Tag Archives: The Intouchables

Half A Decade In Film – 2012

To bastardise a famous Eric Cantona quote: 2012 was a great year for film. Failed Critics was born.

Yes, this humble, modest, unassuming (what?) and shambolic film blog and podcast had its inaugural year less than a third of a decade ago. Beginning life as James Diamond’s personal blog, The Failed Critic, as he attempted to watch through the entire IMDb Top 250 list (and, suitably enough, failed to do so), it quickly expanded to include a weekly podcast and half a dozen other writers and contributors. Almost three years later and here we still are, if a little podgier larger than we were back then…

As we continue our quest to bring you the Failed Critics’ favourite films of the first half of this decade, it’s to 2012 that we look back on. A year when a James Bond film grossed over $1bn worldwide; when Peter Jackson introduced HFR to the mainstream with his first return to Middle Earth since The Lord of the Rings ended; and when people suddenly started to take Ben Affleck seriously again.


Dredd

Judge Dredd Still ImageNegotiation’s over. Sentence is death.

There’s a thing I do when I write something that someone else might read. If I’m reviewing anything, be it a film or a game or whatever, before I start writing I watch the trailer for it. Mainly so I know how far I can go with spoilers. If it’s in the trailer, it’s fair game to talk about. I do it when I’m spit-balling ideas on what to write and I can fully load my notes with stuff before I watch or play whatever I’m reviewing.

When I watched the trailer for Dredd to get the ideas flowing before I watched it that night, all the shivers I got the first time I saw it came back and I realised I’d made the right choice in my pick of 2012.

Judge Dredd was the only comic book I read as a kid. I still have my dog-eared copy of The Dark Judges on my bookshelf. So when I saw that trailer on a trip to the flicks, the teenager in me screamed! 13 year old me still hasn’t forgiven me or Sylvester Stallone for the abomination that was Judge Dredd. Stallone and his damn ego ruined the one comic book I love and seeing the trailer for Dredd showed me hope!

Turns out, that was pretty well placed hope. Dredd‘s story of a Judge and his rookie taking down a drug ring based in an apartment block is uncomplicated, brutal and just outstanding. Forget that awful “The judges are good guys really” thing from Sly’s film, Dredd is single-mindedly lethal and 100% the judge that fans wanted in the film adaptation of Mega City One.

Karl Urban’s Dredd is excellent. You can finally forget that terrible moment you saw Judge Dredd’s face (and it was Stallone) and place your faith comfortably on Urban’s gruff, uber-masculine chin and its outstanding acting ability. I had to fight against every fibre of my being wanting to stand and cheer when he says the iconic “I am the law”. Lena Heady is terrifyingly brilliant as the brutal head of the drug empire in the Peach Trees tower block. Going up against Dredd needs balls and smarts and Heady’s “Mama” has both, in spades. The two going at each other is a sight to behold for Dredd fans. Now, if we could only get a sequel.

by Andrew Brooker (@Brooker411)


The West Memphis Three

unnamedIf I focused on the things I can’t change, the things that have hurt me, what people have done to me, then they would have already broken me.

2012 was the year of the documentary feature for me and I’m going to give them some love in this week’s Half A Decade In Film. Jackie Siegel in The Queen of Versaille, she had me shouting at the screen and holding my head in my hands. Joyce McKinney told her ‘Mormon in Chains’ story, in Errol Morris jaw-dropping and sleaze fuelled Tabloid. Things got even weirder by the time The Imposter hit our screens… this actually happened, really and truly. I’ve seen the dramatised version of this and they tone it down to make Frederic Bourdin’s tale even vaguely believable. Right there is a mind blowing triple bill, but its another triple bill that tops 2012. The West Memphis Three.

Damien Echols, Jessie Miskelley & Jason Baldwin and their tangle (understatement of the decade dropped in there) with the Arkansas justice system. In three ground breaking and truly eye-opening films we follow their story in Paradise Lost (1996), Paradise Lost 2 – Revelation (2000) and finally Paradise Lost 3 – Puragtory arrives to conclude matters. Filmmakers Joe Berlinger & Bruce Sinofsky had no idea how this project would pan out and even if you’d told them, they’d never have believed you. If you don’t know their story, then it has to be seen to be believed, don’t go Googling though – go in knowing nothing and you’ll take away so much more. If you’re curious, but not convinced by investing 7 hours of your time to watch all this, Peter Jackson (yes, that one) & Amy Berg put out another film West of Memphis in 2012; this covers everything in a couple of hours, but the reality is, that simply doesn’t do their story justice.

Incredulity, rage and many, many tears is what awaits you here. Two decades of story telling warrants seven hours of your time.

by Paul Field (@pafster)


El Ultimo Elvis (The Last Elvis)

the last elvisHave you ever felt that you’ve done everything? That you’ve reached all your goals?

The recent “Best Film” Oscar for Birdman will, hopefully, result in interest being shown in the back catalogue of Armando Bo, co-writer of Birdman and the writer/director of this wonderful drama from Argentina.

Despite the name, this is NOT a film aimed at Presley fans. I don’t, knowingly, own any Elvis records and yet absolutely love this film; it’s a story about fandom taken to levels that far exceed what most people would class as obsession.

Carlos “Elvis” Gutiérrez is a Buenos Aires based Elvis Presley impersonator. Other than the fact that he is a fat, sweaty, bloke crowbarred into a sparkly jumpsuit, he doesn’t much look like Elvis but he most certainly does sound like him. The problem is Carlos isn’t content to just sound like him, he’s focused on being Elvis.

He spends the day working in a washing machine recycling factory with headphones clamped to his ears. When he visits his, understandably hostile, ex-wife he constantly calls her Priscilla, her name is Alejandra. His daughter and his car are both, naturally enough, named Lisa-Marie.

When Alejandra is badly injured in a car crash, Carlos has to put his “big plan” on hold to look after his daughter. The bulk of the film follows the relationship he attempts to build with Lisa-Marie and his spiralling, deeply damaging, obsession starts to change the way you feel about him. Is he a harmless crank, to be allowed his passion, or is he a selfish jerk?

Carlos is played by John McInerny, an American professional Elvis impersonator. The producers initially hired him to coach an Argentinian actor for the live performance segments of the film, apparently he won them over to such an extent they gave him the part instead. Considering he is not an actor by trade, his performance throughout the whole film is nothing short of wonderful. He is completely believable in the part. He plays the numerous emotional scenes superbly and, needless to say, the musical performances are of a very high quality. The only part of his performance that is hard to judge is his speech. I do not speak Spanish so am not qualified to comment. It sounds authentic to me but could well be a Dick Van Dyke abomination to a native speaker, and we all know how horrific that is.

Infuriatingly, the polish of this jewel gets a little rubbed by the horribly heavy handed direction of the end of the story. There’s nothing wrong with the writing or the acting, but the way the climax is handled visually really does grate. That most dreaded of Crime Against Film-Fan Humanity, the montage, gets a pretty full work out, the accompanying music takes a distinct turn for the worse too.

It’s nowhere near enough to spoil the film but it’s an annoying feeling to take away with you at the end of a great watch.

by Liam (@ElmoreLTM)


The Intouchables

intouchablesWe listened to your classics. Now it’s time to listen to mine.

During this year I had noticed a film advertised at the cinema, a French film called The Intouchables, yes even Cineworld were showing it. Yet the poster didn’t really inspire me to see it, just a standard promo shot of Francois Cluzet and Omar Sy, it really was quite lacklustre. I remembered Cluzet from Tell No One back in 2006, but had no idea who Omar Sy was, I couldn’t even be bothered to look him up on IMDB; I was that unimpressed with the one-sheet.

During the films second week a friend turned to me and said “have you seen Intouchables?” I said I hadn’t. He just said “you really need to see it, it’s fantastic.” I had to take the next afternoon off to go and see it on this recommendation. I’m so glad I did. Intouchables ended up being one of my favourite films of the year, in a year which included Avengers, Skyfall, Amour and Rust & Bone, it really was a good year for French films.

Aside from the recommendation, my expectations were still very low. I really wasn’t prepared for how much I enjoyed this film. From the opening sequence as Sy drove Cluzet through the streets of Paris, the stunning cinematography accompanied with a fantastic score; a wonderful piano piece from Ludovico Einaudi. I was hooked. The sombre opening the scene changed as Sy’s explosive personality coned the local police after been caught for speeding that they were in an emergency and needed to get to the hospital, the whole mood changed. Cue September from Earth Wind and Fire and Sy and Cluzet singing along in the car escorted by the police, from sombre to comical effortlessly. I was then taken back in time and to the story of Philippe (Francois Cluzet) and Driss (Omar Sy) first encounter together and how the relationship between these two people turned into a truly remarkable friendship. I really want to be coy about the circumstances of both men, how they become friends because I really don’t want to spoil it for people who haven’t seen it. Also I don’t want to put people off either, I know people are not interested in films regarding certain conditions or situations, or even the poster…

Cluzet is remarkable as Philippe, it must have been one of his toughest acting jobs. I really did believe him, a sombre man due to his condition, the life sucked out of him. Then Sy as Driss is equally as good, filling the film with his personality, his fun and bringing life back to Philippe. There are scenes which make you howl with laughter, and scenes which make you want to cry, in both happiness and sadness. The emotional range I went through watching this film was incredible, with a perfect ending which always makes me smile.

The direction and writing from both Olivier Nakache and Eric Toledano is assured, they never over cook the drama or under cook the comedy, the balance is perfect. Along with one of my favourite mixed soundtracks of all time, the Einaudi score pieces are sublime and with a good mix of songs as well. A remarkable film and if you haven’t seen it, I highly recommend you do watch it.

by Mike Shawcross (@Shawky1969)


Avengers Assemble

avengers“Steve Rogers: Big man in a suit of armour. Take that off, what are you?
Tony Stark: Genius, billionaire, playboy, philanthropist.

Marvel’s The Avengers. The Avengers. Avengers Assemble. “That film with Ironing Man and Captain USA and Thaw and that green dude Bulk.” Whatever you want to call it, the Marvel juggernaut finally hit full steam (if juggernauts are powered by steam?) crushing lesser comic book films in its path. It is actually one of four 2012 releases to have grossed well over a billion dollars worldwide (Skyfall, The Dark Knight Rises and The Hobbit being the others) and currently sits at 3rd in the all time highest grossing films list. Regardless of your opinion on comicbook movies, if you didn’t see Avengers, then I haven’t done the maths but I believe that means you simply weren’t on this planet upon its release.

Indeed, as voted for by listeners of the podcast way back when, it came out top of the pile in our first ever Failed Critics Awards. Whilst time and a rewatch has slightly softened my initially held incredibly high opinion of Joss Whedon’s superhero team-up blockbuster, it’s still a movie that I thoroughly enjoy. After leaving the cinema, thinking about what I’d just witnessed, I couldn’t think of a similar type of movie that I had seen done as well as this, nor one that was more fun. It had it all. Whilst the likes of Nolan and Snyder had tried to make superhero films that were gritty and a touch more realistic relatively speaking, Marvel had decided to stick more closely to what their readers and film fans wanted; a cartoony, humorous, ludicrously over the top actioner. Not only that but with Whedon at the helm, they had a guy who knew how to write light-hearted and entertaining characters. And who knew that he could direct action scenes involving multiple heroes, aliens and giant multi-dimensional worm things so well?

So, as mentioned, over the past couple of years, I’ve come to perhaps enjoy a couple of other movies released in 2012 slightly more, such as Looper and The Raid, yet none have ever topped that experience I had of walking out of the cinema believing I had just seen “my generations Star Wars“. The child-like excitement, the satisfying buzz and relief I felt that they had finally nailed what a comic book film should be has never left me and it still remains one of my favourite movies of its kind.

by Owen Hughes (@ohughes86)


And there we go, another year down, and only two more to go! As with previous articles, we’re more than happy to debate the relative merits of all the films above, or if you just want to contest our decisions entirely, simply leave a comment below and tell us where we’re going wrong. We’ll return next week with (yes, you guessed it) our 2013 article.

 

And like that *poof* he’s gone!

jmsJust over two-and-a-half years ago I started yet another blog that, like the previous ones, would inevitably hold my interest for a month or so until I got distracted by some new shiny things. I started it with the lofty ambition of watching all of the IMDB Top 250 films, and generally trying to fill the gaps in my cinematic tastes and knowledge.

On one hand it was a categorical failure, as I’m still well over 70 films away from completing the set. However, if the underlying aim was to get me watching and writing more about film, and to put me in touch with an online community of some of the loveliest film fans in existence, then colour me a winner (as well as a sentimental old fool). Besides, any top 250 film list that doesn’t contain a single Powell/Pressburger picture isn’t worth the pixels it’s displaying on.

And that’s why I’m really quite sad about moving on. While Failed Critics has been online I’ve doubled the number of kids at home, moved house to accommodate said kids, and found myself in the rare and privileged position of developing a career that I not only enjoy, but am actually quite good at. Something eventually had to give, and although I’m going to miss this place I know I’m leaving it in the very capable hands of our podcast’s own Owen Hughes, Steve Norman, and Carole Petts; as well as a loose collection of brilliant writers – all of whom have been brilliant to read and elevated the site far beyond what I ever hoped to achieve on my own.

I’ve had some fantastic experiences while running the site, attending the Prometheus premiere (and becoming life-long mates with Jason Flemyng and Benny Wong); watching a weekend of David Bowie films at the ICA; and a couple of great years at the Glasgow Film Festival where I got to feel like a ‘proper’ critic for two weeks. I’d like to thank everyone I’ve ever spoken to about film on Twitter, and everyone who has ever read an article on the site or downloaded the podcast. Every single one of those page views or downloads has made this mid-thirties man inordinately happy.

I’ll still be watching films, talking about them on Twitter, and keeping my Letterboxd ratings up-to-date. And maybe in time I’ll even get around to popping back on the podcast, or helping run the annual awards. For now though, please continue to visit the site and support the brilliant work Owen has already been doing while I’ve been otherwise engaged. I can’t wait to see what he does with the place.

Until then, let me leave you with my ten (sort of) favourite films that I saw for the first time while running the site. I think they sum up the era pretty well.

The Raid/The Raid 2

One of the earliest films we reviewed for the podcast back in 2012, and the opening still fills me with nostalgic glee. I only need to see that blue Sony Pictures Classics title card to be transported back to the John Woo/Chow Yun Fat Hong Kong action films of the late 80s/early 90s, but The Raid follows up on this promise and was the most fun I had in a cinema that year. The sequel (out on DVD next week) is a completely different, but just as impressive beast. Not many films had such a unanimous affect on the podcast team.

The Lego Movie

Currently sat at the top of my 2014 ‘Best of’ list, and it’s going to take something pretty special to budge it. I can’t imagine that I would have made a beeline to see it on the preview weekend if I hadn’t been running a film site, let alone paying to see it again the following week. But Christopher Miller and Phil Lord’s anarchic, brave, and playful animation is so funny that I don’t care how much of an advert it is.

The Before films

In an early podcast, I remember Gerry McAuley almost blowing a gasket over how much he hated Before Sunrise, the Richard Linklater film starring a young and gloriously pretentious Ethan Hawke and Julie Delpy. At roughly the same time we had an argument over (500) Days of Summer, which he enjoyed and I felt was trite, overwhelmingly kooky, and horribly shallow. I then went and watched Before Sunrise, and very quickly followed it up with Before Sunset, and Before Midnight. Much like Mia Wallace suggests everyone is either a Beatles or a Stones fan in Pulp Fiction, I have a theory that you’re either a (500) Days of Summer or a Before… fan. Pick a side.

Barry Lyndon

In the weeks running up to our Stanley Kubrick podcast special I was l living and breathing Kubrick. Already my favourite director, I relished the chance to revisit some of my favourites (A Clockwork Orange, Dr Strangelove, 2001) as well as delve into a few that I had missed (Paths of Glory, The Killing, Lolita). It was this recommendation from Owen though that completely blew me away that week. Barry Lyndon’s episodic nature and purposely static action may not be to everyone’s taste, but I was utterly bewitched by this gorgeous and entertaining masterpiece.

My Neighbour Totoro/Grave of the Fireflies

Before I started Failed Critics I had never seen a Studio Ghibli film. Let that sink in. Then in our second podcast we had a Triple Bill of Films with Child Protagonists, and Gerry chose (I think) both My Neighbour Totoro and Grave of the Fireflies, released as a double bill in 1988. During their recent theatrical rerelease I took my daughter to see My Neighbour Totoro as the first film that she really watched at the cinema (great hipster credentials for the future!), but chose to watch Grave of the Fireflies on my own. Which was lucky as I basically sobbed non-stop through most of it. Simply the finest anti-war film I’ve seen, and up there with Life is Beautiful in terms of raw emotional reactions I’ve had to films.

Christiane F

Another brutal punch-to-the-stomach of a film. I saw this as part of Bowiefest and, while the Thin White Duke makes an appearance in concert and his music forms the soundtrack, the star is Natja Brunckhorst, who plays the titular character. Based on the real life memoirs of a 14-year-old drug addict and sexually exploited child, it is an incredibly stark and realistic portrayal of 1980s Berlin. As hard-hitting as it gets.

Avengers Assemble

This was our first ever ‘Best Film of the Year’ winner, and is still the touchstone for the podcast team in terms of how to do a comic book film. If we have a catchphrase on the podcast, it’s probably “this is one of the best comic book/action films since Avengers”, and it’s easy to see why it gets so much love. A brilliantly warm and funny script from director Joss Whedon, pitch-perfect performances from all (particularly Robert Downey Jnr and Tom Hiddlestone), and the sense that Marvel are risking everything and succeeding on such an ambitious project. I’ll never tire of watching this film.

The Intouchables

This French comedy really shouldn’t work. ‘Immigrant and petty thief somehow ends up with a job looking after a millionaire paraplegic, and hilarity ensues’ sounds like an Adam Sandler movie pitch that Awesome-O would come up with in the seminal South Park episode. But this film above all others is the only one still undefeated in terms of my recommending it to people and their enjoying it. Is there anyone out there who doesn’t love it?

Rust and Bone

I’m a big fan of naturalistic French sex/relationship dramas, so when this film combined that genre with an incredible performance from Marion Cottilard and a brilliant soundtrack it seemed destined to be my favourite film of 2012. A story of violence, redemption, and killer whales dancing to Katy Perry’s Firework, and if that doesn’t make you want to watch it then I give up. Oh wait, I already am.

The Act of Killing

In my view not only the best film of last year, but simply one of the most important films ever made. This Indonesian documentary looked into a brutal and horrifying era of that country’s history, but rather than presenting the facts of the genocide that occurred in the 1960s the film gives the perpetrators of mass murder the opportunity to discuss and recreate their crimes in their favourite cinematic styles. What could have been a horribly crass piece of filmmaking ends up making the viewer look directly into the abyss of the darkest aspects of human behaviour. Essential viewing.

And the winner is…

avengers-assembleThe votes have been counted and verified, and we can now announce the first ever Failed Critics Awards winners!

On a chilly night at the end of December, the team from the Failed Critics Podcast recorded a virtual ceremony, complete with tuxedos, alcohol, and debauched behaviour. In other words, James treated it like every other podcast recording.

So for anyone who was too hungover to turn on their computer, still too drunk to operate it, or simply too sensible to listen to our inane ramblings; here are the results.

Thanks to everyone who voted!

Top 10 Films of the Year

1. AVENGERS ASSEMBLE

2. Skyfall
3. The Dark Knight Rises
4. Amour
5. The Raid
6. Looper
7. The Intouchables
8. Argo
9=. Rust & Bone
9=. Safety Not Guaranteed
9=. 21 Jump Street

Best Performances
Omar Sy (The Intouchables)
Emmanuelle Riva (Amour)

Best Foreign Language Film
The Raid

Best Soundtrack
The Dark Knight Rises – Hans Zimmer

Best Documentary
Dreams of a Life

Worst Film
Dark Shadows