Sound and Fury signify a change in the top spot, Birdman will be able to buy law books with pictures this time, Nicholas Sparks is not getting the best, the best, the best, The Best Of Me, and Other Box Office News.
by Callum Petch (Twitter: @CallumPetch)
Movies, successful movies at that, often go about trying to solve questions that the public need answers for. For example, our new number 1 film, Fury, finally helped to answer our year-long conundrum, “So, is this what caused Shia LaBeouf, who wasn’t exactly the most stable and upstanding citizen to begin with, to finally go completely off the deep-end?” As marketing hooks for World War II movies go, it’s a pretty unique selling point, and one really should commend LaBeouf for starting so far away from the film’s release date and sticking with it for so long, too; professional wrestlers can’t commit to a bit this much! $23.5 million worth of Americans ended up tempted enough by the possibility of a train-wreck to pony up and watch an apparently pretty alright film.
In release news that doesn’t involve me making really tired and terrible jokes about a man who is most likely suffering from some kind of mental health problems, The Book Of Life continued the trend of animated films not made by established companies, and not outstandingly marketed to hell and back, opening rather soft with a third place debut and $17 million in ticket sales. By contrast, Studio Ghibli’s second-to-last planned film, The Tale Of Princess Kaguya, opened in limited release to a very respectable $51,700 from 3 screens – which sounds small, but one must remember that this is the return feature of Grave Of The Fireflies’ Isao Takahata and that not everybody wants to be reduced to blubbering, incoherent wrecks at art-house cinemas filled with snobby judging art-house crowds.
Meanwhile, and thankfully for people absolutely f*cking sick of his goddamn signature brand, the latest Nicholas Sparks adaptation, The Best Of Me, bombed majorly, only managing $10 million for sixth place and allowing hacks like me to make unfunny Foo Fighters references. Admittedly, Nicholas Sparks films have very fluctuating performances – The Notebook was followed by Nights In Rodanthe, whilst The Last Song was followed by Dear John – so we can’t break out the party poppers just yet, but it’s still the lowest opening for any of his adaptations ever so I’m calling this a win! Along similar total-failure lines, Jason Reitman’s Men, Women & Children expanded to 608 screens this past weekend and scored the fifth worst nationwide debut ever, with just $320,000. Films that managed a better per-screen average than it ($526) include Let’s Be Cops in its 10th week ($795), The Giver in its 10th week ($561), Lucy in its 13th week ($778), How To Train Your Dragon 2 in its 19th week ($566) and… well, pretty much everything else on the list.
Finally, we have the limited releases and the big success story of the weekend: Birdman. The new film from Alejandro González Iñárritu starring Michael Keaton as somebody who once played a superhero now trying to make it on Broadway and filmed in a way that gives off the illusion that the film is just one continuous shot… actually, now that I think about it, it’s absolutely no surprise that the LA and NY cinemas that got this film ate it up so massively. In any case, $415,000 from 4 theatres makes it the second-biggest-per-screen-average for a limited release of the year (behind The Grand Budapest Hotel) and the ninth best live-action limited release opening ever. Also doing great business on 11 screens, for a very impressive $31,273 per-screen average, was Dear White People with a weekend total of $344,000. I don’t really have anything else to add, to be honest, the film looks way too good for me to get snarky at.
This Full List has got another confession to make, it’s no fool, it’s getting tired of star- (*is forcibly pulled away from keyboard*)
Box Office Results: Friday 17th October 2014 – Sunday 19th October 2014
$23,500,000 / NEW
Owen will be handling review duties on this one, folks. Be gentle with him. I also find it interesting to note that Fury has made more domestically in one weekend than David Ayer’s other 2014 film, Sabotage, did worldwide throughout its entire run. Good to see his year has turned around significantly!
2] Gone Girl
$17,800,000 / $107,069,000
Gone Girl has been embraced by Men’s Rights Activists, just as I feared it would be. Sigh… I guess that’s the risk one gets when trying to tell stories like this one, but it is saddening to know that I am going to have to spend the rest of my life lengthily explaining myself when I tell more Internet conscious people that I love Gone Girl, so that they don’t get the idea that I’m some kind of woman-hating psychopath.
3] The Book Of Life
$17,000,000 / NEW
Out here on Friday, so one last time for good luck: I ORDER YOU TO NOT SUCK!
4] Alexander And The Terrible, Horrible, No Good, Very Bad Day
$12,039,000 / $36,871,000
And this is out this weekend, too. Well, I guess you gotta learn to live with the bad days to ap- (*looks down to see hands have somehow become sentient and are strangling the author to death*)
5] The Best Of Me
$10,200,000 / NEW
Should probably clarify that the strangling that occurred in the previous joke involved my throat, not anything dirty like I know some of you more childish readers were attempting to misconstrue it as. There are no such uses of toilet humour in these articles. This is a family feature.
6] Dracula Untold
$9,889,000 / $40,735,000
A pretty large 58% drop between weekends, so it’s a total flop domestically. Unfortunately, it’s almost cleared $100 mil overseas, mainly thanks to Russia and Mexico of all places, so I can’t smugly sit here and claim that it completely bombed like I predicted it was going to. Drat and blast!
7] The Judge
$7,940,000 / $26,843,000
No, seriously, watch the trailer for Dear White People. It looks absolutely excellent and the kind of film I need in my life right f*cking now.
$7,925,000 / $74,127,000
Yes, that is a really close gap between The Judge and Annabelle, but actuals have yet to actually flip the places of two films that are dead close to one-another in estimates under my watch, so don’t expect anything to actually happen here. You know, except for the realisation that I just managed to sufficiently kill time by making a big deal out of nothing with this entry.
9] The Equalizer
$5,450,000 / $89,170,000
10] The Maze Runner
$4,500,000 / $90,837,000
OK, I’m not stupid. I know you haven’t actually watched the Dear White People trailer yet. I have no control over you and can’t force you to visit every single link I attach to these articles. You’re busy people with places to be. So I’m just going to leave this here and we’ll all reconvene next week for me to do this dance with another completely different film possibly maybe.
Dropped Out: Addicted, The Boxtrolls, Left Behind