRayne movies and Postal.
Recently, the gaming community breathed a sigh of relief as “Raging Boll” took to YouTube to announce he wasn’t making films anymore.
Good. Because I believe I speak for every game playing film lover when I say “Fuck that guy!”
You can hear the team talk briefly about their favourite and least favourite video game adaptations on our podcast released back in 2013. If you’d like to hear us do a new podcast on the topic, leave a comment below or get in touch with us on Twitter, Facebook or email at firstname.lastname@example.org!