Tag Archives: Horrible Bosses 2

US Box Office Report: 19/12/14 – 21/12/14

The Hobbit sorta loses its battle against its five prior armies, the sun sorta came out today for Annie, sorta not many people wanted to spend one last Night At The Museum… it’s a weekend of qualifiers is what I’m getting at, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

…  …  …  …  …hm?  Yes?  …  …oh, shit, Box Office Report!  Totally almost forgot!  Sorry about that, truly.  Just been super, super busy!  Films to watch, radio shows to do, essays to write, articles to write.  Just the most full plate!  And I have absolutely spent all of my free time committing totally to that full plate!  Absolutely!  Totally didn’t end up spending most of the time that I should have spent working re-watching certain segments of The Legend Of Korra finale and browsing the internet for fan drawings and such to help placate both the new empty hole in my heart and the little skips of joy it performed over the ending.  Nope.  Not at all.  (*furiously closes browser tabs hoping you don’t notice*)

Anyways, this was the last weekend before Christmas and that meant a whole bunch of new releases tripping over themselves to appear as The Family Film Of The Holiday Season or something like that.  It also, however, meant counter-programming against The Hobbit for the first time.  After Desolation Of Smaug dropped $10 million opening weekend compared to An Unexpected Journey – and closed with $50 million less overall – other studios smelt blood in the water and felt that they could successfully programme against Peter Jackson’s immaculate advert for New Zealand’s finest green screens.  Battle Of The Five Armies, though, was having none of that sh*t.  Not only did it take $56 million over the weekend, its Wednesday opening added another $34 million to the total, bringing us an opening of $90 million.  Now, technically, that’s the lowest weekend opening for any Peter Jackson Lord Of The Rings-related movie ever – with the exception of Fellowship all those years ago – but…

…that’s still more than the rest of the Top 6 put together.  So, yeah, I think it’s safe to say that The Hobbit steamrolled the other new releases.  Those ended up being Night At The Museum: Secret Of The Tomb, an incredibly meh sequel that quite literally nobody was ever asking for, and Annie, an incredibly horrendous remake that nobody was asking for and failed to do anything with its updated conceit.  Technically, Night At The Meh-seum was the winner of the two, as it came in second place and made slightly more money than Annie.  But, let’s face it, Annie was only $1 million behind, opened on less screens, had a higher per-screen average than NATM, and is probably going to confiscate a fair amount of Into The Woods’ money next week.  The real losers, though, are the film-going audiences, because neither of these films are any good.

In limited release news, Mike Leigh’s Mr. Turner – which everybody else adores but did absolutely nothing for me because I am an uncultured cretin who ships cartoon characters and freaks out when everything becomes glorious canon – finally made its way to American shores to sneak in under the deadline for awards consideration (that it won’t get because Mike Leigh never gets noticed in America).  From 5 screens, it managed a very respectable $109,000 for a per-screen average of $21,800.  Meanwhile, Song Of The Sea, a traditionally animated fantasy OH MY GOD I WANT TO SEE THIS IMMEDIATELY, was dropped onto 2 screens with pretty much zero fanfare and made a very respectable considering the circumstances $21,920.  The Nut Job, for comparison, was dumped onto 3,427 screens and opened to $19,423,000 because this world f*cking sucks.


THE HOBBIT: THE BATTLE OF FIVE ARMIES

Let’s go there and back again with the Full List.

Box Office Results: Friday 19th December 2014 – Sunday 21st December 2014

1] The Hobbit: The Battle Of The Five Armies

$56,220,000 / $90,627,000 / NEW

I was on the latest edition of the Failed Critics Podcast where we, eventually, talked about this film!  You can get most of my thoughts over there!  I’m not hard to miss but, if you’re having trouble, I’m the one that sounds like a drunken fratboy at a conference panel.  Yeah, I don’t feel like I did good on that episode.

2] Night At The Museum: Secret Of The Tomb

$17,300,000 / NEW

So this one is weird.  It tries to be this big send off for the series as a whole – implying that Night At The Museum is THE series that captured and defined a generation, but sure whatever – but nobody except Dan Stevens as Lancelot seems particularly happy to be here, and the film itself is just going through the motions for large swathes of its runtime.  So the final 15 minutes, which aim to be this big backslapping sentimental goodbye, ring hollow and only achieve poignancy when we share our last scenes with a very obviously tired Robin Williams because… well, you know.  It just doesn’t give any decent reason to exist, except to further the giant man crush I have on Dan Stevens – his eyes just pierce straight into my heart!

3] Annie

$16,300,000 / NEW

OK, can we officially call a ban on musicals that are embarrassed to be musicals?  Annie is a film that spends pretty much every frame of its existence openly apologising to its audience for being a musical.  It even has characters in the film call out how lame singing and dancing is after a big musical number.  What is this 21st Century cynical bullsh*t?  It doesn’t make the film cooler or more appealing, it just insults your audience and exposes your cast and crew as completely disinterested which, last I checked, is a death knell for a musical.  Either embrace the fact that you’re a musical or don’t f*cking bother.  Musicals are fun!  More films should be like musicals!

Yeah, I really didn’t like this one.

4] Exodus: Gods And Kings

$8,065,000 / $38,902,000

Guess everybody found their DVDs of The Prince Of Egypt laying around their house after all and watched them instead.  Yay!  Good choice, people!

5] The Hunger Games: Mockingjay – Part 1

$7,750,000 / $289,227,000

The Mockingjay, Part 1 soundtrack is really bloody good, just so you all know.  It’s been backing most of my writing sessions this past week and it makes a very good accompaniment to having to metaphorically vomit 3,000 words onto virtual paper about film topics or essay concepts you don’t fully understand before deadline approaches.  Pick it up if you get the chance.

6] Wild

$4,150,000 / $7,211,000

I hear this is really good, so I am going to refrain from commenting until I see it in the middle of January.  Glad to see that Reese Witherspoon has managed to escape that black hole of suck she got stuck in for most of the late 00s, though!  Four Christmases came on TV the other night and, my word, it was dreadful.  Just awful.

7] Top Five

$3,570,000 / $12,456,000

Oh.  Well.  Shit.  Dammit, America, you couldn’t have tried turning this into a hit?!

8] P.K.

$3,565,258 / NEW

That’s from 272 theatres, by the by.  Bollywood may finally be coming a thing in America.  Good for Bollywood!  Good for it!  I should really try more.  I saw Bang Bang! for a Cineworld Unlimited screening back in October and I was alternately entertained, amused, baffled, and assaulted with a thumping headache.  I’d like to try other Bollywood films and see if that’s an anomaly or the general reaction I’ll end up having.

9] Big Hero 6

$3,563,000 / $190,441,000

Well, it’s been a good run, Big Hero 6.  You didn’t make Frozen money, but to expect anything to make Frozen money is to have unreasonably high standards.  You did really well, the public loved you, and you may even be fondly remembered.  Now, if you could just HURRY THE FUCK UP AND RELEASE OVER HERE ALREADY BECAUSE FORCING ME TO WAIT THREE MONTHS IS DICKWEED BEHAVIOUR I’d much appreciate it.

10] Penguins Of Madagascar

$3,525,000 / $64,172,000

This is officially DreamWorks Animation’s lowest grossing CG film of all-time domestically.  I doubt that even a superhuman overseas showing – the film has cracked 11 markets so far and most of those are the ones that prior Madagascar films have performed well in – is going to drag this one anywhere close to the land of profitability.  I am now worried, I imagine that studio executives are sweating spinal fluid.  This is not good.

Dropped Out: Interstellar, Horrible Bosses 2, Dumb And Dumber To, The Theory Of Everything

Callum Petch would dial the numbers just to hear your breath.  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 12/12/14 – 14/12/14

The people were rather unmoved by Exodus: Gods And Kings, Top Five thankfully makes the top five, Inherent Vice has the worst opening of anything ever, Wild runs wild on you, brother, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

For those of you keeping track at home, 2014 has only had one faith-based drama that was worth anybody’s time released in its twelve months, despite this sub-genre being strangely thriving this past year.  I am of course referring to Darren Aronofsky’s sublime and surprisingly moving and beautiful Noah, and most certainly not Ridley Scott’s, by all accounts, insipid Exodus: Gods And Kings.  Fortunately, in this instance, it seems that most of the public agreed and, although Exodus is still our new box office #1 by dint of being the first new wide release in two weeks, it reached that summit with only $24.5 million in ticket sales.  Noah, meanwhile and having to follow surprise hit Divergent, opened to $43 million.  VICTORY!!

In more good news, Chris Rock’s Top Five, which by most accounts I’ve heard is something really special, was an out-of-the-box success!  Playing at 979 theatres, with a full-on nationwide release coming soon, the film broke into the top five with wondrous ease, finishing in fourth with $7.2 million in ticket sales and a $7,000 per-screen average.  That’s $1.6 million more than Chris Rock’s last directing gig, 2007’s I Think I Love My Wife, opened with and that film had the luxury of almost double the number of screens that Top Five did!  So, not only did Top Five manage to send Chris Rock back on the interview circuit – seriously, I want him to keep making movies purely so he can keep going around giving interviews like this one and this one – it’s also apparently a really damn great movie and managed to make a fair bit of money!  DOUBLE VICTORY!!

Unfortunately, it’s not all good news, folks.  Paul Thomas Anderson’s adaptation of Inherent Vice was released in those five New York and Los Angeles art-house cinemas that all major awards season wannabes have to start off their life in if they want to taken seriously, apparently.  It managed $330,000, which sounds really great, and a per-screen average of $66,000, which is probably more than anybody working for this site or reading this article makes in a year.  But that’s also less than There Will Be Blood and The Master made opening weekends (per-screen in Blood’s case, overall and per-screen in Master’s case), so therefore Inherent Vice is a colossal failure of epic proportions that has ruined the careers of everyone involved.  Sorry Inherent Vice, thanks for trying!

In further limited release news, the Weinstein-backed The Imitation Game – so look for Benedict Cumberbatch to steal the Best Actor awards of whoever we’ve arbitrarily decided as a collective hive mind deserves it this year – continues to rake in the cash like Scrooge McDuck on a hot streak at the casino Blackjack table.  Expanding to 25 screens, the film took $875,000 this weekend for a per-screen average of $35,000, so look for it to crack the full list some point soon.  And finally, before we get down to business, we have Wild, which added 95 more screens this past weekend, cracked the Top 10 and allowed me to make a dreadful Hulk Hogan reference in the headline.  Yay films!


wpid-wp-1418666873280.jpeg

This Full List used to be a visionary, but has spent the past decade phoning it in with boring sh*tty spectacle pieces instead of anything decent.

Box Office Results: Friday 12th December 2014 – Sunday 14th December 2014

1] Exodus: Gods And Kings

$24,500,000 / NEW

Nope, can’t do it.  I can’t get over the fact that they cast white actors to play the roles of Middle East natives.  Especially since the good leads are lightly tanned, whilst the bad leads are made much darker in skin, and that the slaves are still people of colour.  I mean, sweet lord, how f*cking tone deaf do you have to be to not get that?!  We were raking The Last Airbender over the coals for trying to pull this sh*t back in 2010, and you thought that you were honestly going to get away with it now?!  Ridley Scott’s explanation doesn’t help matters, either, as all it does is remind us all of just how broken the Hollywood system is and… well, it’s not like casting recognisable names has helped much at the box office, has it?

2] The Hunger Games: Mockingjay, Part 1

$13,200,000 / $277,398,000

This is going to close around $750 million, I’d say.  It’s already at $611 million, it’ll pass The Hunger Games some point in the next week or two, and it shows no real signs of slowing down.  It’ll wrap up lower than Catching Fire’s $865 million worldwide, but it’s definitely going to be, in be within spitting distance of being, the biggest grossing film domestically of 2014 when all is wrapped up.  Does this mean we’re now done calling this a box office disappointment, even though it never was one to begin with?

3] Penguins Of Madagascar

$7,300,000 / $58,839,000

Well, sh*t.  At least I’ll be at the forefront of the “This movie was criminally overlooked at the box office!” brigade in a few years’ time!  Or more likely, considering how quickly we are to label things as underrated and “cult classics” and the like nowadays, two months’ time.

4] Top Five

$7,210,000 / NEW

March 20th.  March 20th.  What did I do to deserve withholding of this level, American film industry?  Huh?  Got a halfway acceptable answer you’d like to share with me or are you withholding that, too?  Look at you, getting off!

5] Big Hero 6

$6,145,000 / $185,325,000

You should see how quickly I sprint out of whatever screen I’m seeing new release movies in when the trailer for this comes on.  I refuse, I completely refuse, to have even one second of this film spoiled for me.  It’s a new Disney film, I am there.  You don’t need to throw jaw-dropping setpieces, trailer-ready quips, Fall Out Boy songs or anything else at me to get me in.  Just, “YO!  DISNEY PUTTING OUT NEW FILM!  IT’S CALLED [X], IT’S OUT [Y]!” and you have my attention.

6] Interstellar

$5,500,000 / $166,800,000

Next week is The Hobbit, so expect this to sink like a stone as Peter Jackson confiscates all of its IMAX screens.  Still, pretty good run, all things considered.  In fact, I find it strange that people keep insisting that the box office has been in a horrendous state of affairs this past year when, week in week out, I keep typing out Total Grosses that stretch into 9 figures for many films featured in this list…

7] Horrible Bosses 2

$4,630,000 / $43,601,000

I don’t really have anything to put here.  Here’s an It’s Always Sunny In Philadelphia clip instead.

8] Dumb And Dumber To

$2,757,000 / $82,117,000

This isn’t tracking particularly well overseas.  Still, I do find it rather comforting that the only people who were crying out for a Dumb And Dumber sequel 20 years later are apparently all contained on one mass of land.  Good to know the crazy is bottled up, kept from being spread, and not in control of anything particularly important.

9] The Theory Of Everything

$2,525,000 / $17,148,000

Adds 394 screens, to cross the 1,000 screen mark, makes less money than the week before.  Maybe this signals the upcoming slide out of my goddamn chart!  It’s all going to be OK, folks!  It’s all going to be OK.

10] Wild

$1,550,000 / $2,423,000

The Dissolve’s Tasha Robinson, following on from her piece this past Summer about The Trinity Effect (which I referenced in this week’s DreamWorks Retrospective entry, *plugplug*), wrote an excellent piece last Monday about how the new breed of genuinely strong female characters are those that are relatively weak.  You should go and read it.  Like, right now.  Don’t worry about missing anything, we’re done here for the week.

Dropped Out: Gone Girl, The Pyramid, Birdman

Callum Petch has the microphone but you can sing it as well!  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 5/12/14 – 7/12/14

Self-fulfilling prophecy comes true as nothing really makes money or switches places since nothing came out, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Well.  Hello, there.  Welcome to the Box Office Report, I guess.  How are you doing?  Not too bad?  That’s good to hear.  Call your parents recently?  See any movies this past weekend?  No?  Yeah, well, that’s you and everybody else, don’t fret.  Post-Thanksgiving weekend is a dead zone according to studios, so nobody ever releases anything that weekend.  Kind of a self-fulfilling prophecy, if you ask me, but that’s how it is.  Also means that nothing happened in the chart this week, which makes writing up this report rather pointless.  I, however, have nothing better to do, so let’s see what scraps we can work with instead, eh?

Ooh, there were two new releases this past weekend!  First off we have The Pyramid, a dreadful looking and barely marketed horror movie crapped out at the beginning of December because it’s not like there’s any better weekend for it.  Dumped into 589 screens to die a painful death, it did meh-y, raking in $1.3 million for ninth place and a $2,292 per-screen average.  Second off we have Wild, an adaptation of the memoir of the same name about a woman who did a solo 1,100 mile hike along the Pacific Coast Trail in order to better herself as a human being and deal with her traumatic life beforehand.  Notice how I didn’t make any jokes, there?  I am capable of compassion!  Anyways, opening on 21 screens, the Reese Witherspoon-starring, Nick Hornby-adapted, Jean-Marc Vallee-directed awards season contender managed a very great $630,000 and a per-screen average of $30,000.

In expanding news, The Imitation Game doubled its screens to 8 and managed another $402,000 for a per-screen average of $50,250.  The Homesman jumped up a good 104 screens to 154 total and banked a good $501,000 for the weekend, although its per-screen average was a decidedly not-good $3,253.  The Babadook, meanwhile, terrified 19 new screens, bringing its total up to 22 and a weekend haul of $66,600.  I will refrain from making the obvious hack joke to instead sadly inform you that the thing’s per-screen average is still only $3,027, which at least is slightly more than The Pyramid’s if nothing else.

And… yeah, that’s about it.  Everything else that’s worth mentioning is located in the Top 10 and I don’t much fancy blowing my material all early.  Also, Penguins Of Madagascar collapsed 56% between weekends and is now pretty much guaranteed not to cross $100 million.  That is really bad news for both DreamWorks as a whole – Christ, even Mr. Peabody & Sherman crossed $100 mil domestic and that was their lowest non-Antz CG earner ever – and for the movie – which is one of the absolute best animated films released this year.  For f*ckssake, America, can’t you at least try making decent animated movies successful!?  If this ends up finishing lower than The Nut Job domestically, then I am going to take out a vendetta on the lot of you.  First The Boxtrolls, then The Book Of Life, now this!  When will the bad public film-skipping choices end?!


the pyramid

This Full List…  Nope, I got no particularly great puns for this week.  Such is the state of the chart.  Let’s just get on with it.

Box Office Results: Friday 5th December 2014 – Sunday 7th December 2014

1] The Hunger Games: Mockingjay, Part 1

$21,600,000 / $257,700,000

I have actually had a desire to go and see this again recently.  A real full-on, “I should find time to go and see this again” desire.  Consider me completely amazed at this development.  Of course, I’m not sure how much of that is just down to that “Hanging Tree” song randomly worming its way into my brain at every opportunity, but it’s there none the less.  I’m referring to both the desire and the song.  “Are you, are you…”

2] Penguins Of Madagascar

$11,100,000 / $49,591,000

Saw it first thing on Friday, finished the review the same day, was posted on Saturday, obviously.  I loved this movie and need to find the time to go and see it again.  Seriously, I haven’t had this much pure fun in a cinema since Lucy, which doesn’t sound like that long but one needs to remember that fun has been in rather short supply this past year in film, so a film that is pure fun is going to get a very high grade from yours truly.  Also, my heart went all fuzzy and warm whenever something nice happened to Private and I liked that feeling.

3] Horrible Bosses 2

$8,600,000 / $36,075,000

A pretty strong hold – only a 44% drop – which doesn’t sound too bad until one remembers that the film opened to $15 million and that this thing will be very lucky if it crosses $60 million.  Ah, well, least everybody realised they could just stay home and watch It’s Always Sunny In Philadelphia on Netflix instead!  I call that a win!

4] Big Hero 6

$8,130,000 / $177,548,000

My local Cineworld now has a big inflatable Baymax stood up in some out-of-reach corner of the lobby to advertise this film and it is so freakin’ adorable!  I just want to take it home with me, install it in the corner of my uni apartment and give it hugs whenever I feel close to down!

5] Interstellar

$8,000,000 / $158,657,000

It’s within spitting distance of $600 mil overall, with China and South Korea going wild for the thing, so I think it’s safe to say that Christopher Nolan’s box office rep isn’t going to take that big of a hit after this is all said and done.  Weirdly, in real life, most everybody I’ve talked to loves the heck out of this movie and my “Eeeehhhh” keeps getting misconstrued as pure outright hate for the thing.  It’s weird, what did I not get when I saw the film?

6] Dumb And Dumber To

$4,169,000 / $78,081,000

Only one more weekend left to go until I get to join in with everyone’s strangely high disappointment to this thing!  I mean, it’s a 20 years’ late sequel to a comedy film, The Farrelly Brothers haven’t made anything worthwhile in over a decade, Peter Farrelly helped mastermind Movie 43… and you actually thought this was going to be good?  That’s just wilful ignorance, is what that is.

7] The Theory Of Everything

$2,688,000 / $13,613,000

…  …  …  …  …  That’s how little I care about this thing.

8] Gone Girl

$1,500,000 / $162,861,000

If you had told me back in September that Gone Girl would be one of the year’s most successful films financially and would even make it to double digits on the “Weeks In The Top 10” counter, I genuinely would not have believed you.  Yet, that is the world we live in because sometimes, just sometimes, good and just things occur.  If it makes it to 11 weeks, I will be utterly astounded but I don’t think it will.  Thanks for everything, Gone Girl!  Sorry about Life Itself stealing the “My Favourite Film Of The Year” title from you!

9] The Pyramid

$1,350,000 / NEW

Well, that looks like yet another indistinguishable crappy horror movie crapped out for a quick buck!  Guess we’ll just mov…  wait…  is that James Buckley?!  Is that…  no!  No!  Jay from The Inbetweeners is not in this thing!  He can’t be!  He jus…  WHAT?!

10] Birdman

$1,150,000 / $18,919,000

It’s going to be between this and Boyhood for all Best Picture awards this season, isn’t it?  Brilliant.  I look forward to seeing Birdman, disliking it immensely and therefore just not giving a shit about all award bodies this coming January and February!  I kid, of course; I really want Birdman to be good and I’ve got a good feeling about it!  I just really, really, really, really dislike Boyhood and the fact that it’s guaranteed all of the awards forever irritates the living hell out of me.  I really want to be proven wrong on this, but we all know what award bodies are like.

Dropped Out: St. Vincent (which was fantastic, by the by)

Callum Petch (*crushing guitar riff*).  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!

US Box Office Report: 28/11/14 – 30/11/14

Mockingjay insults the rest of the chart, Penguins Of Madagascar smile and wave goodbye to a lot of money, nobody particularly like Horrible Bosses now, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

This past weekend, Americans were witness to a dystopian future.  One with barely restrained tensions, majorly unfair financial differences, and a complete lack of fairness and generosity.  These disparate groups would congregate under one roof to try and make it through proceedings in a civilised fashion, until one side insulted Peeta at which point all bets were off.  Proceedings were violent, conflicts escalated, both sides exited wondering who had really won that round, filled with feelings of unsatisfaction, like the resolution had been postponed for another year or something.  But enough about Thanksgiving with your family.  At the box office, much like my joke construction, The Hunger Games repeated its Thanksgiving first place status to diminishing returns with Mockingjay, Part 1 taking home $56 million this year.  Expect history to repeat itself next year and for me to basically copy-paste this dreadfully unfunny paragraph again in the hopes that you won’t notice.

It’s not like Mockingjay, Part 1 had much in the way of competition, though.  Continuing an absolutely dismal year for DreamWorks Animation, Penguins Of Madagascar decidedly underwhelmed in its opening weekend.  Even with the 5-Day Thanksgiving bump, it could only manage $36 million.  Without it, that’s $25 million over the weekend which, for a spin-off of one of the few remaining cash-cows that DreamWorks has and as promoted to hell and back as this film has been, is dismal.  The one saving grace for the film is that Annie and Night At The Museum 3 aren’t out for another 3 weeks, so there’s still a chance that it can make up some of that cash before it gets dogpiled.  I’m sorry, you were expecting snark?  Nope, no snark here, this news genuinely bums me out and has me majorly worried considering the position DreamWorks is in right now.

Still, could be worse.  You could be Horrible Bosses 2.  Yes, the widely-trashed comedy sequel that quite literally nobody was ever asking for didn’t do so hot.  Over the five-day weekend, it barely reached $23 million and over three days it could only make $15.7 million for fifth place.  Yeah, safe to say we are all being spared from Horrible Bosses 3: The Final Chapter, Part 1.  What we are unfortunately not being spared from, however, is The Theory Of Everything which went nationwide this past weekend and managed to bank $5 million from 800-odd screens.  If Eddie Redmayne takes the Best Actor Oscar from Dan Stevens in The Guest (or Jake Gyllenhaal in Nightcrawler), then tables will be flipped.  Just warning you Academy; you don’t want no part of this shit.

In more limited release news, The Imitation Game finally reached American shores this weekend and the typical Weinstein push ensured a very solid opening.  $482,000 from 4 screens for a per-screen average of $120,500, putting it only behind The Grand Budapest Hotel in Best Limited Release Openings of 2014, is most definitely more than “very solid”.  One can only imagine how the latter film would have done if it had a legion of Benedict Cumberbatch fangirls and fanboys filling the back rows with their…  Yeah, OK, I’m just going to move on.  Foxcatcher added another 48 theatres to its run and broke past $1 million, meaning we should see it in the Top 10 soon enough.  The Babadook, meanwhile, finally got a release in America and it did OK: $27,000 from 3 theatres for a per-screen average of You Do The Math.  In other words, it’s The Guest all over again.  Goddammit.


hunger games

This Full List is gonna take ya riiii-ght in-to the DANGER ZONE!!

Box Office Results: Friday 28th November 2014 – Sunday 30th November 2014

1] The Hunger Games: Mockingjay, Part 1

$56,875,000 / $225,693,000

Have you heard the CHVRCHES track from the Mockingjay, Part 1 soundtrack, yet?  If not, go do so immediately!  It is SO GOOD!  Like, “this could’ve gone on their debut album” good, and The Bones Of What You Believe is a bloody damn good album!  In fact, from what I’ve experienced of the soundtracks to all three films so far, everybody brings their A-game when they’re called upon for a track.  Nobody coasts.  I love that about them.  Think it’s time I took the plunge and bought the lot.

2] Penguins Of Madagascar

$25,800,000 / $36,000,000 / NEW

Friday.  It’s out here Friday, I am seeing it first thing Friday, I will not go to bed that day until there is a review ready to run on Saturday.  I’m genuinely really excited for this.  In the meanwhile, the DreamWorks! A Retrospective archive is here.  Go amuse yourself and make me feel like I haven’t wasted 5 months of my life.

3] Big Hero 6

$18,770,000 / $167,209,000

Only a 7% drop between weekends, which is pretty darn astou-WHY IS THIS MOVIE NOT IN FRONT OF MY EYEBALLS RIGHT NOW?!!  IT’S NOT FAIR!!  (*proceeds to have a mini-breakdown*)

4] Interstellar

$15,800,000 / $147,090,000

I would really like to go and see this again on the big screen for a second try, especially since I’m still not 100% solid on my opinions on it.  However, six films are coming out this week in the UK and I have way too much work to do to find time to see it again.  Plus, I have to give up a good 15 hours of my life to The Lord Of The Rings and The Hobbit in the next 11 days.  I genuinely don’t have the time.

5] Horrible Bosses 2

$15,700,000 / $23,010,000 / NEW

Saw it on Friday and I’ll see if I can find time to get a review out – I’m currently working on one for Paddington in between essay work, DreamWorks work, other articles, and social commitments so this will more than likely fall by the wayside – but the skinny is this: I laughed a good consistent amount, but it is still an utterly pointless sequel and it drops the ball and crosses the line on the Julia stuff spectacularly.  Think of it as the American equivalent of The Inbetweeners 2 and you’re about there.  If you have nothing better to do or just want to get some easy laughs for 100-odd minutes, this is fine but it’s still ultimately pointless.

6] Dumb And Dumber To

$8,295,000 / $72,205,000

So… Jim Carrey’s not making a full-on box office comeback, is he?  (*dejected sigh*)

7] The Theory Of Everything

$5,082,000 / $9,604,000

Still refuse to believe that this is anything other than dreadfully mediocre slop.  Still can’t be proven right or wrong until New Year’s Day.  Still going to bitch and moan about its existence until then.

8] Gone Girl

$2,470,000 / $160,557,000

I was going to say that we must bid adieu to Gone Girl, but then I looked at the release schedule for next week and saw that nothing at all is coming out.  Wild is only in 5 theatres, and The Pyramid is being sent to die on 550 screens, like Fox have been reading the signs with regards to Horror films at the box office this past year or something.  So, we’ve got one more week before this inexplicably long-lasting flick finally drops out.  Seriously, I love this film to death and I have absolutely no idea how it has managed to make over $330 million worldwide.

9] Birdman

$1,880,000 / $17,237,400

“Dayman, AAAHHHHH!!  Fighter of the Nightman!  AAAHHHH!!  Champion of the sun!  AAAHHHH!!  You’re a master of karate and friendship for everyone, Dayman!”

10] St. Vincent

$1,773,000 / $39,327,000

So maybe it won’t have the courtesy to stick around for its UK release after all.  That sounds very much like Bill Murray.  Always leaving the parties that he crashes before I have the chance to book the plane ticket to take me there!  That prankster!  Of course, this joke only works if I actually went to parties and nobody ever invites me to theirs because I’m… I’m… (*breaks down sobbing*)

Dropped Out: Beyond The Lights, Fury

Callum Petch will hold up to an idea.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!