We’ve got what you want, what you need AND what you deserve on this week’s Failed Critics triple bill special episode with not one, not two, but a whole bunch of Wonder Women – and we’re not just referring to Maaya Brooker!
Self-fulfilling prophecy comes true as nothing really makes money or switches places since nothing came out, and Other Box Office News.
by Callum Petch (Twitter: @CallumPetch)
Well. Hello, there. Welcome to the Box Office Report, I guess. How are you doing? Not too bad? That’s good to hear. Call your parents recently? See any movies this past weekend? No? Yeah, well, that’s you and everybody else, don’t fret. Post-Thanksgiving weekend is a dead zone according to studios, so nobody ever releases anything that weekend. Kind of a self-fulfilling prophecy, if you ask me, but that’s how it is. Also means that nothing happened in the chart this week, which makes writing up this report rather pointless. I, however, have nothing better to do, so let’s see what scraps we can work with instead, eh?
Ooh, there were two new releases this past weekend! First off we have The Pyramid, a dreadful looking and barely marketed horror movie crapped out at the beginning of December because it’s not like there’s any better weekend for it. Dumped into 589 screens to die a painful death, it did meh-y, raking in $1.3 million for ninth place and a $2,292 per-screen average. Second off we have Wild, an adaptation of the memoir of the same name about a woman who did a solo 1,100 mile hike along the Pacific Coast Trail in order to better herself as a human being and deal with her traumatic life beforehand. Notice how I didn’t make any jokes, there? I am capable of compassion! Anyways, opening on 21 screens, the Reese Witherspoon-starring, Nick Hornby-adapted, Jean-Marc Vallee-directed awards season contender managed a very great $630,000 and a per-screen average of $30,000.
In expanding news, The Imitation Game doubled its screens to 8 and managed another $402,000 for a per-screen average of $50,250. The Homesman jumped up a good 104 screens to 154 total and banked a good $501,000 for the weekend, although its per-screen average was a decidedly not-good $3,253. The Babadook, meanwhile, terrified 19 new screens, bringing its total up to 22 and a weekend haul of $66,600. I will refrain from making the obvious hack joke to instead sadly inform you that the thing’s per-screen average is still only $3,027, which at least is slightly more than The Pyramid’s if nothing else.
And… yeah, that’s about it. Everything else that’s worth mentioning is located in the Top 10 and I don’t much fancy blowing my material all early. Also, Penguins Of Madagascar collapsed 56% between weekends and is now pretty much guaranteed not to cross $100 million. That is really bad news for both DreamWorks as a whole – Christ, even Mr. Peabody & Sherman crossed $100 mil domestic and that was their lowest non-Antz CG earner ever – and for the movie – which is one of the absolute best animated films released this year. For f*ckssake, America, can’t you at least try making decent animated movies successful!? If this ends up finishing lower than The Nut Job domestically, then I am going to take out a vendetta on the lot of you. First The Boxtrolls, then The Book Of Life, now this! When will the bad public film-skipping choices end?!
This Full List… Nope, I got no particularly great puns for this week. Such is the state of the chart. Let’s just get on with it.
Box Office Results: Friday 5th December 2014 – Sunday 7th December 2014
1] The Hunger Games: Mockingjay, Part 1
$21,600,000 / $257,700,000
I have actually had a desire to go and see this again recently. A real full-on, “I should find time to go and see this again” desire. Consider me completely amazed at this development. Of course, I’m not sure how much of that is just down to that “Hanging Tree” song randomly worming its way into my brain at every opportunity, but it’s there none the less. I’m referring to both the desire and the song. “Are you, are you…”
2] Penguins Of Madagascar
$11,100,000 / $49,591,000
Saw it first thing on Friday, finished the review the same day, was posted on Saturday, obviously. I loved this movie and need to find the time to go and see it again. Seriously, I haven’t had this much pure fun in a cinema since Lucy, which doesn’t sound like that long but one needs to remember that fun has been in rather short supply this past year in film, so a film that is pure fun is going to get a very high grade from yours truly. Also, my heart went all fuzzy and warm whenever something nice happened to Private and I liked that feeling.
3] Horrible Bosses 2
$8,600,000 / $36,075,000
A pretty strong hold – only a 44% drop – which doesn’t sound too bad until one remembers that the film opened to $15 million and that this thing will be very lucky if it crosses $60 million. Ah, well, least everybody realised they could just stay home and watch It’s Always Sunny In Philadelphia on Netflix instead! I call that a win!
4] Big Hero 6
$8,130,000 / $177,548,000
My local Cineworld now has a big inflatable Baymax stood up in some out-of-reach corner of the lobby to advertise this film and it is so freakin’ adorable! I just want to take it home with me, install it in the corner of my uni apartment and give it hugs whenever I feel close to down!
$8,000,000 / $158,657,000
It’s within spitting distance of $600 mil overall, with China and South Korea going wild for the thing, so I think it’s safe to say that Christopher Nolan’s box office rep isn’t going to take that big of a hit after this is all said and done. Weirdly, in real life, most everybody I’ve talked to loves the heck out of this movie and my “Eeeehhhh” keeps getting misconstrued as pure outright hate for the thing. It’s weird, what did I not get when I saw the film?
6] Dumb And Dumber To
$4,169,000 / $78,081,000
Only one more weekend left to go until I get to join in with everyone’s strangely high disappointment to this thing! I mean, it’s a 20 years’ late sequel to a comedy film, The Farrelly Brothers haven’t made anything worthwhile in over a decade, Peter Farrelly helped mastermind Movie 43… and you actually thought this was going to be good? That’s just wilful ignorance, is what that is.
7] The Theory Of Everything
$2,688,000 / $13,613,000
… … … … … That’s how little I care about this thing.
8] Gone Girl
$1,500,000 / $162,861,000
If you had told me back in September that Gone Girl would be one of the year’s most successful films financially and would even make it to double digits on the “Weeks In The Top 10” counter, I genuinely would not have believed you. Yet, that is the world we live in because sometimes, just sometimes, good and just things occur. If it makes it to 11 weeks, I will be utterly astounded but I don’t think it will. Thanks for everything, Gone Girl! Sorry about Life Itself stealing the “My Favourite Film Of The Year” title from you!
9] The Pyramid
$1,350,000 / NEW
Well, that looks like yet another indistinguishable crappy horror movie crapped out for a quick buck! Guess we’ll just mov… wait… is that James Buckley?! Is that… no! No! Jay from The Inbetweeners is not in this thing! He can’t be! He jus… WHAT?!
$1,150,000 / $18,919,000
It’s going to be between this and Boyhood for all Best Picture awards this season, isn’t it? Brilliant. I look forward to seeing Birdman, disliking it immensely and therefore just not giving a shit about all award bodies this coming January and February! I kid, of course; I really want Birdman to be good and I’ve got a good feeling about it! I just really, really, really, really dislike Boyhood and the fact that it’s guaranteed all of the awards forever irritates the living hell out of me. I really want to be proven wrong on this, but we all know what award bodies are like.
Dropped Out: St. Vincent (which was fantastic, by the by)
Mockingjay insults the rest of the chart, Penguins Of Madagascar smile and wave goodbye to a lot of money, nobody particularly like Horrible Bosses now, and Other Box Office News.
by Callum Petch (Twitter: @CallumPetch)
This past weekend, Americans were witness to a dystopian future. One with barely restrained tensions, majorly unfair financial differences, and a complete lack of fairness and generosity. These disparate groups would congregate under one roof to try and make it through proceedings in a civilised fashion, until one side insulted Peeta at which point all bets were off. Proceedings were violent, conflicts escalated, both sides exited wondering who had really won that round, filled with feelings of unsatisfaction, like the resolution had been postponed for another year or something. But enough about Thanksgiving with your family. At the box office, much like my joke construction, The Hunger Games repeated its Thanksgiving first place status to diminishing returns with Mockingjay, Part 1 taking home $56 million this year. Expect history to repeat itself next year and for me to basically copy-paste this dreadfully unfunny paragraph again in the hopes that you won’t notice.
It’s not like Mockingjay, Part 1 had much in the way of competition, though. Continuing an absolutely dismal year for DreamWorks Animation, Penguins Of Madagascar decidedly underwhelmed in its opening weekend. Even with the 5-Day Thanksgiving bump, it could only manage $36 million. Without it, that’s $25 million over the weekend which, for a spin-off of one of the few remaining cash-cows that DreamWorks has and as promoted to hell and back as this film has been, is dismal. The one saving grace for the film is that Annie and Night At The Museum 3 aren’t out for another 3 weeks, so there’s still a chance that it can make up some of that cash before it gets dogpiled. I’m sorry, you were expecting snark? Nope, no snark here, this news genuinely bums me out and has me majorly worried considering the position DreamWorks is in right now.
Still, could be worse. You could be Horrible Bosses 2. Yes, the widely-trashed comedy sequel that quite literally nobody was ever asking for didn’t do so hot. Over the five-day weekend, it barely reached $23 million and over three days it could only make $15.7 million for fifth place. Yeah, safe to say we are all being spared from Horrible Bosses 3: The Final Chapter, Part 1. What we are unfortunately not being spared from, however, is The Theory Of Everything which went nationwide this past weekend and managed to bank $5 million from 800-odd screens. If Eddie Redmayne takes the Best Actor Oscar from Dan Stevens in The Guest (or Jake Gyllenhaal in Nightcrawler), then tables will be flipped. Just warning you Academy; you don’t want no part of this shit.
In more limited release news, The Imitation Game finally reached American shores this weekend and the typical Weinstein push ensured a very solid opening. $482,000 from 4 screens for a per-screen average of $120,500, putting it only behind The Grand Budapest Hotel in Best Limited Release Openings of 2014, is most definitely more than “very solid”. One can only imagine how the latter film would have done if it had a legion of Benedict Cumberbatch fangirls and fanboys filling the back rows with their… Yeah, OK, I’m just going to move on. Foxcatcher added another 48 theatres to its run and broke past $1 million, meaning we should see it in the Top 10 soon enough. The Babadook, meanwhile, finally got a release in America and it did OK: $27,000 from 3 theatres for a per-screen average of You Do The Math. In other words, it’s The Guest all over again. Goddammit.
This Full List is gonna take ya riiii-ght in-to the DANGER ZONE!!
Box Office Results: Friday 28th November 2014 – Sunday 30th November 2014
1] The Hunger Games: Mockingjay, Part 1
$56,875,000 / $225,693,000
Have you heard the CHVRCHES track from the Mockingjay, Part 1 soundtrack, yet? If not, go do so immediately! It is SO GOOD! Like, “this could’ve gone on their debut album” good, and The Bones Of What You Believe is a bloody damn good album! In fact, from what I’ve experienced of the soundtracks to all three films so far, everybody brings their A-game when they’re called upon for a track. Nobody coasts. I love that about them. Think it’s time I took the plunge and bought the lot.
2] Penguins Of Madagascar
$25,800,000 / $36,000,000 / NEW
Friday. It’s out here Friday, I am seeing it first thing Friday, I will not go to bed that day until there is a review ready to run on Saturday. I’m genuinely really excited for this. In the meanwhile, the DreamWorks! A Retrospective archive is here. Go amuse yourself and make me feel like I haven’t wasted 5 months of my life.
3] Big Hero 6
$18,770,000 / $167,209,000
Only a 7% drop between weekends, which is pretty darn astou-WHY IS THIS MOVIE NOT IN FRONT OF MY EYEBALLS RIGHT NOW?!! IT’S NOT FAIR!! (*proceeds to have a mini-breakdown*)
$15,800,000 / $147,090,000
I would really like to go and see this again on the big screen for a second try, especially since I’m still not 100% solid on my opinions on it. However, six films are coming out this week in the UK and I have way too much work to do to find time to see it again. Plus, I have to give up a good 15 hours of my life to The Lord Of The Rings and The Hobbit in the next 11 days. I genuinely don’t have the time.
5] Horrible Bosses 2
$15,700,000 / $23,010,000 / NEW
Saw it on Friday and I’ll see if I can find time to get a review out – I’m currently working on one for Paddington in between essay work, DreamWorks work, other articles, and social commitments so this will more than likely fall by the wayside – but the skinny is this: I laughed a good consistent amount, but it is still an utterly pointless sequel and it drops the ball and crosses the line on the Julia stuff spectacularly. Think of it as the American equivalent of The Inbetweeners 2 and you’re about there. If you have nothing better to do or just want to get some easy laughs for 100-odd minutes, this is fine but it’s still ultimately pointless.
6] Dumb And Dumber To
$8,295,000 / $72,205,000
So… Jim Carrey’s not making a full-on box office comeback, is he? (*dejected sigh*)
7] The Theory Of Everything
$5,082,000 / $9,604,000
Still refuse to believe that this is anything other than dreadfully mediocre slop. Still can’t be proven right or wrong until New Year’s Day. Still going to bitch and moan about its existence until then.
8] Gone Girl
$2,470,000 / $160,557,000
I was going to say that we must bid adieu to Gone Girl, but then I looked at the release schedule for next week and saw that nothing at all is coming out. Wild is only in 5 theatres, and The Pyramid is being sent to die on 550 screens, like Fox have been reading the signs with regards to Horror films at the box office this past year or something. So, we’ve got one more week before this inexplicably long-lasting flick finally drops out. Seriously, I love this film to death and I have absolutely no idea how it has managed to make over $330 million worldwide.
$1,880,000 / $17,237,400
10] St. Vincent
$1,773,000 / $39,327,000
So maybe it won’t have the courtesy to stick around for its UK release after all. That sounds very much like Bill Murray. Always leaving the parties that he crashes before I have the chance to book the plane ticket to take me there! That prankster! Of course, this joke only works if I actually went to parties and nobody ever invites me to theirs because I’m… I’m… (*breaks down sobbing*)
Dropped Out: Beyond The Lights, Fury
I did not hit her. It’s not true! I didn’t do it, it’s bullshit. I didn’t hit her– oh, hi listeners. Welcome to this week’s edition of the Failed Critics podcast, full of excessively long sex scenes and soundtracked by MTV Base circa 2002.
Following Carole’s quiz triumph last week, Owen and Steve were forced to watch the cinematic masterpiece* that is The Room., written by, produced by, directed by and starring the unstoppable sex machine and all round nice guy Tommy Wiseau.
(*At least, that’s what Carole led them to believe.)
Amongst the reviews of new releases The Babadook and Mr Turner, the not-quite-as-new releases Turtle Power and The Secret Life of Walter Mitty, and the blu-ray re-release of Spirited Away, the team chew over the nominations for this years BIFAs.
Join us again next week for a review of the highly anticipated Christopher Nolan sci-fi epic, Interstellar!
In a Halloween special, tying in with the recent Decade In Horror series on the main site, the trio pick their favourite three horror films from 2010-onwards. It’s not actually that spooky as the group inevitably debate what constitutes an actual horror film.
Between the lively discussion, Steve passes judgement on American Mary and briefly the new release The Babadook, Owen reviews Nightcrawler and Carole inflicts possibly the most cruel and unforgivable punishment on the team to date. All of this as well as a look at the Marvel Event this past week that revealed plans for their Phase 3 films.
Join us next week for a reviews of Horns and possibly Ouija too.
By Mike Shawcross (@Shawky1969)
For me, this was a quality year. However, I get the impression I actually missed the poorer films either by good discovery screen choices, buying extra main screen tickets or by doing something else; like interviewing Jessica Cameron and Ryan Kiser for their film Truth or Dare [keep an eye out for that interview and review on the site soon]. Or you could just get caught up with talking all things Sinister and its sequel with the writer of the film, C. Robert Cargill. In past years for me it was always about the films. This year, I really wasn’t bothered if I missed the odd one here and there. I even skipped Sin City: A Dame to Kill For to go and see The Congress at Cineworld as it wasn’t showing in Manchester; and after seeing Sin City 2 last night, I was glad I did!
I’m not glazing over the films here – and we do intend to post more detailed reviews over the coming days – there are just far too many films to cover and do them and the festival justice.
The Guest was a superb opening film, one I thoroughly enjoyed. Possibly one of the best opening films I’ve seen. The closing film, The Signal, was one I wasn’t really feeling and instead went to the Phoenix bar for the party. General consensus was while it was a good film, it shouldn’t have closed the festival.
I do like a good horror comedy as they usually work very well with this audience: Zombeavers, WolfCop, Dead Snow 2 and Life After Beth. Both Zombeavers and WolfCop had their share of funny moments, but I felt both were just not funny enough. In fact, I was really quite disappointed with WolfCop in the end. Dead Snow 2 however was the funniest thing I saw. Packed with laugh out moments, this was when the festival vibe got me. The Arrow screen audience responded superbly to the film with big laughs, cheers and applause; that’s the Frightfest way! This was my 2nd favourite film of the weekend. Life After Beth had a superb cast was extremely well written and very funny at times, another festival favourite of mine.
Werewolves seemed to be one of the themes this year, with Late Phases, WolfCop and Blood Moon. I missed Blood Moon and never really heard too much about it, while Late Phases I saw and really enjoyed this. A blind vet takes on a werewolf to revenge the death of his dog – brilliant fun!
Honeymoon was a decent start to Friday. Rose Leslie and Harry Treadaway carried the film quite well. Julia was a rape/revenge film taking its inspiration from Asian revenge films with overtones of Drive thrown in as well. Great soundtrack for this one, and one I liked very much. The Canal, another strong film, follows Rupert Evans as his character’s life and mind start to fall apart after his wife goes missing. Calum Heath, who plays Evan’s son, was superb.
Another disappoint for me was The Babadook. While Essie Davis gives possibly the finest female performance of the festival, the film wasn’t what I was expecting. I didn’t get “this year’s Sinister“, which is what it’s marketed like; actually it’s much more like The Canal. I really need to see it again.
Films I would have liked to have seen but ended up missing were Digging up the Marrow, Housebound, Deadly Virtues, Blood Moon, and The Drownsman, though I’ve not seen or heard anyone talk about that one. There was also R100 (which is actually repeated on Film4 on the 3rd September), Exists and Bad Milo. I know it sounds wrong to some but many people really enjoyed the musical Stage Fright; I do like musicals!
Truth or Dare was the nastiest piece of work I saw and I fully enjoyed it for that reason. Jessica Cameron is one sick woman! However, she popped my interview cherry and I thank her for that; a superb guest all weekend; so full of energy and all things horror! I get the impression she really enjoyed FrightFest!
Starry Eyes felt like a disappointment after it ended but it’s gotten better the more I think about it – not much, but it was good. The Harvest had a tremendous cast in Shannon, Morton and Fonda, Morton was brilliant, another of my favourites. Among the Living was one I was looking forward to and one which didn’t disappoint me. It had touches of Spielberg and King but with a French horror twist and a decent score.
Open Windows and Faults were big surprises for me, especially Faults. A dark comedy with Leland Orser and Mary Elizabeth Winstead in top form , as Orser tries to save Winstead from the cult ‘Faults’ which has her in its grip, another strong film. Open Windows, whilst a lot of fun, possibly may not hold up to repeat viewings. But Elijah Wood continues to make interesting film choices and Sasha Grey does a decent job in this one.
Now before my number 1 film, another that I had high hopes for was V/H/S: Viral. While better than V/H/S, it wasn’t as good as the sequel. My main problem was the wrap around story which didn’t seem to link the main films or have any connection with them at all. Plus, it was near enough impossible to work out was going on. The 3 main segments I did like, but in the end it could have just been a Creepshow film. I should have just seen the short film Showcase instead!
My favourite film of the weekend was The House at the End of Time, a horror film from Venezuela – the first one – and wow! What a film; and one of the jumpiest films at the festival! From the cast, which includes Ruddy Rodriguez (a former Miss Venezuela) to the kids who were both very good, to the sound design (which was incredible) and the very well told, very clever story. Outstanding!
The Duke Mitchell film club brought along a film, Coherence, which many people really enjoyed and one I will be looking out for. They also did a Film Party after it, where many of the guest directors, producers and even actors brought a little something to share with the crowd. For 90 minutes we got terrible music videos, trailers, shorts and party games. It was superb, very funny and a great break from all the films. They hope to repeat it next year and I for one will be going.
One last mention has to go the fans. They are brilliant. Some keep themselves to themselves but you could just start talking to anyone and you could end up in a conversation for hours. I’d often go for the drinks and they would have to come and find me, because I got talking to someone at the bar, sometimes I didn’t even make the bar!
The after festival party was at the phoenix where the plan was to leave at 3am it was 5.05 am when we eventually walked home, maybe a little drunk; but still on a high having experienced my favourite FrightFest in 8 years! I will be back next year!
Coming up next at some point this week will be our interview with Truth or Dare director Jessica Cameron and star Ryan Kiser. We’ll also take a more in depth look at some of our favourite films from FrightFest. Sin City: A Dame to Kill For, All Cheerleaders Die and The Den reviews are already live on the site!
By Mike Shawcross (@shawky1969)
Saturday usually boasts a strong line up and this year, it’s got some decent looking films and even a Party! Films in the main programme during the day include All Cheerleaders Die, Starry Eyes and Dead Within.
All Cheerleaders Die is from the director Lucky McKee (The Woman) and Chris Siverston (The Lost). An All the Boys Love Mandy Lane and The Craft mash up, it sounds quite a bit of fun and one I’m disappointed to be missing; though it has a DVD release in September. Starry Eyes is a film from directors Kevin Kolsch & Dennis Widmyer and starring relative newcomer Alex Essose. A story of selling your soul for your dreams, as a desperate actress will do anything for her major break in Hollywood. Yet another one that sounds worth a watch. The Harvest starring Michael Shannon, Peter Fonda and Samantha Morton and directed by John McNaughton sounds a very strong film indeed. Boasting a solid cast and a something in the basement premise this really does sound worth seeing. I may have to rethink my Discovery Screen choice for this one.
In the discovery screen and playing against The Harvest for me is Dead Within; from director Ben Wagner. A couple struggle to stay alive in a remote cabin in the woods after surviving a pandemic; not only fighting the dangers from outside they soon have to fight their own paranoia from within. Not high on my watch list; over in the other Discovery screen is Bad Milo, a film I was up for seeing but may change my mind! Directed by Jacob Vaughan and starring Ken Marino (We’re the Millers) about a bloodthirsty creature living in the lower intestine of Duncan (Marino) and emerging from his rectum to eat anyone that is annoying Duncan. Sounds bizarre and ridiculous and just the sort of Discovery film that will generate a lot of buzz! I think I may watch The Harvest.
Next in the Discovery Screens are White Settlers and The Short Films (Part 1). Over the years I’ve come to enjoy the short film showcase usually sponsored by the Horror Channel; some have been exceptional, but this year it is tucked away in the Discovery screen and I will be giving it a miss. White Settlers directed by Simeon Halligan (Splintered) and starring Pollyanna McIntosh (The Woman) set in the Scottish Borders as a young couple move into a remote farmhouse and are terrorized by a group of masked intruders. Sounds a typical house invasion film, but I’m hoping for something different. I know Simeon; he runs the Grimm Fest film festival in Manchester so I’ll be supporting this film anyway.
Mitch Jenkins directs an Alan Moore penned film; Show Pieces in the Discovery screen 1. A trilogy of stories written directly for the screen by Moore and which sounds fun; I like anthology films, and I do like most of Moore’s adaptations so I’ll be seeing this one.
Saturday evening’s main films are Life After Beth, directed by Jeff Baena in his debut feature and with a stunning cast; Aubrey Plaza, Dane DeHaan, John C Reilly, Anna Kendrick and Molly Shannon. A zombie rom-com with a twist it sounds a blast and I will be not be missing this one. The Babadook is one which has already gained quite a bit of buzz on twitter this year, and a film I’m looking forward to seeing. Directed by Jennifer Kent in her first film and starring Essie Davis (The Matrix sequels), Daniel Henshall (Snowtown) and Noah Wiseman. The story of a widow looking after her son while his fear grows that there is a monster in the house, she starts to feel a sinister presence around her.
Sin City: A Dame To Kill For needs no introduction or build-up; this is the biggest film at the festival this year. The original Sin City was a festival favourite and I’m sure the sequel will play very well; but it’s actually a film I’ll be missing. It opens nationwide a week later plus it’s playing in the midnight slot for the Horror screen so I’m off to a Frightfest party instead. (NB – This has now moved to the opening night)
In the evening discovery screen 1 we have a TBC, Digging up the Marrow and Creep. Digging up the Marrow is a film of two halves. Literally. Opening as a documentary exploring Monster Art it then becomes a horror film as the documentary makers investigate a so called “real” monster. Sounds quite appealing and I do like Adam Greens films, but against The Babadook it has no chance. Creep directed by and starring Patrick Brice alongside Mark Duplass in this improvised film. Taken from a 10 page outline, Duplass and Brice make it up as they go along. I’ll be at the party!
In the Discovery Screen 2 there is The Mirror, a UK production from director Edward Boase and starring Jemma Dallender (I Spit On Your Grave). Based on a so called true story of a haunted mirror reported by the Daily Mail and Huffington Post, I think I’ll be waiting for the DVD.
The following two events in the discovery screen are from the Duke Mitchell film club. Coherence directed by James Ward Byrkit is showing first followed by a Film Party in the final showing of the day. Both events should be worth a visit, though I’ll be attending the Party over the film.
The Sunday line up in the main screen looks very good and I’m only straying into the Discovery Screen for House at the End of Time in the evening session. Discovery screen 2 is showing some retro films for the day, they include The Visitor from 1979 and directed by Giulio Paradisi. A Nightmare on Elm Street, Robert Englund is in attendance at the festival. Nekromantik from 1988 directed by Jorg Buttgereit and The Shining from 1980, directed by Stanley Kubrick. The final film of the day is a new film; Another from director Jason Bognacki. Sounding like a giallo/hammer hybrid I think I’ll stay in the main screen.
Open Windows directed by Nacho Vigalondo and starring Elijah Wood, Neil Maskell and Sasha Grey; who all have had previous films play at the festival before, comes this new cyber horror film. One I wasn’t interested in until I read the synopsis. Worth a look. In the Discovery screen 1 there is Expedition; while it sounds good, I’m not sure I want to watch a dinosaur found footage film.
Faults starring Mary Elizabeth Winstead (The Thing prequel) and directed by Riley Stearns, his first feature looks an interesting look into the effects that a cult can have on people and their families; really looking forward to this one. In Discovery Screen 1 there is the documentary Drew: The Man Behind the Poster, a look at the life and art of Drew Struzan, it does sound a decent documentary and one I’ll pick up on DVD.
Among the Living from the directors of Livid and Inside; Julien Maury & Alexandre Bustillo and starring Beatrice Dalle comes this coming of age horror film. I am looking forward to this one. Playing alongside this is Doc of the Dead, another documentary about surviving a zombie apocalypse; I’m not really a zombie fan so I’ll stay in the main screen.
The Samurai, a German film and one I really know nothing about. I was hoping to jump into the discovery screen but they don’t really interest me. The Shining, and Lost Soul. So I’ll stick with The Samurai – it might surprise me. Lost Soul is another documentary and doesn’t really draw me in, though it gets good feedback, but may be another I’ll pick up on DVD.
The House at the End of Time, is a debut film written and directed by Alejandro Hidalgo. The first horror film from Venezuela to be shown internationally, this sounds a promising feature; a much better option than Stage Fright in the main screen or Another. Stage Fright, directed by Jerome Sable and starring Minnie Driver and Meatloaf is a musical, a mix of Friday the 13th and Glee, and while that sounds a strange mash-up, it’s not one that’s caught my imagination.
The final film of the day is Home. There is nothing playing against this film. From the director of The Pact, Nicolas McCarthy, Home stars Catalina Sandino Moreno in a story of demonic horror. I prefer the new title of At the Devil’s Door. Sounds a good end to Sunday.
The final day is a mix of main screen, discovery films and tiredness and of course the after festival drinks at the Phoenix Club.
Alleluia, directed by Fabrice du Welz and starring Lola Duenas and Laurent Lucas. The 2nd film in the Ardennes trilogy, the first film being Calvaire. Worth a watch if the first one arrives in time from Amazon! In the discovery 1 there is Altergiest from director Tedi Sarafian, writer of Terminator 3, which put me off a little. This horror/sci-fi thriller is Sarafian’s directional debut and is based on true events, which put me off again. Deadly Virtues from director Ate De Jong, sounds a run of the mill home invasion film, though my 2nd option if I’ve not seen Calvaire before the festival.
Nymph has me in 2 minds; a killer Siren, a Nazi concentration camp and featuring Franco Nero (Django) this doesn’t sounds too bad. Directed by Milan Todorovic and starring Kristina Klebe, I might change my mind. At the moment my plan is to see Lemon Tree Passage in Discovery 1. An Australian urban legend and directed by David Campbell. We’ve been here before with a group of non-believers wanting to disprove the legend, and of course things are never what they seem. Blood Moon from Jeremy Wooding, who directed The Magnificent Eleven (which was alright!) comes this werewolf western starring Shaun Dooley.
Xmoor directed by Luke Hyams and starring Melia Kreiling and Nick Blood comes this UK creature feature. One I’ll be avoiding. The Jessica Cameron Truth or Dare which she co-wrote, directed and stars in alongside Ryan Kiser and Heather Dorff, is my draw in Discovery 1. The film has had a fantastic run on the festival circuit and one I’m looking forward to seeing. Extraterrestrial sounds excellent, from director Nacho Vigalondo, who gave us Timecrimes (which was also excellent) comes this sci-fi romantic comedy. This is one I’m gutted to be missing.
VHS Viral, the 3rd outing in the VHS franchise and one I’m really looking forward to watching, after really enjoying VHS 2 and not really liking most of VHS 1, this one boasts a decent line up of directors including Nacho Vigalondo, Gregg Bishop and Marcel Sarmiento; could be a highlight of the festival. The Remaining plays in Discovery 1, directed by Casey La Scala is a religious-slanted horror film. Playing on the biblical end of the world scenario it’s one I’ll be avoiding. In Discovery screen 2 the 2nd part of the Shorts will be shown, with one short, The Tour starring Jessica Cameron and Heather Dorff, a real coup for Frightfest’s own Damon Rickard in his first short.
The final film of the festival is The Signal, starring Breton Thwaites (Oculus), Olivia Cooke and Laurence Fishburne. Directed and co-written by William Eubank this sounds an interesting film to end on and one I’m looking forward too.
Following the final film will be drinks in the Phoenix bar, where Mike Shawcross will be attending to celebrate and dissect what has been and gone over the previous 5 days – and of course have a well-earned pint or two!