After a winter hiatus, James and Paul are back with a new episode of Underground Nights.
In this episode, the pair take a look at James’s secret passion that he’s finally telling the world about: romcoms. The boys count down their top five in the genre, offer an early sneak peak review of the new Mark Murphy comedy, For Love or Money, and Paul forces more recommendations on his co-host.
There’s even time for James to review new release, Love, Simon, and they are still banging on about why Oscar films are boring. Don’t forget to subscribe to the show, leave us a review on iTunes or wherever you get your podcasts, and for UK audiences, check out Mullinger’s live stand up special for free on Amazon Prime, Anything is Possible.
We’re back for a bit. No biggie. Just Steve Norman, Owen Hughes and Paul Field, hanging around recording a random triple bill podcast trying to ride the crest of interest that usually comes during the Oscars season.
Resurrected from the near dead, the Failed Critics revive an old quiz – not an old quiz format, literally they replay an old quiz – and chat about what they’ve been watching lately. Paul revels in riotous horror Freehold, Owen revisits 10 Cloverfield Lane, and Steve rubbishes a bunch of Netflix Originals.
In the triple bill section, there’s chaos, confusion and regular shambolic behaviour as each critic picks a movie that missed that all important award nod from the Academy throughout history.
Don’t get too excited; this doesn’t actually signal a return to a weekly format for FC. But we’re on 288 episodes now. You’ll probably see us appear in your feed at 12 other points throughout the year as we push for the magic 300, so don’t unsubscribe just yet!
If you want more regular podcasting goodness from Owen and Steve (and Tony Black!) then please subscribe, listen and rate to STT: Rewind over at SetTheTape.com/podcasts.
Another year down, and another awards ceremony concluded. Hosts Steve Norman and Owen Hughes are joined by a returning Paul Field to produce another quality end-of-year quiz, and to help us round-up the results from the Failed Critics Awards 2017.
Our huge thanks go out to everybody who took the time to submit nominations in the various categories. We’ll be posting the results as a list later in the week, but for now we hope you have a great New Year!
We’ll return soon for another special live episode recorded in Oxford earlier this year.
Steve, Paul and Crisp Packet Dave returned for their annual Star Wars podcast and took an in-depth look at Rian Johnson’s The Last Jedi. (Note: This review contains spoilers, a lot of them.)
Elsewhere, there is the traditional quiz where football-loving Steve tries to hide his geek tendencies. And with 5 years of Failed Critics the lads look back at their 5 favourite films of the last 5 years, as well as their least favourite.
We hope you all have a great Christmas and happy new year and all that jazz. We’ll have the results of our end of year awards in the next episode. Don’t forget to vote if you haven’t already! Deadline for submissions is midnight on Boxing Day.
Leaping out of a moving aircraft with a Union Jack adorning their parachutes, before safely landing in the driver’s seat of their sub-aquatic Aston Martin, it’s your podcast hosts Steve Norman and Owen Hughes. Spinning around on his high-backed leather chair with a pussy in his lap, it’s our special guest Paul Field, joining Owen and Steve for a special spy triple bill episode!
We’ve reached the point in the year where it’s safe to start legitimately putting together a rough outline for your top 10 films of the year. Your number one might be displaced come December, or a handful of others might infiltrate the rest of the list; but it’s likely that those you’ve already decided are your favourites, will still be there or thereabouts by the time we compile our End of Year Awards. Continue reading Top 5 Films of 2017 (So Far)→
Despite reports of different creative visions for this episode of the Failed Critics Podcast, hosts Steve Norman and Owen Hughes haven’t left the project, but have brought on board Underground Nights co-host Paul Field to delve into some film news and reviews.
Paul Field and James Mullinger are back with another episode of their cult film podcast for a special Brit-flick edition, focussing particularly on their favourite (and least favourite) British gangster and crime movies, from football hooligans to Essex boys and all that’s in between (as long as it wears a sovereign ring and is a bit nawty oi oi).
Welcome to a rather late edition of the Failed Critics Podcast this week as hosts Steve Norman and Owen Hughes are joined by Underground Nights co-host Paul Field. The ice cream’s are on Steve.
There’s a hastily arranged quiz (circa 2009) to kick things off before a brief chat about remakes, reboots, reimaginings and re-adaptations following the news that The Matrix is the latest Hollywood property set for the prequel/sequel/revisit/remaster/whatever treatment.
But it’s our new releases this week that have got the crew all hot and bothered as Owen and Paul fall under the spell of Anna Biller’s The Love Witch. Certainly more so than period drama Viceroy’s House turned Steve on, in any case. There’s also space on the pod for a quick trip to Kong: Skull Island.
Paul reckons he’s found the future of geezer movies with Simon Phillips’ sci-fi feature The Last Scout, which Paul adoringly dubs “Hooligans In Space”. We’ve also gone all cultured an’ that, with Steve’s trip to the West End to see Dreamgirls. Yep. Theatre, on this podcast. What have we become.
Join us again next week for reviews of Get Out and new Disney, Beauty and the Beast.
Hosts Steve Norman and Owen Hughes and special guests Paul Field and Andrew Brooker indulge in a bit of back-slapping over the Oscars in this week’s episode.
If you look directly underneath your seat, every listener to the podcast will find a spectacular, one-of-a-kind goody-bag filled with luxury items, such as one of 20 possible variations of a DVD with “Hooligan” in the title, a plastic receptacle measuring approximately 10 cubic centimetres, a mini-statuette of Dave Courtney with no trousers on, and a metaphorical token of our appreciation (redeemable once per lifetime and not for resale).
We re-cap our picks for this year’s Academy Awards from last week’s episode and find out which of the team is going to be most happy and who will be the most disappointed with the final results. We also reminisce about Bill Paxton, who sadly passed away last week, before running through some of the films we’ve been watching lately.
Steve finally found a cinema showing Fences after his rant about staggered releases on the previous podcast; Paul got his hands on a copy of decent Brit-flick Bonded by Blood 2; Owen actually listened to Steve’s recommendation at the end of last week’s podcast and for some unfathomable reason watched Nazi Vengeance; and Brooker snuck a few new releases into the mix with Patriots Day and weird psychological thriller A Cure for Wellness.
Join us again next week as the team take on Wolverine in the latest X-Men movie, Logan.
Firstly, apologies for the admittedly rubbish hatchet job on the editing this week. Long story short, after spending ages editing out the ums, pauses, yeahs, anyways, clicks, clacks, mic noises, talking over each other and insufferably bad jokes (maybe not so many of the latter), the project crashed. So much for recovery files. That just leaves a very (very) rushed edit – on the plus side, you get to hear for the first time in years just how an unedited Failed Critics podcast sounds!
Secondly, at least all the content that was worth listening to survived! Hooray? Hooray! That means this episode contains our full preview of this weekend’s Academy Awards… of which you can also pick the films you think will win an Oscar in the 11 categories below to win super-cool prizes* by leaving a comment in the box below.
*not necessarily super-cool.
There are also reviews of a bunch of new releases in this week’s episode. The action-thriller John Wick: Chapter 2 has Owen and Brooker wondering if it really is the best film of the year. Steve most definitely did not wonder for very long whether he found the best film of the year with The Great Wall. Paul also thinks he may have found the most boring film of the year with The Founder.
Join us again next week as we round-up the winners and losers from the Oscars 2017.
1) Best Picture
Arrival – Shawn Levy, Dan Levine, Aaron Ryder, and David Linde
Fences – Scott Rudin, Denzel Washington, and Todd Black
Hacksaw Ridge – Bill Mechanic and David Permut
Hell or High Water – Carla Hacken and Julie Yorn
Hidden Figures – Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams, and Theodore Melfi
La La Land – Fred Berger, Jordan Horowitz, and Marc Platt
Lion – Emile Sherman, Iain Canning, and Angie Fielder
Manchester by the Sea – Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, and Kevin J. Walsh
Moonlight – Adele Romanski, Dede Gardner, and Jeremy Kleiner
2) Best Director
Denis Villeneuve – Arrival
Mel Gibson – Hacksaw Ridge
Damien Chazelle – La La Land
Kenneth Lonergan – Manchester by the Sea
Barry Jenkins – Moonlight
3) Best Actor
Casey Affleck – Manchester by the Sea as Lee Chandler
Andrew Garfield – Hacksaw Ridge as Desmond T. Doss
Ryan Gosling – La La Land as Sebastian Wilder
Viggo Mortensen – Captain Fantastic as Ben Cash
Denzel Washington – Fences as Troy Maxson
4) Best Actress
Isabelle Huppert – Elle as Michèle Leblanc
Ruth Negga – Loving as Mildred Loving
Natalie Portman – Jackie as Jackie Kennedy
Emma Stone – La La Land as Mia Dolan
Meryl Streep – Florence Foster Jenkins as Florence Foster Jenkins
5) Best Supporting Actor
Mahershala Ali – Moonlight as Juan
Jeff Bridges – Hell or High Water as Marcus Hamilton
Lucas Hedges – Manchester by the Sea as Patrick Chandler
Dev Patel – Lion as Saroo Brierley
Michael Shannon – Nocturnal Animals as Detective Bobby Andes
6) Best Supporting Actress
Viola Davis – Fences as Rose Maxson
Naomie Harris – Moonlight as Paula
Nicole Kidman – Lion as Sue Brierley
Octavia Spencer – Hidden Figures as Dorothy Vaughan
Michelle Williams – Manchester by the Sea as Randi
7) Best Original Screenplay
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos and Efthimis Filippou
Manchester by the Sea – Kenneth Lonergan
20th Century Women – Mike Mills
8) Best Adapted Screenplay
Arrival – Eric Heisserer from “Story of Your Life” by Ted Chiang
Fences – August Wilson from Fences by August Wilson
Hidden Figures – Allison Schroeder and Theodore Melfi from Hidden Figures by Margot Lee Shetterly
Lion – Luke Davies from A Long Way Home by Saroo Brierley and Larry Buttrose
Moonlight – Barry Jenkins and Tarell Alvin McCraney from In Moonlight Black Boys Look Blue by Tarell Alvin McCraney
9) Best Animated Feature Film
Kubo and the Two Strings – Travis Knight and Arianne Sutner
Moana – John Musker, Ron Clements, and Osnat Shurer
My Life as a Zucchini – Claude Barras and Max Karli
The Red Turtle – Michaël Dudok de Wit and Toshio Suzuki
Zootopia – Byron Howard, Rich Moore, and Clark Spencer
10) Best Foreign Language Film
Land of Mine (Denmark) in Danish – Martin Zandvliet
A Man Called Ove (Sweden) in Swedish – Hannes Holm
The Salesman (Iran) in Persian – Asghar Farhadi
Tanna (Australia) in Nauvhal – Martin Butler and Bentley Dean
Toni Erdmann (Germany) in German – Maren Ade
11) Best Documentary – Feature
Fire at Sea – Gianfranco Rosi and Donatella Palermo
I Am Not Your Negro – Raoul Peck, Rémi Grellety, and Hébert Peck
Life, Animated – Roger Ross Williams and Julie Goldman
O.J.: Made in America – Ezra Edelman and Caroline Waterlow
13th – Ava DuVernay, Spencer Averick, and Howard Barish
Welcome to this week’s podcast as we hold the metaphorical tourniquet and inject you with our audio-skag. No c**t listens to this till we find out what c**t made it.
(That would be Steve Norman, Owen Hughes, Paul Field and Matt Lambourne.)
This week’s main review is T2: Trainspotting; Danny Boyle’s eagerly awaited (loose) adaptation of Irvine Welsh’s sequel to his classic 1996 movie, starring Ewan McGregor, Ewen Bremner, Jonny Lee Miller and Robert Carlyle.
Before all of that is this week’s quiz, which follows Owen’s verbal tirade about last week’s booby-prize, the nonsensical British comedy Essex Spacebin, destined to be this year’s Mob Handed. There’s also a chat about the SAG awards as well reviews of Sadako vs Kayako (aka The Ring vs The Grudge), Oscar contender Hidden Figures, Paul’s film of the year, A Man Called Ove, and the resurgent Shin Godzilla.
Join us again next week for what will hopefully be two brand new episodes.