“In hell, everybody loves popcorn.”
And so begins day four. Sadly, my last day at the festival. I don’t care if it’s the London Film or Download, as is the way with all festivals, the last day means a sea of tired bodies, struggling to get to the first act of the day, let alone make it to the end. And the bogs fucking reek!
That aside, this is an interesting day. Besides the evening’s closer, I don’t know anything about any of these films. I’m going in completely blind and hoping for a surprise or two. So for the last time this year, won’t you come join me?
“Come outside. There’s nowhere to hide.”
Hopefully not starting the day as we mean to go on, the UK premiere of Downhill promised us that “Evil Awaits”. Unfortunately, the only thing that awaited the audience in the Horror Channel screen was a mosh-mash of genres that didn’t seem to be able to decide what it wanted to be.
Set up like a scary stuff in the woods flick, we are forced to watch an awful lot of GoPro footage of bikes on dirt tracks before our main characters, a pair of bike racers, stumble across a man in a jeep bleeding. Insanity ensues as we are treated to a dude with a weird infection that seems to be zombifying him, a bizarre cult, completely unexplained bags of meat hanging from trees and a bunch of hunters that, although the film is set in South America, suddenly seem to have menacing south London accents. Oh yeah, and there’s angry people having angry sex around confused and angry looking goats. For fuck’s sake.
A couple of half decent tense scenes can’t rescue this pretty bland mess of a film.
Johnny Frank Garrett’s Last Word
“Maybe God shouldn’t have played God.”
Upping the quality for the second film of the day. Red, White and Blue director Simon Rumley takes on an eerie true story of a convicted rapist and murderer who to his last breath pronounced his innocence and cursed everyone involved in his death sentence.
This genuinely chilling story of a ghost exacting his revenge from beyond the grave isn’t just a great horror film, but it’s a magnifying glass on some very real issues that affect the United States to this day. As our characters start dropping like flies and begin investigating the situation they find themselves in, it asks a lot of questions about the finality of capital punishment.
A great story, some very scary and chilling scenes that will leave you with goosebumps. An excellent film.
“Are you sure you’re cut out for this?”
Martyrs‘ Morjana Alaoui stars in the latest world premiere of the day. This psychological horror takes a slightly slower pace for the day and sees two main characters fighting disabilities in their own way.
One man, a tetraplegic former rock star, bound to a wheel chair for life is fighting with the day-to-day horrors of not being able to live his life. Having all of his freedom taken away has become his own personal hell. Fighting his present and future, he needs help 24/7. That help comes from an agency carer who is fighting the demons of her past that just won’t let her be. Together the pair struggle with each others differences as the film culminates in a bloody mess of inevitability.
A great film that’s going to be playing on my mind for some time.
“I was able to live, because I chose to die.”
Ok, so the guys really pulled one out of left field for this. Being a horror film festival, I expected even films labelled as sci-fi to have a scary element to them. After all, Alien and Event Horizon sit firmly in both genres. But nothing like that here.
A conventional sci-fi flick, Realive is a futuristic Frankenstein story with healthy doses of films like Moon added in for good effect. A decent outing, it’s the story of a man brought back to life in the 22nd century after freezing himself Walt Disney-style in the early 21st. An interesting premise for a film as we watch the newly resurrected Marc Jarvis essentially go from being a newborn to a fully fledged adult in a matter of months. Quickly learning to ask questions about where he’s from and why he’s here, the answers he find really aren’t the ones he wanted to hear.
Probably the biggest budget film of the day, but not really the right setting for its European Premiere.
“Murder school. Is now in session.”
Rob Zombies latest exploitation, grindhouse, hillbilly horror has finally hit these shores. The film that I came to FrightFest for has finally come around.
It’s just another Zombie film. He doesn’t do anything new or original, but those that came to this party know the dance – and that dance is exactly why I’m here. The seventies-set film about a family of carnies grabbed on the roadside and thrown into a deadly maze where nasty people with nasty names like Sexhead and Deathhead are coming at you with some really fucking dodgy weapons. I mean, there’s a Nazi clown midget who speaks Spanish. Need I say more?
Crazy deaths, a mental soundtrack – whether album or scoring, I love listening to Rob Zombie and John 5 working together – and an hour and forty minutes of carnage. I loved every blood soaked second of it.
And so ends FrightFest 2016
That’s it for my first FrightFest. And that’s it for your first FrightFest with me. Tomorrow actually sees the festival end and the booze addled shut in begin. With films like Found Footage 3D and Train to Bursan headlining the screens, it’s sure to be a good one.
Sadly though, this is my last day here. But it’s been a blast. Great films, shit films and a ton of cool people. I genuinely can’t and won’t ask for more than that. I’ll definitely be back next year. I will probably put together a bit of a round up in the next few days after I’ve scoured VOD for a few films I missed; but until then, it’s another day where I’m getting home at stupid o’clock in the morning. I need my bed guys.