Tag Archives: Warcraft: The Beginning

Failed Critics Podcast: Take-a-Break Hour

the nice guys

Welcome to this week’s Failed Critics Podcast where hosts Steve Norman and Owen Hughes were joined by both Callum Petch and Andrew Brooker to review three new releases!

Book-ending Callum’s film-reviewing life in education with trips to Wonderland, he reveals that Tim Burton’s Alice in Wonderland is the worst blockbuster of the 2010’s – and why Alice Through The Looking Glass is no better. We also review Warcraft: The Beginning, confusing Steve no end as he can’t tell the difference between it and Warhammer (direct your outrage to @FailedSteve). Finally, we collectively agree that Shane Black’s noir-comedy The Nice Guys is nice, guys.

Before all of that in What We’ve Been Watching:  Owen puts on his shades and sees They Live for the first time (in years);  Brooker peels himself away from the PCC in London after a big-screen showing of True Romance;  Callum completes his own Tarantino collection with Inglorious Basterds;  and Steve stops watching football documentaries for two minutes to take in Will Smith’s portrayal of Muhammed Ali in the biopic of the legendary sportsman’s life.

The quiz this week was a little different to normal, as Steve, Callum and Brooker had the full length of the episode to work out the following 10 anagrams, all of which relate in some way to The Nice Guys:

1 – Teardrop
2 – Anal Hole Wept
3 – Usable Cyst Tooth
4 – Screw Sue Roll
5 – Inches Ye Tug
6 – Gas Ring Only
7 – Gamin Be Irks
8 – A Sank Belch
9 – Ah, Kiddie TV
10 – Iron

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Warcraft: The Beginning

warcraft

“A new warrior for the horde.”

May 2006, nerds across the world jizz in their pants as they hear that Blizzard have finally decided to sell the rights to undoubtedly their most profitable product, Warcraft.

Years and years of development hell and being on the brink of cancellation has haunted film and game fans to the point we’d all given up on ever seeing it hit the light of day.

Then, in 2013, cult director Duncan Jones (the man behind Moon and Source Code) announced he’d be taking on directorial duties and even I got a little bit excited for the seemingly imminent release of the fan favourite adaptation.

May 2016, I’m finally sitting in one of the UK’s earliest general release shows for the third video game adaptation is half as many months with those same fans, wearing the same spunk encrusted pants from ten years ago, having barely mustered up the will to turn their computers off and the energy to leave the house. I’m sat with these sad fools, hoping that the film I’m about to watch isn’t a massive bag of wank.

Disclaimer: I am a former Warcraft player. I gave up right around the point that Blizzard stopped supporting Warcraft III and instead focussed on their subscription based RPG. So while I may have once had some knowledge of the lore of this series, I have gone in as a film-fan – and not a fan of the series.

With their world dying and their race on the brink of extinction, the fearsome Orcs utilise the powerful magic of their sorcerer leader, Gul’dan, to open a portal to another world. Powered by dark magic that needs life to fuel it, the portal can only be opened long enough to allow the Orc’s best warriors through to the peaceful land of Azeroth. There, they will build a settlement and create another portal to bring the rest of their race through. As the Orc army start to cut a path through the lands they’ve invaded and collect prisoners to power their new portal, word gets to the leaders of Azeroth of the invasion.

With news of the invasion comes panic. As the rulers and commanders of the land mobilise against this unknown enemy, King Wrynn (along with his friend and advisor Lothar) plan to tackle the Orcs head on and try to purge them from their world before too much damage can be done.

Plans go sideways on both sides of the battle and as the plans of all parties are revealed, both the humans and Orc clan chief Durotan – along with a few of his smarter clansmen – realise that the best (and indeed only) way that this war ends well for anyone is to work together to try and find a solution to their troubles.

Where to begin, where to begin, where to begin….

Warcraft isn’t as bad as I was expecting it to be going in. That’s not to say it’s good; it’s pretty crap. But it has a few almost redeeming features that almost make it worth going to see. But unfortunately the bad points certainly heavily outweigh the good.

The film seems completely unfocused in its attempts to tell a story. The problem with having more than half a dozen “main” characters, all with their own story to tell and fighting for screen time means that no one really gets to have a decent crack at making me care about them. There’s no time to get invested in anyone’s predicament and no time to get to know anyone before your smash-cut to the next guy that wants to try for your attention.

And when you’ve got such a rich lore and such a well put together world as your source material, to not give it a chance to be on the big screen for us all to see is a real shame. Warcraft spends far too many of its opening minutes flicking between a whole butt-load of different locations, seemingly just to give the filmmakers an excuse to flash a bunch of in-game place names to prove that the guys making the film know what they’re talking about. “Please guys. Believe us. We have read a Warcraft wiki and the back of the game box. We can prove it.”

Almost as much of a travesty is just how much talent is wasted by this film. I’ve been a fan of Vikings‘ Travis Fimmel for a long time; but as Lothar he just seems like a cheap version of the Ragnar character that I love so much. And even when the big, significant character arc pieces happen, I simply don’t care because I haven’t been given the appropriate amount of time with characters to care. The same can be said for Dominic Cooper’s King, a man that somehow looks like a teenager dressing up like a Shadow of Mordor character for Comic-Con and has about the same amount of range.

Yes, I’m bringing up Lord of the Rings. Tell me this wasn’t greenlit after LOTR was a success, I dare you.

With Toby Kebbell unrecognisable on voice duty for Durotan; Ben Foster as super-duper human wizard/guardian Medivh; and Clancy Brown and Daniel Wu bringing up the rear as barely recognisable, wasted voice casting, Warcraft has a shit load to answer for.

But it’s not all bad. In fact, some of it is rather good. Front and centre of this piece is of course the CGI and how it’s used. Durotan and his Orcs look absolutely amazing, the attention to detail in the character design is flawless and everyone looks like an individual. Closely tied to that are the couple of immense battle scenes that look superb. Filmed from an awesome angle that makes it look like any of the massive in-game battles players could have seen in the decades of playing Warcraft and taking control of game after game after game.

Basically, what I’m saying, is that it’s like that bit in the Doom movie where the camera went first-person. But not utter shit.

Finally, and I am very aware that I’m harping on about the CGI, but it’s definitely worth talking about, is the couple of one-on-one fights in the film. Whether Orc vs. Orc, or Orc vs. Human, the fighting looks great. I won’t go far as to say that you forget that you’re looking at a computer generated monster, but it certainly looks good enough to immerse you in the moment, and that’s all that really matters.

Duncan Jones shows some real flashes of genius with Warcraft: The Beginning. But sadly it’s just not enough to quite break the curse of bad game-to-film adaptations. I’m very aware that this is likely to be one of those “for the fans” kind of films, and considering the veritable smorgasbord of complete fuckwits in the screening with me last night, I’m glad I’m not one of those fans – seriously.

I would love to review the collection of wet, lumpy farts I was sharing the screening with. I could get an essay out of tearing them apart! But when your film costs this much, you need to put more effort into not alienating general filmgoers and not just delivering fan service to those hordes of people that refuse to leave their damn computer desks.

Like I said before, Warcraft isn’t as bad as it could have been. Some poor character choices, worse story-telling decisions, and the part where it blatantly tees up a sequel (with an opening shot it refused to revisit and an ending that isn’t anything close to an ending) left me with a shitty taste in my mouth.

And the worst of this film’s crimes? Crimes against the film and against its legacy?

You want to guess?

It tries so hard not to be Lord of the Rings that it completely forgot to be Warcraft.

Front Row with Owen and Paul: Cover Issue

Front Row Logo

Welcome to this week’s episode of Front Row with Owen and Paul. Unfortunately, due to more technical issues, the live Bucks101 Radio show didn’t go out again this week. Not to worry, you can still catch all the best bits from the programme on this very podcast!

Well, all the best bits apart from the music. On the podcast, you still. Don’t. Get. The Music! Which this week saw Owen and Paul choosing cover versions of songs that you might not necessarily have known were covers. However, you can listen to all the tunes on our YouTube playlist below.

Before all of that, why not listen to Owen review the latest video game to be adapted into a feature film in Warcraft: The Beginning. Paul also brings his usual sports round-up including a look at those who made and didn’t make the England squad.

Playlist:

Right click to download the episode as an mp3