“I hope you’ve been watching closely.”
In 2013, The Transporter director Louis Leterrier brought a little ensemble heist caper to the screen with Now You See Me. With aspirations to be the next Ocean’s Eleven, the film added a cool magical element to spice things up a little from the norm and hopefully make it stand out from the crowd. Sadly, the film set up well, went in a good direction but ultimately shot it’s load early, leaving a limp and disappointing ending.
So of course, we needed a sequel.
A year after successfully escaping the FBI and convincing the world that one of them is dead, the Four Horsemen are itching to get back into the limelight. Our heroic magicians, playing out their own Robin Hood story are finally handed their latest mission by the secret society that they are a part of, The Eye.
When their latest series of tricks set to expose and embarrass another upstanding asshole goes horribly wrong, The Horsemen find themselves the targets; not just of the local law enforcement agencies, but from a faceless voice who has a job for them. Foiling their escape and dropping the magicians off in Macau, the owner of the voice reveals himself to be technology prodigy Walter Maybry; a man with a somewhat personal issue with the wand waving band of thieves. Having been sent off to steal a super computer chip, the Horsemen must find a way to pull off their heist, expose the psychotic tech genius and keep themselves alive and out of a cell.
*Almost* the whole gang is here. Jessie Eisenberg’s Danny Atlas, Dave Franco’s Jack Wilder and Woody Harrelson’s Merrit McKinney all return as the Horsemen, led by – SPOILERS IF YOU HAVEN’T SEEN THE FIRST FILM – Mark Ruffalo’s Dylan Shrike. Out for the sequel are Isla Fisher and director Leterrier. In are replacement Horsewoman? Horselady? Lizzie Caplin as Lulu; new director John M. Chu (the man behind such hits as Step Up 2 and GI Joe: Retaliation) and shiny new bad guy Daniel Radcliffe as Walter Maybry.
The film plays more or less the same beats as the sequel to the film the original was copying. That is to say, we are sitting down to watch a magical Ocean’s Twelve. With a little added stupidity.
Maybry has dragged the illusion loving tea leaves into his diabolical little plot because they messed with him and his interests in the first film. He’s also recruited McKinney’s twin brother Chase, who is basically Woody Harrelson, with Matthew McConaughey’s worst, most permed, romcom hair and an awful soul patch. As the story twists, turns and appears to unravel in front of you; nothing is as it seems as we build towards our big reveal.
Sadly, the sequel has the same pitfalls as the first. There are some really good ideas, some interesting set pieces and I am really liking the slightly more comedic tone the film takes. And I’ll be honest, the trailer for this film has had me intrigued for a little while. Specifically, I wanted to know what the hell – the unusually bearable – Jessie Eisenberg was doing in the rain and the context to the whole thing. I’ve got to say, it’s probably one of the coolest scenes I’ve seen recently. But I won’t ruin anything, mainly because it’s part of the third act but it is a butt load of fun to watch. Equally excellent is the team’s effort to steal the computer chip central to this whole story. A five minute long, beautifully choreographed set piece that had me enthralled the entire time.
If only the rest of the film was as good as these scenes.
For a heist movie, it’s clever, it’s a bit of fun and for the most part it’s a decent film. I’d even call it a good old romp. But like its predecessor, it leads to a damp squib of an ending that is far too convoluted for its own good and drags on for far too long. If you liked the first one, even a little bit, I’d recommend Now You See Me 2. But it doesn’t break any new ground. If you didn’t like the first, this wont do anything to change your mind.