Tag Archives: The Founder

2017 in Review – February

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“Y’all jokers must be crazy.”

February. Awards month. This second diary entry starts with a list of Oscar nominated films I would love to get through before the awards ceremony on the last Sunday of the month. Try as I might, I don’t have the time nor energy to travel up and down the country to obscure little picturehouses to watch three hour French films about the government’s war on Brussels sprouts (I don’t know what any of these films are about. Call that an educated guess) so that pipe dream was never going to be doable.

Maybe that’s a tick list for next year. One challenge at a time. Maybe next year will be the year I watch every single nominated film. For now, it’s all about these 365 films I have to watch. So…


the martian 2015Week One

The first week felt pretty busy when it came to films. More blind luck than organisation, the month started by knocking another film of the blu-ray pile of shame; The Martian‘s extended cut burned through our evening on day one. I honestly forgot how good that film was.

The three year old’s journey through the MCU continued with Iron Man 2 on the same night we bought foreign film Oscar nom A Man Called Ove. The Saturday of the Failed Critics Pubcast gave me train time for a first watch of 1984’s Bad Taste and a repeat visit to Luc Besson’s Lucy. A family trip for the excellent Lego Batman Movie, followed by the pretty rubbish Gold was how that Sunday started. Rounded it off with the traditional yearly watch of Any Given Sunday.

Early February ended a bit of a mixed bag. The hopefully final but surprisingly fun Resident Evil movie was certainly better than the first Schumacher Batman that I somehow ended up watching. But with the last films of the week being the great Hidden Figures and the sublime Gone Baby Gone, things were looking up.


mad-max-chromeWeek Two

In my misguided attempt to watch all the Oscar nominated films, I forced myself through a couple of horrendous films to start week two. Michael Bay’s Stars and Stripes masturbatory fantasy that is 13 Hours may be one of the worst things I’ve ever seen. Followed by the promising, but overall sleep inducing Passengers felt like the worst way to continue this challenge. Luckily, the newly released “Definitive Directors Cut” of Heat was enough to cleanse the palette.

The next few days was a mix of first watches and old favourites. John Wick and Training Day filling the quota of films we’d seen before; while new films were covered by The Girl With All The Gifts and Fences. All superb choices, if I do say so myself. The bizarre documentary Beware the Slenderman was our Saturday night viewing this week. Four films on the Sunday filled in my numbers nicely, I finished off the weekend with the beautiful, boner inducing “Black and Chrome” cut of Mad Max: Fury Road.

Luckily, work was quiet as this week carried on. An empty office and a stack of paperwork meant iTunes films to pass the time. A couple of films at work, the original Jungle Book with the kid when I got home and I ended the week with an early contender for film of the year, John Wick: Chapter 2.


DEADPOOLWeek Three

More films at work mean that by the time we are watching Leon that evening – another from the Pile of Shame – I’ve added three more to the list. Revisiting last year’s War on Everyone, along with an impromptu Paranorman watch and rewatching Antoine Fuqua’s Shooter meant my list had a diverse selection being added.

Excellent espionage thriller/comic book film Captain America: The Winter Soldier and The Founder clocked in at numbers 98 and 99 on my spreadsheet. Leaving space for something special for the next milestone. Film 100 was the first watch of this year, the seventeenth since the film came out almost a year ago to the day. Film 100 was the one, the only, Deadpool.

A couple of animated films, that included the surreal but fun A Cat in Paris brought up the rear for the most part this week. I also managed to get my sticky hands on a review screener for the latest film from one of my favourite directors to end this week. If you ever get the chance, you should definitely watch James Cullen Bressack’s Bethany.


nuns-with-gunsWeek Four

The month begins to come to a close. The original cut of Mad Max: Fury Road kicks things off (yes, a different cut is a different film. My challenge, my rules). Peter Berg’s Patriots Day and Gore Verbinski’s A Cure For Wellness meant the week had an up and down middle section. You can hear me wax lyrical about both on the Oscar fallout podcast. This week also saw us dig into one of the worst films we have ever seen; Nude Nuns with Big Guns is just as award worthy as you think it is.

Loads of films with the kid this week, too. On request, we saw three, THREE, Teenage Mutant Ninja Turtles movies. The two recent ones and the original 1990 version. Creepy, rapey Michelangelo aside, they ain’t the worst movies in the world. And she loved them, that’s all that matters. It’s the same reason I sat through the Angry Birds Movie again! Luckily, she didn’t watch our final one of that weekend, we watched the dug in to The Greasy Strangler. Just… wow.

Finally, after weeks of joking around about how ridiculous it is that we could live in a world where Suicide Squad won an academy award, it actually happened. So a rewatch of the film I loved that everyone else despised; the Oscar winning Suicide Squad. Then, as I write this, I’m in my seat at the local IMAX waiting for the premiere of Logan to begin. And thanks to Fox’s brilliant marketing ploy to show it at 10.23pm, it still counts as a February film. And much like last month, the second I turn this in, it’s onto writing the review.

This is getting tiring. But at this point, I’ve done more than half of the number I totalled last year. That can’t be bad.

Two months in the bag. Only ten to go.

Films seen this month: 54

Current count, as of 28th of February: 114 of 365.

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Failed Critics Podcast: Wick, Wall and ‘wards

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Firstly, apologies for the admittedly rubbish hatchet job on the editing this week. Long story short, after spending ages editing out the ums, pauses, yeahs, anyways, clicks, clacks, mic noises, talking over each other and insufferably bad jokes (maybe not so many of the latter), the project crashed. So much for recovery files. That just leaves a very (very) rushed edit – on the plus side, you get to hear for the first time in years just how an unedited Failed Critics podcast sounds!

Secondly, at least all the content that was worth listening to survived! Hooray? Hooray! That means this episode contains our full preview of this weekend’s Academy Awards… of which you can also pick the films you think will win an Oscar in the 11 categories below to win super-cool prizes* by leaving a comment in the box below.

*not necessarily super-cool.

There are also reviews of a bunch of new releases in this week’s episode. The action-thriller John Wick: Chapter 2 has Owen and Brooker wondering if it really is the best film of the year. Steve most definitely did not wonder for very long whether he found the best film of the year with The Great Wall. Paul also thinks he may have found the most boring film of the year with The Founder.

Join us again next week as we round-up the winners and losers from the Oscars 2017.

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1) Best Picture
Arrival – Shawn Levy, Dan Levine, Aaron Ryder, and David Linde
Fences – Scott Rudin, Denzel Washington, and Todd Black
Hacksaw Ridge – Bill Mechanic and David Permut
Hell or High Water – Carla Hacken and Julie Yorn
Hidden Figures – Donna Gigliotti, Peter Chernin, Jenno Topping, Pharrell Williams, and Theodore Melfi
La La Land – Fred Berger, Jordan Horowitz, and Marc Platt
Lion – Emile Sherman, Iain Canning, and Angie Fielder
Manchester by the Sea – Matt Damon, Kimberly Steward, Chris Moore, Lauren Beck, and Kevin J. Walsh
Moonlight – Adele Romanski, Dede Gardner, and Jeremy Kleiner

2) Best Director
Denis Villeneuve – Arrival
Mel Gibson – Hacksaw Ridge
Damien Chazelle – La La Land
Kenneth Lonergan – Manchester by the Sea
Barry Jenkins – Moonlight

3) Best Actor
Casey Affleck – Manchester by the Sea as Lee Chandler
Andrew Garfield – Hacksaw Ridge as Desmond T. Doss
Ryan Gosling – La La Land as Sebastian Wilder
Viggo Mortensen – Captain Fantastic as Ben Cash
Denzel Washington – Fences as Troy Maxson

4) Best Actress
Isabelle Huppert – Elle as Michèle Leblanc
Ruth Negga – Loving as Mildred Loving
Natalie Portman – Jackie as Jackie Kennedy
Emma Stone – La La Land as Mia Dolan
Meryl Streep – Florence Foster Jenkins as Florence Foster Jenkins

5) Best Supporting Actor
Mahershala Ali – Moonlight as Juan
Jeff Bridges – Hell or High Water as Marcus Hamilton
Lucas Hedges – Manchester by the Sea as Patrick Chandler
Dev Patel – Lion as Saroo Brierley
Michael Shannon – Nocturnal Animals as Detective Bobby Andes

6) Best Supporting Actress
Viola Davis – Fences as Rose Maxson
Naomie Harris – Moonlight as Paula
Nicole Kidman – Lion as Sue Brierley
Octavia Spencer – Hidden Figures as Dorothy Vaughan
Michelle Williams – Manchester by the Sea as Randi

7) Best Original Screenplay
Hell or High Water – Taylor Sheridan
La La Land – Damien Chazelle
The Lobster – Yorgos Lanthimos and Efthimis Filippou
Manchester by the Sea – Kenneth Lonergan
20th Century Women – Mike Mills

8) Best Adapted Screenplay
Arrival – Eric Heisserer from “Story of Your Life” by Ted Chiang
Fences – August Wilson from Fences by August Wilson
Hidden Figures – Allison Schroeder and Theodore Melfi from Hidden Figures by Margot Lee Shetterly
Lion – Luke Davies from A Long Way Home by Saroo Brierley and Larry Buttrose
Moonlight – Barry Jenkins and Tarell Alvin McCraney from In Moonlight Black Boys Look Blue by Tarell Alvin McCraney

9) Best Animated Feature Film
Kubo and the Two Strings – Travis Knight and Arianne Sutner
Moana – John Musker, Ron Clements, and Osnat Shurer
My Life as a Zucchini – Claude Barras and Max Karli
The Red Turtle – Michaël Dudok de Wit and Toshio Suzuki
Zootopia – Byron Howard, Rich Moore, and Clark Spencer

10) Best Foreign Language Film
Land of Mine (Denmark) in Danish – Martin Zandvliet
A Man Called Ove (Sweden) in Swedish – Hannes Holm
The Salesman (Iran) in Persian – Asghar Farhadi
Tanna (Australia) in Nauvhal – Martin Butler and Bentley Dean
Toni Erdmann (Germany) in German – Maren Ade

11) Best Documentary – Feature
Fire at Sea – Gianfranco Rosi and Donatella Palermo
I Am Not Your Negro – Raoul Peck, Rémi Grellety, and Hébert Peck
Life, Animated – Roger Ross Williams and Julie Goldman
O.J.: Made in America – Ezra Edelman and Caroline Waterlow
13th – Ava DuVernay, Spencer Averick, and Howard Barish