Tag Archives: Point Break

Point Break

Point Break

“This is my path. Let me follow it.”

We’ve all said these words haven’t we?

“Why does Hollywood keep remaking stuff. Just come up with something original.”

Back in 1991, when Kathryn Bigelow made the original Point Break is was just that, original. A young, newly transferred FBI agent reluctantly goes undercover on the beaches of Los Angeles when a hair-brained theory emerges that a string of unsolvable bank robberies are being perpetrated by surfers. Pretty unique, if you ask me.

So, in the latest move from Hollywood’s remake machine – the churn-em-out-o-matic 3000 – we get a dulled down, 12 rated cop “thriller” based around the world of extreme sport. Ladies and gentlemen, Point Break.

After tragedy hits extreme sports star and Monster energy drink peddler Johnny Utah, while working on his most insane YouTube video, the motocross star hangs up his helmet and works to join the FBI. In his last days at the academy, Utah and his class are introduced to a daredevil band of thieves who defeat impossible odds to make their score and make their getaway. With a willingness to go further than the police are to chase them, the bandits seem unstoppable as they dare to ride motorbikes out of a 100 storey window and parachute to safety.

But Utah knows this world. Quickly figuring out that these thieves are trying to complete the “Ozaki Eight”; a series of trials and ordeals that a person must go through to become one with the Earth. The robberies they commit are the groups way of taking from the rich and the corrupt and returning it to those that need it – like Robin Hood, but on surfboards, and bikes, and snowboards, and without the pansy green tights – Utah convinces his superiors he can bring these guys to justice and is sent to the location of the next trial to meet up with his new partner, Pappas, and sets about infiltrating the group. Insanity ensues as the extreme sportsman proves himself to the daring robbers and attempts to put an end to their crimes, and their journey of enlightenment.

I refuse to be completely negative about this flick, so I’ll start with the one good bit Point Break has; its sports action scenes look great. They are filmed well and look absolutely gorgeous. Sadly, that’s the only good thing I can say about this two hour farce of a movie.

Right, let’s get down to this. Point Break fails miserably as a remake of what is a great cop thriller. The entire, err, point, of the original is that Keanu Reeves’ Johnny Utah spends the movie gaining enlightenment where the men he’s chasing have already achieved what they we’re searching for. Here, Utah (a nickname in the remake, he mentioned his real name once but I forgot/couldn’t be bothered to remember it) is trying to stop these guys seeking nirvana. He makes no personal growth, no feeling that he might not be doing the right thing, there’s no struggle for this former peddler of energy drinks outside of having to live with the bloody awful hairstyle the FBI have apparently let him keep.

Moving on, for those that haven’t seen the original; Bodie and his crew of “Ex-Presidents” – another detail missing from this abomination – are bank robbers. Not murderers. It’s not their way, it’s not what they’re about and it damn sure isn’t the best way to keep yourself out of prison; with the first death at one of their robberies being where things start to go horribly wrong. New Bodie – or Bro-die, as I will now be calling him – however, seems to be perfectly content leaving bodies everywhere he goes. It doesn’t just miss the point of the original, it’s in direct contradiction to the idea of “giving back to the earth” and “finding nirvana and enlightenment” that this waste of film tries to convince us is the point to the groups existence.

This abomination of a film, with almost no redeeming value as entertainment, is a completely lifeless waste of your time. To call it macho is to give it far too much credit and its actors far too much praise. Point Break only really serves to show us what imbeciles these guys look like as they potter around, using stupid made-up words like poly-athlete and pretending to be doing good and giving back as they take sponsorship from a rich Arab dude who lives vicariously through these idiots. Bodie and Utah, the charismatic pair with genuine love and admiration for each other in the original have been turned into a couple of brofisting cocks with all the personality and charisma of an old condom found on the beach. The not-very-dynamic duo spend the almost two hour runtime throwing cups full of old hangover piss over the memory of arguably one of the best cop films of the early nineties.

I can’t imagine this film, which is nothing more than a twat filled douche canoe, populated with very bad tattoos and topknots on cardboard cutouts of unlikeable bellends, having anything for audiences that have never seen the classic Point Break outside of some very nice snowboarding footage – which, to be honest, comes part of a much more enjoyable film if you can sit through xXx – but for fans of the original, this will have you rummaging through your pockets for anything you can push through your eyes, just to make the pain of what you’re watching end. To call this remake pointless and unnecessary is more than stating the obvious at this point, it’s an awful experience that serves no purpose other than to take up screen space where a decent film could have been shown.

Failed Critics Podcast: The Hateful Bolshoi Bowie Overdogs

labyrinth

With the tragic passing of one of British music’s most iconic people earlier this week, our latest episode features a touching tribute to the pioneer that was the Thin White Duke, Ziggy Stardust, Jareth the Goblin King or just simply ‘David Bowie’. Failed Critics founder and Bowie super-fan, James Diamond, returns for a short emotional farewell to one of the most inspirational figures of this and last century.

We even dug up a clip from an episode we recorded back in 2012 when James went to the inaugural Bowiefest in London and have edited into the post-credits of this week’s podcast.

Elsewhere, Steve Norman hosts with Owen Hughes, Andrew Brooker and Matt Lambourne back for reviews of Quentin Tarantino’s new movie, The Hateful Eight, starring Kurt Russell, Samuel L Jackson, Jennifer Jason Leigh and more. Loads more. More than eight others.

Owen also reviews the fly-on-the-wall documentary Bolshoi Babylon, from the producer of Man On Wire and Searching for Sugarman, about the historic ballet theatre company in Moscow and all of its recent scandals. Meanwhile, Brooker indulges himself with the surfer-cop-classic Point Break in preparation for the imminent remake’s release.

We even took a few minutes to scratch our heads over the Golden Globe categories, never-mind the winners that were announced this past weekend.

Join us again next week for reviews of Creed, Room and The Revenant.

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