Tag Archives: The Judge

US Box Office Report: 7/11/14 – 9/11/14

Interstellar’s opening isn’t so stellar, Big Hero $56 million, The Theory Of Everything lacks an easy pun for this headline, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

A lot of people, myself included, felt that Disney were signing Big Hero 6’s death warrant when they chose to schedule it directly against Christopher Nolan’s Interstellar.  I mean, it’s Christopher Nolan!  You all have seen how much his last films made, right?  I get the idea of counter-programming, but Nolan films are events, and you, Disney, have only just solidified your second renaissance!  Are you insane?!  Those fears, however, conveniently forgot one key part of this equation: Disney always wins.  Disney.  Always.  Wins.  No matter how long it takes, no matter the force against them; Disney will always win.

And win they did, quite handily at that.  Big Hero 6 opened in first at an excellent $56 million estimated, the second biggest opening for an animated film in 2014 only behind The Lego MovieInterstellar had to settle for an estimated $50 million, one that more than likely will not hold when the actuals come in, which puts it below Inception, Gravity and even Prometheus – as Box Office Mojo notes, likely whilst applying salt liberally to the film’s various wounds.  If one were to include Wednesday and Thursday IMAX-only screenings, then the total would rise to $52 million, but we don’t include such cheat tactics around these here parts!  This is the weekend Box Office Report and, last I checked, the weekend doesn’t include Wednesday or Thursday!  Nice try, Nolan!  Thanks for playing!

Activity elsewhere on the chart is limited, as seemingly everybody else realised that they have better things to do than be crushed by Disney and Nolan and so got the hell out of dodge whilst they were still able to do so.  The one major release was the none-more-blatant piece of awards bait known as The Theory Of Everything, in which Eddie Redmayne metaphorically gets down on his hands and knees and begs for awards by playing Stephen Hawking in a biopic about his life.  So, naturally, the film also did pretty great in limited release, as folks cued up to have an opinion to spout come Oscars time, taking $207,000 from 5 screens for a $41,400 per-screen average.

That just leaves a trio of documentaries that were likely dumped here because all the prime spots on the release schedule were taken.  Doing the best in terms of pure gross, primarily because it played in the most amount of theatres, was On Any Sunday: The Next Chapter, a pseudo-sequel to the 1971 Steve McQueen-fronted doc, which took $344,000 from 231 screens (for a per-screen average of $1,489) full of people with nothing better to do that given Sunday.  Next, and most successful in terms of per-screen gross, was National Gallery which made $9,700 from 1 theatre full of people who couldn’t be arsed to just book a plane ticket to London and see the place in person.  Finally, Death Metal Angola, about soft rock in the Maldives, made $2,500 from 1 screen populated with people who had a very strangely specific urge that needed scratching.


big hero 6

This Full List is really rather pissed that Big Hero 6 is giving the UK a miss.  Hey, that rhymed sorta!

Box Office Results: Friday 7th November 2014 – Sunday 9th November 2014

1] Big Hero 6

$56,200,000 / NEW

Yup, you heard that right!  Big Hero 6 doesn’t hit the UK until January of next year, adding to a pile that already includes Whiplash, John Wick, Inherent Vice, Birdman, Foxcatcher and a hell of a lot more.  That also means that the only film I’m really excited for from now until the end of the year is – and I kid you not here – Penguins Of Madagascar.  Look, American studio execs, I get that you want to capitalise on the inevitable awards hype that all of these films are going to get, and I get that we forcibly colonised your country one f*cking time, but come on!  There are giant empty gaps in our release schedules that are being plugged with dreck like a third goddamn Nativity movie!  You can do better, dammit!

2] Interstellar

$50,000,000 / $52,151,000 / NEW

Owen has reviewed it here because I am way too busy to crank out a review right now.  But also because, honestly, I’m still not quite sure what to think of it.  I did enjoy it, but the film is incredibly fatally flawed in ways that are too numerous and lengthy to explain here.  I’ll try and find time go into detail on it at some point, but for now I will say that Hans Zimmer’s score is absolutely atrocious, like a church orchestra that’s being disembowelled and expressing the feelings of said disembowelling via their instruments as they slowly bleed out.

I guess what I’m trying to say is that “overwrought” doesn’t even begin to cover it, and I’m pretty sure the guy in charge of the organ dropped dead at some point and nobody bothered to move his corpse from the keys he face-planted.

3] Gone Girl

$6,100,000 / $145,428,000

I have a friend who works at a cinema and she managed to snag me a Gone Girl poster from work today.  I have good friends.

4] Ouija

$6,017,000 / $43,472,000

The fact that this hasn’t sunk like a stone since its release genuinely confuses the hell out of me.  Like, nobody liked this one, critics and audiences, so who’s still going to this?

5] St. Vincent

$5,707,000 / $27,356,000

Chris O’Dowd’s slow breakthrough into America is one of the more bewildering things that I have come across recently.  I mean this in a good way, for once, though.  I like Chris O’Dowd, I think he’s a funny actor – although Moone Boy did quite literally nothing for me – but I thought he’d be an exclusively British thing.  You know, like how Steve Coogan has never broken through into the US despite being STEVE F*CKING COOGAN?

6] Nightcrawler

$5,512,000 / $19,756,000

OUCH.  I mean, I really should’ve seen this coming, Nightcrawler is not exactly the kind of film that will sit well with general audiences, but still.  This really isn’t the fate that one of the year’s best films deserves.  It might survive next week, as Dumb And Dumber To is the only wide release that will make money, but this still deserves way more love.  If you’ve yet to see it, go now!

7] Fury

$5,500,000 / $69,268,000

This was pretty darn great.  Took a while to warm up and ultimately didn’t do much that many other war dramas haven’t already done better, but its cast is great, its individual scenes are really good, and the whole is the sum of its pretty good parts.  Glad to see that Sabotage appeared to be a fluke for David Ayer after all!

8] John Wick

$4,075,000 / $34,745,000

Wha…?  Huh…?  Wh…?  IT’S JOHN WICK, YOU GUYS!!  I don’t even know you people anymore.

9] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$3,495,000 / $59,208,000

Yes, I did end up seeing this.  No, it wasn’t awful.  I mean, it’s not that good, but it is pacey, incredibly earnest, and has committed performances from a game cast.  It’s that earnestness that keeps it from being an intolerable slog, because the film is that happy and sincere that it overwhelms any cynical boundaries.  It’s not a good film, we can’t forget that, but it’s not an awful one so I’m willing to chalk this up as the most minor win possible.

10] The Book Of Life

$2,800,000 / $45,215,000

This has yet to cross $80 million worldwide.  Why do you people hate nice things?

Dropped Out: The Judge, Dracula Untold

Callum Petch asked her for her number all the same.  Follow him on the Twitters (@CallumPetch)!

Advertisements

US Box Office Report: 24/10/14 – 26/10/14

Ouija makes contact with idiot spirits who have money to burn, St. Vincent is the kind of clown that’s crying on the inside, Laggies doesn’t lag behind, John Wick underwhelms goddammit, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

The world is a cruel, horrible, and uncaring place where anything good will fail miserably whilst anything bad rakes in the cash hand-over-fist.  That’s my theory, in any case, as to why Ouija triumphed over John Wick at the box office this weekend.  The former, a strongly-marketed PG-13 horror film with dreadful reviews released near-Halloween to capitalise on a seasonal desire to be spooked in some way, took first place with $20 million in ticket sales.  The latter, a lightly-marketed R-rated action film with excellent reviews slotted into a free weekend of a ridiculously cramped release schedule, took second place with $14 million in ticket sales.  Sure, you could point to other factors that would cause a film like John Wick to underwhelm, but I’m sticking with my initial conclusion: people suck.

Ah, well.  At least John Wick wasn’t 23 Blast, the faith-based sports biopic about Larry Freeman, a man who lost his eyesight but still managed to go on and play in the NFL anyway.  That film got its start in 617 theatres, maybe even had big aspirations as to overall total gross and its standing in life, only to have them snatched away from it by a cruel, uncaring public.  It only managed to make $402,000, making its opening weekend the 11th worst for any wide release film ever, and with a dismal $652 per-screen average to boot.  This would be the point where I make cruel tasteless jokes at the film’s expense, but I find this just too sad to crack wise at.  On the bright side, it still opened better than last week’s Men, Women & Children.  So at least it has that going for it.

In limited release news, Laggies, the new film from Lynne Shelton which has been renamed to Say When in the UK for some reason, got its start in 5 theatres and banked a respectable $78,500 – for a per-screen average of $15,700.  Citizenfour, a documentary about Edward Snowden and the NSA spying scandal, did much better, managing to confiscate itself $125,000 from 5 screens worth of people who fancied a change of pace; one has their limits when it comes to buzzed-about Indie Dramedies, after all.  Meanwhile, Studio Ghibli’s The Tale Of The Princess Kaguya expanded to 20 theatres and raked in a far less impressive $63,500, for a per-screen average of $3,175, as a sad reminder that most people don’t seem to give a sh*t about Ghibli if the film isn’t made by Miyazaki.  Dammit.

Finally, we have multiple expanders, the most successful of which was the Bill Murray-led St. Vincent.  Admittedly, it’s the only one that went nationwide and boats the advantage of having Bill Murray in the lead role, but it still managed to crack the Top 10 with $8 million in ticket sales.  Whiplash, which I want in my life now DAMMIT, added 25 more theatres to its slow conquest of America and managed a decent $266,000 from all 46 of them.  The provocative Dear White People, which still looks amazing and still doesn’t have a UK release date for NO GODDAMN REASON, jumped up to 384 screens and finished with a much more down-to-earth and expected total of $1,384,000.   Birdman, meanwhile, expanded to 50 screens and did exactly as well as a film like Birdman is expected to do – $1,436,000 and a per-screen average of $28,720.


ouija 2

This Full List was a final gift from John Wick’s dying wife.

Box Office Results: Friday 24th October 2014 – Sunday 26th October 2014

1] Ouija

$20,006,000 / NEW

This seems like as good a time as any to tell Owen that I will not be coming into “work” for a week commencing on January 23rd.  That’s when Saints Row: Gat Out Of Hell comes out and I sequester myself away from the world for a straight week to do nothing but play it.  I live for the simple things, like a new Saints Row with an increased focus on Kinzie Kensington, the greatest character in anything ever.  So, yeah, sorry Owen.  Can’t say you weren’t notified, though!

2] John Wick

$14,150,000 / NEW

This is no longer coming out in the UK this year.  I have to wait until January 2nd to watch John Wick.  This was NOT THE GODDAMN DEAL, LIONSGATE!!  I was supposed to get John Wick at Christmas!  It was all-but-guaranteed a spot on my Top 10 of 2014!  To withhold it until next year is evil, ya hear?!  Pure evil!  HOW COULD YOU DO THIS TO ME?!  (*goes on like this for another 5 or 6 pages*)

3] Fury

$13,000,000 / $46,050,000

OK, that’s not a good hold at all.  Considering the star attached to it, the level of advertising that it’s received, and the fact that pretty much nothing came out this week, this should have held better than a 45% drop.  Owen’s review went live last Tuesday if you want to know if there’s a reason as to why few came back for repeat showings.

4] Gone Girl

$11,100,000 / $124,093,000

Battle lines have been drawn in my Film Studies course over Gone Girl.  You either love it, like I and several students do, or you hate it, like most of our lecturers seem to.  If this doesn’t end with a full-on all-out war, then I am going to be sorely disappointed.  At least I know that I will be on the right side of history if everything does kick off!

5] The Book Of Life

$9,800,000 / $29,913,000

Of course I saw it this weekend, who do you think I am?  The only reason as to why I haven’t reviewed it yet is quite simply because I haven’t had the time.  It’ll be up by Wednesday at the latest.  Short version: really good, best looking animated film I have seen all year, last 30 minutes are incredibly rushed.  It absolutely needs to be seen, definitely way more than it currently is.  If you’re still on the fence though, quite rightly believing that my opinion means sh*t, then know that the film is Lauren Faust and Craig McCracken approved!

6] St. Vincent

$8,058,000 / $9,189,000

There’s a part of me that wants to just talk about the music of Annie Clark instead, but I get the feeling that this one is going to hang around next week, so I’ll hold off on bombarding you with links until then.  You should listen to St. Vincent anyway, though.

7] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$7,023,000 / $45,544,000

So I was all set to see this Saturday but, before I’d even set off for the cinema, the screening I was planning on going to had sold out.  That came as a surprise, but rest assured that I will be seeing this at my next free occurrence, which is Wednesday!  I may accidentally miss awards bait dramas, I may miss horror flicks, and I may even accidentally miss awful-looking action flicks, but I shall never miss an insufferable looking live-action family film!  That’s just not my style!

8] The Best Of Me

$4,736,000 / $17,663,000

…THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST, THE BEST…

9] The Judge

$4,345,000 / $34,377,000

Yeah, I ended up missing this one.  I was too busy in its opening week and all showings were pulled this week at my Cineworld, so that was the end of that.  I could have gone to a different cinema and paid money, but my remaining cash went to My Little Pony: Equestria Girls: Rainbow Rocks (review here) and bis gig tickets and like f*ck am I willingly spending money on this cure for insomnia!  So, goodbye, The Judge!  At least be glad that I didn’t make any Arrested Development references during your stay!  That takes restraint!

10] Dracula Untold

$4,302,000 / $48,328,000

… … … …nope.  Can’t do it.  Can’t let The Judge escape without an Arrested Development reference.  Hit it, William Hung & His Hung Jury!

Dropped Out: Annabelle, The Equalizer, The Maze Runner

Callum Petch don’t care if we never come back from the night.  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 17/10/14 – 19/10/14

Sound and Fury signify a change in the top spot, Birdman will be able to buy law books with pictures this time, Nicholas Sparks is not getting the best, the best, the best, The Best Of Me, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Movies, successful movies at that, often go about trying to solve questions that the public need answers for.  For example, our new number 1 film, Fury, finally helped to answer our year-long conundrum, “So, is this what caused Shia LaBeouf, who wasn’t exactly the most stable and upstanding citizen to begin with, to finally go completely off the deep-end?”  As marketing hooks for World War II movies go, it’s a pretty unique selling point, and one really should commend LaBeouf for starting so far away from the film’s release date and sticking with it for so long, too; professional wrestlers can’t commit to a bit this much!  $23.5 million worth of Americans ended up tempted enough by the possibility of a train-wreck to pony up and watch an apparently pretty alright film.

In release news that doesn’t involve me making really tired and terrible jokes about a man who is most likely suffering from some kind of mental health problems, The Book Of Life continued the trend of animated films not made by established companies, and not outstandingly marketed to hell and back, opening rather soft with a third place debut and $17 million in ticket sales.  By contrast, Studio Ghibli’s second-to-last planned film, The Tale Of Princess Kaguya, opened in limited release to a very respectable $51,700 from 3 screens – which sounds small, but one must remember that this is the return feature of Grave Of The Fireflies’ Isao Takahata and that not everybody wants to be reduced to blubbering, incoherent wrecks at art-house cinemas filled with snobby judging art-house crowds.

Meanwhile, and thankfully for people absolutely f*cking sick of his goddamn signature brand, the latest Nicholas Sparks adaptation, The Best Of Me, bombed majorly, only managing $10 million for sixth place and allowing hacks like me to make unfunny Foo Fighters references.  Admittedly, Nicholas Sparks films have very fluctuating performances – The Notebook was followed by Nights In Rodanthe, whilst The Last Song was followed by Dear John – so we can’t break out the party poppers just yet, but it’s still the lowest opening for any of his adaptations ever so I’m calling this a win!  Along similar total-failure lines, Jason Reitman’s Men, Women & Children expanded to 608 screens this past weekend and scored the fifth worst nationwide debut ever, with just $320,000.  Films that managed a better per-screen average than it ($526) include Let’s Be Cops in its 10th week ($795), The Giver in its 10th week ($561), Lucy in its 13th week ($778), How To Train Your Dragon 2 in its 19th week ($566) and… well, pretty much everything else on the list.

Finally, we have the limited releases and the big success story of the weekend: Birdman.  The new film from Alejandro González Iñárritu starring Michael Keaton as somebody who once played a superhero now trying to make it on Broadway and filmed in a way that gives off the illusion that the film is just one continuous shot… actually, now that I think about it, it’s absolutely no surprise that the LA and NY cinemas that got this film ate it up so massively.  In any case, $415,000 from 4 theatres makes it the second-biggest-per-screen-average for a limited release of the year (behind The Grand Budapest Hotel) and the ninth best live-action limited release opening ever.  Also doing great business on 11 screens, for a very impressive $31,273 per-screen average, was Dear White People with a weekend total of $344,000.  I don’t really have anything else to add, to be honest, the film looks way too good for me to get snarky at.


dear white people

This Full List has got another confession to make, it’s no fool, it’s getting tired of star- (*is forcibly pulled away from keyboard*)

Box Office Results: Friday 17th October 2014 – Sunday 19th October 2014

1] Fury

$23,500,000 / NEW

Owen will be handling review duties on this one, folks.  Be gentle with him.  I also find it interesting to note that Fury has made more domestically in one weekend than David Ayer’s other 2014 film, Sabotage, did worldwide throughout its entire run.  Good to see his year has turned around significantly!

2] Gone Girl

$17,800,000 / $107,069,000

Gone Girl has been embraced by Men’s Rights Activists, just as I feared it would be.  Sigh…  I guess that’s the risk one gets when trying to tell stories like this one, but it is saddening to know that I am going to have to spend the rest of my life lengthily explaining myself when I tell more Internet conscious people that I love Gone Girl, so that they don’t get the idea that I’m some kind of woman-hating psychopath.

3] The Book Of Life

$17,000,000 / NEW

Out here on Friday, so one last time for good luck: I ORDER YOU TO NOT SUCK!

4] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$12,039,000 / $36,871,000

And this is out this weekend, too.  Well, I guess you gotta learn to live with the bad days to ap- (*looks down to see hands have somehow become sentient and are strangling the author to death*)

5] The Best Of Me

$10,200,000 / NEW

Should probably clarify that the strangling that occurred in the previous joke involved my throat, not anything dirty like I know some of you more childish readers were attempting to misconstrue it as.  There are no such uses of toilet humour in these articles.  This is a family feature.

6] Dracula Untold

$9,889,000 / $40,735,000

A pretty large 58% drop between weekends, so it’s a total flop domestically.  Unfortunately, it’s almost cleared $100 mil overseas, mainly thanks to Russia and Mexico of all places, so I can’t smugly sit here and claim that it completely bombed like I predicted it was going to.  Drat and blast!

7] The Judge

$7,940,000 / $26,843,000

No, seriously, watch the trailer for Dear White People.  It looks absolutely excellent and the kind of film I need in my life right f*cking now.

8] Annabelle

$7,925,000 / $74,127,000

Yes, that is a really close gap between The Judge and Annabelle, but actuals have yet to actually flip the places of two films that are dead close to one-another in estimates under my watch, so don’t expect anything to actually happen here.  You know, except for the realisation that I just managed to sufficiently kill time by making a big deal out of nothing with this entry.

9] The Equalizer

$5,450,000 / $89,170,000

Fuck off.

10] The Maze Runner

$4,500,000 / $90,837,000

OK, I’m not stupid.  I know you haven’t actually watched the Dear White People trailer yet.  I have no control over you and can’t force you to visit every single link I attach to these articles.  You’re busy people with places to be.  So I’m just going to leave this here and we’ll all reconvene next week for me to do this dance with another completely different film possibly maybe.

Dropped Out: Addicted, The Boxtrolls, Left Behind

Callum Petch is watching the television with no sound.  Follow him on the Twitters (@CallumPetch)!

US Box Office Report: 10/10/14 – 12/10/14

The Judge has a Terrible, Horrible, No Good, Very Bad weekend, Dracula does makes Untold millions, Kill The Messenger is DOA, the full list will give you Whiplash, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

This weekend, a terrifying curse was placed upon a certain set of people.  One that rendered them scared, confused, worried about the changes and its effects, and unable to go out during the daytime (primarily because they don’t go out during the day, anyway).  I am of course referring to the 48 hours in which the website known as Box Office Mojo ceased to exist.  We film writers were thrown into a panic.  “How on earth can we do our jobs now?  What other monstrous websites will we have to patronize instead?  Why hast thou forsaken us?!” we cried skyward to the heavens.  But then, right on cue, the site returned this morning with no explanation for its absence!  And so our great national nightmare was over!

You could say, then, that it was a Terrible, Horrible, No Good, Very Bad weekend, in an incredibly lame segway towards referring to the box office stats.  It was most certainly one for the “Robert Downey, Jr. has a space on his fireplace that he’s just freed up for some awards statues” flick known more commonly as The Judge.  Not only did critics collectively shrug it away from any possible awards buzz, the film underwhelmed severely at the box office, despite featuring Robert Downey, Jr. doing that Robert Downey, Jr. thing that the people like, only debuting in fifth place with $13 million in ticket sales.  Alexander, then, much like its titular character, ended up passing off that yadda yadda weekend to somebody else, opening with a surprisingly strong $19.1 million for third place.

That left it comfortably sat behind the number two film, Dracula Untold which debuted to a very surprisingly strong $23 million.  Couple that with its currently-really-rather-successful overseas performance, and you have one genuinely surprised writer.  In any case, that still puts it very much behind the weekend’s number 1 film, Gone Girl, which shed only 28% between weekends to hold onto the top spot.  Couple that with its currently-very-successful overseas performance, and you get one very, very happy writer.  Also sneaking into the Top 10 was the moderate release drama-thriller Addicted, which managed to overcome the handicap of apparently being complete garbage to score a seventh place debut and a near-$9000 per screen average.

As for those limited release films outside of the top 10, there’s a lot to parse through.  First off, Meet The Mormons, which resides in 11th place on our countdown with a weekend gross of $2.7 million, from 317 screens, that are presumably from people who thought it was an expose on the making of The Book Of Mormon.  It is, though, the second biggest opening for a documentary all year, at any rate (behind Bears).  Next up, we have the Jeremy Renner-starring and Mary Elizabeth Winstead-featuring Kill The Messenger, which tanked with only $939,000 from 374 screens.  You know, because Mary Elizabeth Winstead is cursed at the box office.  St. Vincent, a film starring Bill Murray and I know that’s all it needs to do to earn your ticket because that’s all it took to earn mine, managed to take $121,000 from 4 screens worth of people who had the exact same thought processes as us.  Meanwhile, the critically lauded Whiplash kick-started its assault on the public with $144,000 worth of people in 6 screens wanting to see J.K. Simmons mentally and physically abuse the f*ck out of Miles Teller.  The real abuse, as should be obvious, though, is withholding this film from us Brits until January the goddamn 16th of 2015!!

Oh, and One Chance, that biopic about the opera singer from Britain’s Got Talent, finally got released in America this past weekend.  $32,800 from 43 screens.  Absolutely worth the constant release date circle-jerking.


dracula untold 2

This Full List is being held in contempt of court!  Everything that guy just said is bullsh*t!  The Bible is a good book, but it’s not the only book!  I believe there is justice in our hearts!  You can’t handle the truth!

Box Office Results: Friday 10th October 2014 – Sunday 12th October 2014

1] Gone Girl

$26,800,000 / $78,281,000

Saw it again this weekend and again loved every second of it.  It’s just such a brilliant film, and trying to articulate the reasons as to why I love it so in less than an A4 page when it inevitably ends up in the highest possible echelons of my Top 10 of 2014 list is going to be a monumental task.  Look forward to that inevitable train-wreck of a series (yes, series, I’m planning in advance here, got a feeling the overall article would be in excess of 10 goddamn pages otherwise) in the future!  For now, go see Gone Girl!  Yes, even if you have already seen it.  Go again.

2] Dracula Untold

$23,457,000 / NEW

So, yeah.  Gonna be frank, I fully expected this one to out and out bomb.  Like, straight flop as soon as it left the starting gates.  It still could, next week has plenty of releases ready to steal its thunder and rumours are going around that the $70 mil price tag the film is sporting is significantly lower than its true budget, but it’s not an immediate and total failure, which I will likely never stop being surprised by.  You people did see the awful trailer, right?

3] Alexander And The Terrible, Horrible, No Good, Very Bad Day

$19,100,000 / NEW

Oh, Christ, this one.  Look, I refuse to believe that it is anything less than a total steaming, nigh-on insufferable dud until I inevitably see it with my own eyes in the near-future.  I’m also guessing that his work as Childish Gambino is not paying anywhere near enough to keep Donald Glover away from dreck like this.  That’s a bit of a shame; because the internet isn’t too bad of an album.

4] Annabelle

$16,365,000 / $62,156,000

A 56% drop between weekends, which is a little steeper than The Conjuring’s but is still not too bad overall.  Again, it’s got no direct competition for the whole of October, which is weirdly empty with regards to horror films this year, and Ouija, which drops at the very end of the month, will bomb to some degree (I have never been so sure of anything in my entire last 15 minutes of life).  Annabelle will keep making money.  Whether that’s a good thing or not is for you folks to judge.

5] The Judge

$13,300,000 / NEW

Robert Downey, Jr. really does just play the Robert Downey, Jr. role now, doesn’t he?  That’s kind of a shame.  I mean, don’t get me wrong, I really like Robert Downey, Jr., but he is capable of more and I’d rather he stretch himself and try to mitigate the risk of just coasting by on Iron Man.  On a related heathen note, all three Iron Man films are my least favourite of the Marvel Cinematic Universe, with the exception of The Incredible Hulk.  Yes, even Iron Man 3.  Expect my firing to be made public in a few hours.

6] The Equalizer

$9,725,000 / $79,885,000

Skipped it last Tuesday, before you ask.  I fulfilled the “seeing Dolphin Tale 2” part of that plan and then was too “eeeeeeeeeehhhhhh”’d out to bother seeing The Equalizer on top of it.  Guess I’ll never see it now.  Oh, boo hoo.  How I weep for such a missed opportunity.

7] Addicted

$7,600,000 / NEW

It wasn’t until I watched the trailer that I realised why this film came out of nowhere to make big, big bucks: it predominately stars, and is targeted at, black people.  Let me be clear, that’s not meant to be an insult – for the love of God, it really is not.  It’s instead an observation that there is a large segment of America that very much enjoy watching films aimed at them regardless of quality, and which are not white.  In fact, it’s an observation that keeps being made every single time a film like that becomes successful, almost like it’s a fact about a mostly untapped market instead of an observation about trend that will die out soon…

8] The Maze Runner

$7,500,000 / $83,840,000

Penning my review as soon as I’ve finished with this.  Short version: surprisingly, genuinely great until the abysmal ending cocks everything up.  You should have seen me in the cinema; I visibly went from “Hell yes, bring on the sequel!” to “(exasperated groan), I guess I’ll see the sequel because I have to,” in the space of about 10 minutes.  Again, review will be set for tomorrow, so sit tight for in-depth thoughts, but man I was so disappointed by this one.

9] The Boxtrolls

$6,676,000 / $41,032,000

Oh.  Oh.  OK, remember last week when I said Laika were going to be OK?  I want you to disregard that and instead hit all of your panic buttons.  The budget is $60 mil, which it has only barely cleared thanks to foreign grosses, it’s currently sitting at less domestically than notorious under-performer ParaNorman, and The Book Of Life (side note: PLEASE DO NOT SUCK) is coming along next week to hijack its audience.  It may end up a hit on home video, which it deserves to be because Laika deserve all the success even with films that aren’t up to their usual standards, but I’m going to panic the f*ck out until somebody at Laika tells me I don’t need to.

10] Left Behind

$2,909,000 / $10,920,000

Still not going to make any obvious jokes at the expense of its title.  I am above that.  I have limits, y’know.

Dropped Out: This Is Where I Leave You, Dolphin Tale 2, Guardians Of The Galaxy, No Good Deed

Callum Petch couldn’t see he was the car you crashed.  Follow him on the Twitters (@CallumPetch)!