“You have to choose. Are you going to be a victim?”
So it seems my hopeful search for a great thriller in 2016 is over. The last of the high profile cinematic rollercoasters has hit the screens and now we must prepare ourselves of the onslaught of Christmas ensemble movies that are incoming.
Luckily, whilst most of this year’s thrillers have barely been able to hit average in my books – only really thrilling in the same way that paying £15 for a ticket to the latest churned out Halloween nonsense can be called horrifying – The Accountant at least has a decent stab at dragging us to the edges of our seats. And while it isn’t always successful in its endeavours, it’s a damn sight better than a lot of its recent competition.
Ben Affleck is Christian Wolff, a man who has grown up with a few factors that decided his fate early on. First, he suffers from what appears to be Asperger’s Syndrome; an inability to communicate with the majority of the world, as well as a few other telling issues that we get to see as the film goes on. Christian has a difficult life ahead of him. A life made worse by point number two: Left with his tough-as-nails military father after his mother decides she can’t cope and leaves, Wolff’s traumatic childhood is made harder when his old man tries to teach him about the world his own way.
Fast forward a few decades and Wolff has made the very best of his situation. He’s become an accountant with the uncanny ability to unravel even the most complicated books around. This makes him an invaluable asset to everyone from the locals doing their returns, to crime bosses looking for skimmed cash. When a run-of-the-mill job for a corporation uncovers more than it should have, Wolff and the company accountant Dana (Anna Kendrick) find themselves on the receiving end of an awful lot of guns-for-hire looking to take them out. All the while, he’s being investigated by a treasury agent (the always splendid JK Simmons) with a bit of a thing against our main character.
The Accountant is another one of these films that no one seems to know how to market. Delayed to let the market react to Batfleck earlier this year, it’s advertised as this strange action thriller hybrid and doesn’t really fully check either of those boxes. But whilst most of what I want to say about the film is complimentary, it doesn’t feel like it when I say that it’s played out better than most of its ilk this year.
But I do want to be positive and complimentary. There’s plenty of good stuff to say about The Accountant. For starters, Affleck’s portrayal of Wolff and his issues is nothing short of brilliant. The film goes to some considerable length to not name our main character’s affliction, yet Affleck does a wonderful job of convincing us that, even as an adult, he has issues leaving work unfinished or maintaining eye contact; all tell tale signs of his lifelong struggle with his condition.
Likewise, the way the film makes you feel hatred for Wolff’s father for the way he treats his son is beautifully offset when you realise that the accountant has essentially used his upbringing to turn what would possibly cripple some into something close to a superpower. When you see that Christian is really an accountant/lethal killing machine, you are almost impressed by what his old man did, whether or not it was cruel at the time.
With a superb cast supporting him, Affleck really does shine in his role, as do Simmons and Kendrick, with John Lithgow and John Bernthal doing a decent job bringing up the rear. Although, with such a cast, you may end up (as I did) wanting just a little more from the guys we got on screen.
And that’s something that can be said about a lot of the film. You’re left wanting just a bit more, and a bit more, and a bit more. Director Gavin O’Connor – the man behind films like Pride and Glory and Warrior, (favourites of mine) – seems to lose his way in the middle of his two hour math-a-thon. Our introduction to Christian Wolff goes very well, and the flashbacks to his childhood are interesting. I’m enthralled once the final act begins and we get to see Wolff the super killing machine, but the middle, say, thirty minutes, seem to sag. Not knowing how to push the story forward and get us to the reveal we all knew was coming, it just seems to stutter a bit trying to get to its last section. A real shame for a film with so much going for it.
But don’t be disheartened. I thoroughly enjoyed The Accountant. I just wanted it to be ever so slightly tighter than it turned out to be.