Tag Archives: Unfriended

US Box Office Report: 08/05/15 – 10/05/15

Age of Ultron drops like that one thing from the movie that I can’t specify cos spoilers I guess, Hot Pursuit has lost ‘em, The D Train has been cancelled, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Continuing to very much embody and experience the effects of the younger sibling of the family – in that it comes along after a successful first effort that everybody loves, has unreasonably high expectations fostered upon it that it unsurprisingly doesn’t live up to, ends up vocally liked a whole lot less than its older sibling, and eventually grows up to be a miserable burnout who never received the love and compassion that could have stoked its drive to succeed and do something great with the world, YOU MONSTERSThe Avengers: Age of Ultron managed a second weekend of only $77 million for first place, $26 million less than The Avengers’ second weekend.  (*takes deep breath*) CINEMA IS DOOOOOOOOOO-

In non-superhero news, because such things do actually exist nowadays believe it or not, Hot Pursuit came out!  You know, that Reese Witherspoon/Sofia Vergara buddy-movie?  Fronted by women, directed by a woman, aimed at women, things that are still unfortunately rare in this damn industry?  The one that looks like (and, by all accounts, is) total garbage?  Yeah, that one!  Well, it’s a dud.  Despite canny counter-programming placement and an apparently decent marketing campaign, it turns out that those toxic reviews caught up with it after all, so its second place finish came from a paltry $13 million.  Maybe everybody was saving their money for Pitch Perfect 2 next weekend instead.

(Side bar: If Pitch Perfect 2 bombs, I am going medieval on everyone’s asses.  Consider yourselves warned.)

Meanwhile, in the land of limited releases…  things were rather miserable here, too, actually.  I’m starting to believe that people actually were saving their money for Mad Max: Fury Road and Pitch Perfect 2 next weekend.  Doing the worst of the lot and opening on the most screens of the lot was The D Train which built its marketing campaign around Jack Black and a twist that anybody could figure out purely by looking at the goddamn title.  It did horrendously, only managing $469,000 from 1,003 screens for a per-screen average of $465.  That makes it the 17th worst opening weekend for a wide-release film ever and puts it below even Men, Women & Children in terms of per-screen averages.  Poor, poor Jack Black.  I was looking forward to christening his career resurrection “Back In Jack Black” but I guess everybody figured that would happen and decided to snuff out the whole concept to be safe.

Speaking of actors pushing themselves out of their comfort zone only to be slapped down violently by an uncaring public who just want the monkeys to dance for their amusement, dammit, Arnold Schwarzenegger tried acting in a moody zombie drama called Maggie this past weekend where, by all accounts, he actually acted instead of just chewing scenery!  This, however, is not the kind of sh*t the public pay to see Arnie do, dammit, and so the film could only manage $131,000 from 79 screens for a sub-$2,000 per-screen average.  Not even “pleasant” movies were saved from general public apathy as the Morgan Freeman/Diane Keaton comedy 5 Flights Up found out the hard way, only mustering up $234,000 from 87 screens for a $2,690 per-screen average.  The only success from this weekend was I Am Big Bird which managed a $10,000 per-screen average… from its singular screen.


maggie

We’ll head off this Full List at the pass, boys!

Box Office Results: Friday 8th May 2015 – Sunday 10th May 2015

1] The Avengers: Age of Ultron

$77,203,000 / $312,589,000

This will pass a billion next week.  Three words my friends: Chinese opening weekend.  Mad Max doesn’t have a release date over there yet, and Tomorrowland doesn’t drop until the very end of May.  Consider this Open Season for The Avengers on the Chinese box office.  I really need to find the time to see this again in cinemas before the utter mayhem that is Summer Movie Season 2015 boots this to home media.

2] Hot Pursuit

$13,300,000 / NEW

Disappointed but not at all surprised to hear that this is garbage.  I watched that trailer, too, and it was around about the time jokes were made about how Reese Witherspoon is short (ha!) and Sofia Vergara is over-40-and-therefore-ancient (HA!) that I realised, despite all my best hopes, that this would be pure garbage.  Sigh.  Hurry along, Pitch Perfect 2.  Show the rest of cinema how to do this sh*t right.

3] The Age of Adaline

$5,600,000 / $31,529,000

Saw this this past weekend and I was so close to liking it for what it is – a film that wastes its thematically rich premise on a bog-standard love story with an infinitely better melodramatic subplot at the halfway point – but it loses points for having a lead male protagonist who only gets the girl because he keeps forcefully inserting himself into her life despite her objections, wearing her down until she finally goes on a date and realises how dreamy he is.  Serious question: how goddamn hard is it to get a romance story that’s actually friggin’ romantic, huh?!  Surprisingly great Harrison Ford performance, though.

4] Furious 7

$5,272,000 / $338,420,000

When actuals came in last weekend, this did beat Adaline after all.  Might even happen again!  Who knows?  Not I, for I am neither psychic nor particularly bothered.

5] Paul Blart: Mall Cop 2

$5,190,000 / $58,075,000

Oh, just fuck off already.

6] Ex Machina

$3,470,000 / $15,722,000

This expanded to another 725 theatres this past weekend, putting it up to 2,004 total, hence why it’s made a fair bit more money than last weekend.  I mean, its per-screen average isn’t particularly great but, again, this is a hard sci-fi that’s expanding purely on word-of-mouth and with little advertising behind it.  I think we can agree that this is doing fine.

7] Home

$3,000,000 / $162,116,000

Up to $330 million worldwide which makes it currently the 18th highest grossing DreamWorks film worldwide.  It will pass Over The Hedge this week but Shark Tale seems more than a little out-of-reach, and it’s still made less worldwide than notorious flop Penguins of Madagascar.  No, I won’t stop worrying about DreamWorks Animation.  I feel like a parent with a kid at Secondary School – the kid is more than likely fine and capable of taking care of themselves, but I’m going to keep worrying regardless.

8] Woman In Gold

$1,652,000 / $26,978,000

The Voices is available on DVD and Blu-Ray from all good retailers on July 27th.

9] Cinderella

$1,574,000 / $196,116,000

OK, I am completely out of things to say for most of this list.  Can the rest of May hurry up please so that I get some fresh material?  Not too quickly, mind, I still have 5 uni essays to do in the next 8 or so days, but, y’know, soon.

10] Unfriended

$1,412,000 / $30,943,000

Lucy was sufficiently impressed with this when she reviewed it for Screen 1 – if you missed the episode, you can listen back here – which, coupled with the generally positive responses I have heard from other people, has led me to believe that this isn’t a total waste of time.  I’ll find out for myself on DVD then, I guess. [Owen: Also, we covered this on our recent podcast and apparently have a very different opinion to Callum’s colleague]

Dropped Out: The Longest Ride

Callum Petch will do this one himself.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!

Failed Critics Podcast: Unfriending the Monsters

infernalWelcome to another episode of the Failed Critics Podcast! Our special guests this week are Mike Shawcross and Andrew Brooker (that we know of, there could also have been a spooky spectre lurking on our Skype call) who join our regular hosts Steve Norman and Owen Hughes.

We review two new releases, the cyber-slasher Unfriended and the “infuriating” Monsters: Dark Continent alongside our usual quiz, news and ‘what we’ve been watching’ sections. The latter of which sees Steve finally complete the Harry Potter franchise, dropping the mic at the suggestion of a proposed remake; Mike reminds us all how good Crouching Tiger, Hidden Dragon is; in full old man moaning mode, Owen apologises for disliking Bryan Coyne’s Infernal; and Brooker gets disappointed with Gareth Edwards’ Monsters.

Much like the past few weeks, our news section is dominated by Marvel and particularly Age of Ultron, which has run away with the recent US box office records and smashed them to bits. However, DC manage to squeeze in on the action with the emergence of the first images from their new project, Suicide Squad.

Join us again next week for a top secret triple bill and new release review of Spooks: The Greater Good.

LISTEN VIA ACAST FOR THE MOST INTERACTIVE EXPERIENCE

DIRECT DOWNLOAD LINK

US Box Office Report: 01/05/15 – 03/05/15

Age of Ultron makes all of the money but not ALL of the money so cinema is officially doomed, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

Heading into this weekend, Disney and Marvel Studios were probably preparing the Scrooge McDuck money bin for the inbound GDP of multiple small countries that would make up the opening weekend total of Age of Ultron.  After all, it’s not like they’ve been quiet about the fact that the film was inbound – I’m waiting for somebody to piece together the movie from the endless promo clips that Marvel released for this thing, like what happened with The Amazing Spider-Man 2 – it’s The Avengers, and it’s not like there was anything else out this weekend.  Or the weekend before that.  Or the weekend before that.  What was everybody going to do, watch Furious 7 again?  They probably felt like Shane McMahon; “here comes the mon-ay!

Well, the mon-ay came, but not in the Earth-shattering quantity that we all unreasonably expected it to.  Age of Ultron opened in first, and accounted for 85% of the weekend’s domestic box office, but it didn’t beat The Avengers’ $207 million opening weekend.  In fact, it didn’t even come close, finishing with $187 million.  I mean, it’s understandable, the first Avengers was an EVENT MOVIE of epic proportions, the first time that we could see all of these guys (and girl) together on screen in the same movie.  By simple fact of it happening again, Age of Ultron is only an Event Movie, and no amount of excess marketing saturation can change that.

Then there’s also the fact that everybody seems very much more divided on this instalment than the first one.  I mean, not so much audience-wise – it got an “A” on the shaky silly CinemaScore metric – but critically, definitely.  I mean, I’m probably going to be on the minority side of things with regards to my critic friends by liking it, and this divide will likely bleed over into the general public, too.  Plus, some sh*tty boxing thing happened this weekend or something, and there’s only one thing that captures the American public’s slovenly attention quicker than movies…  It’s sports, I’m talking about sports.  Besides, this is still, by a considerable margin, the second best opening weekend in America ever, and the film is already up to $436 million overseas with China still to go.

However, Age of Ultron did not beat The Avengers in its opening weekend and May is incredibly crowded with regards to films – basically guaranteeing that Ultron won’t match The Avengers’ total – so cinema is now doomed forever.  The superhero bubble has burst, folks!  Marvel Studios are over the hill!  Their films aren’t as good as they used to be, they can’t beat opening weekend records anymore, and they only made all of the money instead of ALL of the money!  They’re finished, the genre is finished, this whole goddamn medium is finished!  If even Marvel can’t make ALL of the money, anymore, then what hope is there for the rest of us?!  WHAT, I TELLS YA?!

Oh, yeah, and Far From The Madding Crowd opened in limited release this weekend.  $172,000 from 10 theatres.  Snooze.


age of ultron

There are no strings on this Full List.

Box Office Results: Friday 1st May 2015 – Sunday 3rd May 2015

1] The Avengers: Age of Ultron

$187,656,000 / NEW

Yes, even with a per-screen average of $44,000, Age of Ultron is still a failure!  …yeah, OK, I’m gonna stop that now.  I am serious though when I say that I don’t think Ultron is going to match The Avengers’ total, at least domestically.  The first film had nothing serious to challenge it for three weeks, and even then I don’t think we all expected Men In Black III to perform that well, but Ultron has the combined onslaught of Mad Max: Fury Road and Pitch Perfect 2 in 11 days, with Tomorrowland the week after.  Even if one of those bombs – hint: it’s going to be Tomorrowland, get the disappointment out of your system now – that’s still two films taking a chunk out of its box office.  We’ll see, I guess.  Man, this Summer is stacked!

2] The Age of Adeline

$6,250,000 / $23,424,000

Wait, this actually beat Furious 7?!  I mean, I sort of saw this coming since this has only been out for two weeks and Furious 7 has been out for over a month, but still.  Huh.

3] Furious 7

$6,114,000 / $330,539,000

Up to $1.4 billion worldwide, now the 4th highest grossing film worldwide of all-time, has successfully made $1 billion purely from foreign markets, and is closing fast on The Avengers’ $1.5 billion.  It might actually get there, but this going to go right down to the wire.  I still can’t get over the fact that all of this originally came from a silly mid-budget Point Break riff from 2001.

4] Paul Blart: Mall Cop 2

$5,500,000 / $51,186,000

So, last Thursday, I was given the opportunity by my university to go down to London, attend a press-only screening of Pitch Perfect 2, and have a 20 minute roundtable interview with the film’s director (and movie star in her own right), Elizabeth Banks, afterwards.  I have been wanting to shout about that day and that whole experience since I found out about it that Tuesday, so finally getting to spill today has been incredibly cathartic.  At the risk of sounding unprofessional, the day was incomparable – mainly because it proved that I could do this for a living if the opportunity were presented to me – and you can read all about it and the interview here.  The full interview transcript will be posted over at The Hullfire soon enough, but there’s a Pitch Perfect 2 review for you to read in the meantime!

Yes, I am talking about something that makes me happy instead of Paul Blart.  Why wouldn’t I?

5] Home

$3,300,000 / $158,132,000

Home finally opened in China last week, where DreamWorks films have often done well recently… and only made $8 million.  It is now up to $326 million worldwide, though.  Still, MAKE MORE MONEY FASTER, DAMMIT!

6] Cinderella

$2,357,000 / $193,651,000

Wait, seriously?  This re-entered the chart?  From the no. 12 slot?  Man, this was a bad week to be a non-Avengers film.

7] Ex Machina

$2,231,000 / $10,868,000

Surprising no-one, not even art house patrons could resist the allure of Ultron, since all art house patrons must be able to butt into conversations about blockbusters and explain in great detail why they suck horribly.  In any case, Ex Machina was never going to be a film that made a giant expansion in audience moneybills, anyway, so the fact that it’s doing $10 million worth of business already is good enough, I feel.  Yay for Alex Garland!

8] Unfriended

$1,988,000 / $28,531,000

I don’t think Lucy’s seen this yet, so I’m going to withhold having an opinion until I’ve heard from her.   What?

9] The Longest Ride

$1,700,000 / $33,240,000

Should probably clarify that I don’t think Age of Ultron is perfect – god, no, it’s a mess – and that having reasonable complaints about it is fine.  I just don’t understand why people who hate a certain genre or series, know that they will hate the latest instalment, and spend all of their time prior to seeing the thing complaining about doing so, would voluntarily… (*author remembers that this is what he does on an astoundingly frequent basis*)

I’ll be quiet now.

10] Woman In Gold

$1,681,000 / $24,588,000

The Voices is available on DVD and Blu-Ray from all good video shops on July 27th.

Dropped Out: Get Hard, Monkey Kingdom

Callum Petch didn’t mean to make you cry.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!

US Box Office Report: 24/04/15 – 26/04/15

The Age of Adeline is not upon us, Little Boy makes child-sized money… basically, filmgoers opted to not see the crap that came out this week, and Other Box Office News.

by Callum Petch (Twitter: @CallumPetch)

…look, nothing came out this week.  It’s the weekend before The Avengers, or it is the weekend of The Avengers if you live in the specially designated half of the world, and every movie studio worth their salt knows that you release jack in the week before and after that Galactus-sized money-hoover.  After all, what’s the point when The Avengers will just swallow up any and all potential revenue for your film near-immediately?  This does make me question why Mad Max: Fury Road and Pitch Perfect 2 are opening two weeks after instead of three to make absolutely certain that they can bank a nice amount of cash… but, then, I’m not the guy who has to deal with the utterly ridiculous Summer 2015 release schedule, so what do I know?

In fact, side note: can 2015 just end after the weekend of May 15th?  Like, just stop and move onto 2016?  I’m seeing Mad Max: Fury Road and, more importantly, Pitch Perfect 2 on the same day with the bestest and closest friend I have, who’s also staying for the weekend.  The year’s not going to get any better than that, it may as well just pack up and go home.  Anyways…

So, since nothing came out, audiences decided to take one last ride with Vin Diesel, Paul Walker and the whole gang before The Avengers supplants the “surrogate family”-driven film fix that we all so desperately crave.  Furious 7 held onto the top spot for the 4th weekend in a row with $18 million in ticket sales.  Close behind it – OK, about $2.5 million behind it, but that’s still way too close for me – was the excretable Paul Blart: Mall Cop 2 which somehow retained 65% of its opening weekend audience and came away with $15.5 million in ticket sales.  It’s still trailing how the first Paul Blart was doing at this time by about $20 million, but that still doesn’t guarantee that we are safe from a sequel just yet.  I mean, we already got one!  I now have to go through my life in constant fear that Kevin James might force another one of these upon me!  I don’t like living in fear, you guys!

In any case, some films did come out this week.  It’s just that, like Paul Blart, they all stank to high heaven.  Widest-releasing, and therefore the one that actually charted, was The Age of Adeline, a film so confident in its construction and qualities that it actually lists one of its two screenwriters twice on its poster.  (EDIT: my good friend Jackson Tyler has informed me that it’s a WGA thing.  Still seems weird and ridiculous, mind.)  It actually beat Furious 7 on Friday, until everybody collectively realised that they could be watching good movies instead, where upon it finished the weekend in third with about $13 million in ticket sales.  Next up was Little Boy, a film that… you know what, how about I just post the Wikipedia synopsis and see how long it takes for you to realise why this film has not exactly won over the critical press…

The story centers on a 7-year-old boy, Pepper Flynt Busbee, who uses magic powers produced by his faith to end World War II and bring his father home.

yeah.  It only managed $2.8 million from 1,045 screens for a pathetic $2,708 per-screen average.  Then we have Russell Crowe’s directorial debut, The Water Diviner.  Despite, according to himself, being a much more talented movie director than any other movie director alive today, because he’s been in 41 movies which means he knows more about directing than someone like Ridley Scott, nobody much seemed to care about his movie.  The film managed a meh $1.25 million from 320 screens and a sub-$4,000 per-screen average.  But, hey, at least it wasn’t Child 44!  Poor, poor Child 44.  I’d feel kinda bad for both of these films if they weren’t so uninterestingly rubbish.


furious 7 2

The age of this Full List is none of your business, you rude young man!

Box Office Results: Friday 24th April 2015 – Sunday 26th April 2015

1] Furious 7

$18,259,000 / $320,536,000

This will close having out-grossed 2014’s actual Highest Grossing Film Domestically, The Hunger Games: Mockingjay – Part 1, and what is technically its Highest Grossing Film Domestically, American Sniper.  More importantly, this week, and this is even with Age of Ultron coming in hot, it will become the 4th highest grossing film worldwide of all-time and has a good shot of closing extremely close to The Avengers’ $1.5 billion.  Once again, if I see ANY “The Box Office Is DYING!” think-pieces this year… words have not yet been invented that can convey the strength of my response.

2] Paul Blart: Mall Cop 2

$15,500,000 / $43,950,000

Now, I realise that I didn’t provide an actual professional or traditional review of this film when I subjected myself to it a few weeks back.  Some of you may wish for a second review, one that actually discusses the movie and properly conveys its various qualities and failings.  Well, you are in luck, cos I’ve got one right here for you!  Are you ready?

(*hits head on desk repeatedly for about 5 minutes*)

That’s your professional review of Paul Blart: Mall Cop 2.

3] The Age of Adeline

$13,375,000 / NEW

Age of Ultron has already banked $201 million at the countries it managed to roll out to this past weekend.  Think it has any chance of breaking $2 billion?  Think it has any chance of breaking the $200 million opening weekend the first Avengers had in America?  All of this, I feel, depends on whether everybody agrees with Owen – who really doesn’t like it and is wrong – or myself – who finds it great but doesn’t love it like he did the first one, and is right.  Time will tell soon enough, folks.  Time will tell.

4] Home

$8,300,000 / $153,784,000

Despite being a legitimate success, Home has only just now been able to double its production budget worldwide.  Goddamn, even when they have a success, DreamWorks are still constantly teetering on the verge of oblivion!  Kung Fu Panda 3 was moved to late-January, recently, and I’m still worried that that’s going to crash and burn!  Do you see what you’re doing to me, DreamWorks?  DO YOU?!  Don’t you dare go dying on me now, ya hear!

5] Unfriended

$6,244,000 / $25,158,000

So this is apparently actually good?  Well, not if you believe the public – this has plummeted 60% between weekends – but the public wouldn’t know a good horror movie if it appeared out of nowhere and inflicted some kind of blender-based violence upon them; they mostly rejected It Follows, after all.  According to critics and horror fans, this is apparently rather good.  Huh, colour me surprised.  I’ll know for certain, in any case, when I subject Lucy to it this coming Friday.

6] Ex Machina

$5,441,000 / $6,920,000

Oh, yeah, this movie!  This actually expanded nationwide after a string of strong reviews and a fantastic pair of limited release weekends, so for a hard sci-fi with next-to-no real advertising behind it and only critical and art-house buzz this is a really good performance!  Yay for Alex Garland!  I don’t love this film like everyone else – mainly because, in typical Alex Garland fashion, he drops the ball on the ending, and there are a few structural choices that undermine its strongest thematic through-line – but I’m happy to see him do well.

7] The Longest Ride

$4,365,000 / $30,398,000

This has now done better than The Best (THE BEST THE BEST THE BEST THE BEST THE BEST) of Me, but is still one of the lowest-grossing Nicholas Sparks adaptations ever.  Can we finally put this guy’s brand/schtick out to pasture now?  Please?

8] Get Hard

$3,905,000 / $84,066,000

Because I know that some of you are curious: “Lucy” is Lucy Meer, my co-host of Screen 1, Monday nights at 9PM BST on Hullfire Radio.  The fact that you don’t know that means that you don’t listen, and that fact hurts my feelings.

9] Monkey Kingdom

$3,551,000 / $10,258,000

Monkeys are amazing.  That is all.

10] Woman In Gold

$3,501,000 / $21,635,000

The Voices is available on DVD and Blu-Ray from all good video shops on July 27th.

Dropped Out: Insurgent, Cinderella

Callum Petch can’t read about it, burns the skin from his eyes.  Follow him on the Twitters (@CallumPetch) and listen to Screen 1 on Hullfire Radio every Monday at 9PM BST (site link)!