Tag Archives: these final hours

Owen’s 2015 in Film: Part 8 – August, You Slice

Another month on in his year in review series, Owen takes a look at some of the films that he’s seen this past August. As with each of the previous articles in the series, the month will be broken down by week, with a review of one arbitrarily chosen film seen during each period.

by Owen Hughes (@ohughes86)

these final hours 2015Anyone who has been following the website and podcast over the past few months might have noticed that for a little while now, we’ve been going a bit Danny Dyer crazy. Not, like, mugging off slaaaags as per his persona. I mean, we’ve been covering a lot of Danny Dyer stuff.

In last month’s article, for example, I talked about how his tweet at the Failed Critics meet up in July played a part in cheering me up after some rather gutting news. We then had our most popular individual episode since 2012 when we inducted Dyer into our Corridor of Praise. Basically, we haven’t shut up about him. Throughout August, particularly in the couple of weeks leading up to that particular podcast, I watched a boat load of his movies. I’ll try not to talk about them all here [if you really want you can read my short reviews of them all over on Letterboxd] to spare you from being subjected to the same material over and over again.

Instead, I’m going to kick off this month’s article by talking about something completely original for this series: a b-movie sci-fi horror…

…What?


Week 1 – Saturday 1 – Sunday 2 August 2015

Saturday – HARDWARE (1990); Sunday – [absolutely nothing]

hardware 1990In my July In Review article, the very last film I talked about was a documentary called Lost Soul. It follows director Richard Stanley’s doomed attempt to bring HG Wells’s novella The Island of Doctor Moreau to the silver screen back in 1996. It led to me immediately afterwards searching frantically online for a copy of said film to stream with no luck whatsoever. However, I did find Stanley’s two previous feature length movies available on Netflix, starting with his futuristic, dystopian, science fiction thriller Hardware. As you may have already ascertained from the title, the plot can essentially be boiled down to “cyborg gone bad”. It has the claustrophobic paranoia of Alien crossed with the relentlessness of The Terminator, made for a fraction of the cost of either film. Anyone who has been following these articles will know that during the past eight months, despite already having some degree of fondness for b-movies, one particular director, Albert Pyun, has really grabbed my attention of late. Richard Stanley’s Hardware is very reminiscent of Pyun’s style, with a nuclear ravaged world and killer-robot running rampage in an apartment, although it is somewhat smaller in scale. Where Pyun’s ambition is to always tell as epic an adventure as is possible, it maybe stretches him further than his budgets would sometimes allow. When he pulls it off, I love it. When he’s been a bit too ambitious, obviously it leaves his films rather painful to watch. Stanley seems as aware of his restrictions and tries to utilise them as much as possible. Hardware isn’t a perfect movie; indeed the last 20 minutes seem very repetitive and ends rather tamely. There are so many different ideas all crammed into an hour and a half that it convolutes things slightly too. But there’s a lot to admire here. Visually, I absolutely adored it. From the design of the robot to the red and orange tint across the picture, it is beautiful to look at all the way through. The world building is great to start with but kind of gets thrown out of the window at the mid-way point to turn it into a more close-knit horror, but is interesting all the same. All in all, despite knowing what happened to Stanley’s Island of Dr Moreau, Hardware just made me all the more keen to find it and question the reputation of it being one of the worst films ever made!


Week 2 – Monday 3 – Sunday 9 August 2015

Monday – Mission: Impossible – Ghost Protocol (2011)SOUTHPAW (2015)Tuesday – Mission: Impossible – Rogue Nation (2015), Fantastic Four (2015); Wednesday – Dust Devil (1992); Thursday – Top Gun (1986); Friday – Ginger Snaps (2000); Saturday – [absolutely nothing]; Sunday – [absolutely nothing]

southpawI could continue this Richard Stanley theme and talk about Dust Devil, his next feature after Hardware, but I won’t say any more than simply: I didn’t enjoy it as much. I could also discuss the two Mission: Impossible films that I enjoyed – alas, I found them largely forgettable and, as such, have… er… forgotten most of what they’re about beyond Cruise-gon’-Cruise. Instead, I want to explain why Southpaw was the film I was most looking forward to seeing this August and why it didn’t actually live up to my expectations. I actually picked Southpaw on our Summer Preview Podcast back in May, mostly because I was excited to see if Jake Gyllenhaal could improve on his performance in Nightcrawler last year. (Spoiler: it doesn’t.) The fact is, his performance is good enough to warrant a film like this; the way he transforms himself so he’s hardly recognisable in each role is thoroughly impressive. But Southpaw as a whole simply turned out to be a film that is just good enough. It keeps coming back to me. It’s just good enough. Good enough for me to have not felt like I’d wasted two hours in the cinema. Good enough for me to say it wasn’t disappointing. Good enough for me to have liked a lot about it. But it’s not great and I can’t quite put my finger on why that is. Perhaps the story is little more than OK, with a Rocky-meets-Raging-Bull quality to it? Boxing films do seem to follow a pretty standard pattern, whatever culture they’re from. It doesn’t matter if it’s South Korea’s Crying Fist or a very Clint Eastwood Million Dollar Baby; they are typically about a character falling on hard times, facing adversity and then redeeming themselves. Maybe the lack of anything new or original is why I’m struggling to think of any reason that this would be anywhere near my top 10 of the year so far list, despite not actually disliking it? It’s just good enough. Nothing more and that’s a real shame.


Week 3 – Monday 10 – Sunday 16 August 2015

Monday – Apocalypse Now (1979); Tuesday – [absolutely nothing]; Wednesday – [absolutely nothing]; Thursday – The All Together (2007); Friday – Devil’s Playground (2010); Saturday – The Other Half (2006); Sunday – Next Goal Wins (2014), WET HOT AMERICAN SUMMER (2001)

wet hot american summerLike a lot of other people, I have since found out, I too was tricked by the pretty terrible TV advert for the new Netflix prequel series, Wet Hot American Summer: First Day of Camp. It didn’t appeal to me at all, despite Callum raving about it on our podcast not too long back. The cast looked impressive, but it had something off-puttingly Scary Movie / Epic MovieMeet The Spartans / other-shit-parody-movie about it. However, I knew it had cult status and I fancied watching a comedy film – something that The All Together and The Other Half had failed to deliver earlier in the week! So, despite going into Wet Hot American Summer with some degree of trepidation, it actually delivered a very smart, mostly laugh out loud comedy full of self-parody, fantastic comic-performances and made me re-think how I’d interpreted that TV ad for the Netflix series. I’m certainly glad that I watched the film first as even though the show is a prequel (made 15 years after the first film – something hilarious in itself) it does have a heck of a lot of call backs and set ups for the movie that have great pay-offs that I otherwise would have missed out on. Also, I’m aware that they very rarely all appear on screen together, but to get some of this cast back on board is simply amazing. Elizabeth Banks, Paul Rudd, Bradley Cooper etc are all so much more well known now compared to back in 2001, yet still fit together like they’ve been planning a prequel show all this time. I highly recommend it for some quick consistent giggles and advise against letting that fucking advert put you off.


Week 4 – Monday 17 – Sunday 23 August 2015

Monday – The Island of Dr Moreau (1996); Tuesday – The Man From U.N.C.L.E. (2015); Wednesday – The Wraith (1986); Thursday – VENDETTA (2013)Friday – Dead Man Running (2009); Saturday – Soldier (1998), Piranha 3DD (2012); Sunday – Prince of Persia: The Sands of Time (2010)

VendettaIf I’m going to pick any Danny Dyer film to talk about in this month’s article, it’s got to be the revenge thriller Vendetta, featuring an appearance from James Mullinger and produced by Jonathan Sothcott, both of whom appeared on that Corridor of Praise podcast I mentioned at the top of the page. The plot is very straight forward as British soldier (Danny Dyer) goes AWOL, returning to the UK to catch the scumbags who have burned his parents alive. It’s very nicely shot, there’s a lot of violent revenge enacted on people who “deserve their comeuppance” (described by The Guardian as revenge-porn) and it’s entirely unapologetic about it. If that’s your thing, then you are quite likely to love Vendetta. It’s probably the most grown-up performance from Dyer who, although having the reputation as a geezer and/or gangster, is usually playing the likeable, fallible, boy-ish good looking fellow in a group, not the rampaging murderer. In this, he properly is the hardened cold-killer and nails the role. Paul Field basically pressured me into buying this on blu-ray and it turned out to be a good decision as it’s an entertaining low-budget British thriller. It’s actually a shame that there’s no sign of a sequel just yet as they can’t “get Danny out of Walford” for the foreseeable future.


Week 5 – Monday 24 – Monday 31 August 2015

Monday – The Business (2005), The Football Factory (2004); Tuesday – Outlaw (2007); Wednesday – [absolutely nothing]; Thursday – White Chicks (2004); Friday – THESE FINAL HOURS (2015)Saturday – The Guvnors (2014); Sunday – American Ninja 2: The Confrontation (1987), Sinister 2 (2015); Monday – [absolutely nothing]

these final hoursWe’ve talked about this Australian pre-post-apocalyptic (a genre term I’m pretty sure I coined) on the podcast in recent weeks, particularly as it was shown at FrightFest this year – although I actually found it on US Netflix. Written and directed by Zak Hilditch, starring Nathan Phillips (Wolf Creek), Sarah Snook (Predestination) and Jessica De Gouw (Arrow, Dracula), as mentioned on the pdocast it does start off a bit like a music video. You’re not really invited to connect to the story nor the characters as a series of expositional dialogue sets things up alongside a show of bright, shallow visuals. It’s safe to say that it didn’t grab me straight away and I immediately thought it’d be a tediously dull wasted concept. However, once I got past the opening credits and the first five minutes, things suddenly get very dark. Whilst on the surface it appears to be as bleak as hell about humanity when facing a crisis – hey, let’s all get pissed, do a load of drugs and party until our skin is burnt from our bodies in 12 hours time – it does showcase some brightness in how we interact with each other. That there’s good in some of us. As the protagonist James stumbles across a young girl who has been separated from her family (played brilliantly by Angourie Rice), he decides to help her find her dad; at first reluctantly, but eventually it takes him on a course to see visit his mother, make peace with some friends and discover something about himself (albeit a little bit too late!) As far as these stories go, it never quite gets as distressing as something like The Road, but if you’re into an apocalyptic story that doesn’t feature either vampires or zombies, this might just be for you.


And that’s it! I’ll be back next month to recap what I’ve been watching throughout September. Until then, leave a comment if you’d like or just ignore the entire article completely. Your call.

Failed Critics Podcast: Sharman & Other Filth

american_ultra_2015-1366x768Welcome to another edition of the Failed Critics podcast. This week, hosts Steve Norman and Owen Hughes are joined by Paul Field (making his first appearance since the Corridor of Praise: Danny Dyer episode) and Phil Sharman, one third of the award nominated comedy podcast Wikishuffle.

On top of the news about Danny Boyle confirming production will begin on Trainspotting 2, there are two new release films reviewed by the team this week; Nima Nourizadeh’s stoner comedy American Ultra, starring Jesse Eisenberg and Kristen Stewart, and the Statham-less Statham-vehicle Transp4ter (…no? AKA The Transporter Refueled.) As well as the new releases, Owen discusses the documentary Welcome to Leith (which is screening this week at the Cambridge Film Festival) with Paul, who also reviews Fort Tilden. Phil rewatches a recent favourite in The Adjustment Bureau and Steve follows up on a discussion from last week’s FrightFest summary by checking out Australian pre-post-apocalyptic thriller These Final Hours.

Fans of our classic debates will also be in for a treat as plenty of our most popular topics were brought up for discussion at various points! A conversation about the Netflix series Narcos somehow ends up as a rambling stream of thought about the BBC and future of broadcasting. The Transp4ter review leads into another rant about film classification. We even manage to squeeze in a quick chat on the merits of found footage horrors, American remakes of English language movies and a short quiz complete with dodgy fake accents.

Steve will be on holiday next week but you can join Owen and Phil again, who will be ably assisted by Jack Stewart and Andrew Brooker to review Legend, Me and Earl and the Dying Girl and The Visit.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

DIRECT DOWNLOAD LINK

Failed Critics Podcast: Straight Outta FrightFest

la-ca-0727-straight-outta-compton-003You are now about to witness the strength of street knowledge as four white boys from the UK discuss N.W.A. biopic Straight Outta Compton on this week’s Failed Critics Podcast. Joining crazy mother-flipper Steve Norman and another crazy arsed bad mother-flipper Owen Hughes on our latest episode is Andrew Brooker, a dangerous mother-flipper raising hell, and controlling the automatic is Mike Shawcross.

We’re not entirely as gangster as you might expect, believe it or not, as we kick off the podcast with a quiz and a short tribute to Wes Craven. We manage to express ourselves in a more dignified manner befitting four dudes sat around in their pants on Skype, late on a Tuesday night, during reviews of video-game adaptation Hitman: Agent 47, Nic Cage thriller Joe, the pilot episode of Fear the Walking Dead and James Cullen Bressack’s indie-horror To Jennifer.

On top of all that, we have a round-up of the good, the bad and the ugly that came out of this year’s Film4 FrightFest. Get your notepad and pen ready as Mike reveals everything you should be adding to your watch list over the next 12 months – including These Final Hours, Turbo Kid, We Are Still Here, Bait and loads more! I’m not exaggerating. LOADS more.

Join us again the same time next week as Paul ‘Slice’ Field returns to mull over No Escape and The Transporter Refuelled.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

DIRECT DOWNLOAD LINK

Film4 FrightFest 2015 Preview

It’s that time again where give the batteries in our torches a quick shake to get them working, brush the cobwebs out of the cellar doorway and gingerly tip-toe through the darkness and tap-tap-tap on the lid to the coffin where we keep Mike Shawcross. Come on, Mike. Time to wake up, drink the blood of a few buxom-virgins and tell us what you’ll personally be seeing at this year’s FrightFest, following yesterday’s announcement from Film4.

by Mike Shawcross (@Shawky1969)

Another year, another FrightFest and the UK’s première genre festival continues to grow and grow. In its 16th year it continues to impress with what looks to be an incredible line up, another screen and more parties. There does seem an aspect to bring the FrightFest community together with a few more social events. The Duke Mitchell Club was fantastic fun last year and one event I will be visiting this year. We have a Karaoke party as well (not for me!)

As for the films, so many I want to see, so many I’m going to have to miss out on… bigger festival more choice, bigger headache. Over the last few years the Discovery screens have shown the breakout films, the gems people talk about for weeks to come. The Borderlands was last year’s big discovery film; I wonder what will it be this year?

turbo kidOpening night brings monster wasps with Stung, post-apocalyptic sci-fi Turbo Kid and Irish witch-horror Cherry Tree; although personally I think Turbo Kid stands out here. Friday on the main screen and highlights look like We Are Still Here, a ghost story with vengeful spirits [which Paul Field recently raved about on the Failed Critics Podcast]. James Wan delivers more horror as producer on Demonic. I do like his work so will be staying in my seat for this one. Hellions looks interesting, starring Chloe Rose as she attempts to survive from trick-or-treaters from Hell on Halloween night. In the discovery screen 1 – Aaaaaaaah! from Steve Oram looks worth a watch, starring Toyah Willcox. Horror-comedy Bloodsucking Bastards is another one I’ll be checking out. DS 2 (Discovery Screen 2) we have III, a Russian film blending religious iconography with a violent disease, which I’ve been interested in for a while, and Final Girl, which sounds fun with Abigail Breslin as a lethal assassin hunting down a gang of murderers preying on young females! Creature-feature The Sand I may be staying off the beach for…

I’ve told you there is far too much choice! In DS 3 on Friday Zombie Fright Club could be great fun! Martial arts and zombies? Of course I’m IN! Body looks a possible selection as well as three girls break into the wrong mansion. As for the Eugene McGing’s haunted house mystery thriller The Unfolding…? I’ll wait to see what people think of that one first!

Into Saturday then and Shut In might be worth the early morning watch, starring Macaulay’s brother Rory Culkin. Bait is Dominc Brunt’s (you know Paddy from Emmerdale) second feature as a director; a true-life crime thriller starring Victoria Smurfit. Frankenstein has a strong cast with Carrie-Ann Moss, Danny Huston, Tony Todd and Xavier Samuel, directed by Bernard Rose (Candyman) and I fancy this one. Black magic goes awry in Deathgasm which sounds fun and, depending on if I get in, the Film4 screen is perfect for late night horror. If you like documentaries then there is Future Shock! The Story of 2000AD in DS1. I tend to miss them as I prefer feature films, but I’ve heard extremely good things about this documentary. The Hallow sounds like a must see film; a success at Sundance and directed by Corin Hardy (who will direct The Crow reboot), set in Ireland this horror film is full of demonic monsters in the woods. I’d love to see the zom-rom-com Night of the Living Deb, featuring Ray Wise, but it will clash with Deathgasm… choices, choices, choices! DS2 shows Another Me, starring Sophie Turner (Game of Thrones) stalked by a doppelgänger, which looks good. DS 3 screens a few retro showings and the Duke Mitchell events!

Sunday and, after the success of The Babadook, Inner Demons must be worth a visit. I’ve seen these kinds of films before at FrightFest, but a Christmas horror story surprisingly doesn’t really seem out of place in August and is another to consider.over your dead body

I can’t resist a Takashi Miike film, so looks like I’ll be in the DS 1 first thing for Over Your Dead Body. More end of the world drama in These Final Hours and Summer Camp (from the team behind [REC]) may be worth viewing. Think I’ll miss high-school reunion slasher Most Likely to Die. Over in DS 2 more retro screenings with Captain Kronos: Vampire Hunter, cult fantasy film Hawk The Slayer and 80’s classic Hellraiser…. All of which I’ll miss! April Mullen has a second film at FrightFest after showing 88 in Glasgow earlier this year. I liked action-thriller 88, so on that basis alone I may look at Farhope Tower, even though not much more information has been released about this yet.

Monday is the toughest day of the festival! The twisted comedy about a sarcastic ex-girlfriend coming back from the dead, Nina Forever, looks interesting – as does the UK première of Emelie. And then we have one of my highlights – Tales of Halloween, the closing film and an anthology film, with directors Adam Gierasch, Axelle Carolyn, Neil Marshall and Lucky McKee joining in the fun. Big film to end on.

DS1 presents Paul Hyett’s Howl (which I saw a trailer for in Glasgow) and sees a group trapped on a train overnight with an unknown create – and I think I’m going to give it a go. The Lazarus Effect in DS 2 has a decent cast with Olivia Wilde, Mark Duplas and Sarah Bolger (who is also in Emelie) and sounds like a modern day Flatliners. In DS 3, Banjo (from FrightFest regular Liam Regan) is showing, starring Laurence R. Harvey and Dan Palmer – this will be on my list!

This year there will be 3 short showcases. I have to mention these as (and unashamedly plugged) I have worked on three films which have been sent for selection, so I may be in a couple of these showcases!!!!

Overall a hugely impressive line-up. You can listen to me and the rest of the Failed Critics on the podcast [to be released on 3rd September] as I uncover the best and worst of the festival for 2015!

Film4 FrightFest will be held in London on 27th – 31st August 2015 and you can find more details on their website. Tickets go on sale at noon tomorrow.