Today was the day I really felt I was covering a film festival. I had tickets for back-to-back showings, in the middle of the afternoon, on a Monday. There’s just something glorious about watching films when you’re ‘supposed’ to be at work.
I tweeted that I was prepared for an uncomfortable afternoon in Cineworld Screen 18, as I’d chosen to watch Compliance and The Paperboy in quick succession. What I wasn’t totally prepared for was how horribly my prediction would come true.
Compliance is inspired by true events [BEWARE – HERE BE SPOILERS], and is a study in authority and, as the title suggests, compliance. It is a technically well put together film, with a few excellent performances (particularly Ann Dowd as the restaurant manager, who essentially allows the events to happen). However, this was not an enjoyable film; watching it felt like a violation of my own body. If it actually had anything new or original to say on the subject of people unquestionably following orders from authority figures, then I might be able to admire the emotions it elicited. Instead, the story feels as if it is told purely to shock us, the cinematic equivalent of the stand-up comedian who tells a rape joke. Yes, some humans are abominable shits, but all Compliance feels capable of doing is confirming this fact without further understanding of what drives people to such behaviour. As it is, all that’s left for this movie to be is a piece of entertainment and, like The Human Centipede or A Serbian Film, I genuinely worry about the mindset of anyone who enjoys a film like this. Compliance: sometimes the story is better off staying a Wikipedia article.
The Paperboy was a little less shocking, but equally sordid in its tone. Set in 1960s Florida, it tells the story of sibling reporters (Matthew McConaughey and Zac Efron) investigating the conviction of a cop-killer played by John Cusack. Luckily this film just about holds it together, largely due to its impressive cast. McConaughey continues his recent career renaissance here, and Zac Efron proves to be more than a pretty face. Most entertaining though are Cusack (in a greasy, malevolent role that is his finest performance in years), and Nicole Kidman, whose turn as an Alamaba sexpot is the dark heart of the film. The film still contrives to be a bit boring at times, but the last 20 minutes are phenomenally tense and well executed.
Pick of the day for Tuesday 19th Feb – Breakfast with Curtis
If you fancy watching a film made by a unique writing/directing talent, filmed in the director’s house over a few weeks and starring their friends, well, you could try and blag a ticket to one of the sold-out screenings of Joss Whedon’s Much Ado About Nothing, or you could watch Laura Colella’s heart-warming Breakfast with Curtis.
Five years after an incident that caused a seemingly irreparable rift with his neighbours, online bookseller and care-free bohemian Syd asks their 14-year-old son Curtis for help recording a video blog. What follows is a beautiful coming-of age film about one of those seminal summers where rifts are healed, old secrets emerge, and boys finally become men.
Breakfast with Curtis is showing at 7pm at the CCA Cinema.
The Failed Critics coverage of Glasgow Film Festival is sponsored by Brewdog Bar Glasgow – providing award-winning beers and brilliant food in one of Glasgow’s friendliest bars.
We would have spent most of the festival there regardless, so we’d really like to thank them for their generous hospitality.