In his FrightFest Diary: Part 2 entry for Failed Critics, Mike Shawcross described the Jessica Cameron directorial debut Truth or Dare as “the nastiest piece of work I saw” and that “Jessica Cameron is one sick woman!” Find out why in our full review of the movie.
by Mike Shawcross (@Shawky1969)
Sometimes looking through the list of discovery films showing at the Film4 FrightFest Festival is a little daunting. Some films have very little feedback and I’m never really sure what I’m letting myself in for. However, Truth or Dare didn’t have that problem. Having followed the film’s festival run on Twitter and Facebook, I had decided if this film made it into the festival then I had to get a ticket. Obviously by writing this review the film did make it and I did manage to get myself a ticket!
Truth or Dare is the directorial debut from actress Jessica Cameron and made its UK premiere at FrightFest in the main discovery screen on the final day of the festival. Cameron also co-wrote and starred in the film alongside Ryan Kiser (Potpourri), Heather Dorff (Hand of Glory), Shelby Stehlin (Exit 727), Devanny Pinn (The Devil’s Nightmare), Brandon Van Vliet (Potpourri) and Jesse Wilson (7 Lives Exposed on TV). A group of young people known as the Truth and Daredevil’s take the old party game ‘truth or dare’ and add a much more dangerous twist to the proceedings; or do they? Derik (Kiser), a viewer of the YouTube videos, isn’t impressed and feels he could be a great addition to the team. Turned down and laughed at on TV by the Daredevils, Derik takes his revenge. Ambushing the groups next stunt, he brings his vision of the game to the online viewers – a much more twisted and dangerous vision than they could have ever imagined.
After the first 10 minutes, I wasn’t sure if I was going to like this film; it was obviously low budget and with a shaky opening as the cast seemed to be finding their feet, plus an audio sync issue, wasn’t helping the situation. I really was wondering if I should have seen something else. However, once the sync issue was fixed and Kiser made his appearance things took a turn for the better. The film kicked into gear and I found myself really enjoying it. Now I say enjoying it, let’s put this into context; Truth or Dare is a nasty little film made for the horror community. It’s made to be enjoyed in a cinema with like-minded fans and FrightFest (as with all the other festivals the film has played) was the perfect place to see this film. And possibly the only place to see it on a big screen.
I do know that the film has already been banned in some areas and nearly didn’t play FrightFest; the BBFC were actually present for this screening. It will be interesting to read their verdict. I would say if you are offended easily then maybe this isn’t the film for you, but if you like your torture porn, this is the film for you!
How nasty is this film? Pretty nasty at times, though the French and definitely the Asian horror scene has pushed similar boundaries in recent years, it’s the US mainstream horror scene Cameron is really challenging here. Over the last few years, horror fans have been turning to the US indie horror scene where the films and filmmakers are breaking the mould of safe and restrained horror. Not governed by big studio politics they are making films they would want to see as a horror fan. Sometimes they do manage to get to a mainstream audience, You’re Next a prime example, but in general you’ll need to visit the festivals or hope they make it to DVD to see a real horror film or a film as twisted as this one. This is why Cameron has stepped out of the role of scream queen and into the role of filmmaker, writing and directing films she would want to see as a horror fan.
Cameron and her co-writer Jonathan Scott Higgins’s choice of characters is also very interesting. People may initially think they are just adding to the shock value of the film – and yes they are in some respects – but they are actually employed to great effect for the storyline. When secrets are revealed in the game, it provokes disdain and increases the tension between the group. This actually adds a more psychological layer to the film. Derik (Kiser) is not the only villain anymore. This was an intelligent piece of writing and added more depth to an idea which in lesser hands could have become quite mundane as the film progressed.
I’m not going into details about the truths or dares used in the film, except to say that some are pretty gruesome and I really wouldn’t want to spoil them for you! Let’s just say a couple even made me squirm, and it takes a lot to do that.
The script also gains its stride once the game is underway, balancing menace, drama and comedy very well throughout the rest of the film. Though Kiser does have a lot of dialogue, he deals with it extremely well and gives a super performance; his on-edge boundless energy adds an element of danger to the game as he always seems on the verge of snapping. I am looking forward to seeing what he brings to his next film House of Manson. The rest of the cast are all very good, though I wasn’t impressed with Van Vliet at the start but as the film went on his performance grew on me. With the film being shot in chronological order, I do wonder if everyone was just getting warmed up or if the technical error was clouding my judgement.
As I said in my FrightFest Diary, I really enjoyed Truth or Dare. At last, some balls-out torture porn at the festival, with lots of gore and buckets of blood. This is why I come to FrightFest. This is what I want to watch. Jessica Cameron’s first film may be rough around the edges, but here her statement of intent is clear to see; she is bringing the horror back to the fans and if no one else will do it, she will step up and do it herself. I really am looking forward to seeing what she does next. Whatever it might be, I can guarantee it won’t be dull or safe!
Mike will return shortly with more reviews of the films he watched at this year’s FrightFest, plus our interview with both Jessica Cameron and Ryan Kiser!