Tag Archives: Kung Fu Panda 3

Front Row with Owen and Paul: Eating Hats

Front Row Logo

Welcome to the series finale of Front Row with Owen and Paul. Even though there wasn’t a radio show this week, hosts Owen Hughes and Paul Rutland still got together to record a special podcast-only episode. As an extra special treat, they even dragged along another special guest in Helen Thain for a chat about BBC drama The Night Manager and binge-watching box-sets.

As ever, we still included both a movie review and sports round-up. Owen tried to find the positives in the latest DreamWorks Animation, Kung Fu Panda 3, whilst Paul has a bone to pick with Owen over a comment from last week.

The show will be back on Bucks101 Radio in some form or another within the next 3 weeks, but for now, thanks to everybody who listened to the radio show and downloaded any of our podcasts. If you’d like to leave us a review on iTunes, you can do so here.

There was no actual music played on this week’s podcast, but here’s a playlist of the stuff we would have played anyway:

Listen to the full playlist of every track we’ve had on Front Row via YouTube.

Right click and choose ‘save as’ to download the podcast as an MP3

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Failed Critics Podcast: Zootopiatropolisplace

zootropolis

This week’s episode of the Failed Critics Podcast features Callum Petch, returning for the first time in 2016, to join both Steve Norman and Owen Hughes for four new-release reviews.

With the latest entry in the Divergent Series franchise, it seemed almost impossible to record a show without Callum’s input on Allegiant – particularly after his last appearance on the pod the week after the previous instalment, Insurgent, came out! Continuing to play to Callum’s strengths this week, there are two new animated movies out. As if it wasn’t already well set up for him with a new Dreamworks Animation out, Kung Fu Panda 3, there’s also a new Disney film (Zootopia / Zootropolis / whichever it is wherever you’re from) which has already set the standard by which to judge all other movies this year – or, at least, that’s what Callum says.

As well as this, Steve and Callum have a chat about 2008’s monster-movie Cloverfield ahead of the upcoming 10 Cloverfield Lane, whilst Owen reminisces about the 90’s and watching cult comedy Beavis & Butt-Head Do America. In the news this week, we also take a look at the Indiana Jones 5 announcement, Han Solo casting news and the furore over Spider-Man’s cameo in the Civil War trailer.

Join us again next week for our 202nd episode. Yep. We’ve recorded 201 of these things so far. It’s as astonishing to us as I’m sure it is to you too.

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US Box Office Report: 19/06/15 – 21/06/15

When dinosaurs ruled the box office, Inside Out/Inside Win, people sadly Just Say “Nope” to Dope, Manglehorn gets mangled, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Before we move on, a brief apology and correction.  Last week, we reported that Jurassic World had scored the second-highest opening weekend of all-time at the domestic box office with $204 million.  Well it turns out that we misreported those numbers and I would like to apologise for that.  Jurassic World actually made $208 million and is, therefore, actually the highest grossing opening weekend of all-time domestically.  The Avengers has, in fact, been dethroned.  In my defence, I can only work from the estimates, since the actuals don’t come in until late-afternoon on a Monday and I have sh*t to do then, which is why these get written on a Sunday night.

Hence why I don’t want to make any definitive statements regarding Jurassic World’s box office performance this weekend, record-wise.  Whatever happens, it is finishing in first place, but the box office records are what’s in contention.  Currently, the film is sat on $102 million for its second weekend, which puts it almost exactly $1 million below The Avengers’ record-breaking second weekend, but the numbers are so close that, and since Universal under-estimated last weekend, there is every chance that Jurassic World’s actuals will push it higher than The Avengers after all.  It’s already a pure and total unstoppable juggernaut that will pass $400 million domestic by lunchtime, so it’s not like this is much of a stretch.  Just saying, if it does happen, you can’t say I got it wrong, cos I’m not definitively saying anything!  So there!

What will be indisputable, unless some kind of catastrophic error causes 15 million bucks to mysteriously go missing between now and the actuals coming in, is the success of Inside Out, which now holds the record for the biggest domestic opening weekend ever for a non-sequel non-adaptation, taking the title from Avatar’s $77 million opening weekend back in December of 2009.  I mean, technically one could argue that it does count as a sequel in the sense that it’s a part of the Pixar brand that might as well be a franchise unto itself by this point, but I’m just going to block that out and savour this Avatar-crushing moment.  Aaaaaahhhh… that feels good.

Unfortunately, all this wantonly spent cashola had to skip out on one of the week’s releases, and that poor sod ended up being the Sundance hit Dope, which bravely launched on 2,000 screens but could only manage $6 million for fifth place because, well, it went up against Pixar and dinosaurs.  I applaud the bravery of Open Road Films for putting a black film out there as an option for mainstream audiences, but they were never going to win this one.  Similarly failing to lift off, albeit in limited release, was the new David Gordon Green film, Manglehorn.  Even with Al Pacino apparently deciding to try this whole “acting” thing again to see what that was like, the film couldn’t really get butts in seats, possibly due to mediocre critic reviews, and it only made $13,000 from 3 screens.  But, hey!  This should hopefully not discourage Al Pacino’s decision to start acting again!  Last thing we need is him crawling back to Adam Sandler.

Fun Fact: I have seen all of Jack & Jill but only one Alfred Hitchcock film in the 20 years I have lived.  Why on earth do you people listen to what I have to say?


jurassic world 1

I don’t actually have any witty segway pun for this Full List, since I’m trying to stay dark on Inside Out.  So, here’s the thing, then, I guess.

Box Office Results: Friday 19th June 2015 – Sunday 21st June 2015

1] Jurassic World

$102,019,000 / $398,230,000

I think I am the only one of my Internet friends – cos I don’t have real friends with the exception of Lucy (*cries profusely*) – who actually likes this, which is always a good thing to have happen when you’re constantly paranoid that what you do and feel is wrong and that you’re bad for doing and feeling those things.  It’s especially more so in this case since, well, Jurassic World is actually a pretty terrible film, yet I like it anyway.  I dunno, maybe I’ll someday get lucky and not be so self-conscious.

2] Inside Out

$91,056,000 / NEW

Staying as in-the-dark as possible until it drops here at the end of next month, since this and Minions have basically swapped places on the release calendar for the UK.  I’m hoping that this will be as good as critics are saying… but critics also gave Monsters University a seal of quality and that was a massive disappointment, so Pixar are still on my Warning List for now.

And, yes, I am aware that a trailer has dropped for Kung Fu Panda 3.  Don’t send me it.  If I’m keeping myself in the dark for a film that I’m honestly not that excited for, then why do you think I would want to watch the trailer for a film that I am on tenterhooks for?

3] Spy

$10,500,000 / $74,374,000

So I feel like I’ve been acting a lot like Jason Statham in Spy whenever the subject of The Peanuts Movie is brought up for whatever reason.  Just me constantly and unfairly going “They’re gonna f*ck it up,” over and over and over and over again, totally blind, thanks to my own prejudices, to the idea that Blue Sky Studios may not actually f*ck it up.

Folks, and I say this with no hyperbole and complete sincerity, Blue Sky Studios may not have f*cked this up.

4] San Andreas

$8,240,000 / $132,229,000

This might end up one of the highest grossing films of the year.  It’s up to $414 million worldwide, after all.  I, err, really did not see this one coming.  OK, then.  Maybe we’ll get lucky and an actually good disaster movie will come from this?

5] Dope

$6,018,000 / NEW

Doesn’t come out here until September 5th, despite looking like as much of a Summer movie as they come.  Unless that was actually the plan all along and its UK distributor is taking advantage of the fact that our one nice week of Summer-like weather is going to come in September!  That’s genius, and I also want to know the secret to their psychic and weather-controlling powers!

6] Insidious Chapter 3

$4,110,000 / $45,370,000

Oh, God, It Follows is due on home media next week!  Guess I’m done putting it off and it’ll be time to watch a film that I know I will love but which will undoubtedly cause me to not sleep for at least three weeks afterwards!  I hate being a wuss.

7] Pitch Perfect 2

$3,300,000 / $177,500,000

Pitch Perfect 3 is officially happening.  I personally think that this is really stretching it, and I say that as a huge fan of the second instalment, but we’ll see when the film comes out, I guess.  Besides, if they’re going to use this as an opportunity to correct the race problems that these films do have, then that’s alright by me.

I mean, they probably won’t, they’ll likely just do number 2 again, but I can hope, can’t I?

8] Mad Max: Fury Road

$2,815,000 / $143,602,000

…I’m out of things to say about this movie, by now.  Or, at least, things to say in the tiny space that I get each week.  Needless to say, I still doubt that anything will surpass it for my Film Of The Year, it’s amazing, and that’s that.  So… yeah.

9] The Avengers: Age of Ultron

$2,723,000 / $451,039,000

Never did get to see this again, sadly, such is the life of somebody who is just terrible at time-management.  Or, more specifically, realising how long stuff actually takes to do.  Since I’ve written something close to 250 or-so articles of similar excessive length in the past two years, you’d think that I’d know how long it takes for me to write one of the damn things by now.

10] Tomorrowland

$2,009,000 / $87,696,000

Tomorrow!  Tomorrow!  This film might not suck, tomorrow!  But it’s always a day away!

Dropped Out: Entourage (AND STAY THE FUCK OUT), Love & Mercy

Callum Petch took a holiday, seven sweet days in Majorca.  Listen to Screen 1 on Hullfire Radio (site link) and follow him on the Twitters (@CallumPetch)!

US Box Office Report: 24/04/15 – 26/04/15

The Age of Adeline is not upon us, Little Boy makes child-sized money… basically, filmgoers opted to not see the crap that came out this week, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

…look, nothing came out this week.  It’s the weekend before The Avengers, or it is the weekend of The Avengers if you live in the specially designated half of the world, and every movie studio worth their salt knows that you release jack in the week before and after that Galactus-sized money-hoover.  After all, what’s the point when The Avengers will just swallow up any and all potential revenue for your film near-immediately?  This does make me question why Mad Max: Fury Road and Pitch Perfect 2 are opening two weeks after instead of three to make absolutely certain that they can bank a nice amount of cash… but, then, I’m not the guy who has to deal with the utterly ridiculous Summer 2015 release schedule, so what do I know?

In fact, side note: can 2015 just end after the weekend of May 15th?  Like, just stop and move onto 2016?  I’m seeing Mad Max: Fury Road and, more importantly, Pitch Perfect 2 on the same day with the bestest and closest friend I have, who’s also staying for the weekend.  The year’s not going to get any better than that, it may as well just pack up and go home.  Anyways…

So, since nothing came out, audiences decided to take one last ride with Vin Diesel, Paul Walker and the whole gang before The Avengers supplants the “surrogate family”-driven film fix that we all so desperately crave.  Furious 7 held onto the top spot for the 4th weekend in a row with $18 million in ticket sales.  Close behind it – OK, about $2.5 million behind it, but that’s still way too close for me – was the excretable Paul Blart: Mall Cop 2 which somehow retained 65% of its opening weekend audience and came away with $15.5 million in ticket sales.  It’s still trailing how the first Paul Blart was doing at this time by about $20 million, but that still doesn’t guarantee that we are safe from a sequel just yet.  I mean, we already got one!  I now have to go through my life in constant fear that Kevin James might force another one of these upon me!  I don’t like living in fear, you guys!

In any case, some films did come out this week.  It’s just that, like Paul Blart, they all stank to high heaven.  Widest-releasing, and therefore the one that actually charted, was The Age of Adeline, a film so confident in its construction and qualities that it actually lists one of its two screenwriters twice on its poster.  (EDIT: my good friend Jackson Tyler has informed me that it’s a WGA thing.  Still seems weird and ridiculous, mind.)  It actually beat Furious 7 on Friday, until everybody collectively realised that they could be watching good movies instead, where upon it finished the weekend in third with about $13 million in ticket sales.  Next up was Little Boy, a film that… you know what, how about I just post the Wikipedia synopsis and see how long it takes for you to realise why this film has not exactly won over the critical press…

The story centers on a 7-year-old boy, Pepper Flynt Busbee, who uses magic powers produced by his faith to end World War II and bring his father home.

yeah.  It only managed $2.8 million from 1,045 screens for a pathetic $2,708 per-screen average.  Then we have Russell Crowe’s directorial debut, The Water Diviner.  Despite, according to himself, being a much more talented movie director than any other movie director alive today, because he’s been in 41 movies which means he knows more about directing than someone like Ridley Scott, nobody much seemed to care about his movie.  The film managed a meh $1.25 million from 320 screens and a sub-$4,000 per-screen average.  But, hey, at least it wasn’t Child 44!  Poor, poor Child 44.  I’d feel kinda bad for both of these films if they weren’t so uninterestingly rubbish.


furious 7 2

The age of this Full List is none of your business, you rude young man!

Box Office Results: Friday 24th April 2015 – Sunday 26th April 2015

1] Furious 7

$18,259,000 / $320,536,000

This will close having out-grossed 2014’s actual Highest Grossing Film Domestically, The Hunger Games: Mockingjay – Part 1, and what is technically its Highest Grossing Film Domestically, American Sniper.  More importantly, this week, and this is even with Age of Ultron coming in hot, it will become the 4th highest grossing film worldwide of all-time and has a good shot of closing extremely close to The Avengers’ $1.5 billion.  Once again, if I see ANY “The Box Office Is DYING!” think-pieces this year… words have not yet been invented that can convey the strength of my response.

2] Paul Blart: Mall Cop 2

$15,500,000 / $43,950,000

Now, I realise that I didn’t provide an actual professional or traditional review of this film when I subjected myself to it a few weeks back.  Some of you may wish for a second review, one that actually discusses the movie and properly conveys its various qualities and failings.  Well, you are in luck, cos I’ve got one right here for you!  Are you ready?

(*hits head on desk repeatedly for about 5 minutes*)

That’s your professional review of Paul Blart: Mall Cop 2.

3] The Age of Adeline

$13,375,000 / NEW

Age of Ultron has already banked $201 million at the countries it managed to roll out to this past weekend.  Think it has any chance of breaking $2 billion?  Think it has any chance of breaking the $200 million opening weekend the first Avengers had in America?  All of this, I feel, depends on whether everybody agrees with Owen – who really doesn’t like it and is wrong – or myself – who finds it great but doesn’t love it like he did the first one, and is right.  Time will tell soon enough, folks.  Time will tell.

4] Home

$8,300,000 / $153,784,000

Despite being a legitimate success, Home has only just now been able to double its production budget worldwide.  Goddamn, even when they have a success, DreamWorks are still constantly teetering on the verge of oblivion!  Kung Fu Panda 3 was moved to late-January, recently, and I’m still worried that that’s going to crash and burn!  Do you see what you’re doing to me, DreamWorks?  DO YOU?!  Don’t you dare go dying on me now, ya hear!

5] Unfriended

$6,244,000 / $25,158,000

So this is apparently actually good?  Well, not if you believe the public – this has plummeted 60% between weekends – but the public wouldn’t know a good horror movie if it appeared out of nowhere and inflicted some kind of blender-based violence upon them; they mostly rejected It Follows, after all.  According to critics and horror fans, this is apparently rather good.  Huh, colour me surprised.  I’ll know for certain, in any case, when I subject Lucy to it this coming Friday.

6] Ex Machina

$5,441,000 / $6,920,000

Oh, yeah, this movie!  This actually expanded nationwide after a string of strong reviews and a fantastic pair of limited release weekends, so for a hard sci-fi with next-to-no real advertising behind it and only critical and art-house buzz this is a really good performance!  Yay for Alex Garland!  I don’t love this film like everyone else – mainly because, in typical Alex Garland fashion, he drops the ball on the ending, and there are a few structural choices that undermine its strongest thematic through-line – but I’m happy to see him do well.

7] The Longest Ride

$4,365,000 / $30,398,000

This has now done better than The Best (THE BEST THE BEST THE BEST THE BEST THE BEST) of Me, but is still one of the lowest-grossing Nicholas Sparks adaptations ever.  Can we finally put this guy’s brand/schtick out to pasture now?  Please?

8] Get Hard

$3,905,000 / $84,066,000

Because I know that some of you are curious: “Lucy” is Lucy Meer, my co-host of Screen 1, Monday nights at 9PM BST on Hullfire Radio.  The fact that you don’t know that means that you don’t listen, and that fact hurts my feelings.

9] Monkey Kingdom

$3,551,000 / $10,258,000

Monkeys are amazing.  That is all.

10] Woman In Gold

$3,501,000 / $21,635,000

The Voices is available on DVD and Blu-Ray from all good video shops on July 27th.

Dropped Out: Insurgent, Cinderella

Callum Petch can’t read about it, burns the skin from his eyes.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!