Tag Archives: jurassic world

Time to Quit Those Spoiler-Filled Trailers

Unironic warning: there are some minor spoilers in this article for the following films:  Jurassic World, Terminator Genisys, X-Men: Apocalypse.

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Time to Quit Those Spoiler-Filled Trailers, Or: How studios are trying desperately to make it so that we don’t need to go to the movies anymore

Directors, producers, studios: we need to talk. I’ve had about enough of forcing myself to avoid your marketing because you are intent on spoiling the entire damn film, sometimes months before we’ve even been given the chance to see the bloody thing.

Over the last 18 months or so, I’ve lost count of the amount of times where I’ve gone into a movie knowing not just the plot and some of the best bits of dialogue, but I’ve actually known the mid-film twist, or the big action sequence that’s supposed to be a surprise. All sense of awe has selfishly been taken away from me.

I go to the cinema to be amazed, to escape the day-to-day shittiness of having to go to work and to give me an excuse to babble on about films. Whether that’s with my mates, or in one of those many reviews I’m allowed to keep writing here.

What I don’t go to the flicks to do, is to watch the gaps in between the plot points and spoilers that I’ve already seen in your bloody trailers and TV spots.

So, of course, from here on in there will be spoilers. Mostly of older films, but I will telegraph them all and hopefully give you the opportunity to skip those you want to.

There are definitely degrees of spoiled bits, I reckon. There’s that key moment in last year’s Jurassic World where Chris Pratt’s main character, Owen, has his little bad ass moment. Zipping through the jungle growth on a bike followed by a herd of dinosaurs; that should be this amazing, awe inspiring moment. But we all knew it was coming. It was in the damn ads.

From the first reveal, to the final trailer: we saw Owen “taming” these animals one second and running with them like Mowgli and the wolves the next. But this ain’t that bad…. OK, it is. But it’s one action scene in a two hour film full of them. It’s almost understandable that you’d need to show something to whet the audiences’ appetite. There are plenty of other scenes you could have used, but whatever.

It’s nothing – and I mean nothing – compared to the now infamous Terminator: Genisys trailers. An average-at-best film (on a good day) needed a good marketing campaign to get people excited for it. After Salvation, no one wanted this pointless half reboot, and a great trailer campaign would’ve got you some serious hype.

Instead, the imbeciles whose only job was to sell me the movie decided to put the film’s defining moment, its big twist, in the god damn trailer. And here’s where my biggest issue with these bloody trailers lies – I can’t avoid them! I was staring at a screen the size of the barn when someone revealed that John Connor was a poxy Terminator!

So many films have fallen foul of this egregious marketing bullshit. Recently, X-Men: Apocalypse had Quicksilver’s family tree and a super-clawed cameo thrown directly into the faces of film goers in its final trailer The latter of which was revealed in TV spots during the ad breaks for any show on after 6pm.

Imagine trying to avoid spoilers for your next big film, only for it to be ruined because you had the audacity to be watching Coronation Street!

Southpaw gave away a vital plot point/character death in its initial trailer. Star Trek Beyond not only gave away massive plot points in its final trailer, but ruined what should have been a head nodding “awwwwww SHIT!” moment from the first reveal trailer. One of those Twitter buddies I hold so dear even had a spoileriffic trailer for The Huntsman: Winter’s War played to him in the trailer segment just before the Snow White sequel was due to be played.

I know it’s not a new phenomenon, I do. I know that as long as trailers have been a thing, they’ve been spoiling what they’ve been advertising, but surely it’s time for something to be done. As I write this, I’m furious (and deeply thankful) that another Twitter acquaintance warned me off of the latest Suicide Squad trailer as it reveals a load of act three spoilers! What the fuck, Warner Brothers?

It’s time these idiots leaned how to market their films. Recently, 10 Cloverfield Lane managed to get the world flocking to see it, even after it looked like a sequel to a mediocre film that no one really asked for.  Marketed perfectly, we all went in clear-headed with no idea what we were letting ourselves in for. And made an excellent film from it, too.

Or you can go the other way. You can pound us with never-ending ads, trailers and TV spots if you want. Why not? Deadpool did it. But its genius is in the fact that after trailer one, we got no new footage shown to us. A load of new stuff made especially for its campaign kept the jokes coming in at ten to the dozen, without killing the comedic payoff once the film actually came out.

Just take a look at what Adam Wingard did last week. He got us all super excited for his amazing looking, insanely creepy The Woods. Then went and revealed that it’s actually a Blair Witch sequel! He managed to grab a franchise many didn’t care for and as many had forgotten – myself included – and made me all kinds of excited for it. I guarantee that trailer has barely scratched the surface of what we see when the film hits!

Come on guys, you can do so much better. Some of the greatest, most memorable films that stuck with us came with stellar marketing campaigns too. There’s no need to explain the film’s plot, beat-by-beat. or reveal twists and show all the best bits in the 2-4 minutes you get to advertise your film.

Ask absolutely anyone. Blowing your load early like that is never pretty and people don’t come back for more.

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US Box Office Report: 07/08/15 – 09/08/15

The Fantastic 4 are dead, audiences tentatively accept The Gift, Ricki and the Flash got booed off-stage, motherfuckers didn’t go and see Shaun the Sheep Movie, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

We’re probably never going to get another Fantastic 4 movie again.  Not only is the one that was dropped into theatres this past weekend a complete steaming abomination, so venomously destroyed by critics it makes Paul Blart: Mall Cop 2 look like Schindler’s List, and dogged by so many rumours of troubled and failed production that the thing more resembled a turd that is being swarmed by hungry flies – hope you’re enjoying your breakfast this morning – even the public wanted nothing to do with it.  Most stayed away, smelling a stinker, and even those $26 million worth of people who chose to brave the cinema anyway despised it, giving it an atrocious C- Cinemascore.  This franchise is done.  Even if Marvel get their toys back, it’s done.  There is no coming back from a bomb like this, the brand has been tainted irreparably, it is done.

So, whilst 20th Century Fox was dragging Marvel’s original super-team through the mud one more time out of seemingly nothing more than spite, Joel Edgerton was making his directorial debut with the surprisingly great The Gift.  Having been promised a horror/thriller in the vein of producer Jason Blum’s other works – namely: Damn Near Every Single Horror Movie of the Last 3 Years – audiences arrived in a somewhat healthy amount and were instead presented with a drama with thriller elements.  Whether or not they were happy about this is still up to debate, but it led to a strong $12 million opening, one of the few unqualified successes of this miserable weekend, and people actually seeing The Gift, so mission accomplished!

Yeah, this was one really bad weekend at the box office.  In Wide-ish releases, Jonathan Demme’s return to directing films for a somewhat mainstream audience, Ricki and the Flash, was unceremoniously shrugged to death by audiences, raking in a paltry $7 million for seventh place despite featuring Meryl Streep as an aging rocker.  You’d think that that’d be something that people would be dying to see!  But at least it wasn’t Shaun the Sheep Movie.  Despite being one of the year’s best films, having rave reviews from critics, and me being on your case about seeing it for the last several months, the film didn’t even crack the Top 10 despite opening on well over 2,000 screens.  For fucksake, America!  It’s Aardman!  What do you people have against Aardman, you cretins!?

Things improved slightly in the world of limited releases, though.  Whilst The End of the Tour expanded to 36 locations and flailed about for dear life with only $253,000, The Diary of a Teenage Girl was making a pretty decent $55,000 from 4 screens considering the whole “underage sex” part and everything.  Jon Watts’ sophomore feature, the pretty decent-looking thriller Cop Car, managed a strong $27,000 from 3 screens, whilst Kahlil Gibran’s The Prophet, an animated adaptation of exactly what it says, managed an excellent $26,000 from two screens because FUCKING LOOK AT HOW GORGEOUS THIS THING IS!

Also worthy of note is Dragon Ball Z: Resurrection ‘F’.  The film’s been out since Tuesday and has been blowing people away by posting strong numbers during the week – nearly $2 million on the first day and $1.5 million on the second.  Now, I can’t report anything about its weekend for certain, cos FUNimation have been playing weird “now it’s here, now it’s not” games with it, but Dragon Ball is on course to have earned well over $5 million in its first 6 days, whilst remaining in limited release the entire time, never breaking more than 1,000 theatres.  Considering that Anime doesn’t do well in Western cinemas, that is majorly impressive.


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“It’s Full List time!” is what my older brother used to say before he beat the sh*t out of me.  I’m just kidding, I only have a younger brother.

Box Office Results: Friday 7th August 2015 – Sunday 9th August 2015

1] Mission: Impossible – Rogue Nation

$29,400,000 / $108,654,000

Forgot to mention this at all last week, but this movie has one of the most blatant examples of Fridging – the art of brutally murdering a character, typically a wife and almost always a woman, for cheap heat/motivation – that I have seen in a Hollywood film in ages.  Like, good lord, even Tak3n was less blatant about it!  But, despite these things usually riling me up to no end, this one did nothing for me.  I just sorta sighed resignedly.  It’s like when a bratty kid tries to microwave the family hamster; you’re not angry, you just sigh because you know they’re just doing it for the attention.

2] Fantastic 4

$26,200,000 / NEW

I’m done.  I’m not going to waste any more words on this.  Here’s my review, go read that.  I’m not going to waste any more column inches on this thing because, as I detailed extensively in my review, this is not a film.  This is 100 minutes of 20th Century Fox mooning Marvel Studios over the fact that they can’t have their toys back.  You could shoot and release bowel movements of mine and they’d be closer to being actual f*cking movies than this piece of sh*t is!  So, no, I’m done.  Let’s move on.

3] The Gift

$12,007,000 / NEW

Review will be up on my site on Tuesday, but I will say that I really enjoyed this one.  I’m even coming around to its ending, which initially rubbed me up the wrong way for a number of reasons but is growing on me as time goes on.  Make sure you give this a shot, even if you’re averse to thrillers since it’s actually mainly a drama.

4] Vacation

$9,145,000 / $37,325,000

Not too bad of a slide, only 37%, but there also wasn’t much to slide from, so let’s maybe not bust out any party poppers or anything, OK?

5] Ant-Man

$7,826,000 / $147,436,000

Oh, man, I really hope that Fantastic 4’s utter abysmalness doesn’t have a knock-on effect to the good comic book movies.  For one, the last thing we need are people believing that the only way to make successful versions of these are to have white male leads, because you know some arsehole pillock studio head is going to correlate the Johnny Storm race-lift to the film’s total box office failure.  Plus, my brother, who is way more down the Marvel rabbit hole than I am, thought that this was a part of the Marvel Cinematic Universe and was therefore planning on seeing this until I corrected him.  Just saying, some people are just going to see the Marvel logo and assume they make all of these movies, even the terrible ones, and that’s the last thing they want.

6] Minions

$7,400,000 / $302,754,000

Despicable Me 2 is now on UK Netflix for those of you who have yet to see it.  I recommend giving it a shot, it’s really crazy and funny but it’s also legitimately sweet…

Look, I’m going to keep working my arse off to ensure you all realise that you don’t hate the Minions because of their films.  You hate them because of advertising oversaturation and appropriation by the kind of evil, heartless, mindless drones who force Facebook memes into existence.  *shudders*

7] Ricki and the Flash

$7,000,000 / NEW

Having watched the trailer for the first time whilst writing this piece, I now understand why this face-planted right out of the gate.  This looks awful, like a Lifetime movie inexplicably granted cinema space.  I’m still optimistic, because it’s Jonathan Demme and Diablo Cody and I know that trailers are oftentimes just dreadful, but I get why nobody really turned up to it.

8] Trainwreck

$6,300,000 / $91,102,000

Four more days!  Oh, thank the Maker for this weekend!  This, The Man From U.N.C.L.E., and Absolutely Anything back-to-back-to-back!  It’s like the Movie Gods looked down on me and went, “Callum.  Buddy, old pal.  Sorry for the last few weeks, and sorry for pushing Paul Blart: Mall Cop 2 out of your Bottom 5 Films of 2015 list.  But you’ve made it through with your love and enthusiasm for this medium still intact, so here’s a week of nothing but good-looking films you’re excited for as a reward!  Good show!”

9] Pixels

$5,430,000 / $57,645,000

Oh, yeah, that spoiler piece on Pixels that I was supposed to write.  I haven’t forgotten, I’ve just been busy.  And my interest in doing it has gone.  Heh.  OK, here’s the deal, if it’s not up on my site by Thursday, it ain’t coming and y’all will just have to deal with it.  Sound good to everyone?  Bully for you if it doesn’t.

10] Southpaw

$4,764,000 / $40,726,000

You people watched this again instead of Shaun the Sheep?  You’re all a disgrace to humanity.

Dropped Out: Paper Towns, Inside Out, Jurassic World

Callum Petch weathered the storm.  He now writes for his own website (callumpetch.com).  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 31/07/15 – 02/08/15

Mission: Impossible doesn’t self-destruct, nobody wanted to go on Vacation cos they’d reached The End of the Tour, you should all Listen To Me Marlon, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Good morning, readers.  Your mission, should you choose to accept it, is to find out all of the latest Box Office happenings as relayed to you by a tired British hack who has spent way too much time staring at open Word and WordPress documents these past few weeks.  The mission will be perilous, as he makes hacky jokes and the occasional generalisation about films that he hasn’t seen, and he may be acting on false information, since the actuals don’t come in until this afternoon, but if there is anyone who can survive this task it is you, and if there was anybody more qualified to run one simple gag into the ground in an attempt to disguise the fact that he has next-to-no material this week then they’d be doing this instead of me.  I mean, him.  I, err… This message will self-destruct in 10 seconds.

OK, with that nonsense out of the way, let’s do this properly.  Mission: Impossible – Rogue Nation, the latest in the series that I’ve never quite gotten and whose sequel naming is officially the enemy of the English language, managed to continue the series rise back from the brink of failure with an easy number one opening of $56 million, the second-biggest opening of the entire series barring Mission: Impossible II’s $57.8 million.  I’d say that the film “Cruise-d” its way to victory, but I’m full enough of self-loathing so let’s pretend that never happened and move on.

Not that it had much of a challenge.  The only other wide-release of the weekend came from somebody at Warner Bros.’ New Line Cinema division insisting that we needed a Vacation sequel/reboot/thing – probably the same person who greenlit the Hot Pursuit shooting script – and so one was dumped into our laps even though we already had plans, full of people we didn’t want to spend time with (with apologies to Christina Applegate), and we didn’t want it.  Much like a real family vacation.  Unlike a real family vacation, however, attending Vacation wasn’t compulsory, so most Americans opted out and the film finished the weekend in a distant second with just under $15 million.

In limited release news, The End of the Tour, the controversial semi-biopic about David Foster Wallace directed by the criminally underrated James Ponsoldt, was the roaring success managing to nab $126,000 from 4 screens for a fantastic per-screen average of $31,500 and me sat here wondering in a very irritated fashion as to why it doesn’t have a UK distributor, dammit!  Less successful, but also doing pretty decently, was the Marlon Brando documentary Listen To Me Marlon which picked up $29,000 from 2 screens for a per-screen average of you do the math.  Falling flat on its face, by comparison, was the glorified informercial A LEGO Brickumentary which could only sucker in $92,000 worth of people from 93 screens for a per-screen average of $452.  I guess the dulcet tones of Jason Bateman are nothing compared to those of Marlon Brando when he’s talking about himself.  Although, in fairness, that could also be said about most things.


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This Full List is running running and running running and running running.  That was both a Mission: Impossible gag and a Black Eyed Peas reference because this is that joke that is my life.

Box Office Results: Friday 31st July 2015 – Sunday 2nd August 2015

1] Mission: Impossible – Rogue Nation

$56,000,000 / NEW

Saw this Saturday, but there won’t be a review because it would just consist of something close to 2,000 words of me trying and failing to identify the reason(s) why this series does nothing for me besides “these are technically strong action movies”.  Seriously, this fact bugs the hell out of me.  The Mission: Impossible series presses so many of my personal Things I Love buttons – practical effects action sequences, spy stuff, writing characters into tight impossible situations and seeing how they get out, gambits in spades – but the films themselves just leave me somewhat cold.  Answers on a postcard, please.

2] Vacation

$14,850,000 / NEW

This reminds me, I need to actually watch the old Vacation movies before I get subjected to this in two weeks.  Yeah, the trailer did nothing to me except make my eyes glaze over.  In fairness, I could say that about nearly any comedy trailer, but we are in a f*cking nadir for feature-length comedies with this year’s offerings, and I really doubt that this is going to be the thing that pulls us out.

3] Ant-Man

$12,619,000 / $132,148,000

Oi, you!  Have you watched Wet Hot American Summer: First Day of Camp yet?  If not, go do that!  Actually, wait.  Have you watched Wet Hot American Summer first?  If no, go and do that and then go watch First Day of Camp.  Seriously, you’ll thank me later.  I basically spent my Friday doing nothing but watch First Day of Camp and it was SO WORTH IT!

4] Minions

$12,200,000 / $287,391,000

This appeared at no. 10 on Mark Kermode’s Mid-Term Best Of list this week, which was a surprise.  A pleasant one, because Minions is great, but a surprise nonetheless.  Relatedly, I have only seen 3 of the films on his list and would put none of them on mine because I am a tasteless heathen.

5] Pixels

$10,400,000 / $45,611,000

So, last week, somebody on Twitter, not gonna name any names and they’re not in trouble don’t worry, made the perfectly reasonable statement that we shouldn’t lambast films that we haven’t seen yet.  I actually agree with him, both in the article itself (with my worry about dogpiling) and here, which is why I keep my slams based on what I’ve managed to see and have heard about the film, saving any proper slams and such for when I have actually seen the film.  Open mind, and all that!

I tell you this because it turns out that I should never have given this utterly reprehensible piece of turd shit any benefits of any doubts.  God, I hate this movie.

6] Trainwreck

$9,700,000 / $79,709,000

So, I was in a screening of Hot Pursuit on Saturday and an advert for Trainwreck comes on.  It’s funny, everybody laughs, and then Amy Schumer on screen says “Make sure to come back and see my new movie when it hits theatres on August 14th.”  To which I overhear this old lady, who just seconds earlier had been audibly laughing at the advert, say in a voice that is loud enough for other people to hear whilst still in theory only talking to her friend, “I don’t think so!”

This woman also found Hot Pursuit utterly hysterical so I don’t know what to believe.

7] Southpaw

$7,519,000 / $31,577,000

Wake me up when Creed comes out, OK?

8] Paper Towns

$4,600,000 / $23,816,000

Saw this on Saturday at a nice early screening.  Review will be along on my site on Tuesday, but I really enjoyed this one.  It’s definitely not perfect, but it’s sweet heart-warming viewing for myself.  Man, I might actually be a John Green fan, which is especially weird since the edited Q&A highlights I was forced to sit through prior to the start of the film didn’t make him look like a particularly tolerable guy.  Still, at least he wasn’t Dan & Phil who I’m still not convinced aren’t just the mannequins from the first series of new Doctor Who attempting to pass themselves off as regular human beings.

9] Inside Out

$4,517,000 / $329,594,000

Gonna go see this again this weekend, will probably cry profusely again.  As I’ve said before, I can’t separate myself emotionally from this movie, not enough to offer up a proper objective critical review.  It hits too close to home and is way too personal to me for me to be able to do that.  On the bright side, I guess we now know what a film that is Fury Road’s equal/possible better for me looks like!

10] Jurassic World

$3,800,000 / $631,500,000

IMPORTANT PUBLIC SERVICE ANNOUNCEMENT TO ALL CITIZENS OF THE UNITED STATES OF AMERICA: Shaun The Sheep Movie is finally getting a nationwide cinema release in your country next week.  Go and see it.  That is an order.  Go and see it.  Go and see it multiple times over, it’s one of the best animated features released in the last few years.  Go and see it instead of Fantastic 4, please.  Don’t let me down, folks!  I wanna be reporting strong numbers this time next week!

Dropped Out: Mr. Holmes, Terminator: Amiga

Callum Petch’s red hat gets a rap from the critics.  He now writes for his own website (callumpetch.com)!  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 24/07/15 – 26/07/15

Pixels has insufficient quarters, Southpaw goes down in the fifth, Paper Towns exposes the flimsy construction of the John Green empire, nobody wanted to see what The Vatican Tapes didn’t want us to see, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Folks, you did it.  You kept Pixels from the number 1 slot.  And you kept it from making any decent amount of money, as it closed the weekend in second place with just $24 million.  You did it, gang!  You really did it!  You proved that you are over Adam Sandler.  His scurrying away to the darkest bowels of Netflix with the rest of Happy Madison is like when the exploited villagers of a cynical, money-grubbing dicksh*t finally rise up against him and drive him out of town with pitchforks and torches!  You did it, folks!  Admittedly, it was a close call, since Ant-Man is currently only sitting pretty at the top by $750,000, but you did it anyway!  And that’s what counts!

In fact, it was a rather miserable and underwhelming week all around, to be honest.  Antoine Fuqua’s boxing drama Southpaw, for example, was released this weekend.  Remember how excited we all were for that movie?  When we saw Jake Gyllenhaal all scary-jacked up, and how amazing Rocky was, and how this was going to be this big awards season contender that one time and that finally Jake Gyllenhaal would have to be recognised in all Best Actor races after being bewilderingly shut out last year?  You know, until that trailer came out and… yeah, there’s a reason this one was dumped mid-Summer.  Audiences agreed, and so the film opened in fifth place with $16.5 million.  On the bright side, I got to make a Snatch reference in the headline, so this whole thing wasn’t a total waste!

Meanwhile, the John Green Empire took a critical hit in its formative stages thanks to Paper Towns.  Compared to the runaway smash success of The Fault In Our Stars from last year – of a $48 million first place kind – Paper Towns struggled to reach $12.5 million and sixth place.  Is this because teenagers are fickle as f*ck?  Is it because everyone had places to be this weekend?  Or is it just because a subpar adaptation of an author’s inferior-to-his-much-better-work novel wasn’t going to make any money anyway?  It’s probably the last one.  After all, people weren’t exactly tripping over themselves to race to the box office to see that 2013 adaptation of Stephanie Meyer’s The Host, were they?  Just goes to show that not every novel by an author is worth adapting just because one of them was good and/or popular.  If somebody could pass that message along for me to the people who keep pumping out insufferable Nicholas Sparks movies, that’d be just swell.

In The Land Of Really Stretching The Term Limited Releases, Mark Neveldine – of Neveldine/Taylor of Crank 2: High Voltage more commonly known as THE GREATEST ACTION MOVIE RELEASED THIS CENTURY – decided that he was going to try and be the Shawn Michaels to Bryan Taylor’s Marty Jannetty and split off to direct the found-footage exorcism flick The Vatican Tapes.  As karma for this act of betrayal/insolence, the film sat on the shelf for a good year and a bit before finally getting dumped in 427 theatres, trashed by critics, and managing a pathetic $850,000 for a sub-$2,000 per-screen average.  Hopefully now he and Taylor – whom I was just reminded was supposed to direct and release a Twisted Metal movie this year, which caused me to laugh for a solid minute – will recognise that they are stronger together and go back to making movies as a cohesive unit!  Daddy needs Crank 3D, dammit.

Also, the best performing film of the weekend was Woody Allen’s Irrational Man, which added 21 screens (for a total of 28), and took home $261,000 for a $9,321 per-screen average.  Once again, you all do know that you don’t have to give him money for everything he does, right?


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A winner is you with this Full List.

Box Office Results: Friday 24th July 2015 – Sunday 26th July 2015

1] Ant-Man

$24,765,000 / $106,075,000

Again, this is currently real tight, so things may switch when the actuals come in, but everything’s great for now!  Also, allow me to highlight this well-argued piece by Umberto Gonzalez about how he was offended by the character of Luis in Ant-Man.  I personally don’t agree with the piece – as I mention in my review, I feel that the film’s commitment to ensuring that everyone gets enough development to be a character keeps characters like Luis from being just a racist stereotype – and most of the article’s (mostly Latino) commenters don’t seem to agree either, but it’s well-written and I have huge respect for him bringing the issue forward.  Even when it seems like we’re being too sensitive, it’s still important to call out these things and have these discussions.

2] Pixels

$24,000,000 / NEW

Seeing this on Tuesday for an Unlimited Screening and a review will be along the following day, so I’m restraining any sick burns or easy jokes until then.  Hell, I’m even going to flush them out of my mind completely!  With films like Pixels, I worry that we all take a little too much pleasure in dumping on easy targets, that we get a little carried away and just devolve into strings of (often admittedly) hilarious insults because we can be united in attacking a common low-effort target.  That’s why I try really hard to avoid doing that in my reviews of such films – my Paul Blart and Entourage reviews do have the occasional funny lines, but mostly stick to explaining the legitimate genuine faults those movies have instead of going for comedy gold.

What I’m saying is that I like the middle-part of Moviebob’s Pixels review, where he breaks down in detail why the film sucks, but that review blew up for all of the wrong reasons and that makes me sad and/or mad.

3] Minions

$22,100,000 / $261,620,000

Look, you all like to insult the Minions and claim that their kind and their movies are abominations and the downfall of civilisation.  OK, whatever.  But, have the Minions ever made an allegedly videogame-themed theme song for their movie by Waka Flocka Flame (featuring two people from Good Charlotte who I am not 100% convinced aren’t just clones of one another), where the lyrics barely reference videogames, barely rhyme, and are performed on a beat that sounds like Maroon 5 covering a Panic! At The Disco cover of a 2015 Fall Out Boy song?  I rest my case.

4] Trainwreck

$17,300,000 / $61,545,000

I hate to bring the mood down, but let’s all just take a moment to mourn those killed at The Grand 16 Theatre in Lafayette, Louisiana this past weekend.  I could use this space to get incredibly angry – at the lax gun control laws, to the fact that the media keeps painting the cause of the shooting as a mystery despite the fact that it took place during a feminist film by a feminist movie star and that the victims were women who were shot by a man with a history of abusive behaviour towards female members of his family – but I’m honestly just kinda numb to all of this by this point.  It’s clear that nothing’s going to change – not gun control laws, and certainly not the toxic sexism that has been ingrained into our society – and I just can’t muster up any emotions about this anymore.  Like, seriously, what is it going to take to get something to change?

OK, sorry for springing that on you folks in what is supposed to be a fun and silly space.  Back to our regularly scheduled programme.

5] Southpaw

$16,500,000 / NEW

Saw this Friday and a review will be along tomorrow – it got held up by the length of time it took for me to write about Inside Out – but I will tell you that this one was incredibly disappointing.  A film that actively steers itself away from anything remotely interesting or new in favour of yet another tale about male masculinity and fatherly redemption, but this time with extra excess melodrama.  It’s fine for what it is, but I’m tired of seeing films like Southpaw.  Tell me something new!

Also, I do kinda have to agree with my friend Matt: making a non-Rocky-related boxing movie over an MMA movie in 2015 is pure wankery.

6] Paper Towns

$12,500,000 / NEW

So, question: who, what, where, why, and how Cara Delevingne?  Seriously, I go to bed one night, and then wake up the next morning to find people incapable of not talking about her and that she’s appearing in the something like 7 films over the next 12 months.  What gives?  I mean no disrespect for her or anything, she might be a fine actress and a perfectly upstanding human being, I’m just naturally cautious about anybody who blows up overnight and is in everything.  Last time this happened, we got The Walking Embodiment of Beige, commonly known as Jai Courtney.  Just saying.

7] Inside Out

$7,356,000 / $320,335,000

Here is my attempt to offer up a straight review, where I only talk about the film and why it’s brilliant and I love it on its own merits.  That took 8 hours to write.  Here is my in-depth, personal, and spoiler-y piece on why Inside Out is so emotionally attached to me in ways that I really can’t separate it from.  That took about 3 hours to write.  Writing, everybody!

8] Jurassic World

$6,900,000 / $623,803,000

Ladies, gentlemen, and others… your third highest grossing film domestically AND worldwide of all-time.  I’ll leave the thinkpieces to you folks, I really don’t care either way about this.

9] Mr. Holmes

$2,849,000 / $6,432,000

Hey!  This actually broke into the chart!  Yay and stuff!

10] Terminator: Game Gear

$2,400,000 / $85,666,000

On the one hand: YIPPEE!  This piece of dog sh*t is bidding us adieu!  We might be spared a sequel after all!  On the other hand: dammit!  I had all of these videogame console name substitutions lined up for usage, and now they’re all going to go to waste!  What good is a once-slightly-clever gag escalation if I don’t get to run it into the ground?!  Life is the worst!

This is a situation with no clear-cut answer, so I’m just going to embed the unquestionably godawful Pixels theme song below and call it for the week.

Dropped Out: Magic Mike XXL, The Gallows, Bajrangi Bhaijaan, Ted 2

Callum Petch won’t be around.  He now mainly writes for his own website (callumpetch.com).  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 17/07/15 – 19/07/15

Ant-Man shrinks the standard Marvel opening, Trainwreck is anything but a, Mr. Holmes effortlessly cracks The Mystery of How To Get Into the Top 10, these puns are awful even by my standards, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

So, here’s the deal.  I am really frickin’ tired.  Not gonna lie.  I’ve been really busy these last few days working on something big, and I’m just plain not sleeping well, so Sunday night is currently not the time where my brain is most engaged.  Right now, all I really want to do is lie down in bed and alternate between Phineas & Ferb and Parks & Rec episodes until my brain just collapses into Sleepsville.  However, my “job” involves providing fresh Box Office Reports for your fine self to read first thing on a Monday morning, and if there is one thing that I am committed to it is my “job”!  I spent just over 30 straight weeks pumping out giant DreamWorks Animation essays after all!  So, let’s just try and get through this together, eh?

Keeping those doom-saying think pieces that pretty much every Box Office commenter and Internet writer has had prepped for the last three years in storage just a little while longer, Ant-Man is your new box office number 1, with $58 million in ticket sales!  Of course, those think pieces could still be trotted out if everyone wanted to, as that $58 million opening is the second-worst in Marvel Cinematic Universe history (only besting The Incredible Hulk’s $55 million), but it’s only one film and a number 1 opening is still a number 1 opening however you slice it.  Besides, I don’t think we need to be encouraging these things.  I honestly don’t know which will be worse at this point: the incredibly smug “I told you so” attitude that every single card-carrying member of Film Twitter and Film Internet will sport when these films do start failing, or the whiney defensive attitude that will come from the part of the Internet that keeps painting Marvel as some kind of victim being bullied by Film Snobs.  It’s like Aliens vs. Predator only somehow even worse than that.

In much happier news, Amy Schumer and Judd Apatow’s Trainwreck was a huge success, coming in third with $30.2 million!  No, that wasn’t sarcasm.  See, Trainwreck is Apatow’s second-biggest opening weekend as a director, just behind Knocked Up’s $30.6 million, and the film itself is an R-rated female-focused comedy starring an untested talent in the world of film and being released against the newest instalment in the Marvel juggernaut.  This is genuinely a roaring success!  Woo-hoo!  Go Amy Schumer!  Between this, Spy, and Pitch Perfect 2, this has been quite the year for female-fronted comedies.  Now, if we could get some movies fronted by non-white female comediennes, that would be just peachy…

In “really stretching the definition of ‘limited’ release” news, Bill Condon’s excellent Mr. Holmes – a film that just missed out on my Top 5 of 2015 So Far list – crossed the pond to 363 theatres this past weekend, and managed to crack the Top 10 with $2.48 million in tickets and a respectable $6,800 per screen average.  Almost matching it on 100 less screens, and perhaps another sign that Indian cinema is about to finally break somewhat big in America, was Bajrangi Bhaijaan which took $2.42 million for eleventh place and a per-screen average of $9,400.  These two may even switch places when the actuals come in, but, as you all know, I only work from these final estimates cos I have sh*t to do, thank you kindly.

Meanwhile, in actual limited release news, Woody Allen’s latest “older man falls for much, much, much younger woman” tale, this one going by the name Irrational Man, made $188,000 from 5 screens of die-hard Woody Allen fanatics with nothing better going on in their lives.  Everybody does know that they don’t have to help him film everything he comes up with, right?


This Full List is brought to you by the warm dulcet tones of Ringo Starr.  Because Thomas the Tank Engine is featured in Ant-you know what never mind.

Box Office Results: Friday 17th July 2015 – Sunday 19th July 2015

1] Ant-Man

$58,040,000 / NEW

Saw this on Friday and the review should hopefully be up soon – it’s not yet because I didn’t finish writing it until Saturday afternoon, because my brain currently hates me, and Owen was off enjoying The First-Ever Failed Critics Meet-Up so couldn’t get to posting.  Short version: I really dug this one.  It has problems, but I really, really dug it!  There’s a second article that’s going up later this week that may make it seem like I hate this movie, but I do actually really like it.  That’s the thing about criticism, taking issue with a certain aspect doesn’t mean that the rest of the film can’t win you over!  It’s almost like opinions are these multi-faceted and nuanced things or something.

2] Minions

$50,200,000 / $216,692,000

Steeper-than-expected 56% drop, which looks really bad compared to the second-week drops of the first (42%) and second (47%) Despicable Mes.  But, of course, neither of those opened to $115 million domestic and this $50 million second weekend is about in line with those films’ low $30 million and low $40 million weekends.  Yeah, this is doing more than OK, although that unfortunately means that Illumination now have a green-light to run this franchise into the ground.  I mean, they were probably going to anyway, but now they have an excuse to.

3] Trainwreck

$30,200,000 / NEW

Absolutely cannot wait for this.  Really, truly, cannot wait for this.  I think that Amy Schumer is one of the most important voices in comedy right now and I am dying to see what she can with two hours and the romantic comedy template.  News from America indicating that this is way more traditional and less subversive than I was hoping it would be has tempered my expectations and excitement but only slightly.  Seriously: bring this baby on already!

4] Inside Out

$11,660,000 / $306,363,000

When we next meet, folks, I will have seen Inside Out.  I would like to thank Owen for cordoning off review privileges for this on this site for myself and myself alone.  It’s like he understands that I live to be the sole person reviewing all of the animated films.  He gets me, he really does.

5] Jurassic World

$11,400,000 / $611,174,000

I… I really got nothing for this one anymore, folks.  Enjoy this song from Phineas & Ferb, instead.

6] Terminator: 2600

$5,400,000 / $80,640,000

I’m just going to bury my head in my hands and hope against hope that this one just goes away, if that’s alright with everyone else.  Emilia Clarke deserves better, dammit!

7] Magic Mike XXL

$4,500,000 / $58,636,000

I hope this becomes a Cult Movie Night fixture.  You know the ones: those special screenings full of die-hard fans who know the film front-to-back, love and appreciate every last second of it, get its progressive sexual politics completely, and are completely comfortable in their love for this movie.  They’ll all meet up once every few months and make a night out of seeing this film, the cinema will provide each attendee with a roll of (convincingly) fake dollar bills to rain down upon the screen at the appropriate times, and everyone will just have the most fun and best time together shrieking in pure glee.

I hope this happens, at any rate, cos that’s a film screening experience I want to have!

8] The Gallows

$4,005,000 / $18,007,000

THIS JUST IN: Shitty Horror Movie That Nobody Liked Plummets In Its Second Weekend.  More at 11.

9] Ted 2

$2,700,000 / $77,457,000

So, Ted 2I was promised some Rachael MacFarlane in your movie.  I went to see your movie and I noticed no Rachael MacFarlane.  I feel very much betrayed by this, and you can expect a very strongly worded letter expressing my disappointment to be along in the post shortly!

10] Mr. Holmes

$2,489,000 / NEW

I wanted to write a review of this after I saw it, but I never got around to it due to this whole “being back at home and feeling miserable” lark causing me to have trouble putting words to paper.  In any case, I highly recommend it, especially if you’re sick of Sherlock Holmes adaptations cos it’s not really one.  It’s more a mediation on death, aging, memory, regret, and selfishness that ties back into Sherlock Holmes in specific ways but is mostly a movie that just happens to feature Sherlock Holmes.  I loved this one and cannot recommend it enough to you!

Just don’t be one of those berks who marks it down because “the mystery wasn’t that difficult or compelling” otherwise you and I will be having words.

Dropped Out: Self/Less, Baahubali: The Beginning, Max

Callum Petch is not sleeping, cold wind blowing.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

The Best of 2015 Thus Far

As we’re now well and truly past the half-way mark for the year, it seems like as good a time as any for a few of the Failed Critics contributors to bundle together and reveal which films they’ve enjoyed the most so far. Come December, we’ll still be running the annual Failed Critics Awards, giving you the opportunity to cast your vote for your favourite films of 2015.

In the meantime, let’s have a quick run through of what some of our writers and podcasters have chosen as their five favourite films of the year. Will the biggest film of the year so far, Jurassic World, be featured? Will United Passions somehow infect this article too? Will anyone pick anything other than Mad Max?? Find out below…


by Andrew Brooker (@Brooker411)

1] Mad Max: Fury Road

mad maxFighting the urge to fill my word limit with just paragraphs of me repeating the words “Perfect”, “Awesome” and “The most fun I’ve had this year with clothes on”, I’ll try and be a little more cohesive in my description. It had been thirty years since the last film in the iconic Mad Max franchise, to bring a fourth entry to a series after that long is a massive undertaking at the best of times. But when its original star is as iconic as the film’s that made him famous, replacing him as well would be a recipe for disaster in any other filmmakers hands. Thankfully for all of us, the series’ creator made a triumphant return and gave us one of the greatest films I’ve ever seen. A breathtaking, visceral two hours (on three occasions) in the cinema left me shellshocked and shaking with excitement and almost unable to write my review when I got home I was so pumped. Oh, and there’s a dude on a truck made of drums and speakers playing heavy metal on a flame throwing guitar! No more needs to be said!

2] Ex Machina

3] Whiplash

4] Still Alice

5] It Follows

WORST: Avengers: Age of Ultron – Years of subtle hype and weeks of actual hype in the buildup to this, the biggest Marvel movie yet. What we got was a more than two hour long wet fart of a film that left me blindingly disappointed with a really bad taste in my mouth.


by Paul Field (@pafster)

1] Wild Tales

wild talesDark, twisted and utterly enthralling anthology from Argentina. All of the stories are great, no fillers here as is often the case with anthology films. I love a revenge film, and to have 6 served up in one sitting is a real treat. Hard to pick my favourite… the parking ticket is brilliant, the plane passengers unsettling and hilarious, the overtaking motorist caper that escalates out of all control…..but I think the Wedding. Pissing off the bride on her wedding day is an absolute no no, and here, she conveys her displeasure in spectacular fashion. As a first feature from Damián Szifron, this is outstanding and will take some toppling come the end of the year.

2] Hyena

3] Creep

4] We Are Still Here

5] Buzzard

WORST: Lost River Ryan Gosling believing his own hype, delivers the most pretentious load of cobblers ever committed to film. Utter, utter toilet.. and yes, I’ve seen United Passions, Accidental Love and the new Danny Dyer film this year too. Its worse than all three of those, on repeat, for eternity.


by Owen Hughes (@ohughes86)

1] Birdman: or (The Unexpected Virtue of Ignorance)

birdmanReleased in the UK on 1 January 2015, I still don’t think I’ve seen a funnier, more entertaining film in the cinema all year. Michael Keaton is absolutely phenomenal as the flailing former superhero movie star attempting to reinvent himself as a stage actor and producer. His manic behaviour, coupled with director Iñárritu’s frenetic, constantly adapting story shot as if the whole production was just one long take; I just loved every minute of it. However, I was hesitant to put it as number one on my list, given a couple people I’ve recommended it to have hated it! But ultimately, despite seeing it only two days into the year, nothing else has managed to better it yet for me.

2] Mad Max: Fury Road

3] Electric Boogaloo: The Wild, Untold Story of Cannon Films

4] Cobain: Montage of Heck

5] John Wick

WORST: United Passions – Technically not even released in the UK this year, and unlike Jupiter Ascending (cinema) and The Man With The Iron Fists 2 (VOD), I didn’t even watch this legally. But if there’s a more abhorrent, reprehensible piece of offensive propagandist garbage with as high a budget and released globally within the next decade, I’ll be surprised.


By Matt Lambourne (@LamboMat)

1] Mad Max: Fury Road

mad max 4I’m still thinking about this movie, weeks after seeing it. The action, the character, the dialogue, the music and most importantly, the SCALE. It’s over the top in every sense and works for me on every level. I can’t wait to get hold of the home release and enjoy it without the hindrance of 3D. Absolutely superb movie!

2] American Sniper

3] Furious 7

4] Jurassic World

5] Terminator Genisys

WORST: Fifty Shades of Grey Bloated, tacky, overly polished and un-sexy. I didn’t get an erection and I didn’t get a shag that night.

by Steve Norman (@StevePN86)

1] The Theory of Everything

theory of everythingThe Stephen Hawking biopic earned lead man Eddie Redmayne an Oscar and deservedly so. His portrayal of a genius of a man going through various stages of a terrible, life changing illness was extremely believable. The film also put over a side of Hawking you don’t often see, the friend, parent and husband, not the man who invented time. Or something.

2] Ex Machina

3] Kingsman: The Secret Service

4] Selma

5] Furious 7

WORST: United Passions Garbage of the highest order. I found Tim Roth less deplorable playing a racist in Selma than I did playing Sepp Blatter in this tripe. It’s offensive that it was even made.


by Callum Petch (@CallumPetch)

1] Mad Max: Fury Road

mad max fury roadFury Road is the kind of film whose existence is a reminder that this Movies thing might be alright after all, a beacon of hope that we can all look to in dark times and remind ourselves that we can, in fact, have it so much better.  From its uncomplicated story, to its unique world and set design, to its outstanding special effects, to its jaw-dropping practical stunts, to its brilliantly subtle Tom Hardy performance, to its mesmerising Charlize Theron performance, to its openly and furiously feminist and matriarchal heart, every last frame of this utter masterpiece is what I have heard perfection is supposed to be like.  It is everything that modern Hollywood blockbuster filmmaking isn’t, a purposeful pushback against everything wrong with those films right now that, in a just world, will have everyone following its example in the years to come.  Both times that I saw this movie, my veins pulsed with pure adrenaline from frame one and the feeling did not stop until long after I left the screen in tears of pure joy at that perfect final shot.  I foresee nothing else coming anywhere close to it for the rest of this year, mainly cos I have no idea what’ll happen to me if there is a better film than Fury Road to come.

2] Magic Mike XXL

3] The Voices

4] Shaun The Sheep Movie

5] Spy

WORST: Entourage  I said everything I needed to say about this reprehensible piece of abysmal shite here and here.  I’m not going to repeat myself.

US Box Office Report: 10/07/15 – 12/07/15

The Minions are their own boss, The Gallows has made back its budget 100x over, people were selfish and didn’t see Self/Less, it’s not been a good week to be a limited release, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

It was only a matter of time.  They started off innocuously in 2010’s Despicable Me, cute little comic relief characters whom we all collectively agreed were the best part of that otherwise mediocre movie.  Then the merchandising flood started and we happily accepted it because they were adorable.  Then their involvement in the films increased exponentially with Despicable Me 2 and we cheered because Despicable Me 2 was a great film, so what’s the problem?  Then those irritating Facebook memes started – useless, insincere attitude stock phrase bullsh*t that pasted random Minions onto their rubbish and called it a day – and we shook our heads in dismay but did nothing.  And then it happened.  Universal drowned us in marketing for the Minions spin-off movie, and you couldn’t avoid them.  Everywhere you turned.  Merchandise, posters, adverts, Amazon packaging.  Nowhere was safe, nowhere was free.  The takeover had occurred, we had to submit to our new Minion overlords for they had won.  They had conquered.

Therefore, Minions opened to $115 million this past weekend, making it the second-biggest opening weekend for any animated feature ever.  May God have mercy on us all.

Meanwhile, like it or not, The Gallows is actually a roaring success.  Oh sure, a fifth place opening of $10 million may not seem like a success, but that’s ignoring the fact that the film allegedly only cost $100,000 to make.  Such is the beauty of Blumhouse Productions, a production company that can get a horror movie made so cheaply that it is almost literally impossible for them to make a film that bombs.  It’s kinda like how Uwe Boll used to be able to write off half of the budgets for his various “movies” through complicated tax breaks except, y’know, Jason Blum has actually produced a good film or two in between his crap.  Plus, he quite literally has three more films coming out in the next two months, so it’s not like this mediocre performance is going to slow him down or anything.

Elsewhere, Tarsem Singh tried to bring back intellectual sci-fi with Self/Less, a film about whether it’s morally justifiable to force Ryan Reynolds to do bad things that he doesn’t want to do, as opposed to those bad things he chose to do like Ghosts Of Girlfriends Past.  Unfortunately, this is Tarsem Singh we’re talking about here, and so the director of Mirror, Mirror proceeded to apparently make a terrible movie that squanders all of its potential.  Consequently, since reviews are make or break for these kind of films, the film has tanked with barely $5 million for eighth place.  Dammit, people!  You can’t stop the Reynoldssaince!  No matter how hard you try, it won’t be stopped!

Having a similarly bad weekend was pretty much every limited release that came out this week.  Doing the best of the lot was Do I Sound Gay?, a documentary examining the stereotype of the gay voice that brought in a decent $11,000 from its one screen.  Next up there was Boulevard, an apparently underwhelming drama that we will all see anyway because it’s Robin Williams’ final role, with $7,000 from one screen.  “Globe-trotting” comedy Meet Me In Montenegro, and I don’t need to see or hear any second of that movie after seeing the phrase “globe-trotting” used non-ironically when describing a film’s genre in 2015, did poorest with $6,000 from 10 screens for a dismal per-screen average of you work it out.  All of these movies were out-performed by a re-issue of the 1992 Mel Gibson romance flick Forever Young, which took $70,000 from 14 screens for a $5,000 per-screen average.  Not one part of that last sentence makes any sense to me.


minions

This Full List, like seemingly everything else on the planet right now, is brought to you by the Minions.  Give into the yellow pill-shaped fellas.  Resistance is futile.

Box Office Results: Friday 10th July 2015 – Sunday 12th July 2015

1] Minions

$115,200,000 / NEW

Watched this again with a friend I hadn’t seen in years this past weekend because we got to the cinema too late to catch the first showing of Ted 2 and way too early for the next screening of Amy so had to see something, and also I am why you people are suffering so.  And guess what?  I still liked it!  So all of you Minion haters out there can go suck something that doesn’t make this insult homophobic!

Also, Fun Fact: the animated movie with the biggest opening weekend of all-time is still Shrek The Third with $121 million because you are all far worse than I am.

2] Jurassic World

$18,100,000 / $590,638,000

This will cross $600 million domestic next weekend which is quite literally insane.  It is now the third highest grossing film of all-time worldwide (or it will be, since Box Office Mojo isn’t immediately up-to-date on foreign totals anymore so there may or may not be a delay), which is also insane.  The backlash is insane, the extreme love is insane, the film itself is insane.  It’s all just one big melting pot of insanity.

3] Inside Out

$17,108,000 / $283,638,000

Turns out that this did, in fact, beat Jurassic World when the actuals came in for the three-day weekend last week.  Therefore, it is no longer the only Pixar film to not hit number 1 on the charts!  Yay!  After all, if this apparently amazing film couldn’t hit number 1 but Cars 2 could, then what does that say about us as a collective society?

4] Terminator: 3DS XL

$13,700,000 / $68,718,000

WOO HOO!  It’s failing!  It’s failing!  Uh huh!  Yeah!  Alright!  And even with foreign grosses factored in, it’s still only made $225 million against a $155 million budget!  Ah, life is good, folks.  Life is good.

(*suddenly remembers that the film has yet to open in China*)

Oh, hell, no.  If the Terminator: Vita sequel moves ahead but the Mad Max: Fury Road one doesn’t, sh*t is going to get royally f*cked up, I am warning you right now.

5] The Gallows

$10,015,000 / NEW

Have you seen the initial trailer for this?  In case you haven’t, it’s embedded below, but Cliff Notes are that it’s literally just a girl sobbing for 80 seconds before being Jump Scare Killed.  Does that rub anyone else the wrong way?  I don’t mean in the way that horror is supposed to make you uneasy, I mean in the sense that it seems more than a little exploitative and fetishizing of a woman in distress?  I guess I can give it points for being honest, but still.  You know.  Yeah.

6] Magic Mike XXL

$9,640,000 / $48,359,000

Allow me to use this space to pay my respects to The Dissolve, real quick.  A beacon of pure light and excellence in an Internet film space that seems to be in a race to the bottom, it was the film site that managed to be intellectual without coming off as snobby, diverse without looking down on mainstream film, clever and witty without coming off as snarky, proof that it was possible to write about films without having to be a closed-off academic cretin or a click-bait listicle doofus.  The only real upside to this incredibly sad news is that at least the site is still up for the time being, so you can still read fine articles like Tasha Robinson’s look at how Magic Mike XXL treats female pleasure.

R.I.P. you beautiful angel.  We apparently don’t deserve you, and that just isn’t goddamn fair.

7] Ted 2

$5,600,000 / $71,619,000

Saw this this past weekend and a review will be along in short order.  Man, I wish Seth MacFarlane would write actual jokes again.

8] Self/Less

$5,379,000 / NEW

Bummed to hear that this apparently sucks, although I will in theory get to find out for myself this week, but at least I get to inform you that The Voices is now available to buy on DVD and Blu-Ray!  Seriously, go buy that damn movie.

9] Baahubali: The Beginning

$3,575,000 / NEW

I didn’t mention this in my limited release roundup for two reasons.  The first is that 236 screens is really stretching the definition of “limited” for my liking.  The second is that it broke on through to the top 10 so I can talk about it here instead.  Plus, if I mentioned that this film managed an utterly ridiculous $15,148 per-screen average in the limited release section, then that would have discredited my headline, and I really cannot be arsed to go back and change it now.  It’s late, I’m tired, let’s just push on through.

10] Max

$3,420,000 / $33,705,000

I… I really got nothing for this.  This movie’s premise just makes me too sad.  God knows how I’ll make it through the actual movie, I might singlehandedly put a whole load of Kleenex executives’ kids through college.

Dropped Out: Spy, San Andreas, Me and Earl and the Dying Girl, Dope

Callum Petch, bring it close to my lips, yeah.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

US Box Office Report: 03/07/15 – 05/07/15

Terminator: Genisys’ order to “Come with [it] if [we] want to live” is studiously ignored, Magic Mike XXL only ends up in a light shower of dollars, they tried to make people watch Amy and people said “Yes, yes, yes”, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Ah, 4th of July weekend!  The five-day stretch where everybody, in their great patriotic American duty, travels down to the cinemas to watch the latest wares that Hollywood has to peddle!  Past years have seen films like Despicable Me 2, The Amazing Spider-Man, various Transformers movies, a Twilight instalment, and (obviously) Independence Day launch in this lucrative and prestigious slot in order to help fuel that great American past-time: ignoring your families and friends by sitting down and shutting up for two and a bit hours!  And, sure, last year was kind of a major disappointment, but those movies weren’t going to set any box offices on fire, anyway.  This year had two supposedly highly anticipated sequels to beloved franchises, plus the continuing success of two of the strongest box office holdovers to come along in an age!  Everything was going to be peaches and cream, right?

Well, not exactly.  If you’re a holdover, this weekend was pretty great for you, at least.  In the three-day statistics (which are the only numbers that matter in this house), Jurassic World grabbed a hold of that number one slot for the fourth straight week in a row with just under $30.9 million, whilst Inside Out just cannot seal the deal with $30.1 million for second place.  Of course, with numbers that close, things could switch when actuals come in, and Inside Out apparently won the five-day weekend quite handily if we looked at things like that, so this isn’t exactly information that is going to send Pixar executives in existential crises about whether their time is really up or not.  After all, it’s neck-and-neck with Jurassic World and has been for three straight weeks.  That’s like if I lasted 12 rounds against Brock Lesnar.  Sure, I didn’t win, but I got some good hits in as he was treating my body like a Stretch Armstrong!

Good News, folks!  Terminator: Mega Drive is a failure!  For an expensive blockbuster with a beloved franchise attached to it and the intention of starting a brand new trilogy from it (like every single blockbuster ever nowadays), it did appallingly!  Over the five-day weekend, the film could only manage $44 million, whilst the three-day weekend cut that down to just $28 million!  To make matters even better, it was crushed by Jurassic World, another expensive blockbuster with a beloved franchise attached to it, in proof positive that people will skip your film if it as utter miserable shit as Terminator: CD is!  Also in Good News: in the land of limited releases, Amy, the Amy Winehouse documentary directed by Asif Kapida (the man responsible for 2011’s excellent Senna), got off to a fantastic start with $220,000 from 6 screens for a $37,000 per screen average.

Bad News, folks!  Magic Mike XXL has crashed and burned!  Perhaps forever cautioning Hollywood studios from making movies solely for the female or homosexual gaze, XXL could only scrape together $26 million from the five-day weekend, and $11 million from the three-day weekend.  Who knows why this happened?  Maybe everybody saw the trailer to this one, remembered the trailer to the first Magic Mike and went, “Oh, no!  I’m not falling for that again!”  Maybe certain prospective audience members didn’t have anyone to go with and felt too ashamed to go alone?  Maybe everybody who saw it the first time was in too much pleasure to risk going back for seconds, or incapable of communicating to their friends just how brilliant the film is?  Or maybe, just maybe, it could have something to do with the fact that THE MOVIE OPENED ON A WEDNESDAY, YOU BLITHERING IMBECILES!  Why would you do that?!  Do you hate making money?  Do you?


terminator genisys

Much like Judgement Day and Jai Courtney’s inexplicable leading man career, this Full List cannot be stopped.  It can only be delayed for a short period.

Box Office Results: Friday 3rd July 2015 – Sunday 5th July 2015

1] Jurassic World

$30,900,000 / $558,137,000

Good lord, this might actually reach $2 billion.  It’ll at least get close enough that it’ll cross that threshold when its inevitable re-release comes along in a few years’ time, and maybe even dethrone Avatar at that point, too.  This is mind-blowing to me.  In fact, everything about everything that isn’t to do with the film itself is mind-blowing to me: the rampant mega-success with the public, the extreme vitriol with which it’s been received by everybody I know and follow on Twitter, with many all but claiming its success to be an indicator of the death of cinema with the general public.  I don’t get that, but nor do I get the earth-shattering success it’s been having.  I stand by my review but… it’s a fun dinosaur movie that’s honestly kinda terrible.  It’s not brilliant and it’s not an abomination.  Can somebody please fill me in on how both sides got to their respective stations?  I’m confused, and I don’t like not understanding people, it’s one of the many reasons why I’m so miserable all the time.

2] Inside Out

$30,105,000 / $246,160,000

Have I ever mentioned that I love Amy Poehler?  Because I do, and I think that she’s amazing, and that this train of praise and adoration that she’s currently on is more than deserved.  Seriously, she’s wonderful and I admire the ever-loving heck out of her.

3] Terminator: 32x

$28,700,000 / $44,156,000 / NEW

I hate this movie.  I hate this movie with a burning passion.  I hate its simultaneously needlessly complex and nowhere-near-as-clever-and-complex-as-it-thinks-it-is plot.  I hate its dreadful special effects.  I hate how I was not once scared or intimidated by a skinless Terminator.  I hate its insipid exposition-heavy and grade-school level dialogue.  I hate how dreadful absolutely everybody is in this movie despite many people showing that they are far better actors and actresses elsewhere.  I hate the fact that it restages so many moments from the first two Terminator films and expects easy nostalgia points for doing so under the untrue guise of “subversion”.  I hate its utterly pathetic excuse of a Sarah Connor.  I hate its awful action scenes.  I hate how it won’t even reach for being obviously and extravagantly bad, instead just settling for mediocrity and expecting everyone to not get angered enough to take it to task for that.  I hate the fact that it was fucking right about doing that and that everyone is letting this one pass with a shrug of their shoulders instead of the righteous fury it deserves.  I hate it I hate it I hate hate hate hate hate hate hate it!

I don’t hate Terminator: Jaguar as much as I hate Entourage, but I hate it more than Paul Blart: Mall Cop 2, and the fact that 2015 Film is trying so very hard to keep Paul Blart from the Top 5 of my Bottom Films of 2015 list is a genuine thing that we should be concerned about.

4] Magic Mike XXL

$11,600,000 / $26,656,000 / NEW

In complete contrast to Terminator: Dreamcast, I adore Magic Mike XXL, as my super peppy review helpfully demonstrates.  It is a thing of wondrous majestic beauty, especially in the way that it is super progressive in all of these brilliantly quiet ways whilst still being nearly two hours of blatant wonderful fan-service.  I really cannot stop thinking about this movie, and I’m probably going to see it again next week.  I might even see if Lucy’s up for coming again, although I get the feeling that that first time was enough for her.  You seriously should have heard her when Backstreet Boys started on the soundtrack, it was magnificent and I was feeling exactly the same as her!

5] Ted 2

$11,000,000 / $58,334,000

Well, in four days’ time, I guess I’ll find out if my fondness for Seth MacFarlane has to once again be affixed with a giant specific asterisk and hidden from sight unless directly brought up.  At least we still have American Dad! and his excellent voice acting.  Those can’t ever be taken away from me.

6] Max

$6,610,000 / $25,349,000

Oh.  I guess the fact that this is apparently rubbish has cut those seemingly long legs short after all.  Or maybe we all saw Marley & Me and are now automatically sceptical about any film with a dog because we don’t want to cry when something bad happens to it.  Either works.

7] Spy

$5,500,000 / $97,846,000

Ex-Disney CEO and Professional Tit Michael Eisner stated his belief, at the Aspen Ideas Festival (which is a real thing and I can’t believe that either) on Thursday, that “the hardest artist to find is a beautiful, funny woman.”  Prefacing the following with an acknowledgement that “I am going to get in trouble, I know this goes online”, which should be as clear an indicator as humanly possible to stop talking, he believes that “usually, unbelievably beautiful women… are not funny.”

I don’t think I need to add anything more to that.  Although I will say that I bet that Eisner’s wife is just thrilled to know that her husband finds her either ugly or a humourless shrill.

8] San Andreas

$3,030,000 / $147,373,000

How many of you spent your 4th of July watching Independence Day?  Come on, don’t be shy!  It’s good to remind yourself of how much dumb, slightly guilty fun that movie is before the sequel comes along and is inevitably terrible!

9] Me and Earl and the Dying Girl

$1,320,000 / $4,004,000

God, this is like my own personal version of the monster from It Follows.  It’s coming, it can’t be stopped, there is no way of getting away from it, and it will get me.  Urgh.  I just want to get this over with, already, please.  Films that are clearly going to be terrible but that I have to see anyway are the worst.

As for It Follows, it is pencilled in for October 31st.  I’ll explain more closer to the time.

10] Dope

$1,098,000 / $14,104,000

You people disgust me.

Dropped Out: Insidious Chapter 3, Mad Max: Fury Road, The Avengers: Age of Ultron

Callum Petch knows when to go out and when to stay in.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

US Box Office Report: 26/06/15 – 28/06/15

People REALLY f*cking love dinosaurs, Ted ends up like Flash Gordon – a thing we all liked as a kid and now want to distance ourselves from, [Insert Tasteless Mean-Spirited Batkid Begins Gag Here], and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

For the third week in a row, somehow, Jurassic World has taken the top spot at the box office, this time with $54 million in ticket sales, pushing its domestic total to over $500 million.  There’s a part of me that’s surprised that Jurassic World is doing this well, but I guess it’s gonna take a while for a film like this to stop posting non-ridiculous numbers when it opened over $200 million.  That, incidentally, is still something I definitely can’t get over.  Meanwhile, Pixar’s Inside Out is probably going to become the first Pixar film to not hit the number one slot, since Jurassic World managed to keep it off of the top even with $52 million in ticket sales.  I guess everyone prefers velociraptors fighting genetically-modified dinosaurs to intimate tales of depression.  In entirely unrelated news, Pixar have just delayed The Good Dinosaur yet again.  Apparently they’ve finally cracked the ending.

“But wait, Callum,” I hear you, imaginary reader calling out to nobody in particular.  “Weren’t there new films out this last weekend?”  Indeed there were, astutely attuned and likely very attractive reader!  Indeed there were!  Specifically, Ted 2 happened and, in the grand tradition of Seth MacFarlane works, was apparently nowhere near as good brought back from its at-the-time great original self.  The film regressed.  Significantly.  Whilst the first Ted managed to break box office records with a $54 million opening, Ted 2 could only manage $33 million for third place.  It’s not as bad as A Million Ways To Die In The West’s $16 million third place opening, but it’s still troubling.  Now, thanks to this, Seth MacFarlane is going to have to make and unleash that Family Guy movie upon the world.  Thanks, you lot.  Thanks a million.

In “Films That Are Guaranteed To Make Me Weep Like A Three Year-Old” news, Max, the family drama about the loyal dog of a deceased soldier that returns home and suffers from PTSD…  sorry, you’ll need to give me a second.  Just typing that sentence is causing my eyes to water.  …OK, I’m good.  Anyways, that film got off to a pretty good start for a low budget and thinly advertised family drama, managing $12 million for fourth place.  Its limited release equivalent, Batkid Begins, which is a documentary about how the city of San Francisco came together to help Make-A-Wish kid Miles Scott’s dream to be Batkid for a day… … …OK, I can keep going.  Anywho, that film didn’t get off to such a good start, only managing $23,000 from 4 screens because YOU ARE ALL HEARTLESS BASTARDS!

Elsewhere in the part of these articles where I kill time before we get to the Full List, The Third Man received a special re-release to celebrate its restoration and managed an alright $24,000 from 3 screens because who wants to watch old movies at the cinema anymore, AMIRIGHT LADS?  A Little Chaos, a movie I fell asleep watching at the cinema for what it’s worth, finally debuted in 83 American theatres and was collectively shrugged out of the room with only $186,000 and a $2,241 per-screen average.  Runoff, a festival darling that’s finally managing to get a theatrical release, was the only real bright spot for limited release films this weekend, managing $10,000 from a single theatre.

Actually, no, wait!  There was another good slice of news in limited release!  Me and Earl and the Dying Girl expanded to 354 locations and couldn’t even manage $1 million!  THE SYSTEM WORKS!


jurassic world

This Full List is nowhere near as good as it was before it got cancelled the first time.

Box Office Results: Friday 26th June 2015 – Sunday 28th June 2015

1] Jurassic World

$54,200,000 / $500,100,000

Highest grossing film of the year domestically.  Add another $737 mil onto that and you have its current worldwide total.  This will beat Frozen in the all-time worldwide totals by the time I finish writing this sentence, and will probably cross Age of Ultron off the list on its journey for world dominance by the end of next week.  This is a literal juggernaut.  A quite literal juggernaut.  How?!  I had a lot of fun with it, and even I am perplexed by the sheer non-stoppery of this thing!  If Terminator: Mega Drive falls to this next week, I will not be surprised, believe me.

2] Inside Out

$52,128,000 / $184,945,000

Accidentally found out that Inside Out is all about a young girl who has to move house and goddammit Pixar why don’t you just stab me in the heart and get it over with!  Seriously, it doesn’t matter if this movie ends up being garbage, I will cry seven hundred times watching it.

3] Ted 2

$33,000,000 / NEW

I honestly just don’t know why Seth MacFarlane hasn’t just made a musical already.  He clearly loves them, he’s already recorded two big-band and swing albums, and his voice would probably be able to carry the musical you just know he’d have a starring role in.  I mean, it would certainly be better if he just admits that he wants to make a musical and does a full-on musical instead of forcing them into everything else he does even though they mostly just kill the pace of the thing he’s shoving them into.

4] Max

$12,210,000 / NEW

You remember what I said about Inside Out?  Multiply that by a thousand for this.  Not joking.  This past weekend, I thought I’d lost my dog, Mac, and spent five minutes running about the house in pure panicked terror because I couldn’t find him and was worried he’d somehow slipped out of the house without my knowing.  Then I opened a closed bedroom door and found him sat there wondering why I was looking so terrified.  Yeah, this film will kill me.

5] Spy

$7,800,000 / $88,351,000

So this is on track to become Paul Feig’s lowest grossing film yet – unless you count his pre-Bridesmaids films, which nobody does because doing so is stupid – despite it being his best by a country mile.  That’s a shame, but hopefully Hollywood won’t hold it against him when it comes time to bankroll his and Melissa McCarthy’s next films.  After all, everybody has been summarily crushed by Jurassic World, it’s not like this is indicative of anything except that all films need dinosaurs.

6] San Andreas

$5,275,000 / $141,871,000

I’m actually completely out of things to say about this, so have a picture of an adorable puppy.

kitty

7] Dope

$2,862,000 / $11,776,000

Sigh… goddammit, people.  You can’t spend forever joining me in campaigning for greater diversity and representation in movies and then not actually pay to see the ones that get a wide release!  This is why Jai Courtney gets to be a thing, people!  That is your goddamn fault!

8] Insidious Chapter 3

$2,025,000 / $49,816,000

A cinema in Middleton, Ohio ended up playing Insidious Chapter 3 for a group of families who had instead turned up to see Inside Out and every single story like this always bewilders me for the following reasons.  1] When you’re programming the projector, do you really pay that little attention to the title of the film you’re setting up that you really will confuse Insidious for Inside Out?  2] Does America not flash up the rating and film title before the film starts like we do in England?  Cos this seems like a weird thing to not do if that’s the case.  3] Why don’t the families scramble for the nearest exit when the studio logos quite clearly indicate that this is not the Pixar film they signed up to see?  4] Why does everybody continue to stay in the cinema long after it’s been made apparent that this is a horror movie and not something the kids should see?  Y’all do know that horror movies don’t start flinging jump scares and loud noises and terrifying images non-stop from frame one, right?  That’s what horror videogames do.

9] Mad Max: Fury Road

$1,735,000 / $147,078,000

Still got nothing to add, so here’s a picture of an adorable kitten.

kitten

10] The Avengers: Age of Ultron

$1,643,000 / $452,428,000

Word is starting to come in on Ant-Man from lucky so-and-so American critics, and the consensus is currently at “Hey, that was actually pretty good!”  Called it.  I mean, that’s how the early consensus on all Marvel films initially comes to, but I called it nonetheless.  You people can’t commit to your Marvel backlash!  Not when they’re still putting out films that are at least good or better!  (*acts like a petulant fanboy, loses all credibility, becomes washed-up jaded alcoholic at the age of 20*)

Dropped Out: Pitch Perfect 2, Tomorrowland

Callum Petch was falling in love.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

US Box Office Report: 19/06/15 – 21/06/15

When dinosaurs ruled the box office, Inside Out/Inside Win, people sadly Just Say “Nope” to Dope, Manglehorn gets mangled, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Before we move on, a brief apology and correction.  Last week, we reported that Jurassic World had scored the second-highest opening weekend of all-time at the domestic box office with $204 million.  Well it turns out that we misreported those numbers and I would like to apologise for that.  Jurassic World actually made $208 million and is, therefore, actually the highest grossing opening weekend of all-time domestically.  The Avengers has, in fact, been dethroned.  In my defence, I can only work from the estimates, since the actuals don’t come in until late-afternoon on a Monday and I have sh*t to do then, which is why these get written on a Sunday night.

Hence why I don’t want to make any definitive statements regarding Jurassic World’s box office performance this weekend, record-wise.  Whatever happens, it is finishing in first place, but the box office records are what’s in contention.  Currently, the film is sat on $102 million for its second weekend, which puts it almost exactly $1 million below The Avengers’ record-breaking second weekend, but the numbers are so close that, and since Universal under-estimated last weekend, there is every chance that Jurassic World’s actuals will push it higher than The Avengers after all.  It’s already a pure and total unstoppable juggernaut that will pass $400 million domestic by lunchtime, so it’s not like this is much of a stretch.  Just saying, if it does happen, you can’t say I got it wrong, cos I’m not definitively saying anything!  So there!

What will be indisputable, unless some kind of catastrophic error causes 15 million bucks to mysteriously go missing between now and the actuals coming in, is the success of Inside Out, which now holds the record for the biggest domestic opening weekend ever for a non-sequel non-adaptation, taking the title from Avatar’s $77 million opening weekend back in December of 2009.  I mean, technically one could argue that it does count as a sequel in the sense that it’s a part of the Pixar brand that might as well be a franchise unto itself by this point, but I’m just going to block that out and savour this Avatar-crushing moment.  Aaaaaahhhh… that feels good.

Unfortunately, all this wantonly spent cashola had to skip out on one of the week’s releases, and that poor sod ended up being the Sundance hit Dope, which bravely launched on 2,000 screens but could only manage $6 million for fifth place because, well, it went up against Pixar and dinosaurs.  I applaud the bravery of Open Road Films for putting a black film out there as an option for mainstream audiences, but they were never going to win this one.  Similarly failing to lift off, albeit in limited release, was the new David Gordon Green film, Manglehorn.  Even with Al Pacino apparently deciding to try this whole “acting” thing again to see what that was like, the film couldn’t really get butts in seats, possibly due to mediocre critic reviews, and it only made $13,000 from 3 screens.  But, hey!  This should hopefully not discourage Al Pacino’s decision to start acting again!  Last thing we need is him crawling back to Adam Sandler.

Fun Fact: I have seen all of Jack & Jill but only one Alfred Hitchcock film in the 20 years I have lived.  Why on earth do you people listen to what I have to say?


jurassic world 1

I don’t actually have any witty segway pun for this Full List, since I’m trying to stay dark on Inside Out.  So, here’s the thing, then, I guess.

Box Office Results: Friday 19th June 2015 – Sunday 21st June 2015

1] Jurassic World

$102,019,000 / $398,230,000

I think I am the only one of my Internet friends – cos I don’t have real friends with the exception of Lucy (*cries profusely*) – who actually likes this, which is always a good thing to have happen when you’re constantly paranoid that what you do and feel is wrong and that you’re bad for doing and feeling those things.  It’s especially more so in this case since, well, Jurassic World is actually a pretty terrible film, yet I like it anyway.  I dunno, maybe I’ll someday get lucky and not be so self-conscious.

2] Inside Out

$91,056,000 / NEW

Staying as in-the-dark as possible until it drops here at the end of next month, since this and Minions have basically swapped places on the release calendar for the UK.  I’m hoping that this will be as good as critics are saying… but critics also gave Monsters University a seal of quality and that was a massive disappointment, so Pixar are still on my Warning List for now.

And, yes, I am aware that a trailer has dropped for Kung Fu Panda 3.  Don’t send me it.  If I’m keeping myself in the dark for a film that I’m honestly not that excited for, then why do you think I would want to watch the trailer for a film that I am on tenterhooks for?

3] Spy

$10,500,000 / $74,374,000

So I feel like I’ve been acting a lot like Jason Statham in Spy whenever the subject of The Peanuts Movie is brought up for whatever reason.  Just me constantly and unfairly going “They’re gonna f*ck it up,” over and over and over and over again, totally blind, thanks to my own prejudices, to the idea that Blue Sky Studios may not actually f*ck it up.

Folks, and I say this with no hyperbole and complete sincerity, Blue Sky Studios may not have f*cked this up.

4] San Andreas

$8,240,000 / $132,229,000

This might end up one of the highest grossing films of the year.  It’s up to $414 million worldwide, after all.  I, err, really did not see this one coming.  OK, then.  Maybe we’ll get lucky and an actually good disaster movie will come from this?

5] Dope

$6,018,000 / NEW

Doesn’t come out here until September 5th, despite looking like as much of a Summer movie as they come.  Unless that was actually the plan all along and its UK distributor is taking advantage of the fact that our one nice week of Summer-like weather is going to come in September!  That’s genius, and I also want to know the secret to their psychic and weather-controlling powers!

6] Insidious Chapter 3

$4,110,000 / $45,370,000

Oh, God, It Follows is due on home media next week!  Guess I’m done putting it off and it’ll be time to watch a film that I know I will love but which will undoubtedly cause me to not sleep for at least three weeks afterwards!  I hate being a wuss.

7] Pitch Perfect 2

$3,300,000 / $177,500,000

Pitch Perfect 3 is officially happening.  I personally think that this is really stretching it, and I say that as a huge fan of the second instalment, but we’ll see when the film comes out, I guess.  Besides, if they’re going to use this as an opportunity to correct the race problems that these films do have, then that’s alright by me.

I mean, they probably won’t, they’ll likely just do number 2 again, but I can hope, can’t I?

8] Mad Max: Fury Road

$2,815,000 / $143,602,000

…I’m out of things to say about this movie, by now.  Or, at least, things to say in the tiny space that I get each week.  Needless to say, I still doubt that anything will surpass it for my Film Of The Year, it’s amazing, and that’s that.  So… yeah.

9] The Avengers: Age of Ultron

$2,723,000 / $451,039,000

Never did get to see this again, sadly, such is the life of somebody who is just terrible at time-management.  Or, more specifically, realising how long stuff actually takes to do.  Since I’ve written something close to 250 or-so articles of similar excessive length in the past two years, you’d think that I’d know how long it takes for me to write one of the damn things by now.

10] Tomorrowland

$2,009,000 / $87,696,000

Tomorrow!  Tomorrow!  This film might not suck, tomorrow!  But it’s always a day away!

Dropped Out: Entourage (AND STAY THE FUCK OUT), Love & Mercy

Callum Petch took a holiday, seven sweet days in Majorca.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

Failed Critics Podcast: Jurassic World & Christopher Lee

christopher leeHuh? Where’s the podcast gone…?

…oh, no…

…IT’S CAMOUFLAGED!

No, wait, here it is. And it looks like Steve Norman and Owen Hughes have spliced together some DNA and created a monster of their own in Mike Shawcross. You might think that’s an insult, but remember, ‘monster’ is relative. To a mouse, a cat is a monster. To Hammer Horror, Christopher Lee is a monster. To our audience, we are monsters.

Anyway, in this episode we review Colin Trevorrow’s new mega-blockbuster box office-record-breaking hit Jurassic World, including both a spoiler free review (as normal) and the return of “spoiler alert” at the end of the podcast after the credits.

Also in this episode: we pay tribute to the iconic Sir Christopher Lee, a true legend of cinema, who sadly passed away last week; as well as running through the original Jurassic Park films and the latest Channel 4 series Humans, Steve actually prepared a quiz this week; Mike explains the problems with The Matrix on blu-ray; and Owen raves about the documentary Paul recommended at the end of last week’s podcast, Electric Boogaloo: The Wild, Untold Story of Cannon Films.

Join us again next week as we review Entourage: The Movie (or whatever it’s called) and Mr Holmes.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE


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US Box Office Report: 12/06/15 – 14/06/15

People f*cking love dinosaurs, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Jurassic World made $204 million, making it the second biggest domestic opening weekend of all-time.

(*drops mic, leaves*)

(*walks back in*)

So, apparently, I have to write more than that for these things.  But, I mean, I’m slightly at a loss as to what to write.  That figure and those numbers kinda tower over everything else, grabbing the eye and the attention so totally that to talk about anything else feels like trying to hold a conversation at a party that’s about anything but the grizzly act of cannibalism that everyone just saw occur in the parlour room moments ago.  You know how ridiculous that opening is?  I ran the opening of Jurassic Park back in 1993 ($47 million) through an inflation converter, and the result ($77 million) was still nearly three times less than what Jurassic World just made.  I am at a loss to explain this, I really am.  Like, I knew that Jurassic Park was a beloved touchstone for a generation of moviegoers, and that everybody loves dinosaurs, but DAMN!

That said, it was not the only film making waves this past weekend.  For, in the land of the limited releases, it was time to unleash Me and Earl and the Dying Girl upon the world.  This year’s Sundance darling, having premiered to a standing ovation and winning the Grand Jury and Audience Prizes for Drama at the festival, critically beloved by most, and looking absolutely and totally motherf*cking INSUFFERABLY GODAWFUL, was launched in the Little Miss Sunshine slot to a pretty great success – $210,000 from 15 screens with a per-screen average of $14,000.  On any other weekend, that would be a per-screen average to kill for, but this was Jurassic World’s weekend and that film managed a per-screen average of $47,871 FROM 4,274 SCREENS.  So, dinosaurs beat sh*tty-looking try-too-hard indie dramedies in the public sphere!  This is information that makes me happy.

Finally, before we get into the part that matters, there’s the issue of Love & Mercy, the biopic of Brian Wilson that came out last week.  Now, as you may know, I didn’t talk about it last week or, in fact, any of the week’s limited releases as I was far too busy making easy jokes at the expense of Entourage – which, as I discovered about 8 hours after that post went live, was letting that film off was too easily – to report on them or the fact that United Passions only made $607 from 10 screens – side note: BWAHAHAHAHAHAHAHAHAHAHA (*continues like so for another 10 minutes).  Besides, I had the feeling that the supposedly great film would make an appearance in the Top 10 eventually, as it was too star-packed, too widely-released, and too critically-slathered to not break in at some point.  Well, it did!  This week, even!  So, there!


jurassic world 2015

This Full List found a way, the clever girl.

Box Office Results: Friday 12th June 2015 – Sunday 14th June 2015

1] Jurassic World

$204,600,000 / NEW

My review is over here, for those of you who are interested.  Ended up digging this one a whole lot, even though it’s got characters that might as well just be breadsticks, dialogue that’s on the level of a five year-old, and themes that are communicated on the same level as that of a first year film studies student with a distrust of the military.  But who cares about any of that when you have dinosaurs fighting each other and Chris Pratt – albeit minus any gratuitous shots of his abs, which is UNACCEPTABLE – both things I’ve wanted since I was 5 years-old?  Not me, that’s for certain!

2] Spy

$16,000,000 / $56,937,000

Very strong 45% hold between weekends, which is very good for an R-rated comedy that is being released in this utterly insane Summer season.  Can I also echo The Playlist’s demand that Melissa McCarthy gets a look-in for the Best Actress race come Oscar season?  She is absolutely phenomenal in this, and I guarantee you that she’ll have put in a better performance than at least half of the people whose names get trotted out in this year’s Battle of Apparently Lowering Standards.

3] San Andreas

$11,010,000 / $119,321,000

…hey, Hollywood.  Can’t help but notice that you haven’t gotten back to me about that goldmine of a film pitch that I gave you last week.  Tell me, do you have a negative disposition towards the act of making money?  Seriously, who doesn’t want to see Chris Pratt and The Rock solving crimes together in a buddy cop movie?  I know that America wants to see The Rock lay the smacketh down on a bunch of candy asses whilst Chris Pratt says something Burt Macklin, FBI-y before The Rock raises his eyebrow inquisitively and humanity collectively creams its pants and explodes in pure glee!

No, seriously, this is pure f*cking gold, Hollywood!  Hit me up about this!  I’ll even convince my actually talented writing friend to sell out his principles to help me write this script, as it is surely guaranteed millions upon MILLIONS of dollars and millions of dollars and millions of dollars!

4] Insidious Chapter 3

$7,300,000 / $37,371,000

Forgot to mention this last week as I was too busy… whatever I was doing last week, but now’s as good a time as any.  If you are writing a box office piece and use the phrase “scares up” when talking about the performance of a horror movie, quit.  Just quit.  Stop writing, resign from your position, and go and do something else with your life.  I am dead serious.  That phrase is so, so old and worn out, that even complete hacks will look at that and go, “Yeah, you absolutely put no effort into this whatsoever.”  I find it a personal insult that professional writers are paid money to be that lazy whilst I slave away trying to find new spins on material and new talking points every week for free.  So if you do use that phrase, quit.  Give your job to people who deserve it.

5] Pitch Perfect 2

$6,000,000 / $170,715,000

This has managed to jump up one place, this week.  People would rather see this again in its fifth week than Entourage in its second week.  Humanity is not totally doomed, folks.

6] Entourage

$4,340,000 / $25,870,000

I saw Entourage last Monday.  If it weren’t for the fact that Me and Earl and the Dying Girl is looming on the horizon like a strategically placed solid object aimed directly at one’s junk that you can’t avoid for whatever reason, I would feel very secure calling this the worst film I will see all year.  It is just so totally abysmal.  Brooker is still reviewing it for this site, but my thoughts were graciously housed by both Movieblort and my friend Charlize of HotMales.net.  They’re absolutely worth a read at either location, I genuinely believe it’s one of the best reviews that I have ever written.

7] Mad Max: Fury Road

$4,130,000 / $138,630,000

Goddammit, I’ve been too busy to find the time to see this a third time.  If I get lucky, it might hang around next week and I’ll be able to squeeze it between the new releases (otherwise known as the films I don’t give a sh*t about), but otherwise my chance has been and gone.  Sigh.  I’d say “at least I saw it twice”, but we all know that twice is nowhere near enough cinema-based viewings of Fury Road.

8] The Avengers: Age of Ultron

$3,641,000 / $444,743,000

I am excited and optimistic for Ant-Man.  There, I said it.  Revoke my “Film Critic” pass if you want, I don’t give a sh*t.  It’s the truth and it’s how I feel.

9] Tomorrowland

$3,417,000 / $83,607,000

OK, homework for us all: let’s all watch The Iron Giant, The Incredibles, and Ratatouille prior to meeting back up next week.  We’re not actually going to talk about or do anything with them, it’s just always worth having seen those films.  Great?  Great.

10] Love & Mercy

$1,765,000 / $4,774,000

Here’s a scene from Walk Hard.  Go and watch Walk Hard.  This is not optional.

Dropped Out: Aloha, Poltergeist

Callum Petch only cares about that thing, that thing, that thing.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

Jurassic World

Jurassic World is honestly kind of a bad film, but I love it anyway.

by Callum Petch (Twitter: @CallumPetch)

jurassic worldThere’s this thing about irony: if you coat enough of your work in it, it can lead a critic to become genuinely confused as to where the intentional faults and flaws end and the unintentional ones begin.  It’s honestly a pretty brilliant tactic, cos how am I supposed to know what is an intentional mistake and what isn’t when almost the entire point of the movie is being drowned in irony and satire?  Especially when the film itself calls out in-universe its satirical and ironic aims and intentions.

Jurassic World is a film that swims in irony, perhaps too much for its own good, occasionally appearing to use that as a defence mechanism for the rest of the film.  Is the fact that almost every last dinosaur is a never-quite fully convincing CGI effect a comment on modern filmmaking’s detrimental obsession with CGI or just a detrimental obsession with CGI?  Is the film’s constant product-placement, that is even a minor plot point and a point of contention for one of the park’s staff members, a wink and nod to its blatancy in modern blockbusters, with its eventual destruction a cathartic blow to such a practice, or just blatant cost-subsidising product placement?  Is the fact that the film really isn’t at all scary an acknowledgement that we’re no longer frightened by things that have become institutions, and the failure of the I-Rex to change that being a comment that you can’t just manufacture scary things by throwing a bunch of scary ideas in a blender and printing the resulting concoction, or just a failure on the part of director Colin Trevorrow?

Again, it’s difficult to know where the intentional faults end and the genuine faults begin.  Is the fact that much of the movie is all about shaming emotionless Cylon Claire (Bryce Dallas Howard, not actually a Cylon) into understanding that these animals are animals, dammit, and not just numbers on a spreadsheet – as well as being shamed into realising that work should not be everything and that family, specifically visiting nephews Zach (Nick Robinson) and Gray (Ty Simpkins), are deserving of time and attention too a sly parody of such “women shouldn’t science or business” plots or just poor writing that ends up lapsing unintentionally into that area?  Speaking of, is her relationship with Owen (Chris Pratt) a purposefully ridiculous demonstration of how fast, frivolous, and ultimately pointless these sorts of obligatory romances in blockbusters are, filled with awkward implications and such, as a “take that” to their continued existence, or is it just all of that with none of the parodic undercurrent?

I could keep going on and on and on – applying this same uncertainty to things like the film’s barely one-note characters, its sledgehammer subtle digs at the military, its unresolved plot threads that are just blatant sequel-teasing, the fact that Owen is quite literally portrayed and characterised by the film as The Greatest Human Being Who Ever Lived and whose sneezes can probably cure cancer – but hopefully you get the point.  Since Jurassic World announces from practically the first frame that this is going to be a film with a meta-text about the state of filmmaking today running through it, it eventually reaches the point where one just has to question if it’s only doing so as a pre-cautionary defence in case everything went wrong; the equivalent of slipping on a banana peeling, falling, breaking six bones, and proclaiming, “Totally meant to do that!”  I’m glad that we have another blockbuster, the second in two months no less, that wants to say something instead of just being pretty lights and loud explosions, but the sheer extent of its commitment (?) to this theme and message for much of the film’s runtime arguably does it more harm than good.

See, by traditional metrics and what we usually define as ‘good filmmaking’, Jurassic World is a bad film.  Its characters are barely the definition of one-note, its dialogue is not corny enough to be corny, it’s not scary, the dinosaurs and the humans never give off the illusion that they share the same reality as one another barring one sequence that only serves to make that fact even more clear, there are some plot turns and developments that scream “last minute sequel-opening rewrite”, its desperate desire to be Aliens sometimes does it no favours (more on that in a sec), its extreme pacing means that there’s barely time for everyone to get their bearings before the I-Rex breaks free, and the Owen and Claire stuff – despite Chris Pratt being on a full-on “come on, come fall asleep on my abs” charm offensive – never works and never stops feeling token at best.

But, goddammit, do I love this friggin’ movie anyway.

Jurassic World is nonsense.  Jurassic World is absolute nonsense and, goddammit, do I love it for that, because it is massive amounts of pure fun!  That meta-text may sound like it drowns the film in humourless detachment, but it still bristles with pure glee at its various setpieces and ideas.  That sprinter’s pacing is like the film is just desperately trying to get to them out of palpable excitement: “No, folks, seriously, there’s a moment where the I-Rex fights an Ankylososaurus!  Hold on, I’m just gonna hit the fast-forward button so we can get there quicker!  I can’t wait to see the look on your faces, you are going to flip!”  In a way, it’s rather analogous to Zach’s character in the film, as the big brother who doesn’t seem like he wants to be here at all, but is not immune to the pleasures of seeing a Mosasaurus eat an entire shark in one bite.

This glee at being able to fling full-scale mayhem about the place does occasionally cross over into being rather mean-spirited – the Pteranodon setpiece is a load of fun but is tainted by one extended and really unnecessarily cruel death sequence – but mostly sticks on the right side of that line.  Mainly by being Aliens.  I’m not kidding, Jurassic World lifts so much from Aliens’ playbook that I’m expecting James Cameron’s lawyers to be sicced on Universal any second now.  Precocious children?  Check.  A mother figure who puts herself in harm’s way despite wishing not to in order to keep those children safe?  Check.  One capable partner whom she eventually bonds with despite prior reservations?  Check (minus the romance part in Aliens for we all know that no man can tie Ellen Ripley down).  That same endless breathless rush from one setpiece to the next once the release valve is turned?  Check, check, check!

Now, of course, these are all traits that are not specific to Aliens, but the similarities don’t stop there.  There’s even a Weyland-Yutani equivalent in the form of InGen, a corporation who have got their mitts all over Jurassic World, even the parts that no-one else knows about, and who have really just the worst and stupidest ideas.  Those raptors that Owen is trying to tame are being bred to become weapons of war, loyal and efficient comrades of soldiers in the field, whilst you gain absolutely no surprises for guessing that they’ve been involved in the creation of the I-Rex and that their refusal to be forward about what went into the thing is very bad for everybody involved.  They’ve got a representative, played by the great Vincent D’Onofrio, who is such a smug asshole that you can imagine he drives his car to work on a personal make-shift carpet of baby seals.  And there is even a setpiece in the film’s ridiculously fun final third that is so startlingly similar to the first Xeno ambush at Aliens’ halfway point that I’m still not sure that the projectionist didn’t just splice in some footage from that briefly.

This is sometimes to Jurassic World’s detriment, when it is being so blatant in its Aliens referencing that it distracts from the quality of the film itself, but it manages to get away with it by being Aliens in spirit, rather than in flesh.  These are two films that share similar makeups and similar traits, but still feel fundamentally individual.  This is still a Jurassic Park movie at its core, it’s got that same sense of wonder and the same sense of awe and spectacle, but it’s also a Jurassic Park movie that realises that trying to be just Jurassic Park again won’t work.  The core can still be the same, but everything else needs a change-up.  So why not take from the playbook of Aliens and go bigger, more action-packed, more crowd-pleasing, and fundamentally different, whilst not losing sight of the core of your series, instead of just doing the first film again?

Jurassic World is not a film that is going to win any awards for storytelling, or for character-work, or pacing, or thematic depth or anything of that sort.  Again, take it on traditional merits for what we consider ‘good filmmaking’ and it’s honestly a mess and kinda terrible.  But the film instead succeeds on something far more valuable to me: fun.  Wonder.  Pure entertainment.  I don’t hold Jurassic Park up to the same unassailable nostalgic standard as most do, although I do still really like that movie, and even I felt my heart stir and soar at our first introduction to the new park as John Williams’ classic theme overtook the soundtrack.  And when the film takes off the safety and goes all-out in the crazy, ridiculous nonsense, including an absolutely wonderful finale that aimed directly for my inner 5 year-old and did not miss?  Oh, it is right up there with Mad Max: Fury Road for the most amount of fun I’ve had at the cinema this year.

So, in a way, I guess Jurassic World really is like a theme park.  It’s emptier than it lets on, hides behind the “I meant to do that” defence for anything that goes wrong, and kinda falls apart if you think too much about it.  But if you just sit back, let go, and allow the pure fun of the whole thing to overtake you, then nothing else matters because HOLY YES THAT LAST SETPIECE YES OH MAN!  And, really, shouldn’t we all just let go and give into stupid fun nonsense a little more often?

Callum Petch was ready for the flight.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

Failed Critics Podcast: Spy, United Passions and Utter Filth

uwe bollWhat happens when you reunite the filthy minds of [The Mirror’s film correspondent] Paul Field and Andrew Brooker on the same podcast as Steve Norman and Owen Hughes?

If you guessed “clean, mild mannered discussion on various films in the cinema” then you’d be wrong. This episode is explicit with a capital E. And a capital X, P, L, I, C, I and T as well. You have been warned! Although there are still plenty of films discussed this week.

Together, in-between the carnage, the team manage to put together 80 minutes of semi-coherent chat, starting as ever with a tightly poised quiz (+ results from last week’s United Passions defence) and discussing the latest from the world of film news, including Jurassic World‘s initially poor reception and Hugh Jackman relinquishing his most famous role.

We also discuss a number of new releases in the cinema this past week, including:  Paul Feig’s comedy Spy, starring Melissa McCarthy, Jason Statham, Jude Law, Rose Byrne and Miranda Hart;  the confusingly titled studio horror prequel Insidious: Chapter 3;  James McTeigue’s latest attempt to save his career with crime thriller Survivor;  and the FIFA propaganda film that’s convincing nobody, United Passions.

As well as that, Brooker discusses Alex Garland’s Ex Machina;  Owen flips his opinion around on The Redwood Massacre;  Paul has two very different opinions on the terrifying We Are Still Here and bizarre sleep paralysis documentary The Nightmare;  and Steve tries to raise the tone with a review of Billy Elliot… but quickly plummets back down to our usual depths.

Join us again next week as we review (amongst other things) Colin Trevorrow’s adventure sci-fi, Jurassic World.

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US Box Office Report: 05/06/15 – 07/06/15

America chose… wisely! Spy rules, Entourage drools, Insidious pulls… in crowds, OK, this headline has failed totally, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

I don’t think that I’m exaggerating when I say that this weekend’s box office battle was quite literally between good and evil.  On the side of good: Spy, the best comedy to come along in a year, and one that is quietly yet brilliantly progressive, boasting outstanding performances, and led almost entirely by excellent female comedians who are getting their deserved shots at the limelight.  On the side of evil: Entourage, a piece of pure f*cking garbage, based on pure f*cking garbage, made by and for pure f*cking garbage.  Except for Brooker, he’s alright.  The outcome of this fight would prove seismic, can good movies aimed at a female audience triumph over pure f*cking garbage aimed at dude-bros, humanity’s collective walking pieces of human f*cking garbage?

For once in this miserable cesspool that is humanity, good won out.  Good won out big!  Spy opened in first place with a very respectable $30 million.  Whilst that’s $9 million less than The Heat opened to in 2013, that is a very good number considering that Spy had mediocre to poor trailers and marketing, and had to open against a horror movie and Insidious Chapter 3.  Plus, considering the fact that the comedy landscape is free until Ted 2 at the end of the month, it’s guaranteed decent legs over the coming weeks!  We did it everyone!  We actually did it!  Everything is going to be OK!  It is all going to be O. K!

As for those terrifying journeys into worlds of misery populated by evil spirits who wish to do us all harm, Insidious Chapter 3 ended up the victor in that battle, bringing home a very good $23 million.  That’s admittedly still a very large drop from Chapter 2’s $40 million opening, and it was still very front-loaded, but Chapter 2 wasn’t released in the Summer and had absolutely no competition that weekend.  Besides, a $23 million opening for a horror movie is definitely not something to sniff at.  So I hope you’re all looking forward to being drowned in these apparently-great (?) films for years to come!  I have no idea why I wrote that so sarcastically, I shouldn’t get sniffy at good horror movies doing good business just cos I selfishly want their trailers to stop appearing before films that won’t give me mini-heart attacks due to my major wussiness.

And as for Vinny and the boys?  Well, Entourage blew hot steaming chunks.  And the box office of the film wasn’t so great either.  Over the three day weekend, it could only manage $10 million for a really pathetic $3,000 per-screen average.  “But the film opened on a Wednesday,” I hear you cry!  “Surely those extra two days will have provided an opening worthy of the once proud star of James Cameron’s Aquaman which is apparently a real thing that happens in Entourage at some point?”  Well, keep dreaming, brah, as Entourage’s five-day total stalled out at $17 million, which still left it stuck in fourth place!  The system works!  The terrible disaster movie failed!  Meanwhile, San Andreas took second with a shockingly great 50% drop between weekends.

I can keep making these awful jokes all day, folks.


spy

This Full List wants you to hug it out, bro.

Box Office Results: Friday 5th June 2015 – Sunday 7th June 2015

1] Spy

$30,000,000 / NEW

Saw it again on Friday night with a nice big crowd, which is exactly the way that one should experience a good comedy.  God, this film is so brilliant!  I’m actually tempted to check out Miranda, which has always looked like insufferable tripe to me, thanks to Miranda Hart’s brilliant performance in this.  I’m jealous of Paul Feig’s ability to assemble perfect casts with seemingly little effort, I really am.

2] San Andreas

$26,440,000 / $92,163,000

This is actually going to cross $100 million domestic by next weekend.  Gonna be honest, I did not see that coming at all.  Even after last weekend’s surprisingly great opening, I thought for sure that this would collapse spectacularly after word got out that it was really crap, but I guess Mr. The Rock holds way more sway than even I thought he did.  Of course, next weekend, everyone’s newest crush, Chris Pratt, arrives to take what’s his, so expect San Andreas to take a tumble.

Hang on a minute…  Million dollar idea: buddy-cop movie starring Chris Pratt and Mr. The Rock!  How has this not already been optioned?!  Call me, Hollywood!  I’ll have the script ready for you in a week!

3] Insidious Chapter 3

$23,000,000 / NEW

I will never see these movies.  I don’t hate them or anything like that, I’m just way too much of a wuss for jump-scare horror to ever want to see them.  I prefer my terror to come from constant unsettling wrongness instead of the film equivalent of a song by a bad Pixies imitator.  It’s not for me, and I’m OK with that.  It’s not ruining humanity.

4] Entourage

$10,420,000 / $17,805,000 / NEW

(*buries head in hands and makes strangulated noise of pure disgust*)  I have to see this tonight, and I really am not looking forward to it at all.  I had planned to watch as much of the show as I could have before seeing the film, but I only made it through 4 episodes before tapping out.  I couldn’t do it.  I just couldn’t.  They are all terrible people!  The show is so ragingly sexist it makes Love Actually look like f*cking Thelma & Louise!  There are no dramatic stakes, no actual satire, and no reason to care about any of these raging assholes!  WHY DO PEOPLE LIKE THIS?!

God, I have to follow Spy with this.  That’s like chasing down a delicious Ham and Turkey Subway with a Gin and Tonic comprised of vomit and dick cheese.

5] Mad Max: Fury Road

$7,970,000 / $130,804,000

This will collapse next week when Jurassic World comes a-calling, but it has now doubled its budget worldwide, pretty much guaranteeing an overall profit.  We’re all OK, folks.  We’re all OK.

6] Pitch Perfect 2

$7,700,000 / $160,982,000

There’s the big fall!  This will cross $250 million worldwide this week, and should also pass both The Spongebob Movie and Fifty Shades of Grey to become the fifth highest-grossing film of 2015 domestically by the time we reconvene next week, in any case.  I know that we film critics aren’t supposed to be interested in the business side of things, for whatever reason, but it still does my heart good all the same to see quality films rewarded with large stacks of cash!

7] Tomorrowland

$7,022,000 / $76,236,000

As a possible result of this film failing, Disney has cancelled production on Tron 3, like I needed even more reasons to strongly dislike this bad movie.  I mean, I’m not surprised – I am a legitimate and unironic Tron fan, I am used to disappointment by now – but I am still sad all the same.  Tron: Legacy was fun, dammit!  I need another Daft Punk score in my life, dammit!  YOU NEVER FORMALLY CANCELLED THE EXCELLENT TRON: UPRISING, DISNEY!  AT LEAST BRING THAT BACK!

8] The Avengers: Age of Ultron

$6,201,000 / $438,015,000

Age of Ultron has just passed the last Harry Potter to become the fifth highest grossing film of all-time worldwide.  Got a feeling the superhero boom isn’t going away for a while yet.  In fact, rather than having everyone moan about that again, can we maybe instead direct our ire at a recent glut of films that are actually even more interchangeable and irritating than superhero films?  I am, of course, referring to Young Adult Adaptations.  Yeah.  Why do I have to sit through seven thousand thinkpieces and complaints about comic book movies, yet the Divergents and Maze Runners of this world get by with nary a shrug of the shoulders?  Y’all do know that The Hunger Games existing doesn’t give this mostly-awful subgenre a pass, right?

9] Aloha

$3,300,000 / $16,342,000

Bwahahahahahahahahahahahahahahahahahahahahahaha!!!!

10] Poltergeist

$2,850,000 / $44,452,000

(*in creepy horror movie child voice*) They’re leaving.

Dropped Out: Far From The Madding Crowd, Hot Pursuit, Home

Callum Petch wants to ride on a white horse.  Follow him on the Twitters (@CallumPetch)!