Tag Archives: The Dark Knight Rises

Failed Critics Podcast: Episode 202 – AND IT’S LIVE!

202 live stream printscreen

Firstly, thanks to everyone who joined in on our live broadcast of episode 202 on our YouTube channel on Monday. We’re considering it a success – whether it was or wasn’t isn’t really up to Steve Norman, Owen Hughes and Andrew Brooker to decide! But people chatted to us during the show, we received messages via Twitter, and the live stream didn’t crash once. Huzzah!

This week’s podcast is pretty much a rip of the YouTube video edited into a more audio-friendly format. Jingles have been edited in, whilst the majority the references to stuff that happened visually that wouldn’t have made sense on an audio only podcast have been edited out.

What has been left in is our chat about this week’s film news, including another new Netflix movie acquisition starring Will Smith, directed by David Ayer, plus a set-top box that could potentially change the way we view cinema releases forever.

We’ve also got our round up of what we’ve been watching. Steve talks us through the generic but decent action film London Has Fallen; Owen discusses the first five episodes of the second season of Daredevil; and Brooker does his homework ahead of Batman v Superman by re-watching Nolan’s trilogy plus Man of Steel. Our new release reviews saw the team take in the safe-for-work porcelain doll horror The Boy, Ben Wheatley’s latest weird class-war narrative High Rise, and the thematic sequel to 2008’s monster movie, 10 Cloverfield Lane.

There’s even room for our regular film quiz and Steve’s reaction to Pudsey the Dog: The Movie, his booby-prize for losing last week’s quiz. Oh, and Owen’s mad rapping skills. Wiki-wiki-wild wild west…

Join us again next week as things return to normal for a review of DC’s newest blockbuster.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

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Watch the full un-edited live broadcast of the episode (with webcams an’ all) on our YouTube channel.

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And the winner is…

avengers-assembleThe votes have been counted and verified, and we can now announce the first ever Failed Critics Awards winners!

On a chilly night at the end of December, the team from the Failed Critics Podcast recorded a virtual ceremony, complete with tuxedos, alcohol, and debauched behaviour. In other words, James treated it like every other podcast recording.

So for anyone who was too hungover to turn on their computer, still too drunk to operate it, or simply too sensible to listen to our inane ramblings; here are the results.

Thanks to everyone who voted!

Top 10 Films of the Year

1. AVENGERS ASSEMBLE

2. Skyfall
3. The Dark Knight Rises
4. Amour
5. The Raid
6. Looper
7. The Intouchables
8. Argo
9=. Rust & Bone
9=. Safety Not Guaranteed
9=. 21 Jump Street

Best Performances
Omar Sy (The Intouchables)
Emmanuelle Riva (Amour)

Best Foreign Language Film
The Raid

Best Soundtrack
The Dark Knight Rises – Hans Zimmer

Best Documentary
Dreams of a Life

Worst Film
Dark Shadows

Failed Critics: Episode 14 – The Dark Knight Rises BATMAN SPECIAL

Holy half-baked opinions Batman! This week our very own Rogues Gallery of Villains (Gerry – The Joker, Owen – The Riddler, James – The Penguin, Steve – Catwoman) not only review The Dark Knight Rises, but also tackle all things Batman in a bumper 2 hour Batman Special.

THWACK!

In the opening section we discuss our randomly-allocated Batman films of the past – including Gerry’s near-breakdown over the 1966 movie and Owen looking for the positives in Batman and Robin. Plus Steve puts us all to shame with his tales of heroism. Well, sort of.

BIFF!

This week’s Triple Bill sees the critics giving us their favourite performances from the actors that have played the Caped Crusader in the last 25 years.

CRACK!

Then finally (at 1hour and 19 minutes if you want to skip) we review the most anticipated film of the year. Does it live up to expectations? Was it a worthy conclusion to the Dark Knight Trilogy? Could we understand a word Bane was saying?

We’re away next week, but will return on 7th August with a review of Ted and our favourite sporting movies.

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BATMAN WEEK – Batman Begins Here

In honour of this week’s release of  The Dark Knight Rises, Failed Critics is going quite literally Batshit mental as we devote the site for one week only to the Caped Crusader. Today our very own Gerry McAuley gives us a brief summary of the main influences on Christopher Nolan’s trilogy from the comic book world. So you can seem knowledgeable to your friends on the way in to the cinema, obviously!

I’m sure we’re all familiar with Batman – after all, D.C. Comics’ flagship superhero has infiltrated popular culture quite successfully in his 70+ years of life. Film adaptations since 1989 have revived the franchise and put a new spin on a hero who for most people was previously associated with the annoyingly camp and light-hearted original series (and 1966 film) starring Adam West as Bruce Wayne/Bats.

What fewer are aware of though is that the darker interpretation which began with Tim Burton’s Batman in 1989 and was continued 16 years later by Christopher Nolan (I prefer to forget the Schumacher films in between) reflects a shift in tone in the comic world too. In 1986, Frank Miller – who would of course go on to write Sin City and 300, both of which became hugely successful films – wrote The Dark Knight Returns, the gritty tale of a jaded 55 year old Batman who was forced to come out of retirement and save Gotham again.

The gap between The Dark Knight and the sequel would seem to be based on Miller’s story, as Batman has been chased out of Gotham for eight years after taking responsibility for Harvey Dent’s crimes. Of course, Tom Hardy’s Bane first gained prominence in the Knightfall story arc in the early 90s, so Nolan’s universe is hugely reliant on recent Batman interpretations. As will be seen later, another Miller title, Batman: Year One, is a major influence on Batman Begins.

Another huge name in comics had also helped revive Batman in the late 80s. Alan Moore is probably known to most film fans through adaptations of his work: Watchmen, V for Vendetta, The League of Extraordinary Gentlemen and From Hell are all based on his publications, although Moore dislikes all film interpretations of his comics/graphic novels. Just a year prior to Burton’s film being released, D.C. published Moore’s one-off graphic novel Batman: The Killing Joke, a dark examination of the Joker’s madness that interspersed his origin story with his twisted attempts to drive Commissioner Gordon insane. The disturbing tone of the story, which involved the Joker shooting Gordon’s daughter in the spine and paralysing a character who was also Batgirl, explored the morality behind the Batman/Joker battle and was undoubtedly a huge factor in the performances of Jack Nicholson and Heath Ledger in their respective film roles. For instance, the Joker has varying memories of how he came to be:

“Sometimes I remember it one way, sometimes another… If I’m going to have a past, I prefer it to be multiple choice!”

Ledger’s Joker in The Dark Knight famously provides differing accounts of how he got his scars, which his comic book counterpart does not have – just one example of the different ways the Batman mythology can be interpreted.

The strongest influence on Nolan however seems to have been Batman: The Long Halloween, Jeph Loeb and Tim Sale’s 1996-1997 epic. So strong was that influence that Nolan and David Goyer, the co-writer of the trilogy, provided an introduction to the latest edition of the graphic novel. Although taken from an interview in 2006, just before principal photography began on TDK, both men cite the influence Long Halloween had on both movies and surely the third instalment too.

“When you’re putting together a Batman film, people always ask, ‘Are you looking at this comic book or that comic book?’ And the truth is you look at all of them. As a filmmaker, though, The Long Halloween was one Batman story that really drew me in in terms of cinematic potential… to integrate the more fantastical elements of Batman, most notably the villains, within the context of the real world, strike a balance that felt credible [The Long Halloween] was a great inspiration to us in terms of tonality.”

And with that, allow me to make some suggestions for those of you who are curious about exploring the Batman legend further. Nolan’s trilogy is so epic in scope that one cannot help be drawn in to that world; given that, it seems appropriate to focus on the more recent interpretations which have that gritty, realistic feel.

The place to start is Frank Miller’s Year One, which tells the origin story better than anything else and was recently voted the greatest Batman story ever by IGN. Goyer cites it as one of the three main influences on him in Batman lore and this is clear in Begins. There are various versions of the book around and crucially for those of you who don’t find comics appealing, an animated film of the story was released in 2011 which very faithfully follows Miller’s original.

The next stop should be The Long Halloween, which takes place early in Batman’s career and takes in a staggering number of the rogues gallery of villains our hero faces. If Year One is the basis of Begins, this is obviously the foundation of TDK. Harvey Dent’s story will be very familiar and the Nolan interpretation is largely faithful to Loeb’s story. Furthermore, the subtle differences between the two will give a new appreciation of Nolan’s skill – for instance, he plays with the viewer by having a gun pulled on Dent in the courtroom, a threat which Dent confidently disarms; in Long Halloween, this is a much more pivotal moment which I won’t spoil here. Needless to say, familiar Batman fans had a different moment of suspense and surprise with that particular scene.

Moving on, The Killing Joke is utterly brilliant and really gets to the heart of how small the differences are between good and evil, exploring how our reactions to difficulties can shape both our lives and the world. Yes, there is much more to Batman than you might think. As an aside, there’s a book called Batman and Philosophy which highlights just how many issues are present in the Dark Knight’s struggles against evil.

Once you’ve seen how the Joker began, it seems logical to look at his first battle with Batman – step forward The Man Who Laughs, which takes place in the same early years as Long Halloween, seemingly straight after Year One. Then we can move away from these early Bat adventures and look at something totally different in style. Arkham Asylum: A serious house on serious earth is another journey into madness and the fine line that separates good from evil, as Batman enters the asylum to save the staff from the villains who are holding them hostage. Those who have played the game of the same name will find this familiar territory but the presentation is astonishingly different. This is as close to art as Batman gets in my view and is essential reading. More on the games in a forthcoming article by the way…

With a view to The Dark Knight Rises, the main villains could do with a look too. Bane, as mentioned, appears in Gotham in the Knightfall trilogy and Hardy’s version is apparently much more true to the original than the horrible portrayal Schumacher had Robert Swenson give in Batman & Robin. For Catwoman, choices abound and both Long Halloween and Year One feature a certain Selina Kyle. Hush is the most recent title to have an interesting portrait of Bruce and Selina’s complex relationship and is visually stunning.

To finish off, of course The Dark Knight Returns is a must. I’ve already spoken about the content and the impact of the story but it bears repeating that this is far, far more than ‘just a comic’ as many tend to dismiss Batman stories – as if comics cannot be a serious medium. Hopefully, reading some of the above will correct that impression and give you the added bonus of really knowing what you’re talking about when watching the films with your mates, rather than just blagging it based on the info I’ve given you.

Gerry will be discussing this article as well as a myriad of other Bat-things on this week’s Failed Critics Podcast Batman Special.