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Owen’s 2015 in Film: Part 10 – The Revenge of the Horrorble Month

Another month, another article as Owen’s ‘year in review’ series continues. On to October and Owen reviews a selection of the horror films that he’s been watching. As with each of the previous articles in the series, the month will be broken down by week, with a review of one arbitrarily chosen film seen during each period.

by Owen Hughes (@ohughes86)

lovecraft-from-beyond-1986-dThis time last year is where the idea of recording a whole month’s worth of movies began. I set myself the task of proving to myself that I could watch a horror film every single day during October 2014 in the build up to Halloween – and somehow managed to succeed. I dubbed it my Horrorble Month (geddit?!)

Once again, I thought that given how the inspiration for this year-long series started, I owed it to myself to give this experiment another crack.

It was made doubly difficult considering the change in personal circumstances. You know. Entering full time study for the first time since I was 15 years old, back in 2002. I spent a lot of time and energy on trying to work out how much spare time I had, never mind thinking about how to watch at least 31 different horror films. Between all the normal duties I had, like keeping a house from falling to pieces, spending time with my wife and running this website and podcast, I had to prioritise fitting in time to find a part time job (tick), get to grips with my course content (tick) and complete assignments at home (tick).

Needless to say, this month more than any, it has been a heck of a trial.

Nevertheless, I seem to have pulled it off. The trick, apparently, is to simply watch the shortest films you can get your hands on! Especially on those days where you have to spend time watching other movies for the podcast, like new releases and bloody Columbo TV episodes.

Anyway, here’s how the Revenge of the Horrorble Month turned out…


Week 1: Thursday 1 – Sunday 4 October 2015

Thursday – The Package (2015), Dagon (2001); Friday – Children Shouldn’t Play With Dead Things (1972), Shine (1996); Saturday – CREATURE FROM THE BLACK LAGOON (1954); Sunday – The Oblong Box (1969)

creature-from-black-lagoon-swim-aThere were a couple of things that I managed to do during the last Horrorble Month. One of those things was finish off a boxset of 1950’s sci-fi movies that I had. Most of them were actually pretty good, but amongst the best was Universal’s Creature from the Black Lagoon, directed by the iconic Jack Arnold. As a sort of tribute to these discoveries, I decided to revisit it to make sure it was still as entertaining as I remembered. Short answer: Of course it was. From the cast of men all sucking in their bellies when they’re standing around on set in their swimming shorts, to the impressive costume design on Gill-Man, it’s a short but sweet creature feature that’s got a lot more subtlety to it than you might expect.


Week 2: Monday 5 – Sunday 11 October 2015

Monday – The Raven (1963), Macbeth (2015); Tuesday – Tales of Terror (1962); Wednesday – Anchorman: The Legend of Ron Burgundy (2004), 28 Days Later (2001); Thursday – Day of the Dead (1985); Friday – Fright Night (2011); Saturday – The Pyramid (2014); Sunday – The Walk (2015), BLACK CHRISTMAS (1974)

Black-Christmas-2006-1Much like how fans and pundits talk about statistics for the top flight of English football by ignoring everything that happened prior to the inception of the Premier League in the early 1990’s, so too do slasher-films often get short-shrift if they were made prior to John Carpenter’s redefining foray into the sub-genre with 1978’s Halloween. Of course, most slasher fans are aware of the likes of Peeping Tom and Psycho in the 60’s, and the wave of giallo movies out of Europe by Mario Bava, Dario Argento, Lucio Fulci and so on. But in most people’s minds back then, slasher was synonymous with exploitation. It took until that stretched William Shatner mask first graced our screens for the genre to be taken seriously by the majority. However, there were one or two others that were often held aloft by critics and movie-goers – usually in hindsight after a poor initial box office run. One of those was Bob Clark’s festive-horror, Black Christmas, about a group of sorority girls who receive threatening phone calls and are eventually the subject of a series of murders. In never seeing, only ever hearing the stalker, it’s the complete opposite effect of Halloween – and yet it still manages to have as much tension and suspense. Whilst I would be exaggerating to say it matches up to Carpenter’s classic on a similar level, it’s still worth watching and definitely deserves its place in history as one of the best pre-Halloween slashers.


Week 3: Monday 12 – Sunday 18 October 2015

Monday – Night of the Living Dead (1968), Suffragette (2015); Tuesday – Grabbers (2012); Wednesday – The Haunted Palace (1963); Thursday – VIDEODROME (1983), Re-Animator (1985); Friday – Late Phases (2014), Beasts of No Nation (2015); Saturday – Masque of the Red Death (1964), Inside Out (2015); Sunday – Zombie Flesh Eaters (1979)

videodromeI definitely talked about David Cronenberg’s Videodrome on the podcast recently, but for the benefit of those who are hearing impaired, I guess… It follows the President of a controversial Canadian television network (James Woods) who unwittingly becomes the target of a conspiracy after discovering a series of snuff films with subliminal hallucinogenic side effects. Cronenberg, particularly through the 70’s and 80’s, picked up a certain reputation, but Videodrome is not just another body-horror. The Wikipedia page actually describes it as a Canadian neo-noir postmodernist science fiction body horror/psychological horror – if you can get your head around that. But don’t worry. There’s still some sexually explicit violence, insanely complex mysteries to unravel and some ambitious attempts to contort and distort reality through the use of various practical (and impractical!) effects. I really need to get a hold of the DVD again to give it another watch. I liked it a lot, but it gives the impression things improve even further a second time around.


Week 4: Monday 19 – Sunday 25 October 2015

Monday – Night of the Comet (1984), The Beast Within (1982), Dead Cert (2010); Tuesday – Let’s Scare Jessica To Death (1971); Wednesday – FROM BEYOND (1986); Thursday – Ghosts of Mars (2001); Friday – Thinner (1996); Saturday – Bad Grandpa (2013), Horns (2013), I Know What You Did Last Summer (1997); Sunday – From Dusk Til Dawn 3: The Hangman’s Daughter (1999)

frombeyondI actually watched From Beyond for the first time in September this year, but enjoyed it so much that I had to re-watch it again during my Horrorble Month. It is genuinely brilliant. From the concept of a scientist using frequency resonators to see all the creatures that live in another dimension, but that we share space with all of the time, to its beautifully disgusting visuals, I loved every element of it. The first hour or so of the plot is compelling and frantically paced, which doesn’t really change or develop in the latter part, but is still just as entertaining in a different kind of way. Jeffrey Combs, Ken Foree, Barbara Crampton and Ted Sorel are extremely good value. It’s blackly comic but with a really terrifying concept behind it. From Beyond is one of my favourite discoveries of the year so far. Much like how Roger Corman and Vincent Price’s adaptations of Poe were in 2014, I think 2015 might properly be the year I delve deeper into the world of HP Lovecraft movies.


Week 5: Monday 26 – Saturday 31 October 2015

Monday – Trick ‘r Treat (2007), SPECTRE (2015); Tuesday – Tales from the Darkside (1990); Wednesday – Fargo (1996), The Prophecy (1995); Thursday – PARANORMAL ACTIVITY: THE GHOST DIMENSION (2015); Friday – Child’s Play 2 (1990); Saturday – The Crazies (2010), Dawn of the Dead (2004), What We Do In The Shadows (2014), Fright Night (2011), Oldboy (2003)

la-et-mn-paranormal-activity-the-ghost-dimension-trailer-teases-the-end-20150624Halloween this year was a lot of fun. I spent the whole day exposing my youngest brother (18) to a host of horror films he hadn’t seen before. He came over a few years back now and I scared him to death with The Blair Witch Project and the original Paranormal Activity. It seemed only reasonable that I picked slightly more fun movies this time around. All the same, I am still a big fan of the Paranormal Activity films in general. I think found-footage still needs people to stand up for it with far too many prepared to write off a film without giving it a chance if it’s been made in that particular style. The latest – and quite possibly last – film in the series, The Ghost Dimension, once again sends us back into the world of Katie, Kristi and their invisible friend Tobi. Only this time, more than any other, we’re able to see more of the demon haunting another household thanks to a special kind of ghoul-capturing camera. It’s actually not a bad film, but is troubled by one crucial issue. It’s not scary. That’s a pretty big problem right there. But then again, which of the PA films have actually been scary? The first two? Maybe the third? The atmosphere and sheer creepiness of the original is what makes it unnerving, whereas the rest have relied on inflicting diversionary jump scares on the audience. Ghost Dimension is no different. However, it does compensate by rapidly increasing background on the families involved in this series of hauntings and wraps things up to a standard that I’m fairly satisfied with. Let’s not forget, there are six movies in this franchise. SIX. That’s a lot to try and keep a consistent standard throughout. I know they have their detractors, but I’m not one of them. I will be back at some point in the future, no doubt, to attempt a marathon viewing of all of the Paranormal Activity films and I’ll enjoy seeing the story play out in full.


And that’s it! I’m done. That’s a wrap and my second ever Horrorble Month is over. You can expect me back around about the same time next month to look back on the movies I’ve been watching throughout November. I can tell you already: It’s a much lower number. If you’ve any comments on this article or if you simply disagree with some of my choices – or if you want to chat to me about any of the other movies I’ve listed above – leave a comment in the box below and I promise to get back to you!

Failed Critics Podcast: The Intern, The Martian & Sicario

sicario 1Hello and welcome to this week’s Failed Critics Podcast, released slightly earlier than usual to try and push it out just before the end of International Podcast today (that’s today for the next couple of minutes, anyway!) As such, we recommend you check out our fellow podcast comrades Wikishuffle, Black Hole Cinema and Diamond & Human; all of whom are deserving of your time during your commute or whilst peeling the spuds, or whatever you do whilst you’re listening to us.

Joining Mexican assassin Steve Norman and intergalactic failed critic Owen Hughes for this week’s episode is Andrew Brooker, undertaking his unpaid work placement, as they review three new releases. They’re so new, in fact, that they are not even out in the UK yet! First up, Owen reviews new Ridley Scott sci-fi The Martian (which doesn’t feature any aliens – xenomorphs or otherwise) before Brooker seethes over the new Anne Hathaway / Robert De Niro comedy The Intern. There’s even room for a review of the much anticipated crime-thriller Sicario, starring Emily Blunt as an FBI agent working with Josh Brolin and Benicio Del Toro on the trail of the Cartel in Mexico.

Before any of that though we have our quiz (which Steve helpfully explains in detail) and news section where the team react to Sam Smith’s Bond theme replete with improv poetry, The Simpsons opening Smithers closet, and the Prometheus sequel details. This is followed by our usual what we’ve been watching section, which sees: Owen review cult 80’s horror From Beyond as he pleads for your HP Lovecraft recommendations; Steve runs through three first watches of Beverly Hills Cop, Cooties and Cop Car; and Brooker reminds himself of a time when De Niro could do comedy well with Analyze This.

Join us again next week as we review ‘the Scottish play’, Macbeth, and have a very special guest in tow for our Scottish triple bill: It’s the acclaimed author of the Three Realistic Holes trilogy of novels, Escobar Walker!

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